Cyberpunk

 
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a ‘combination of low-life and high tech‘ featuring advanced technological and scientific achievements, such as artificial intelligence and cybernetics, juxtaposed with a degree of breakdown or radical change in the social order. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction. ... Released in 1984, William Gibson's influential debut novel Neuromancer would help solidify cyberpunk as a genre, drawing influence from punk subculture and early hacker culture. ... Minnesota writer Bruce Bethke coined the term in 1983 for his short story ‘Cyberpunk,’ which was published in an issue of Amazing Science Fiction Stories. The term was quickly appropriated as a label to be applied to the works of William Gibson, Bruce Sterling, Pat Cadigan and others. Of these, Sterling became the movement's chief ideologue, thanks to his fanzine Cheap Truth. John Shirley wrote articles on Sterling and Rucker's significance. ...”

Sugar Minott - Sugar Minott @ Studio 1

 
“So as the Soho based crew gradually make their way around all the singers and players in Coxsone's stable, its about time we requested they begin sticking out the original output by The African Brothers. For this is where Lincoln Sugar Minott started in 1969, alongside Tony Tuff and Derrick Howard, and anyone who ever heard their 'Righteous Kingdom' will know what I'm talking about. From the beginning then it seemed Lincoln was destined to run with Studio One, and after just one single there with the Brothers, Minott remained as in-house guitarist, backing vocalist and percussionist, all the while carrying his experience growing up next to a dancehall where Sir Coxsone a played, and then as teenage selector for Gathering of Youth and Sound of Silence Keystone systems. ... One all along. Spanning work from 1978 to 1982, this is lovely music by anyone's standards, and Sugar remains our favourite Son of Studio One. ... Respect.”

AIAC RADIO: Freetown’s musical soup

 
“In our last season of Africa Is a Country Radio, we explored the idea of international blackness with music and interviews on black identity from the United States to Latin America to Europe. It was recorded in conjunction with my work on the INTL BLK platform and featured several friends and collaborators in Los Angeles. After a few months break, we are now back with a new season and a new home, London-based web radio station Worldwide FM. This season’s theme will take inspiration from Paul Gilroy who suggests that to understand black culture we must look its routes of exchange, rather than its perceived roots of origin, and how hybridity and the navigation of empire have shaped modernity, nationality, and identity in the world today. Our focus will be port cities as connecting nodes in the international network of cultural exchange that is the Black Atlantic. Each month we will take a deeper dive into the music and cultural politics of a different port city on the African continent. ...”

The American Friend - Wim Wenders (1977)

 
The American Friend (German: Der amerikanische Freund) is a 1977 neo-noir film by Wim Wenders, adapted from the 1974 novel Ripley's Game by Patricia Highsmith. The film features Dennis Hopper as career criminal Tom Ripley and Bruno Ganz as Jonathan Zimmermann, a terminally ill picture framer whom Ripley coerces into becoming an assassin. The film uses an unusual ‘natural’ language concept: Zimmermann speaks German with his family and his doctor, but English with Ripley and while visiting Paris. Tom Ripley (Dennis Hopper) is a wealthy American living in Hamburg, Germany. He is involved in an artwork forgery scheme, in which he appears at auctions to bid on forged paintings produced by an accomplice to drive up the price. ...”

Separated by Distance? Send Pressed Flowers

 
“Flower pressing began in the West in earnest during the late 1800s, after trade — and the exchange of ideas — opened with Japan. There, oshibana, the art of arranging flattened dried blooms into ornate compositions on paper, had been part of the culture for centuries. The technique then made its way, albeit in less elaborate form, to America and Britain, where people began pressing and even scrapbooking botanicals they’d collect at home or on holiday. Later, during World War I, the self-soothing craft evolved from a hobby into something more poignant: Soldiers picked wildflowers and weeds growing near the trenches in Europe and mailed them home inside letters as forget-me-nots to their lovers and families. ...”

Harry Dean Stanton Day

 
“A character actor who briefly became a star in 1984, appearing in leading roles in Paris, Texas and Repo Man, Harry Dean Stanton (born in Kentucky in 1926) was also part of what made the seventies such a great decade for film, a time when character actors had the heft of leading parts but happened to play on the margins of a movie rather than at its centre. In Sophie Huber’s Harry Dean Stanton: Partly Fiction, writer and actor Sam Shepard talks of the actor’s reservations about playing the main role in Paris, Texas. Yet Shepard couldn’t see any reason why Stanton couldn’t master the role: it is just a character actor getting a bigger part. Shepard has a point but maybe for many actors this wouldn’t have been so, since film often practices a variation on what the novelist EM Forster calls round and flat characters. ...”

Housing Works

Panorama of the City of New York. Photo: Queens Museum.        

“A large chunk of the Queens Museum is taken up by its most famous attraction: the permanently installed and periodically updated to-scale Panorama of the City of New York built for the World’s Fair in 1964. Commissioned by Robert Moses, the urban planner instrumental in engineering a postwar city that catered to an exclusionary class of day-tripping managers as a growing undercommons transitioned to a service or underground economy, its proximity to a current exhibition on housing injustice and urban planning, ‘After the Plaster Foundation, or, Where can we live?,’ makes for a rich historical and discursive combination. The miniature city’s production also roughly coincides with the timeline of the new exhibition, which begins with Jack Smith’s eviction from his SoHo loft (he called it the Plaster Foundation), undoing some of the mythologies about the free and easy lives of bohemian artists in the ’60s. ...”

Cross-Device Ambient - Ambalek

“Beautiful cross-device ambient, featuring a standard modular synthesizer setup controlling the more esoteric Plumbutter from the Ciat Lonbarde line of instruments (that’s wooden gadget in the foreground at the start of the video). It sounds like an orchestra tuning up from down the hall in advance of performing an evening impressionist program. It sounds like those orchestral musicians have found a happy degree of ensemble, of near-telepathic collaboration, and decided, spur of the moment, to just go with it, to see where the sinuous sense of collaboration takes them. Lovely lines hint at melody but pass more like wafts of cloud formations in a gentle breeze. The track is titled 'Tethered.' Video originally posted at youtube.com. More from Ambalek, who is based in London, at soundcloud.com/ambalek and instagram.com/_ambalek. This is the latest video I’ve added to my ongoing YouTube playlist of fine live performance of ambient music.”


The Myth of North America, in One Painting

 
“The clouds are heavy and black. A grim day for fighting. In the air is the smell of damp, and mortar fire. It’s a little after 10 a.m. on Sept. 13, 1759. The battle is almost over. In the distance, the wounded French soldiers are retreating. And a young general in a red coat is dying far from England, on the other side of the Atlantic. What does history look like? Who gets to write it, in whose name? The Seven Years’ War — what Americans call the French and Indian War — was, in Winston Churchill’s estimation, the true first world war. French and British forces clashed on five continents, from the Caribbean to Senegal to India and the Philippines. ‘The Death of General Wolfe,’ painted by Benjamin West in 1770, depicts the Battle of the Plains of Abraham, outside Quebec City. It was the turning point in a war that would end with the British takeover of French colonies from Quebec to Florida. ...”

Lou Reed Concert Film Berlin Streaming Free Online for the Next Week

“Last laughs can be sweet, and according to music journalist, Anthony DeCurtis, his friend, the late Lou Reed, ‘reveled’ in the critical drubbing that greeted his 3rd solo album, 1973’s Berlin. Not immediately, however.Berlin, which followed hard on the heels of Reed’s widely adored Transformer, had a painful, protracted delivery. This was due in part due to RCA execs getting cold feet about releasing Reed’s grim concept record as a double album. This necessitated a lot of pruning, a week before deadline.Producer Bob Ezrin, who had planted the idea for a concept album based on a track from Reed’s eponymous first solo effort, was detoxing in the hospital, and thus not present for the final mastering. But much of the hell leading to Berlin’s release was a hell of Reed’s own making. ...”

Notes from the Bathysphere

William Beebe and Gloria Hollister inspect the bathysphere.

“I’m writing from the outskirts of the small town of Tarapoto, in northeastern Peru. My ostensibly short trip here last March intersected with the declaration of a state of emergency: complete shutdown of domestic travel, strict curfew, international borders sealed. There were expensive ‘humanitarian flights’ requiring government permission to travel to Lima; otherwise, it was impossible to move. This was meant to keep the virus out. By midsummer the situation improved elsewhere while Peru was suddenly in the global epicenter, and lockdown was meant to keep the virus in. Now the situation is reversing again, travel restrictions are loosening, and after eight months, I’m faced with the option of heading home. Before the pandemic, I was living in Harlem, teaching at City College, and working on a book about the writings that remain from the bathysphere dives—strange, poetic texts that constitute the first eyewitness account of the deep ocean. ...”

The 10 Most Philosophical Movie Masterpieces of All Time

 
“’Philosophical’ is a word used so commonly that its definition merits frequent reinforcement. The word philosophy itself is formed from two Greek words: philo, meaning ‘love’ and sophia meaning ‘wisdom’. As the love of wisdom, philosophy encompasses far more than a collection of personal opinions and intricate mental gymnastics. Asking more questions than it answers, true philosophy is never pedantic and may not always seem profound.In the same way, a film can be philosophical to the extent that it aspires toward a love of wisdom and inspires in us the same love. ...”

Robert Ashley as Minimalist By Kyle Gann

“I hope it does not seem merely opportunistic to appear with a paper on Robert Ashley as minimalist just after I have published a book on Ashley. One of the things I find historically fascinating about minimalism is the magnetic field it cast on all sides, attracting some composers and repelling others, to the point that some composers whom we do not consider part of the movement led careers that we cannot adequately describe without alluding to it as explanation. Morton Feldman is certainly one of these, perhaps James Tenney, and also Robert Ashley. ...”2008 March: Robert Ashley, 2012 April: Sonic Arts Union, 2012 July: Various - Lovely Little Records, 2013 October: The Old Man Lives in Concrete, 2014 March: Robert Ashley, 1930-2014, 2016 March: Perfect Lives (1977-83), 2016 June: Music Word Fire and I Would Do It Again: The Lessons (1981) , 2019 January: Sound Portraits Radio #15 Robert Ashley w/ Doron Sadjas

A Guide to the Brain-Bending Discography of Post-Punk Giants This Heat

“Over the course of two studio albums, several EPs, and live sessions, the UK group This Heat sought to decondition listeners to traditional song structures. Though the trio had superficial similarities to the post-punk bands that were emerging alongside them in late 1970’s London—spindly guitars, hypnotic vocals, and the studio-as-instrument techniques of dub—they never settled into a single approach to avant-rock deconstruction. Instead, they chose to continually experiment. Interrupting churning grooves with quiet or chaotic passages, their discography is speckled with sound collages, tape loops, and proto-techno trickery. ...”

2012 December: This Heat

How to Pretend You're in Paris Tonight

Empty embankment on the Seine during a Covid-19 lockdown in Paris on April.

“Paris is a collective fantasy, from the booksellers along the Seine to the gray zinc rooftops of its cream stone buildings. For ages, the city has been the place to turn for lessons in l’art de vivre, the art of living, influencing fashion, philosophy, culture, art and gastronomy around the world. Today, pop-up shops and hipster brunch spots are as much a part of Paris as street lamps and Gothic architecture. But the romance of the city is timeless. ... Take your time contemplating masterpieces and monuments through virtual tours. Get up close to paintings by Renoir and van Gogh at the Musée d’Orsay. Zoom in on the brush strokes of Monet’s Water Lilies in the Musée de l’Orangerie. ... And relish vertiginous views from the Eiffel Tower. ...”

This brownstone is an anachronism in Tudor City

“Tudor City belongs firmly in the 20th century. This quiet ‘city within the city’ built on a bluff west of First Avenue between 41st and 43rd Streets consists of 13 residential buildings, almost all reflecting the Tudor Revival style popular in the 1920s. In 1925, Tudor City’s developer, Fred French, bought up five acres of land and former middle class brownstones in the neighborhood—brownstones which by that time had been turned into tenements or carved into apartments, according to a 1926 New York Times story. He bulldozed them to revitalize an area that in the early 1900s had become a slum, putting up modern new ‘efficiency’ units that appealed to young professionals working in Midtown. ...”

Sometimes Our Favorite Sports Need to Love Us Back

Donations to a food bank outside a Newcastle match. Soccer’s billion-dollar business is often disconnected from its far more local connection with its fans.

“Clutching his phone in one hand and his passport in the other, Ruben Gabrielsen sprinted through his apartment. Duty had called, and he would answer. He had even tied a makeshift cape around his neck for the occasion. He would be the one to save his country in its hour of need.A 28-year-old defender playing in France’s second division, Gabrielsen probably would not have chosen these to be the circumstances in which he made his first international appearance. Not long ago, he probably would not have been able to imagine them. ...”

Bill Evans - Another Time: The Hilversum Concert (1968)

 
"With so many previously unissued trio recordings by Bill Evans crowding shelves and 'the cloud,' it’s fair to ask whether another archival discovery adds anything of real significance to the piano icon’s legacy—particularly since the latest, Another Time: The Hilversum Concert, comes on the heels of two other Resonance sets from 1968, Live at Art D’Lugoff’s Top of the Gate and Some Other Time: The Lost Session From the Black Forest, as well as Fantasy’s On a Monday Evening, from 1976. The answer, in this case, is a decided yes, for completists and non-completists alike. ..." 

Jazz Times  

Discogs (Video) 

amazon 

YouTube: Another Time 1 / 9

Venice - Jan Morris (1960)

 
“Now that spring is bringing back its gentle warmth, it’s time to go travelling. Specifically, to Venice: a place that often seems like a feat of imagination as much as a real bricks-and-mortar city. A place that is forever being made and remade in fiction by writers as impressive and various as Shakespeare, Byron, Hemingway, Thomas Mann, Evelyn Waugh, Daphne Du Maurier, Goethe, Stendhal, Dante.  ... No one captures this elusive quality better than Jan Morris. We’re going to look at her 1960 classic Venice, as well as exploring the broader literature of Venice and its history. I’m also delighted to say that Jan Morris has agreed to answer questions from you about this book and her long, brilliant career.Just in case you don’t know why this is so very exciting, a quick overview.  ...”

No Papers, No Jobs: The New Street Vendors of Queens

“The stretch of Roosevelt Avenue in Queens teemed with people weaving their way through carts and stands that offered everything from sweet-scented roast corn to masks.The regular roar of the 7 train often drowned out the sound of haggling. On one corner, Cristina Sanchez stood forlornly at a produce stand. She had not sold a single thing. During the pandemic she had lost her job, and then her rented room, triggering a frantic hustle to survive: First she sold produce, then tacos, then produce again. ... She is among the city’s more than half a million undocumented immigrants whose lives have been upended by the pandemic but who are ineligible for most financial assistance, including stimulus money and loans. ...”

Atangana Records exhume sound treasures from mythical Guadeloupean studio

“The producer Henri Debs was a real visionary. The creator of Latin biguine, also called Creole salsa, this musical style thrilled the ‘Gran Moun ball’ generation, something we can relive the Mizik la ka dansé compilation. The Debs Studio, ran by Henri Debs in Guadeloupe, recorded the greatest tracks of Latin biguine, also known as Creole salsa. This visionary was addicted to music and production and gave 52 years of his life to Caribbean sounds. The first compilation from the Atangana Records label is the result of a year and a half of listening to his studio’s archives, a long job since they needed to whittle two hundred tracks down to twelve. Get ready to discover the Super Combo, Les Aiglons, Les Maxel’s, Lola Martin, Camille Soprane, Max and Henri, plus many more.  ...”

Cakes and Ale

 
“The club has six members. Maks and I bring the cake. Beth brings drinks. Talia sets out chairs in front of the bookshop. Penelope carries the metal grill and turns the shop sign to CLOSED. Follie, the black dog, goes wild. She jumps and licks and runs in circles. Then she goes in search of an empty bookshelf to curl into. We have a joke about Follie reading all the books inside while the club congregates on the shop terrace, across from the gates to the Luxembourg Gardens. It’s really not that funny. But somehow at a gathering, it can become hysterical. The club is called Cakes and Ale. That might be my favorite of Maugham’s books, though it’s Penelope who came up with the name. She’s been a bookseller for thirty-five years, which means that she’s a master punner. ...”

María Berrío

“Based in Brooklyn, María Berrío grew up in Colombia. Her large-scale works, which are meticulously crafted from layers of Japanese paper, reflect on cross-cultural connections and global migration seen through the prism of her own history. Populated predominantly by women, Berrío’s art often appears to propose spaces of refuge or safety, kaleidoscopic utopias which in the past have been inspired in part by South American folklore, where humans and nature coexist in harmony. To these apparently idealised scenes, however, Berrío brings to light the hard realities of present-day politics. ...”