​The American Pre-Raphaelites: Radical Realists

 
“In celebration of the 200th anniversary of the birth of John Ruskin (1819–1900), the most influential art critic of the Victorian era, the National Gallery of Art will present more than 90 paintings, watercolors, and drawings created by American artists who were profoundly influenced by Ruskin’s call for a revolutionary change in the practice of art. ‘The American Pre-Raphaelites: Radical Realists’ includes a number of recently discovered works never before exhibited publicly. Ruskin’s rejection of traditional academic art and his plea for works that reflected a deep reverence for both the spiritual and scientific qualities of the natural world found a sympathetic audience in America among a group of like-minded artists, architects, scientists, critics, and collectors. ...”

2014 March: John Ruskin, 2021 February: Modern Painters (1843–1860)

Henry Farrer, “On Whitehead, Coast of Maine,” 1875, watercolor on paper

Various Artists: The Story of Jamaican Music: Tougher Than Tough

 
“A superlative introduction to the world of Jamaican music, Tougher Than Tough is a treasure trove of information, filled with unforgettable music. Across four discs and 95 songs, this set spans the entire history of the island's vibrant music scene, hitting all the major stylistic bases along the way, and rounding up many of Jamaica's greatest artists. It's evident that a great amount of thoughtful time and effort went into this package and, although collectors will howl at the many omissions and some of the selections, this set wasn't intended for them, but for a general audience interested in beginning to explore the music more deeply. ...”

Strat-O-Matic Baseball

 
Strat-O-Matic is a game company based in Glen Head, New York, that develops and publishes sports simulation games. ... Strat-O-Matic's statistical research and game development methods are implemented with the intent of replicating athletes' abilities as accurately as possible, giving the gamer the feel of making managerial decisions. ... In a Strat-O-Matic game, each athlete is represented by a player card, on which are printed various ratings and result tables for dice rolls. ...”

Dazzling Doubles for Compromised Skies

 
This map locates double stars in the northern and eastern sky. Click to enlarge.

“The sky is broken. For weeks now, Western and Canadian wildfires have released a pall of smoke that blankets both countries. July 8th was the last smoke-free night at my observing site in northeastern Minnesota. Daytime skies are generally pale blue, with nights starved of stars. Often, the limiting magnitude is 2 or 3. For many, smoke from wildfires has transformed summer nights, blotting out stars and familiar deep-sky sights. But through it all, double stars keep on shining. Because of constant smoke I've had to change up my observing from comets and deep-sky to brighter fare. Among the astronomical objects least affected by wildfires and haze are double stars. ...”

 
Stars are classified into spectral types according to temperature and the elements and molecules that dominate their spectra.

​Grupo de Orfeu

“The Geração de Orpheu (Orpheus's Generation) or Grupo de Orfeu were a Portuguese literary movement, largely responsible for the introduction of Modernism to the arts and letters of Portugal through their tri-monthly publication, Orpheu (magazine) [pt] (1915). Following the lead of other European vanguard movements of the early twentieth century, and inspired by the Futurist Vladimir Maiakovsky's urgings, the poets Fernando Pessoa, Mário de Sá-Carneiro and Almada Negreiros, and the painters Amadeo de Souza-Cardoso and Guilherme de Santa-Rita formed a journal of art and literature based in Lisbon's Baixa district, with the principal aim of agitating, subverting and scandalizing the Portuguese bourgeoisie and social conventions. ...”
Portugal Futurista, the art journal that published Campos' "Ultimatum" in 1917.

‘A hit man sent them.’ Police at the Capitol recount the horrors of Jan. 6 as the inquiry begins.

 
“One officer described how rioters attempted to gouge out his eye and called him a traitor as they sought to invade the Capitol. Another told of being smashed in a doorway and nearly crushed amid a ‘medieval’ battle with a pro-Trump mob as he heard guttural screams of pain from fellow officers. A third said he was beaten unconscious and stunned repeatedly with a Taser as he pleaded with his assailants, ‘I have kids.’ A fourth relayed how he was called a racist slur over and over again by intruders wearing ‘Make America Great Again’ garb. ... One by one, in excruciating detail, Sergeant Gonell and three other officers who faced off with the hordes that broke into the Capitol told Congress of the brutal violence, racism and hostility they suffered as a throng of angry rioters, acting in the name of President Donald J. Trump, beat, crushed and shocked them. ...”

Sylvia Plath’s Tarot Cards

 
“... Sylvia Plath’s Tarot cards, a 24th birthday present from her husband, poet Ted Hughes, just went for £151,200 in an auction at Sotheby’s. ... The auction house’s description indicates that a few of the cards were discolored —  evidence of use, as supported by Plath’s numerous references to Tarot in her journals. Recall Tarot’s appearance in 'Daddy,' her most widely known poem, and her identification with the Hanging Man card, in a poem of the same name. This century has seen her collection Ariel restored to its author’s intended order.  The original order is said to correspond quite closely to Tarot, with the first twenty-two poems symbolizing the cards of the Major Arcana. ...”

Manhattan Egos · Sonny Simmons (1969)

 
“This collection consists of recordings by avant-garde jazz musician Huey ‘Sonny’ Simmons. The first session from 1969 finds Simmons on alto saxophone and English horn paired with trumpeter and future wife Barbara Donald. Their playing style is influenced by the early free-jazz music of saxophonist John Coltrane and trumpeter Donald Ayler. On ‘Seven Dances of Salome,’ Simmons plays English horn, giving the music a Middle Eastern flavor. The second session from 1970 pairs Simmons with jazz violinist Michael White on four numbers. Simmons’ career went into decline in the 1970s, but rebounded in the 1990s. ...”

​The 1916 stunt that made Nathan’s Famous a Coney Island hot dog icon

 
Nathan’s expanded its menu by 1939 

“No summer visit to Coney Island is complete without a stop at Nathan’s Famous, the iconic boardwalk restaurant that offers everything from burgers to frog legs (really) but made its name back in 1916 selling delicious, cheap hot dogs. Yet the five cent frankfurters Polish immigrant Nathan Handwerker began hawking from a stand on the then-unfinished boardwalk wouldn’t have caught on—if not for a clever stunt he came up with to convince the crowds on Surf Avenue to give his hot dogs a try. ...”

​I will walk 500 miles … on an art trail along the Suffolk and Essex coasts

 
“... I’m at Kessingland Ness, a small spit of shingle on the Suffolk coast south of Lowestoft and I’m starting a long-distance walk, a real marathon. The plan is to walk the Suffolk and Essex coasts from Lowestoft to Tilbury, accompanying an arts project called Beach of Dreams that hopes to bring people together around walking, and start some discussion about what’s happening to our coasts. ... I’ve been talking and writing about long-distance walking for a long time, but not actually done much of it. Like many people during the pandemic, I wanted to get out on something significant, but given that challenges such as the Appalachian Trail or GR10 are off the agenda, I was thinking of the British coast, maybe that of Wales or south-west England. Then Ali Pretty, founder and artistic director of arts group Kinetika, suggested I accompany their walk and write a daily account. ...”

Was (Not Was) - What Up Dog? (1988)

 
“I’ve got to be the only twentysomething I know that’s this excited over Pick of the Litter 1980-2010, the new compilation by pop-funk band Was (Not Was). Quirky aficionados may know them for left-field, late-’80s hits like ‘Walk the Dinosaur’ and ‘Spy in the House of Love.’ Others may know them as the band that put producers Don Was and David Was on the map (they would, either separately or together, work on such albums as Cosmic Thing by The B-52’s, Nick of Time by Bonnie Raitt and Bob Dylan’s odd Under the Red Sky). But no matter how you know them, there’s little to deny their place as one of the funniest, funkiest bands that time almost forgot.The core of Was (Not Was) – David on keyboards, Don on bass and the dual soul vocals of Harry Bowens and Sweet Pea Atkinson – was as smooth, funky and soulful as they come. ...”
 

Colonialism In And Of Board Games

 

“It wasn’t until much later in my life that I started to see these biases and flawed representations pop up in games — having studied anthropology definitely pushed me in that direction and having the chance to discuss games at conventions and on social media really allowed me to start thinking more critically about themes like colonialism. Digging into this a little more, it’s fascinating to consider the way we engage with games and their representation of our world and our history. We can learn as we play — about values, about history, about ourselves. The intersection of these things is particularly relevant when considering games with thematic overtones of colonialism. What are the values we’re experiencing with games that represent this? Whose history are we encountering? ...”

The Holy Grail - Jack Spicer (1962)

The Holy Grail was originally published 50 years ago by White Rabbit Press. It is composed of seven sections, each containing seven poems. Changing narrators, shifting time periods, the author’s use of jokes and lapsus linguae and folk songs, all conspire to create what Spicer called ‘an uncomfortable music.’ His friend Robin Blaser said it was more like a ‘cubist painting where you can’t get through the fucking frame.’ Sit down with the book and listen to the recording of Spicer himself reading it aloud on PennSound. Now, do that over and over until you feel a timeworm in your chest. ...”

Watching my name go by - Graffiti Documentary (1976)

 
“In 1974 Norman Mailer wrote an essay for Esquire called ‘The Faith of Graffiti‘—a gripping and sympathetic investigation on the defacement of public and private property as an urban art movement of complex and fascinating depth. Mailer’s work eventually produced two collaborative pictorial books—The Faith of Graffiti and Watching My Name Go By. The beauty of tagging and graffiti art is almost taken for granted today, especially since artists like Keith Haring and Jean-Michel Basquiat legitimized the genre to the art world in both its unlawful execution and its distinctive aesthetic, but Mailer was doing something new by recording the phenomenon as an organic outpouring of artistic expression, and this short 1976 documentary—also named ‘Watching My Name Go By’—is equally open-minded in its portrayal of graffiti artists and their critics. ...”

​The True Value of Gold

 
“Daniel Alves has seen it all, done it all. He has won league titles in three countries, picked up nine cups, conquered Europe with his club and South America with his country. He has 41 major honors to his name, officially making him the most decorated player in history. But still, when André Jardine asked him to take on one last job, his eyes lit up. Jardine, the manager of Brazil’s Olympic men’s soccer team, had framed his pitch smartly. ....”

​The Mournfulness of Cities

Edward Hopper, Hotel Window (1955)

“I am puzzled by the mournfulness of cities. I suppose I mean American cities mostly—dense and vertical and relatively sudden. All piled up in fullest possible distinction from surroundings, from our flat and grassy origins, the migratory blur from which the self, itself, would seem to have emerged into the emptiness, the kindergarten-landscape gap between the earth and sky. I’m puzzled, especially, by what seems to me the ease of it, the automatic, fundamental, even corny quality of mournfulness in cities, so built into us, so preadapted for somehow, that even camped out there on the savannah, long before we dreamed of cities, I imagine we should probably have had a premonition, dreamed the sound of lonely saxophones on fire escapes. What’s mourned is hard to say. Not that the mourner needs to know. It seems so basic. One refers to certain Edward Hopper paintings—people gazing out of windows right at sunset or late at night. They’ve no idea. ...”

The John Wright Trio ‎– South Side Soul (1960)

 
The life of John Wright, the Chicago jazz pianist they call “South Side Soul" - “Chicago jazz pianist John Wright earned his reputation with a string of LPs for the Prestige label in the early 60s—his 1960 debut made such an impression that its title, South Side Soul, remains his nickname to this day. His discography has been sparse since then, but he's never stopped playing for long, and he's just had an especially eventful week. On Friday, August 29, Wright spoke at the ceremony to formally designate the 3800 block of South Prairie ‘Dinah Washington Way,’ reminiscing about his interactions with the great singer in the 1950s. ...”

The Trauma of the Civil War Lives On in Faulkner’s Fiction

 
“In July, at his memorial service at Ebenezer Baptist Church in Atlanta, the Honorable John Lewis was eulogized by three presidents. The sitting president was not among them. His absence was yet another assertion of the anti-Black hostility and xenophobia fouling the polity with renewed vigor. We lament the current social climate as though it were anomalous, an outbreak of pestilence, when in reality these iniquities reverberate through our American centuries. We need a prophet — a voice to call up the nation’s oldest stories, a reckoning with what was so that we might understand what is. In The Saddest Words: William Faulkner’s Civil War, part literary biography, part Civil War history, Michael Gorra presents a cogent case for Faulkner as one such prophet. ...”
2011 September: Southern Gothic, 2014 February: William Faulkner, 2015 October: William Faulkner Draws Maps of Yoknapatawpha County, the Fictional Home of His Great Novels, 2015 November: Interviews William Faulkner, The Art of Fiction No. 12, 2016 April: Absalom, Absalom!! (1936), 2016 May: The Sound and the Fury (1929), 2016 October: The Snopes Trilogy (1940, 1957, 1959), 2016 December: Light in August (1932), 2017 February: As I Lay Dying (1930), 2017 June: The Wild Palms (1939), 2017 August: Sanctuary (1931). 2017 September: The Unvanquished (1938), 2017 October: 20 Pieces of Writing Advice from William Faulkner, 2017 November: Yoknapatawpha County, 2018 February: Go Down, Moses (1942), 2018 June: Flags in the Dust (1973), 2019 May: Collected Stories of William Faulkner (1950), 2019 October: Sartoris (1929), 2020 August: Down Through the Faulkner Bloodline, Pride and Racial Guilt Commingled

Charlotte Corday

 
Charlotte Corday (c. 1860), Musée des Beaux-Arts de Nantes

Marie-Anne Charlotte de Corday d'Armont (27 July 1768 – 17 July 1793), known as Charlotte Corday, was a figure of the French Revolution. In 1793, she was executed by guillotine for the assassination of Jacobin leader Jean-Paul Marat, who was in part responsible for the more radical course the Revolution had taken through his role as a politician and journalist. Marat had played a substantial role in the political purge of the Girondins, with whom Corday sympathized. His murder was depicted in the painting The Death of Marat by Jacques-Louis David, which shows Marat's dead body after Corday had stabbed him in his medicinal bath. In 1847, writer Alphonse de Lamartine gave Corday the posthumous nickname l'ange de l'assassinat (the Angel of Assassination). ...”

 
Charlotte Corday being conducted to her execution, by Arturo Michelena (1889); the warden carries the red blouse worn by Corday and the painter Hauer stands at the right.

​Jazzman Records reissues Ron Everett’s 1977 obscure soul jazz holy grail ‘Glitter of The City’

 
“One can make the argument, that the term ‘Holy Grail’ is sometimes used a bit too loosely, however that certainly isn’t the case when applied to Ron Everett’s 1977 obscure soul jazz masterpiece Glitter Of The City. Originally self-released in 1977 on a shoestring budget, UK’s Jazzman Records has recently reissued the essential recording as a part of it’s ongoing superb Jazzman Holy Grail series. Originally recorded as a seven-track album and circulated in small quantities among the Philadelphia region, this incredible recording spans a lot of territory, from soulful jazz grooves and blues, to spiritual jazz and Latin rhythms. ...”

Fela Kuti and Afrika '70 -"I Go Shout Plenty"/"Why Black Man Dey Suffer"

 
“...  ‘I Go Shout Plenty’ was recorded in late 1976 or January 1977, but was not released until 1986, as the title track of an album which also included ‘Why Black Man Dey Suffer.’ The release was delayed for so long because the master tape was among the unissued recordings caught up in the aftermath of the Nigerian army’s destruction of Kalakuta Republic in February 1977. Decca Afrodisia, fearful of regime reprisals if it offered support to Fela, halted the release of any Afrika 70 record it thought the regime might deem “seditious.” In the lyric, Fela asserts his right to raise his voice in opposition to the Nigerian authorities. ‘I Go Shout Plenty’ is a typically fiery, mid-period Afrika 70 track. ...”

The Louvre’s Art Sleuth Is on the Hunt for Looted Paintings

 
Emmanuelle Polack at the center in the Louvre which houses important materials for her research.

“PARIS — In a frenzied, four-day auction in the grand hall of the Savoy Hotel in Nice in June 1942, buyers bid on paintings, sculptures and drawings from ‘the cabinet of a Parisian art lover.’ Among the 445 pieces for sale were works by Degas, Delacroix, Renoir and Rodin. The administrator monitoring the sale, appointed by the French collaborationist Vichy regime, and René Huyghe, a paintings curator at the Louvre, knew the real identity of the art lover: Armand Isaac Dorville, a successful Parisian lawyer. They also knew that he was Jewish. ... The full history of the Dorville auction might have remained secret had it not been for Emmanuelle Polack, a 56-year-old art historian and archival sleuth. The key to her success in discovering the provenance of works that suspiciously changed hands during the Nazi Occupation was to follow the money. ...”

William S. Burroughs - A Word Is a Word Is a Collage (1965)

 
Experimental Artworks - Kunsthalle Vienna

"... Voice dry as the voice of T.S. Eliot droning from a recording, accent still American after years away from America. Appearance as anonymous as a bank clerk’s, forgettable as a bank robber. Writer of books compared with Kafka, Joyce, and dirty postcards. His bruised readers nurse a sense of outrage and assault after trips through the Burroughs landscape, a desert of screams. All the time he talks he moves around the room, or groping for cigarettes, or gesturing with nervous hands. He lines the cigarette pack up with invisible parallels, rearranges the ash pattern in the ash tray. His work is sentences from newspapers, conversations, other authors, the title of something he is reading, things he hears, what is happening around him; it all makes a sort of collage. ...”

 
Collage #6 - Tangiers, top; possibly Ahmed Yacoubi (?), bottom.  Silver gelatin print and scotch tape.

​Bellotto: The Königstein Views Reunited

 
The Fortress of Königstein from the North, 1756–8 

“Sharply silhouetted against a pale evening sky is the Saxon fortress of Königstein.  Bernardo Bellotto (1722–1780) painted this historic site – a stronghold located approximately 25 miles south-east of Dresden, in the picturesque Elbe valley –not just once, but five times. In this exhibition we reunite these five monumental views, which includes our recently acquired view from the north, for the first time in more than 250 years. ...”

Courtyard with the Brunnenhaus, 1756–8

Joni Mitchell - The Hissing Of Summer Lawns Demos

 
“This is a repost, if you downloaded originally from here this is the same version. If you have downloaded this from elsewhere, check you have this upgraded version as it is superior quality compared to previous editions. These unreleased demos and working versions appeared in a radically different finished form on the Hissing Of Summer Lawns released in November 1975. On the album Joni had continued her change in musical direction begun on Court And Spark (1974), away from her folk stylings towards jazz and what we would now label world music. ...”