“In 1974 Norman Mailer wrote an essay for Esquire called ‘The Faith of Graffiti‘—a gripping and sympathetic investigation on the defacement of public and private property as an urban art movement of complex and fascinating depth. Mailer’s work eventually produced two collaborative pictorial books—The Faith of Graffiti and Watching My Name Go By. The beauty of tagging and graffiti art is almost taken for granted today, especially since artists like Keith Haring and Jean-Michel Basquiat legitimized the genre to the art world in both its unlawful execution and its distinctive aesthetic, but Mailer was doing something new by recording the phenomenon as an organic outpouring of artistic expression, and this short 1976 documentary—also named ‘Watching My Name Go By’—is equally open-minded in its portrayal of graffiti artists and their critics. ...”
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