Spain moves to take over Catalonia after region declares independence

"BARCELONA — The Spanish Senate gave the central government in Madrid unprecedented powers over Catalonia on Friday, just minutes after the breakaway region declared independence, sharply escalating a constitutional crisis in the center of western Europe. The two votes — one for independence, one to restore constitutional rule — came in dueling sessions of parliaments in Barcelona and Madrid. The central government easily won permission to take over control of Catalonia. Meanwhile, secessionists in Catalonia faced bitter recriminations from Catalan foes who called the move for nationhood a coup and a historic blunder, a month after a referendum that backed a split from Spain. Spain quickly began to move against what it views as an insurrection. The constitutional court started proceedings against the Catalan parliament’s declaration of independence. There were also reports that Spanish prosecutors were preparing to file rebellion charges against Catalan President Carles Puigdemont. ..."
Washington Post (Video)
Washington Post - Catalonia’s independence vote: What you need to know (Video)
NY Times - Spain Moves to Take Control of Catalonia After Secession Vote

2017 October: Catalonia Leaders Seek to Make Independence Referendum Binding, 2017 October: Catalonia: Past and Future - Luke Stobart

How Does It Feel? An Alternative American History, Told With Folk Music

"You could say the silence started in Calumet in 1913. Word spread that the doors opened inward, that no one was to blame. What followed was a great quiet, a hundred years of agreed-upon untruth. Or you could say it began just afterward, during the patriotic rush of the First World War and the Palmer Raids that followed. The Wobblies were crushed, the call for a workers’ alternative stilled. Or you could say it began after the Second World War. If you see the two global conflicts as a single long realignment of power, then after America emerged as a superpower, its century-long Red Scare kicked back in with a vengeance. That’s how Elizabeth Gurley Flynn saw it. She traced the 'hysterical and fear laden' atmosphere of the late 1940s back to when she was a union maid visiting Joe Hill in prison. 'Now,' she said, 'it is part of the American tradition.' ..."
Longreads (Video)
amazon: Grown-Up Anger: The Connected Mysteries of Bob Dylan, Woody Guthrie, and the Calumet Massacre of 1913 - Daniel Wolff

2008 January: Woody Guthrie, 2009 May: To Hear Your Banjo Play - 1947, 2010 June: Dust Bowl Ballads, 2012 July: Woody Guthrie at 100: Celebrate His Amazing Life with a BBC Film, 2013 September: Buffalo Skinners, 2014 September: "The Ranger's Command", "To Hear Your Banjo Play", "Greenback Dollar", "John Henry", 2016 October: Don't Mourn-Organize!: Songs of Labor Songwriter Joe Hill, 2016 November: AD Presents: A Woody Guthrie Companion (A Mixtape), 2016 December: Talking blues, 2017 March: Bob Dylan Turns Up For Woody Guthrie Memorial

2010 April: Little Red Songbook, 2016 September: Don't Mourn-Organize!: Songs of Labor Songwriter Joe Hill (1990), 2017 January: The Rebel Girl, 2017 March: Industrial Workers of the World (IWW)

Jean-Louis Forain

Au Théâtre 1882
Wikipedia - "Jean-Louis Forain (23 October 1852 – 11 July 1931) was a French Impressionist painter, lithographer, watercolorist and etcher. ... Forain's quick and often biting wit allowed him to befriend poets Arthur Rimbaud and Paul Verlaine as well as many writers, most notably Joris-Karl Huysmans. He was one of only 'seven known recipients' to receive a first edition of A Season in Hell directly from Rimbaud. ... A follower and protégé of Degas, Forain joined the Impressionist circle in time to take part in the fourth independent exhibition in 1879; he participated in three of the four landmark shows that followed between 1879 and 1884. Influenced by Impressionist theories on light and color, he preferred to depict scenes of everyday life: his watercolors, pastels, and paintings focused on Parisian popular entertainments and themes of modernity—the racetrack, the ballet, the comic opera, and bustling cafés. ..."
Wikipedia
Nineteenth-Century Art Worldwide
Social Life in Jean-Louis Forain's Paris 1852-1931
artsy
YouTube: Jean-Louis Forain

You’re Probably Reading This On an Electronic Device

"The Village Voice’s archives are not digitized. ... But ephemera such as those barely scratch the surface. There are Nat Hentoff’s columns — 51 years of them, sketching and agitating in the intellectual space that surrounds civil liberties and free speech. The images of Fred McDarrah, Mary Ellen Mark, Sylvia Plachy, James Hamilton, Amy Arbus, Catherine McGann, and Robin Holland, which have defined so much of what we think of as the Village and the way the Voice has looked at the world. The unflinching reporting and investigative work of Jack Newfield, Alexander Cockburn, Susan Brownmiller, James Ridgeway, Wayne Barrett, Teresa Carpenter, Joe Conason, Tom Robbins, Alisa Solomon, Jennifer Gonnerman, Michael Tomasky, Peter Noel, Julie Lobbia, and Mark Schoofs, just to name a handful. The groundbreaking critical writing of Jerry Tallmer and Michael Feingold on theater; of Jonas Mekas, Andrew Sarris, Molly Haskell, J. Hoberman, Amy Taubin, and Stephanie Zacharek on film; of Peter Schjeldahl, Roberta Smith, Jerry Saltz, and R.C. Baker on art; of Richard Goldstein, Robert Christgau, Tom Carson, James Wolcott, Nelson George, Barry Walters, and Ann Powers on popular music; of Stanley Crouch and Gary Giddins on jazz. The innovatively cross-current cultural writing of Jill Johnston, Ellen Willis, C. Carr, Karen Durbin, Vince Aletti, Greg Tate, Guy Trebay, Thulani Davis, Hilton Als, and Colson Whitehead. ... This list, as lists like this often do, goes on and on and on. ..."
VOICE

20 Baseball Books

"... Baseball is America's language, even its glue. Or as the poet Donald Hall puts it in an introduction to this book: 'It is by baseball, and not by other American sports, that our memories bronze themselves. . . . By baseball we join hands with the long line of forefathers and with the dead.' Diamonds Are Forever, an elegant collection of text and artwork edited by Peter H. Gordon, a curator at the New York State Museum, with the assistance of Sydney Waller and Paul Weinman, is the color catalogue of a traveling exhibit. ... There is something to every taste in Diamonds Are Forever, with its excerpts from 55 writers ranging from Woody Allen to Ernest Hemingway to Carl Sandburg and works by 90 artists, including Andy Warhol, Jacob Lawrence and Elaine de Kooning. Here is the last sentence of Catfish Hunter's brief speech on Catfish Hunter Day at Yankee Stadium: 'Thank you, God, for giving me strength, and making me a ballplayer.'..."
NY Times - "Spring Training," a 1981 oil on canvas by Gerald Garston

5 Seasons - Roger Angel
Eight Men Out: The Black Sox and the 1919 World Series - Eliot Asinof
Why Time Begins on Opening Day - Thomas Boswell
Can't Anybody Here Play This Game?: The Improbable Saga of the New York Met's First Year - Jimmy Breslin, Bill Veeck
The Long Season - Jim Brosnan
The Pride of Havana: A History of Cuban Baseball - Roberto Gonzalez Echevarria
Wait Till Next Year: A Memoir - Doris Kearns Goodwin
The Boys of Summer - Roger Kahn
Summer of '49 - David Halberstam
A Day In The Bleachers - Arnold Hano
Beyond the Sixth Game - Peter Gammons
The Bronx Zoo - Sparky Lyle, Peter Golenbock
Diamonds Are Forever: Artists and Writers on Baseball - Peter H. Gordon (Editor), Donald Hall (Introduction)
Moneyball: The Art of Winning an Unfair Game - Michael Lewis
A Whole Different Ball Game: The Inside Story of the Baseball Revolution - Marvin Miller
American Pastimes: The Very Best of Red Smith
The Glory of Their Times - Lawrence Ritter
Baseball's Great Experiment: Jackie Robinson and His Legacy - Jules Tygiel
Weaver on Strategy - Earl Weaver
The Science of Hitting - Ted Williams

Coffee as Existential Statement: A Crisis in Every Cup on Valencia Street

"Getting a morning coffee on Valencia Street, San Francisco’s high hipster avenue, is not merely buying a drink: it is making an existential statement. Drinking your way down Valencia’s coffee shops offers an unofficial tour of the city’s newly ascendant 21st-century lifestyles. The names of the cafes glisten with the sheen of carefully cultivated style. Ritual Roasters. Four Barrel. The Blue Fig. Craftsman and Wolves. Glazed with polished alliterations and alluring adjectives, the names leave an iron aftertaste of brand awareness and search engine optimization on the palette. The fashionable formula seems to involve taking a familiar item and injecting it with a slightly unusual accent — a blue hue or the fourth barrel — to lift the tediously literal into the intriguingly suggestive. ..."
LA Review of Books

2010 September: Espresso, April: The History of Coffee and How It Transformed Our World, 2013 May: Coffeehouse, 2015 June: Barista, 2015 August: Coffee Connections at Peddler in SoHo, 2015 November: The Case for Bad Coffee, 2016 January: 101 Places to Find Great Coffee in New York (2014), 2017 June: How Cold Brew Changed the Coffee Business, 2017 September: Our 7 Favorite Literary Coffee Shops, 2017 October: Clever Literary Coffee Poster.

Boozoo Chavis - Johnnie Billy Goat (1998)

"Another kudo to Rounder for getting this retrospective gem out before the untimely passing of this icon of zydeco music. This disc is conscientiously culled from some sparkling live performances in Lake Charles, LA, and from his previous Rounder and Goldband releases. This was a man who took the time to give back to the culture that fostered his music and do all he could to promote up-and-coming musicians. This is zydeco -- a mixture of Creole music fused with rhythm & blues -- which is made for partying and dancing. His live performances were just a nonstop whirl from the opening notes to the last with the crowds drenched in sweat and screaming for more, no matter what area of the country he played. ... That raw rocking sound that he was known for all his life is pervasive throughout this disc. This is the best collection of one of the very stalwarts of zydeco music, as well as just an excellent example of what this man could do with songs that were benchmarks in other genres, such as Bob Wills' standard 'Dance All Night.' The sound quality is excellent and it contains an exemplary mixture of songs."
allmusic (Audio)
Wilson "Boozoo" Chavis
amazon, iTunes
YouTube: Boozoo Chavis

Aguirre, the Wrath of God - Werner Herzog (1972)

Wikipedia - "Aguirre, the Wrath of God, known in the UK as Aguirre, Wrath of God, is a 1972 West German epic film written and directed by Werner Herzog. Klaus Kinski stars in the title role. The soundtrack was composed and performed by West German progressive/Krautrock band Popol Vuh. The story follows the travels of Spanish soldier Lope de Aguirre, who leads a group of conquistadores down the Orinoco and Amazon River in South America in search of the legendary city of gold, El Dorado. Using a minimalist approach to the story and dialogue, the film creates a vision of madness and folly, counterpointed by the lush but unforgiving Amazonian jungle. Although based loosely on what is known of the historical figure of Aguirre, the film's storyline is, as Herzog acknowledged years after the film's release, a work of imagination. Some of the people and situations may have been inspired by Gaspar de Carvajal's account of an earlier Amazonian expedition, although Carvajal was not on the historical voyage represented in the film. Other accounts state that the expedition went into the jungles but never returned to civilization. Aguirre was the first of five collaborations between Herzog and the volatile Kinski. ... Aguirre opened to widespread critical acclaim, and quickly developed a large international cult film following. ..."
Wikipedia
MoMA: Werner Herzog’s Aguirre, the Wrath of God
Classic Art Films
senses of cinema: Myth, Environment and Ideology in the German Jungle of Aguirre, the Wrath of God
Slant
amazon
YouTube: Aguirre, Wrath of God - trailer
YouTube: Aguirre, Wrath of God 1:30:26

32 Stories: Special Edition Box Set - Adrian Tomine (2009)

"Between the ages of seventeen and twenty, Adrian Tomine self-published a series of 'mini-comics': small, hand-assembled booklets thta he wrote, drew, and distributed himself. Entitled Optic Nerve, these comics were comprised of short vignettes and stories which displayed a youthful energy, an unabashed sense of experimentation, and the first hints of the distinctive, realist style that Tomine would go on to perfect. Over the course of those three years, word of mouth spread about these comics, and something that began as a teenage hobby was recognized as the arrival of a promising new talent. ..."
Drawn and Quarterly
amazon

2016 March: Killing and Dying (2015), 2016 November: Cometbus #57

Julio Cortázar, The Art of Fiction No. 83

"When Julio Cortázar died of cancer in February 1984 at the age of sixty-nine, the Madrid newspaper El Pais hailed him as one of Latin America’s greatest writers and over two days carried eleven full pages of tributes, reminiscences, and farewells. Though Cortázar had lived in Paris since 1951, he visited his native Argentina regularly until he was officially exiled in the early 1970s by the Argentine junta, who had taken exception to several of his short stories. With the victory, last fall, of the democratically elected Alfonsín government, Cortázar was able to make one last visit to his home country. Alfonsín’s cultural minister chose to give him no official welcome, afraid that his political views were too far to the left, but the writer was nonetheless greeted as a returning hero. ..."
The Paris Review

2011 November: Blow-Up (1966) - Michelangelo Antonioni, 2016 March: Cronopios and Famas (1969)

Fuji music

Wikipedia - "Fuji is a popular Nigerian musical genre. It arose from the improvisational Ajisari/were music tradition, which is a kind of music performed to wake Muslims before dawn during the Ramadan fasting season. Were music/Ajisari itself was made popular by Alhaji Sikiru Ayinde Barrister. Were music/Ajisari, traditionally, was an Islamic type music played by the Muslim children in Yorubaland to wake the faithful for fasting or Suhur during Ramadan period. This musical genre was made popular by Alhaji Dauda Epo-Akara, the deceased who based in Ibadan,was the "awurebe" founder and Ganiyu Kuti, a.k.a. 'Gani Irefin'. The Muslim community in Lagos metropolis (Lagos Mainland and Lagos Island) had a sizeable number of 'Ajiwere' acts. These early performers drew great inspiration from Yoruba Sakara music style (using the sakara drum but without the violin-like goje instrument—which is normally played with an accompanying fiddle). ..."
Wikipedia
HISTORY OF FUJI MUSIC (Video)
YouTube: King Wasiu Ayinde Marshal - Fuji Collections Nigeria Fuji Music, Ayinla Omowura - Retin Ojo Ola, Ayinla Omowura - Ajoji Ki Bon'ile Dule, Alhaji Kollington Ayinla - Fuji Ropopo, Alhaji Chief Kollington Ayinla & His Fuji '78 Organization, Musiliu Haruna Ishola - Soyoyo, Sikiru Ayinde Barrister - Reality, ATAWEWE-PUBLIC FIGURE - ORIN ADIO SULAIMAN DAN DAN NI

NET SPECIAL: Meet Nigeria’s leading Fuji musicians - Alao Malaika, Wasiu Ayinde, Taiye Currency and Remi Aluko.

The Project Papers

The Poetry Project at St. Mark's Church, [1974].
"Ed Friedman edited the Project Papers beginning in the fall of 1987. Issues, usually four pages in length, were published (and distributed free-of-charge) at each of the 1987-88 Wednesday night readings. Most of the issues consisted of one or two poems by each of the poets who were reading on a particular program. The Project Papers imprint was also used to publish articles that offered useful and concise perspectives on the Poetry Project’s history, aesthetics, and organizational mission. Generally, these articles originated from the Poetry Project’s Annual Symposiums, either as lectures or opening statements from panel discussions. Lewis Warsh’s special issue of Project Papers was a set of diary entries reprinted from one of his early collections. ..."
The Project Papers Archives - The Poetry Project

2014 July: The Poetry Project

The Alexandria Quartet: 'Love is every sort of conspiracy'

A Coptic funeral in Mohammed Ali Square, Alexandria, early twentieth century.
"Lawrence Durrell claimed that the four books of The Alexandria Quartet were 'an investigation of modern love'. It's possible to take that idea at face value. Some have even used it as a stick with which to beat him. Notably, his Guardian obituarist (writing in 1990, at a time when Durrell's reputation was possibly at its lowest ebb) said 'a harsh judgment' of his masterpiece might be that it was 'a four-volume romantic novel written by a poet steeped in Freud and on nodding terms with Einstein'. I'm guessing from the warm response the books have had from this month's Reading Group that most of you reading this will see that as an absurd rather than just a harsh judgment. Even if we accept that Durrell was only concerned with romantic love, that gives us endless scope for discussion – as Reading Group contributor Wheldrake has pointed out. ..."
Guardian
Lawrence Durrell's Egypt 

2011 December: The Alexandria Quartet - Lawrence Durrell, 2013 September: Villa that inspired Lawrence Durrell faces demolition, as Egypt allows heritage to crumble, 2014 August: Prospero’s Cell (1945), 2015 April: Bitter Lemons (1953–1956), 2015 May: Caesar's Vast Ghost: Aspects of Provence, 2016 July: Reflections on a Marine Venus (1953), 2016 September: The Greek Islands, 2016 October: Justine (1957), 2017 February: Balthazar (1958), 2017 April: Mountolive (1958), 2017 May: Clea (1960)

On the Hook

A taco from Country Boys.
"It is hard to imagine a government official stopping Daniel Day-Lewis on Oscar night, following the actor down the red carpet, asking a series of questions about his acting and filmmaking credentials, and telling him to change outfits or withdraw from the contest. The food service industry, however, is a very different stage, and Brooklyn food vendors like Marcos Lainez answer to public health officials as a part of everyday business. During this year’s Vendy Awards, an annual cooking competition billed as “the Oscars of street food,” a cohort of inspectors from the New York Department of Health and Mental Hygiene arrived just after doors opened to conduct full inspections of every nominated business. Lainez is a co-owner of El Olomega, a street food business that specializes in the Salvadoran-style pupusa (a thick, griddled corn cake). ..." (Nov 7, 2013)
BKLYN

Vendors lined up on Bay Street, near Field 1. The vendors once operated inside the fence surrounding the fields — now they're on the street.

Sun Ra - Exotica - A Modern Harmonic Industrial Film Short (with Irwin Chusid)

"We had the esteemed pleasure to speak with Irwin Chusid (that's partly a joke as we talk to him all the time!) of the Sun Ra estate. We secretly recorded that call and turned it into another Modern Harmonic Industrial Film Short. This is in celebration of the Exotica set that Irwin put together! Sensuous dreamscapes to transport the listener to the lush tropical environs of the outer reaches of the omniverse. Your choice of three colorful inter-stellar saucers or two compact saucers of 'Exotic-Ra' bringing you to a lush cocktail party where space is the place. All packaged in a beautiful Chesley Bonestell adorned gatefold package with two sets of extensive notes! Sun Ra. Exotica. Incongruous? Listening to the 25 tracks herein will showcase that Sun Ra was, indeed, an Exoticat of sorts, albeit in his own unique way, of course. That Sun Ra hasn’t been celebrated in Exotica circles is understandable. ..."
YouTube: A Modern Harmonic Industrial Film Short (with Irwin Chusid)
W - Irwin Chusid
Shiny Beast

In Paris, Passion Battles the Decline of Stamp Collecting

Buying and selling at the stamps and postcards market in Paris.
"PARIS — There is a rundown shop in my neighborhood near the Rue des Martyrs that never seems to close. When I peer through the window late at night, I usually see a small group of older men bent over a long table, picking up and moving around thousands of tiny bits of colored paper with their tiny tweezers. At first, I wondered whether the place might be a front for a bookie joint or a money-laundering operation. Not at all. It is very respectable. It goes by the name Action Philatélie — Action Philately — and has been in business for as long as anyone can remember. It is dedicated to the buying, selling, researching, sorting, evaluating and classifying of postage stamps. ..."
NY Times

2007 November: Literary Stamps, 2008 May: Penny Black, 2009 January: Mail art, 2009 September: Cuba Stamp, 2009 September: First day of issue, 2009 November: Airmail stamp, 2009 DecArtistamp, 2010 January: Zeppelin mail, 2010 February: Miniature sheet, 2011 August: Artistamp, 2014 March: First day of issue

Hear 4+ Hours of Jazz Noir: A Soundtrack for Strolling Under Street Lights on Foggy Nights

"Nowadays few crowds seem less likely to harbor criminal intent than the ones gathered to listen to jazz, but seventy, eighty years ago, American culture certainly didn't see it that way. Back then, jazz accompanied the life of urban outsiders: those who dabbled in forbidden substances and forbidden activities, those influenced by the alien morality of Europe or even farther-away lands, those belonging to feared and mistreated social groups. That image stuck as much or even more firmly to jazz musicians as it did to jazz listeners, and when a new cinematic genre arose specifically to tell stories of urban outsiders — the lowlifes, the anti heroes, the femmes fatales — jazz provided the ideal soundtrack. ..."
Open Culture (Spotify, Video)
amazon: Jazz Noir
YouTube: Jazz Noir [part 1], [part 2], [part 3]

2009 January: Film noir, 2014 February: Crime Jazz: How Miles Davis, Count Basie & Other Jazz Legends Provided the Soundtrack for Noir Films & TV, 2014 June: The 5 Essential Rules of Film Noir, 2015 August: Infographic explains “film noir” and finds the most noir film of them all, 2017 September: John Zorn - Naked City (1990).

Bob Dylan - The Bromberg Sessions / Series Of Dreams (The Best Of The 1989-1993 Sessions & Lives)

"New video today from the 90's. This is another great compilation from the blog A Thounsand Highways and includes the best of the years 1989 to 1993, with rare performances, studio sessions and more. Also, the first part includes the very rare Bromberg Sessions. Before Good As I Been To You, Bob worked with long-time partner David Bromberg (they first met in 1970 for Self-Portrait) to record a new album. The sessions didn't come to fruition and Bob went on his way. However, thanks to the Bootleg Series Vol.8, we had a preview of how great those sessions were. For now, only three other songs circulate, and they are just perfect. A rare treasure and certainly one of the holy grail of Dylan's career. 1989 to 1993 also offered classic performances, like the 60th anniversary celebration of country legend Willie Nelson, the Supper Club shows in November 1993, and other rare outtakes from Oh Mercy and Under The Red Sky. This is a must-have for any fan of the Bard. Hope you will like it as much as I do. - Sad Eyed Lady Of The Lowlands"
YouTube: The Bromberg Sessions / Series Of Dreams 2:52:38

Vermont International Film Festival

"VTIFF was born from the anti-nuclear movement in the 1985, making it the world’s oldest environmental and human rights film festival, although its focus today has broadened to embrace a wide spectrum of social issues and a focus on independent art-house cinema. Founded by two longtime peace and social justice activists, George and Sonia Cullinen, the inspiration for the festival came from the success of their 1981 film, From Washington to Moscow, which documented a Walk for Peace between two rural towns — Washington and Moscow, Vermont. ... VTIFF grew out of this vision. The first Vermont International Film Festival was held in 1985 at Marlboro College in southern Vermont. About one hundred people attended the inaugural event. Now based primarily in Burlington, VTIFF also present showcases in other parts of Vermont. Past festival guests have included such activist artists as actor Danny Glover, Bread & Puppet Theater founder Peter Schumann, and historian and playwright Howard Zinn, among others."
VTIFF

Agnès Varda’s Ecological Conscience

Jules Breton, The Recall of the Gleaners, 1859.
"'Existence isn’t a solitary matter,' says the shepherd to the wanderer in Agnès Varda’s 1985 film, Vagabond. This vision of collectivity, the belief that we are all in it together, recurs throughout Varda’s films, from her early, proto–New Wave La Pointe Courte (1954) to her acclaimed Cléo from 5 to 7 (1961) to her most recent film, Faces Places (2017), made in collaboration with the young French street artist JR. (Filmmaking isn’t a solitary matter, either.) 'This movie is about togetherness,' she told New York Magazine. Watching Faces Places, I couldn’t help thinking about Varda’s 2000 film, The Gleaners & I. Both are road-trip movies in which Varda interviews the kinds of people we don’t often see in movies—farmers, miners, dockworkers, and their wives. ..."
The Paris Review

August 2010: Agnès Varda, May 2011: The Beaches of Agnès, 2011 December: Interview - Agnès Varda, 2013 February: The Gleaners and I (2000), 2013 September: Cinévardaphoto (2004), 2014 July: Black Panthers (1968 doc.), 2014 October: Art on Screen: A Conversation with Agnès Varda, 2015 September: Cléo from 5 to 7 (1962), Plaisir d’amour en Iran (1976), 2017 April: Agnès Varda’s Art of Being There, 2017 April: AGNÈS VARDA with Alexandra Juhasz, 2017 August: Agnès Varda on her life and work - Artforum.

Modernism on the Ganges: Raghubir Singh Photographs

"Raghubir Singh (1942–1999) was a pioneer of color street photography who worked and published prolifically from the late 1960s until his death in 1999 at age 56. Born into an aristocratic family in Rajasthan, he lived in Hong Kong, Paris, London, and New York—but his eye was perpetually drawn back to his native India. This retrospective exhibition will situate Singh's photographic work at the intersection of Western modernism and traditional South Asian modes of picturing the world. It will feature 85 photographs by Singh in counterpoint with works by his contemporaries—friends, collaborators, fellow travelers—as well as examples of the Indian court painting styles that inspired him. ..."
Metropolitan Museum of Art
Metropolitan Museum of Art: Exhibition Objects
CNN - "Modernism on the Ganges: Raghubir Singh Photographs" at the Met Breuer
amazon

Les Filles du feu - Gérard de Nerval (1854)

Wikipedia - "Les Filles du feu (English: The Daughters of Fire) is a collection of short prose works, poetry and a play published by the French poet Gérard de Nerval in January 1854, a year before his death. During 1853, Nerval had suffered three nervous breakdowns and spent five months in an asylum. He saw Les Filles du feu as an opportunity to show the public, his friends and his father that he was sane, though except for the introduction all of the pieces in Les Filles du feu had been published previously: 'Angélique' in Les Faux Saulniers (1850), 'Sylvie' in La Revue des Deux Mondes (1853), and 'Émilie', 'Jemmy', 'Isis' and 'Octavie' in diverse reviews. The precise meaning of the title, which Nerval chose just before publication, is uncertain. ..."
Wikipedia
amazon

2007 December: Gerard De Nerval, 2010 March: Robin Blaser - Les Chimeres, 2016 June: Voyage to the Orient (1851), 2017 March: Selected Writings of Gerard De Nerval (1957), 2017 June: Did Gerard de Nerval walk his pet lobster through Paris?

The Black Balloon - John Renbourn (1979)

"The Black Balloon is one of John Renbourn's instrumental guitar albums. He gives a classical feel to the tracks on the first side, taking 'The English Dance'1979) at an appropriately quick speed and displaying some fast, intricate playing on 'Bourée I and II.' The lengthy medley of 'The Mist Covered Mountains of Home,' 'The Orphan,' and 'Tarboulton' introduces his frequent supporting musician Tony Roberts on flute, with Stuart Gordon adding tabla on the final section for a sound reminiscent of the John Renbourn Group projects. The second side contains two long tracks, 'The Pelican' and "The Black Balloon," each of which finds Renbourn adding to his textured acoustic work with some overdubbed electric guitar playing, and Roberts again sits in on the title tune. For those who have followed Renbourn to this point, the album will seem like a continuation of one of the paths he enjoys following in British folk music."
allmusic
W - The Black Balloon
amazon
YouTube: The Black Balloon (full album) 37:32

2011 September: Faro Annie, 2012 November: John Renbourn - Sir John Alot, 2013 May: The Lady and the Unicorn, 2014 February: Bert &; John (1966), 2014 October: The Hermit (1976), 2015 March: John Renbourn: ceaseless explorer of song – appreciation., 2015 November: The Attic Tapes - John Renbourn (2015), 2016 November: Cruel Sister (1970) - Pentangle, 2016 December: Lost Sessions (1973)

Lightbath’s Percussive Reverberations

Forgiveness | Ambient Eurorack Modular Synthesizer | Chance, Plonk, Rainmaker, Rings, T-Wrex, Clouds
"In her interview as part of the Sound + Process podcast, Emily Sprague mentioned two musicians as inspirations for her, one of them being Lightbath, aka Bryan Noll. She was speaking in particular about Lightbath’s videos, in the context of videos with a certain aesthetic that she found comforting if rare — which is to say, not all 4/4, not techno, not noisey, not songy, not purely noodling; instead: soft, ambient, and ever so slightly melodic. She doesn’t specifically say those things; that’s an aesthetic triangulation on my part based on what Sprague’s music often sounds like, and what Lightbath and the other musician whose videos she mentioned, R Beny, are generally up to. ... Track originally posted at soundcloud.com/lightbath. More from Lightbath/Noll at lightbath.com and twitter.com/lightbath."
disquiet (Video)

Jacob Lawrence: The Migration Series

"In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915–16. Within months of its making, the Migration Series was divided between The Museum of Modern Art (even-numbered panels) and the Phillips Memorial Gallery (odd-numbered panels). The work has since become a landmark in the history of African American art, a monument in the collections of both institutions and a crucial example of the way in which history painting was radically reimagined in the modern era. ..."
artbook
Phillips Collection
amazon

2015 February: One-Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North

Popol Vuh - Sei Still, Wisse Ich Bin (1981)

"Recorded in 1980 and produced by Klaus Schulze, Sei Still, Wisse ICH BIN ("Be quiet, I am") is one of Popol Vuh's sacred music offerings. Like Hosianna Mantra nearly a decade before, this set is regal in its solemnity and in its intensity. Utilizing the Chorensemble der Bayerischen Staatsoper and the soprano saxophone stylings of Chris Karrer, Popol Vuh -- down to a three-piece with vocalist Renate Knaup fronting the choir, Fricke on piano and voice, and guitarist Daniel Fichelscher holding down the drum chair as well, this is a huge recording . Schulze's immediate mix, which brings the vocals into complete balance with the undulating, mantra-like instrumentation, is nothing less than stunning; from Tibetan-style prayer chants to Eastern Orthodox choral scales, from thundering bass drums and cymbals to snaky, elusive, sparse electric guitar lines and Fricke's trademark shimmering piano, each of this album's seven selections is its own kind of masterpiece. It is the perfect marriage of world music utilized in rock & roll fashion, and of both being placed at the service of the Sacred. It is nothing less than awe-inspiring."
allmusic
W - Sei Still, Wisse Ich Bin
Discogs
YouTube: Sei still, wisse ich bin FULL ALBUM

2008 August: Popol Vuh, 2010 December: Aguirre, the Wrath of God, 2011 May: Abschied (1972), 2013 May: Fitzcarraldo - Werner Herzog, 2913 September: Hosianna Mantra (1972), 2014 April: Revisited & Remixed 1970-1999 (2011), 2014 August: Letzte Tage-Letzte Nächte (1976), 2014 May: Agape-Agape (1983), 2016 July: Die Nacht Der Seele - Tantric Songs (1979), 2016 November: Das Hohelied Salomos (1975)

20 Pieces of Writing Advice from William Faulkner

"William Faulkner is one of the best writers America has ever produced, with a distinctive voice and a relentless intelligence that earned him a Nobel Prize in literature at age 52—not to mention two Pulitzer prizes, two National Book Awards, and the undying love of many readers. He’s one of those writers you can read again and again without really understanding how he’s done what he’s done; he has that magic. But that doesn’t keep anyone from trying to learn from him. Though he didn’t much care for interviews, he has shared his expertise in a few; he also served as the Writer-in-Residence at the University of Virginia in 1957 and 1958, and some of his pedagogical conversations with students there have since been made public. Faulkner was born 120 years ago today in New Albany, Mississippi; to celebrate his birthday and to better learn from his work, find below some of his best advice on craft, character, and the writer’s life. ..."
lithub

2011 September: Southern Gothic, 2014 February: William Faulkner, 2015 October: William Faulkner Draws Maps of Yoknapatawpha County, the Fictional Home of His Great Novels, 2015 November: Interviews William Faulkner, The Art of Fiction No. 12, 2016 April: Absalom, Absalom!! (1936), 2016 May: The Sound and the Fury (1929), 2016 October: The Snopes Trilogy (1940, 1957, 1959), 2016 December: Light in August (1932), 2017 February: As I Lay Dying (1930), 2017 June: The Wild Palms (1939), 2017 August: Sanctuary (1931). 2017 September: The Unvanquished (1938)

What Sewing Samplers Tell Us About Women’s Lives from the 17th to 19th Centuries

Sampler with framing border (1830)
"There are rare records of women’s voices in the 17th and 18th centuries, especially ordinary middle and lower class women. An exhibition at the University of Cambridge’s Fitzwilliam Museum is approaching sewing samplers as documents of these overlooked lives, as the objects are sometimes the sole trace of a woman’s name, or existence. Created to demonstrate stitching skills, both for employment and as a future homemaker, they range from alphabets in thread that proved literacy, to dense embroidery that showed off needlework talents. Sampled Lives: Samplers from the Fitzwilliam Museum features more than 100 examples of samplers from the 17th to early 20th century, most of which are rarely on view due to their fragility and sensitivity to light. ..."
Hyperallergic
Sampled Lives: Samplers from the Fitzwilliam Museum
What is a Sampler?
V&A: A History of Samplers
Hidden Messages: Symbolism in Seventeenth Century Samplers
Towards an Identity

White work band sampler (1660), inscribed "Elizabeth Potter"

Joni Mitchell: Fear of a Female Genius

"... Some people think that when a woman takes her husband’s last name it is necessarily an act of submission or even self-erasure. Joni Mitchell retaining Chuck’s last name for decades after their divorce has always struck me as a defiant, deliciously cruel act of revenge. In the 50 years since, she spread her wings and took that surname to heights and places it never would have reached had it been ball-and-chained to a husband: the hills of Laurel Canyon, The Dick Cavett Show, a window overlooking a newly paved Hawaiian parking lot, the Grammys, Miles Davis’s apartment, Charles Mingus’s deathbed, Matala, MTV, the Rolling Thunder Revue, and the top of a recent NPR list of greatest albums ever made by women. Over a singular career that has spanned many different cultural eras, she explored—in public, to an almost unprecedented degree—exactly what it meant to be female and free, in full acknowledgement of all its injustice and joy. ..." (Kate M.)
The Ringer

2015 July: Blue (1970), 2015 Novemer: 40 Years On: Joni Mitchell's The Hissing Of Summer Lawns Revisited, 2016 August: On For the Roses (1972), 2016 November: Court and Spark (1974), 2017 February: Hejira (1976), 2017 August: Miles of Aisles (1974)

The History of 452 Greenwich Street

"Tom Miller, who writes about the history of Manhattan buildings at Daytonian in Manhattan, has allowed Tribeca Citizen to create a database of his Tribeca posts. ... Around 1819, Alexander Thompson completed construction of a house at the southwest corner of Greenwich and Desbrosses Streets. The prim, Federal-style dwelling was two-and-a-half stories tall and faced in Flemish bond red brick. Incised brownstone lintels were an added touch. An especially pleasing recessed, arched doorway at the southern end of the structure was fully paneled and, possibly, included a stylish fanlight. The architect’s attention to this feature is more remarkable because it appears that it originally provided access to the rear yard and not to the house proper. ..."
Tribeca Citizen
The Alexander Thompson House - 452 Greenwich Street

2017 July: Seeking New York: The Stories Behind the Historic Architecture of Manhattan

Endless - Luca D'Alberto (2017)

"On 2nd June !K7 records' newly created contemporary classical imprint 7K! will release ‘Endless’ – the new album played entirely by Luca D’Alberto – the Italian composer who counts Wim and Donata Wenders, Peter Lindbergh and Lars Von Trier’s Zentropa as fans. Driven by pristine piano and rich strings, ‘Endless’ is sonically opulent with vivid, wonder-evoking pieces conveying wintry, widescreen panoramas and a propulsive arpeggio-fueled energy. Luca composed, arranged and played all instruments on ‘Endless’ himself – the violin, viola, violectra, cello and piano. It was produced by Martyn Heyne (who has worked with Nils Frahm, Lubomir Melnyk, Peter Broderick, Tiny Ruins and The National), with additional production by the lauded DJ/musician Henrik Schwarz."
Lucad Alberto (Audio)
Luca D’Alberto ~ Endless (Video)
amazon,
YouTube: Endless (Official Music Video), "Her Dreams" (live)

La Ciénaga - Lucrecia Martel (2001)

"As Lucrecia Martel demonstrates in La Ciénaga (The Swamp), there is more twisted banal horror and caustic humour to be discovered in the forms of personal narrative than found within the boundaries of the horror genre itself. La Ciénaga is a horror film in a way, though it is as inscrutable as the work of Claire Denis, as biting as that of Luis Buñuel, and as rich and unmistakably stamped with an undercurrent of discomfort as Martel’s own films La Niña Santa (The Holy Girl, 2004) and La Mujer sin Cabeza (The Headless Woman, 2008). Loosely plotted, La Ciénaga observes a somewhat wealthy extended family spending a summer cramped together in an isolated, wet, decaying mansion in a provincial town in the provinces. ..."
senses of cinema
W - La Ciénaga
Roger Ebert
Submerged in Sound: Lucrecia Martel’s La Cienaga
YouTube: New Argentine Cinema and Lucrecia Martel’s La Ciénaga

All 139 the Clash Songs, Ranked From Worst to Best

"The Clash were principled. They wrote real songs. They were goofy. They went to the edge and beyond. And they did what they did, made the world come to them, and felt guilty about it. They recorded the equivalent of nine records in six years, including two or three of the greatest rock-and-roll records ever, and possibly the greatest album of all time (London Calling) along the way. After the demise of the Sex Pistols, they remained the reigning aesthetic embodiment of an authentic, radical art movement rife with provocations and contradictions. And they had Top 40 hits. ..."
Vulture (Video)

Noam Chomsky Diagnoses the Trump Era

"... There is a diversionary process under way, perhaps just a natural result of the propensities of the figure at center stage and those doing the work behind the curtains. At one level, Trump’s antics ensure that attention is focused on him, and it makes little difference how. Who even remembers the charge that millions of illegal immigrants voted for Clinton, depriving the pathetic little man of his Grand Victory? Or the accusation that Obama had wiretapped Trump Tower? The claims themselves don’t really matter. It’s enough that attention is diverted from what is happening in the background. ..."
The Nation

2011 January: Peak Oil and a Changing Climate, 2015 May: The Limits of Discourse As Demonstrated by Sam Harris and Noam Chomsky, 2015 October: Electing the President of an Empire, 2015 December: Noam Chomsky on Paris attacks, 2016 December: Chomsky: Humanity Faces Real and Imminent Threats to Our Survival, 2017 April: Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power (2016), 2017 July: Noam Chomsky: Neoliberalism Is Destroying Our Democracy

Patty [Oldenburg] Mucha Archive: New York City Art World in the Sixties & Seventies

Photograph by Robert McElroy of Patty in the Claes Oldenburg 1960 Happening "Circus: Ironworks & Fotodeath" at the Reuben Gallery.
"The Patty Mucha Archive features correspondence, manuscripts, artworks, documents and ephemera from a wild index of artists, poets, dancers and performers active in the era of Pop Art, Happenings, E.A.T., Yippies and Punk including: Olga Adorno, David Bradshaw, Joe Brainard, Gregory Corso, Jean Dupuy, Bob Dylan, Kenward Elmslie, Deborah Hay, Richard Hell, Jasper Johns, Ray Johnson, Ruth Kligman, Billy Klüver, Frosty Myers, Claes Oldenburg, Robert Rauschenberg, Clarice Rivers, Larry Rivers, Lucas Samaras, Carolee Schneemann and Andy Warhol to name a few. ..."
Granary Books

Stellar Splendor: An Extraordinary Encounter

Skalnate Pleso Atlas of the Heavens
"There are different experiences of awe or great wonder in astronomy. The most staggering and momentous, I believe, comes during a total eclipse of the Sun. But the most peacefully (yet still stirringly) wondrous is the sight of a clear, dark sky filled with stars. Perhaps the best sky of this sort was one I observed 40 years ago this September. Across most of the contiguous United States, the least cloudy time of year runs from about late August through mid-October. Strong cold fronts move through frequently but briefly, temporarily pushing away clouds and haze. ... But some of the clearest and therefore most star-crowded nights I’ve experienced occurred in September or early October. Take a look at our October all-sky map on page 42 (October 2017 issue). ..."
Sky & Telescope

A Question of Degree / Former Airline - Wire (1979)

"... Even at their punkiest there was always something different about Wire. Their 1977 debut (Pink Flag) still sounds surprisingly fresh and minimal today (yep, I just listened to it), but it's from their 2nd album (Chairs Missing) that things really start to get interesting. Songs are deconstructed and reconstructed in wierd and wonderful ways. Jagged, Dissonant and Swirling guitar work-outs rub shoulders with shimmering pop songs of breath-taking beauty. 'A Question of Degree' is a single put out in 1978 between 'Chairs Missing' and the 3rd (and even better) album '154'. It is one of Wire's many moments of pop inspiration with an off-kilter center that leaves you feeling slightly queasy. Like much of Wire's output, it's similar to a David Lynch movie - misleadingly normal on the outside, but with an unsettling and slightly uneasy world view once you scratch below the surface. If only all pop music were like this. 'Former Airline' is experimental, abrasive, repetitive, and not for the faint of heart. - Smelsch"
Rate Your Music
Pinkflag: A Question Of Degree / Former Airline
YouTube: A Question of Degree, Former Airline

 2009 January: Wire, 2012 January: On the Box 1979., 2013 September: Chairs Missing (1978), 2014 June: 154 (1979), 2014 July: Document And Eyewitness (1979-1980), 2015 April: The Ideal Copies: Graham Lewis Of Wire's Favourite Albums, 2015 July: Pink Flag (1977), 2015 December: The Peel Sessions Album (1989), “Dot Dash”, "Options R" (1978), 2017 June: Outdoor Miner / Practice Makes Perfect (1979).

The Flint Militants

Workers keep a calendar during the Flint Sit-Down Strike.
"On February 8, 1937, John L. Lewis, leader of the fledgling Committee of Industrial Organizations (CIO), met with Frank Murphy, the newly elected governor of Michigan. Just over a month earlier — and just two days before Murphy started his term — hundreds of autoworkers had seized two General Motors (GM) plants in Flint, paralyzing the massive corporation’s production line. The workers’ new tactic — the sit-down strike — was threatening to fundamentally change the balance of power between workers and management. Recognizing what was at stake, GM cut the heat to the occupied plants, hoping the cold would break the sit-downers’ morale. But the strikers were determined to stay. They sent Murphy a defiant telegram in response to rumors that he might mobilize the National Guard to evict them, announcing that they would be pulled out dead before they walked out on their own. ..."
Jacobin
W - Flint sit-down strike
Flint Sit-Down Strike (1936-1937) (Video)
The Flint sit-down strike, 1936-1937 - Jeremy Brecher

Spirited Things: Sacred Arts of the Black Atlantic - Fleming Museum

"This fall the Fleming Museum of Art presents the exhibition Spirited Things: Sacred Arts of the Black Atlantic, drawn from the Sacred Arts of the Black Atlantic Collection (SABA) at Duke University. This collection is the product of 35 years of ethnographic research by J. Lorand Matory, Lawrence Richardson Professor of Cultural Anthropology and Director of the SABA Project at Duke University, and James Marsh Professor-at-Large at the University of Vermont. The exhibition will include sacred objects from the Yoruba religion of West Africa, as well as Haitian Vodou, Cuban Santería, Brazilian Candomblé, and Caribbean Spiritism, faiths that emerged from the practices of enslaved Africans who blended their ancestral cultures with that of their captors. ..."
UVM - Fleming Museum
Art Review: 'Spirited Things: Sacred Arts of the Black Atlantic,' Fleming Museum
vimeo: On View: The Fleming Museum Presents Spirited Things

Sun Ra ‎– The Mike Huckaby Reel-To-Reel Edits Vol. 1

"Jazz is a process as much as a sound, one in which melodic variation and real-time interaction are paramount. It's also deep in the mix of all kinds of Detroit music—Berry Gordy opened and shut a jazz record shop before founding Motown, whose players laid down world-changing R&B as a break from their real jobs playing jazz in clubs. The Stooges and MC5 were as inspired by 'Trane and Ornette as by the Stones and Who. George Clinton took notes on the spaceways Sun Ra navigated. And Detroit dance music simply doesn't exist without fusion and astral jazz, as everything from UR's 'Jupiter Jazz' to Innerzone Orchestra's Programmed has made clear. Nevertheless, the mixing of jazz with dance beats tends to be a pretty iffy proposition—jazz rhythm tends to be looser than house or techno, their basslines generally serve very different sorts of functions, most dance producers are simply not ace improvisers, etc. That's one reason Detroit vet Mike Huckaby's new series of jazz re-edits is intriguing. ..."
Resident Advisor
Discogs
Soundcloud: The Antique Blacks (Mike Huckaby Reel To Reel Edit)
YouTube: UFO (Mike Huckaby Reel-To-Reel Edits)

The Wretched of the Earth - Frantz Fanon (1961)

""A distinguished psychiatrist from Martinique who took part in the Algerian Nationalist Movement, Frantz Fanon was one of the most important theorists of revolutionary struggle, colonialism, and racial difference in history. Fanon’s masterwork is a classic alongside Edward Said’s Orientalism or The Autobiography of Malcolm X, and it is now available in a new translation that updates its language for a new generation of readers. The Wretched of the Earth is a brilliant analysis of the psychology of the colonized and their path to liberation. ... Fanon’s analysis, a veritable handbook of social reorganization for leaders of emerging nations, has been reflected all too clearly in the corruption and violence that has plagued present-day Africa. The Wretched of the Earth has had a major impact on civil rights, anticolonialism, and black consciousness movements around the world, and this bold new translation by Richard Philcox reaffirms it as a landmark. ..."
Grove Atlantic
W - The Wretched of the Earth
[PDF] Frantz Fanon, The Wretched of the Earth
Jean-Paul Sartre 1961 - Preface to Frantz Fanon’s “Wretched of the Earth”