Requiem for a Dream

 
Paintings for the Art Fund of the Museum of Artistic Culture in the Museum Bureau of IZO Narkompros collection, Moscow, 1919–20.

The idea of an avant-garde museum has something of the head-scratching quality of the oxymoron to it—because didn’t the avant-garde turn its back on institutions in hopes of engaging directly with life? (That said, why people consider institutions anathema to life has always been another head-scratcher for me.) In his 1909 Futurist Manifesto, F. T. Marinetti promised to destroy museums and other dusty sites of knowledge (’libraries, academies of every kind’) in order to make space for speed and dynamism. ...”

First page of the English version Manifesto of Futurism as it appeared in Poesia (magazine)

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