Jimmie Durham: At the Center of the World

"Artist and activist Jimmie Durham (b. 1940) has worked as a visual artist, performer, essayist, and poet for more than forty-five years. A political organizer for the American Indian Movement during the 1970s, he was an active participant in the downtown New York City artistic community in the 1980s. In 1987 he moved to Cuernavaca, Mexico, then to Europe in 1994, where he has lived ever since. Predominantly a sculptor, Durham often combines found objects and natural materials and incorporates text to expose Western-centric views and prejudices hidden in language, objects, and institutions. Calling himself an 'interventionist,' Durham is oftentimes critical in his analysis of society but with a distinctive wit that is simultaneously generous and humorous. Durham's expansive practice spans sculpture, drawing, collage, photography, video, and performance, and the exhibition includes approximately 120 objects dating from 1970 to the present. ..."
Whitney (Video)
NY Times: Coming Face to Face With Jimmie Durham
Jimmie Durham: At the Center of the World (Video)

1975-1988: Urban Color

1984 - Dave's Restaurant, New York.
"Born in Chicago in 1946, Wayne Sorce studied at the School of the Art Institute of Chicago and went on to have a distinguished career in photography. In the 1970s and ‘80s, Sorce explored the urban landscapes of New York and Chicago with his large format camera, making precisely balanced compositions of color, geometry, and light that also recorded the era’s particular styles of signage, advertising, and automobile design. Wayne Sorce: Urban Color, an exhibit of cityscapes by Sorce and his contemporaries, is on display at Joseph Bellows Gallery in La Jolla, California through Nov. 30."
mashable

Un Flic - Jean-Pierre Melville (1972)

"Haunted by death-obsessed men of action, Un Flic (A Cop) is a fitting final act for noir master Jean-Pierre Melville, who died in 1973, a year after this production. The title suggests that film is about Edouard Coleman, Alain Delon’s weary policeman, but the true subject is Coleman’s age. These characters are all worn down by time, and while that doesn’t make them sentimental or sloppy, they are always aware that any screw-up could get them killed. The balletic opening bank heist, a precise, dialogue-free set piece where deferred stares speak louder than the roaring of waves rolling in at a nearby beach, happens at twilight, but the metallic sky looming overhead makes it impossible to be sure of the time of day. ... Their uneasy relationship is at an impasse: At the bars, they sip Scotch, and warily exchange sidelong glances. Feelings are a liability in Un Flic, so Delon’s heartsick detective always looks vaguely distracted, his eyes betraying the character’s sadness. At the end, his partner fidgets while Edouard, trapped in his own head, drives down the Champs-Élysées. The other cop knows he can’t do anything for Edouard, except maybe offer a stick of gum. Un Flic‘s Paris is purgatory; the city’s silvery-blue, halogen-lit miasma is a fact of life."
VOICE
W - Un Flic
Slant
LA Times: Revisit Jean-Pierre Melville's world of crime in 'Un Flic'
Un flic: art and artifice (and also cars and hats and blondes)
YouTube: Un Flic - Trailer, Isabelle Aubert and Michel Colombier

2017 June: Jean-Pierre Melville’s Cinema of Resistance

Mars ‎– 3 E / 11,000 Volts (1978)

"Mars was a New York City No Wave band formed by vocalist Sumner (Crane) Audrey in 1975. He was joined by China Burg (née Constance Burg; a.k.a Lucy Hamilton) (guitar, vocals), Mark Cunningham (bass), and artist Nancy Arlen (drums), and briefly by Rudolph Grey. The band played one live gig under the name China before changing it to Mars. They played a mixture of angular compositions and freeform ambient noise music jams, featuring surrealist lyrics and non-standard drumming. All the members were said to be completely untrained in music before forming the band. In 1978, Mars appeared on the influential No New York compilation LP produced by Brian Eno, along with DNA, Teenage Jesus and the Jerks, and James Chance and the Contortions, which helped to bring the nascent No Wave genre into the foreground. After the break-up of Mars at the end of 1978, Cunningham was part of the bizarre John Gavanti 'no wave opera' project with Crane, Arto Lindsay, and others. ..."
popsike
YouTube: 3E, 11,000 Volts

2015 November: The Complete Studio Recordings NYC 1977-1978

Tenements, Towers & Trash: An Unconventional Illustrated History of New York City - Julia Wertz

"New York City can be the place where you go to 'make it,' but as cartoonist Julia Wertz points out in her new book, it's as storied for its failures as its successes. A 300-page visual epic, Tenements, Towers & Trash captures the New York that's risen up by stacking failure upon failure as implacably as residents toss bags onto curbside garbage piles. This isn't The City That Never Sleeps, it's The City Where Dreams Go To Die. But as far as sweeping histories of dead dreams go, Wertz's is a pretty upbeat one. She has a passion for abandoned places (her urban exploration blog, Adventure Bible School, offers plenty of photographic evidence) and she adores uncovering tangible remnants of fizzled ambitions and cockamamie schemes. She sketches page after page of charming flops. There are long-closed businesses whose signs lend charisma to generically gentrified neighborhoods. There are phased-out technologies that once provided cleanliness, safety and transit. There are notorious citizens whose spectacular acts of moral nihilism included theft, arson and murder. In Wertz's hands, even these people have some appeal — they're pathetic, but scary. ..."
NPR: 'Tenements, Towers & Trash' Brings Clean Lines To The City Of Failure
amazon

The Impressionist Line: From Degas to Toulouse-Lautrec

"In 1874 French artists Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir were among the founding members of the Anonymous Society of Painters, Sculptors, Printmakers, Etc., an artist cooperative dissatisfied with the conservative annual state-sanctioned art exhibition known as the Salon. The independent-minded collective—the Impressionists—defied academic tradition with their innovative artistic practices as well as their public presentation strategies. Prints and drawings made up nearly half of the works included in the eight Impressionist exhibitions—a series of independent, artist-organized events held in Paris between 1874 and 1886—that defined the movement. Today Impressionism is usually understood as celebrating the primacy of oil painting rather than the drawn or printed line. The Impressionist Line challenges this perception, exploring the Impressionists’ substantial—and often experimental—contributions to the graphic arts. ..."
The Clark
Radicals at work: New exhibit at The Clark turns around common thinking about the Impressionists
The Clark: Image Gallery
amazon

Two Series Highlight the Competing American Visions of Sam Shepard and Dennis Hopper

"It’s probably pure coincidence that BAM is presenting a week of Sam Shepard films right as the Metrograph screens five days of Dennis Hopper–directed titles. The mini-Hopper retro has been prompted by the release of Along for the Ride, a documentary about the troubled actor-filmmaker’s career, as seen through the eyes of his longtime assistant and friend, Satya de la Manitou. The Shepard movies are presumably screening because of the actor-writer’s recent passing. And yet, there’s serendipity here, too: No two actors of their generation better expressed the modern iteration of the lonesome cowboy — that dying myth of the all-American wanderer. Their careers regularly threatened to intersect, but the two almost never worked together. (When they did, on 2002’s prison pen-pal drama Leo, Shepard said Hopper was 'like a crazy brother.') Maybe that’s understandable, too: They were, in some way, opposites — separate sides of the same coin. ..."
VOICE

2017 August: Sam Shepard (November 5, 1943 – July 27, 2017), 2009 November: Easy Rider (1969), 2010 May: Dennis Hopper (May 17, 1936 – May 29, 2010), 2010 November: The American Friend (1977), 2012 November: Dennis Hopper Documentary (90s), 2013 May: The Lost Album, 2013 December: On the Road, 2016 November: Dennis Hopper: Colors, The Polaroids

Albert Camus - The Stranger (1942)

Wikipedia - "L’Étranger (The Outsider [UK], or The Stranger [US]) is a 1942 novel by French author Albert Camus. Its theme and outlook are often cited as examples of Camus' philosophy of the absurd and existentialism, though Camus personally rejected the latter label. The title character is Meursault, an indifferent French Algerian described as 'a citizen of France domiciled in North Africa, a man of the Mediterranean, an homme du midi yet one who hardly partakes of the traditional Mediterranean culture'. He attends his mother's funeral. A few days later, he kills an Arab man in French Algiers, who was involved in a conflict with a friend. Meursault is tried and sentenced to death. The story is divided into two parts, presenting Meursault's first-person narrative view before and after the murder, respectively. ... The Stranger's first edition consisted of 4,400 copies and was not an immediate best-seller. But the novel was well received, partly because of Jean-Paul Sartre's article 'Explication de L'Etranger,' on the eve of publication of the novel, and a mistake from the Propaganda-Staffel. ..."
Wikipedia
New Yorker - Lost in Translation: What the First Line of “The Stranger” Should Be
Smithsonian: Why is Albert Camus Still a Stranger in His Native Algeria?
New Republic: The Camus Investigation
[PDF] The Stranger (1942)
amazon

Luchino Visconti's The Stranger (1967) - "Beware the movie based on literature, or, in that showbiz term of art, a 'literary property.' Not because adaptations are an inferior form of cinema—I don’t believe that for a moment—but because they create an added layer of copyright issues for the film. When a movie stays long out of sight, and the studio still has prints, very often the reason you’re not seeing it has to do with the rights to its literary source. This is most likely why Lo Straniero, from 1967, directed by the great Luchino Visconti and starring Marcello Mastroianni and Anna Karina, has gone missing for so many years—never on VHS, never on DVD, unseen on TV, and infrequently revived in cinemas. ..."
Film Comment
W - The Stranger (1967 film)
senses of cinema - To Shoot at the Impassive Stillness: Marcello Mastroianni in Luchino Visconti’s The Stranger (Lo straniero, 1967)
W - Luchino Visconti
YouTube: The Stranger(movie footage) based on Albert Camus' masterpiece
YouTube: "The Stranger" by Albert Camus - 1967 - Dir. Luchino Visconti 1:42:52

2011 October: Albert Camus on Nihilism, 2014 November: Albert Camus: Soccer Goalie, 2015 May: LISTEN: New Cave And Ellis Soundtrack, 2016 April: Anarchism and Friedrich Nietzsche, 2016 April: Algerian Chronicles (2013).

The Story Behind the Chicago Newspaper That Bought a Bar

"Journalists will go far for a story and they’ll go far for a drink—but would they buy a bar? In Chicago, that’s exactly what a newspaper did. An oral history of an incredible experiment. By 1976, reporter Pam Zekman was well-acquainted with the everyday corruption that permeated Chicago. After all, the city was so well-known for shady dealings it birthed its own shorthand: 'Chicago-style politics' was used with frequency to describe boss-style rule and graft in government. ..."
Topic
W - Mirage Tavern
W - Category:Drinking establishments in Chicago
"The Mirage" - Pamela Zekman, Zay N. Smith - Chicago Sun Times
amazon: The Mirage

Alternative ’80s: Club 57 and New York's Downtown Scene

Kenny Scharf is one of the artists whose early work ...
"In conjunction with Club 57: Film, Performance, and Art in the East Village, 1978–1983, Sunday Sessions presents a program of film, poetry, performances, discussion, and music rooted in the counterculture synonymous with downtown Manhattan in the 1970s and 1980s. Club 57, like MoMA PS1 in the same era (then known simply as P.S.1), was a hive of interdisciplinary creation in which music, performance, film, theater, and art came together. Reuniting legends including Strange Party, fronted by Joey Arias, Adele Bertei, and Bob Holman of the Poetry Project, this program recaptures the spirit of the club scene and celebrates the legacy of New York’s alternative spaces alongside the art and artists they embraced. ..."
MoMA
MoMA - Club 57: Film, Performance, and Art in the East Village, 1978–1983 (Video)
NY Times: Club 57, Late-Night Home of Basquiat and Haring, Gets a Museum-Worthy Revival
artbook - Club 57: Film, Performance, and Art in the East Village, 1978–1983

The Astros Tanked Their Way To The Top

"It took 56 years, three stadiums, a name change, a league change, a couple of heart-breaking near misses and some of the ugliest jerseys in sports history, but this morning the Houston Astros can finally call themselves world champions. After beating the Dodgers 5-1 in Wednesday night’s World Series Game 7, the Astros made the list of teams to never win the title a little smaller and capped one of the most exciting World Series in history. The series had some of everything, from record-breaking home runs to crazy twists and even a marriage proposal in the postgame celebration. After the dust settled, the Astros were left standing as very worthy champions of a season in which all the best teams were unusually good. The Astros earned every bit of their first championship. ..."
Five Thirty Eight
NY Times: How the Astros Won World Series Game 7, Inning by Inning

Roland Barthes - A Lover's Discourse: Fragments (1977)

"Guessing what’s on a lover’s mind might seem an easy task: a romantic infatuation, being in love – these common psychological states are familiar to most of us. However, if we look at love from a theoretical point of view, we might ask ourselves: if love is indeed so common, can one find a shared inner emotional language? Is there even such a thing as an emotional language? These are the questions that Roland Barthes addresses in his A Lover’s Discourse – a philosophical meditation at times bordering on fiction. The first-person narrative is split into short fragments, each focusing on an idea or an image that could emerge in a lover’s mind and develop into a fantasy. Barthes, however, does not aim to compile a full list of the thoughts that could spring to a lover’s mind. ..."
Garage Museum of Contemporary Art
W - A Lover's Discourse: Fragments
The Lectern
[PDF] A Lover's Discourse: Fragments
amazon

2010 March: Roland Barthes, 2014 March: Semiotext(e), 2014 November: What Is Schizo-Culture? A Classic Conversation with William S. Burroughs, 2016 December: Can We Criticize Foucault?, 2017 June: The CIA Reads French Theory: On the Intellectual Labor of Dismantling the Cultural Left

Tour November’s Sky: Predawn Planets

"As you'll hear in this month's astronomy podcast, Venus and Jupiter are putting on quite a show low in the east before dawn. The return to standard time (November 5th in the U.S. and Canada) means that most of us are still heading home from work as evening’s twilight sets in. but that's a good thing, because it means you can sneak in a little stargazing before dinnertime. Look low in the east before dawn to watch Venus and Jupiter draw closer and closer together. Make sure your horizon is clear in that direction. These shorter days also mean it'll likely be dark when you get up, and this month the predawn sky features some drama. Venus has been dazzling the past few months, but now it’s dropping fast. It rises about 90 minutes before sunrise as November opens but only 45 minutes ahead of it at month’s end. ..."
Sky & Telescope (Audio)
Night Sky: Visible Planets, Moon Phases & Events, November 2017 (Video)

Secret Music: On Duke Ellington’s The Queen’s Suite.

Ella, by Max Ferguson, 1989
"The first time I heard The Queen’s Suite, I was at work, listening to a collection of piano music to drown out the sounds of the office. I hadn’t been paying particular attention to the music until a solo piano—Duke Ellington—began to play a phrase, a single figure of just a few lilting notes, repeated slowly at first, then more quickly, finally building into a kind of berceuse. The song, 'The Single Petal of a Rose,' was among the most beautiful and personal melodies Ellington ever wrote. It was the centerpiece of The Queen’s Suite, six songs he and his collaborator Billy Strayhorn composed for Queen Elizabeth II in 1958. Five of the six songs represent different musical landscapes—a grove full of fireflies, or a mockingbird singing at sunset—seen by Ellington in his travels around the world. ..."
Laphams Quarterly (Audio)
W - The Ellington Suites
YouTube: Duke Ellington: Queen's Suite Sunset and the Mocking Bird; Lightening Bugs and Frogs; Le Sucrier Velours; Northern Lights; The Single Petal of a Rose; Apes and Peacocks. Recorded April 4, 1959

2011 November: Duke Ellington - "It Don't Mean a Thing (If It Ain't Got That Swing)", 1943, 2011 September: "Take the A Train" - Duke Ellington, 2013 May: Duke Ellington’s Symphony in Black, Starring a 19-Year-old Billie Holiday, 2015 January: Home Movies of Duke Ellington Playing Baseball (And How Baseball Coined the Word “Jazz”)

On Ed Dorn, 'The Newly Fallen'

"I’d like to insert Dorn’s first book, The Newly Fallen (Totem Press, 1961), into the Symposium to address an element I felt missing in the original presentation of texts. Senses of space and seemed crucial to the new news about poetry I encountered at age twenty-one, living in Vancouver and having grown up in the Kootenay mountains in the southeast of British Columbia. The New American Poetry anthology tapped into a need to identify the 'local' as an aesthetic that was just blossoming in the northwest, and was of great interest to us Canadian postcolonials. Olson’s poetic mapping of Gloucester was as overwhelming as our concurrent discovery of William Carlos Williams’ Paterson. But younger, and more western poets like Dorn, Whalen, and Snyder suggested a geographically closer-to-home and local flavour. ... The Newly Fallen was published by Leroi Jones’s Totem Press in January 1961, just before Dorn turned thirty-two. ..."
Jacket2
NY Times: Black Mountain Breakdown
BeatBooks

2007 December: Edward Dorn, 1929-1999, 2014 September: Tom Clark - Edward Dorn (1929-1999), 2015 November: The Collected Poems 1956 - 1974, 2015 December: Recollections of Gran Apachería (1974), 2016 April: By the Sound (1965), 2016 July: Gunslinger, 2016 November: The North Atlantic Turbine (1967), 2017 June: Hands Up! (1964).

The Souljazz Orchestra - Under Burning Skies (2017)

"Canada’s fastest moving and hardest working collective are back with one of their finest albums to date, a brand new journey into tropical, soul and jazz styles on their scorching new release, ‘Under Burning Skies’. Turbulent times call for strong voices and The Souljazz Orchestra’s new set packs a suitably heavy lyrical punch, with wry observations and an urge for progressive change. Musically, the band continue to push the limits, dusting off ‘80s vintage synthesizers and early drum machines for the first time, bringing lo fi disco, boogie and electro touches to their trademark horn arrangements and earthy analogue sound. The fruits are a-plenty and the group sound at their confident and versatile best from start to finish. ..."
The Souljazz Orchestra (Audio)
Discogs
amazon, iTunes
YouTube: Dog Eat Dog (Official Video), Holla holla, Lufunki, Oublier pour un jour

Blank Tape: Electronic Cassette Culture

"Experimental and avant garde music has always sought release through peripheral channels. Where in the past that might have been via a number of hand-painted records handed out at concerts or between friends within local scenes, independent labels with creativity (rather than cash) to burn are turning to cassettes as an available, affordable and more immediate medium to release music on. And where in the past, DIY cassette culture may have been more central to grassroots punk and hip-hop culture, electronic music producers are now exploiting the analogue texture of tape for its sonic qualities too. Rather than make a film about the so-called 'tape revival', we wanted to hear from the makers themselves to understand what it is about tape that remains so attractive. It features labels like Sacred Tapes, Tesla Tapes and Astro:Dynamics, Warp distributors Bleep and producers Helm and Ekoplekz whose music has sprung the underground to find a home on PAN and Planet Mu. A film by Sam Campbell & Sonal Kantaria."
The Vinyl Factory (Video)

2008 September: Tellus Audio Cassette Magazing, 2015 August: Mix Tape: The Art of Cassette Culture - Thurston Moore (2005), 2015 September: OP Magazine / Tape Op, 2015 December: Cassette culture, 2016 April: The idea of the cassette: A gallery with musings, 2017 October: Spool's Out

Cabaret Voltaire

Wikipedia - "Cabaret Voltaire was the name of a nightclub in Zürich, Switzerland. It was founded by Hugo Ball, with his companion Emmy Hennings on February 5, 1916, as a cabaret for artistic and political purposes. Other founding members were Marcel Janco, Richard Huelsenbeck, Tristan Tzara, and Sophie Taeuber-Arp and Jean Arp. Events at the cabaret proved pivotal in the founding of the anarchic art movement known as Dada. Switzerland was a neutral country during World War I and among the many refugees coming to Zürich were artists from all over Europe. ... The cabaret featured spoken word, dance and music. The soirees were often raucous events with artists experimenting with new forms of performance, such as sound poetry and simultaneous poetry. Mirroring the maelstrom of World War I raging around it, the art it exhibited was often chaotic and brutal. ..."
Wikipedia
UbuWeb: Cabaret Voltaire
DADA & Modernist Magazines: Cabaret Voltaire
WSJ - Dada: 100 Years Later
Cabaret Voltaire: the Dada House
Welcome to Cabaret Voltaire, birthplace of Dada.
The Art Story: Hugo Ball
YouTube: WWI, Cabaret Voltaire & the beginnings of Dada, Dada Art Movement History - "Dada on Tour"

The First International Dada Fair, held in Berlin, June–August 1920.

UR New York at Pop International Galleries on the Bowery

La Bodega, Mixed media on wood panel
"Few artists capture the soulful grit of NYC as strikingly as Fernando Romero aka Ski and Mike Baca aka 2Esae, collectively known as UR New York. Their most recent exhibit, A New York Story — a captivating ode to NYC — has graced the walls of Pop International Galleries since early October. Pictured above is a work of mixed media on canvas simply titled URNY. What follows are several more artworks that will remain on view through mid-week. Pop International Galleries is located at 195 Bowery at Spring Street and is open Mon-Sat 10-7 | Sun 11-6 and by appointment. ..."
Street Art NYC
Pop International Galleries

Proust Fans Eagerly Await Trove of Letters Going Online

The First Known Footage of Marcel Proust Discovered: Watch It Online
"Marcel Proust’s legions of fans have obsessed about the meaning of his sometimes impenetrable prose, fetishized his tatty fur coat and bed, parsed his manuscripts and, fairly or not, lauded 'Remembrance of Things Past' as the greatest literary work of the 20th century. Now, Proustians the world over are eagerly awaiting two events that may shed new light on the self-consciously eccentric writer and master excavator of memories who arguably out-Joyced Joyce in his epic modernism and whose prose Nabokov once called 'translucid.' Some 6,000 letters written by Proust, many of which had been collected and published by the scholar Philip Kolb of the University of Illinois at Urbana-Champaign, will be put online and made available free to scholars and general readers alike. ..."
NY Times

2008 June: Marcel Proust, 2011 October: How Proust Can Change Your Life, 2012 April: Marcel Proust - À la recherche du temps perdu, 2013 February: Marcel Proust and Swann's Way: 100th Anniversary, 2013 May: A Century of Proust, 2013 August: Paintings in Proust - Eric Karpeles, 2013 October: On Reading Proust, 2015 September: "Paintings in Proust" - View of the Piazza del Popolo, Giovanni Battista Piranes, 2015 September: In Search of Lost Time: Swann's Way: A Graphic Novel, 2016 January: In the Shadow of Young Girls in Flower (1919), 2016 February: Chasing Lost Time: The Life of C.K. Scott Moncrieff: Soldier, Spy and Translator, 2016 May: The Guermantes Way (1920-21), 2016 August: Marcel Proust’s Search for Lost Time — Patrick Alexander, 2016 October: My Strange Friend Marcel Proust, 2017 March: Sodom and Gomorrah (1921-1922), 2017 August: Letters To His Neighbor by Marcel Proust; translated by Lydia Davis, October: Proust's À la recherche – a novel big enough for the world.

At the Whitney, a Vision of Africa—Without the Colonialist Meddling

Toyin Ojih Odutola (left), originally from Nigeria, and Yaa Gyasi, born in Ghana, photographed in February at Jack Shainman Gallery in New York.
"In the summer of 2016, the poet Claudia Rankine published an essay in Aperture magazine about drawings made by the artist Toyin Ojih Odutola. Ojih Odutola was born in Nigeria, immigrated to the States with her family at age 5, and spent her formative years in Huntsville, Alabama. 'Individuals populate her portraits,' wrote Rankine, 'but remain in conversation with something less knowable than their presumed identity. To settle down her images, to name them, is to render them monolithic.' Rankine was writing about Ojih Odutola’s pen ink drawings, for some time the signature of her practice. These were, in her own telling, 'conceptual portraits' of anonymous subjects (though if you looked close, the faces often resembled that of the artist) depicted unclothed and decontextualized in blank space. What distinguished them was both medium—pen and paper is not often associated with fine art—and style. Ojih Odutola’s subject, principally, was black skin, which she drew shimmering and undulating and alive, sometimes in monotones, sometimes with prismatic bursts of color. ..."
Vogue
NY Times: A Portrait of the Artist as a Young African Immigrant
Whitney - Toyin Ojih Odutola: To Wander Determined
NOWNESS (Video)

2016 December: Toyin Ojih Odutola

Elodie Lauten - "Transform EP" (2014)

"Wilde Calm Records is honored to present new work from the late Elodie Lauten, New York City composer and recipient of the 2014 Robert Rauschenberg Award. Lauten had been exploring microtonality and alternative temperament since working on a Fairlight CMI synthesizer in the early 1980s and up until her untimely death, had been continuing these explorations with the Klio, her custom modular Reaktor software synthesizer. Many Wilde Calm fans will be familiar with Lauten’s music from her numerous collaborations with fellow downtown luminary Arthur Russell. Lauten and Russell met through their mutual poet friend Allen Ginsberg and shared a similar sensibility of musical openness and possibility as evident in their spiritual club classic 'In the Light of the Miracle' and Russell’s appearance on Lauten’s seminal post- minimalist masterwork The Death of Don Juan. Five remastered selections from her most recent album Transform feature on the EP in addition to a Wilde Calm remix. For fans of Laurie Spiegel and Suzanne Ciani, Lauten’s synth explorations are essential."
Soundcloud: "Transform EP" (Video)
deejay (Audio)
iTunes

2010 July: Elodie Lauten, 2013 February: Piano Works Revisited, 2016 July: Orchestre Modern (EP - 1981)

Ngọc Bảo – Cô Tú, a Vietnamese 78rpm

"Finding Vietnamese 78rpm records is not that easy, even though a lot of them were pressed here in France during the colonial period, when Vietnam was still part of French Indochina. This one comes from a lot I bought from another collector in Paris. Thanks to Haji Maji and Excavated Shellac blogs, I was already familiar with some 78rpm recordings of Vietnamese folk music, but it was the first time I heard early popular music from this country. Most of the songs from that lot are based on western instruments, with male and female vocals. To be honest, they sometimes sound a little too sweet for my ears, but this one is really special! I was immediately stunned by the beauty of this voice, accompanied only by a guitar. …"
Ceints de Bakélite (Soundcloud)

“Co-op War” Factions Face Off Outside Mill City Foods, Minneapolis, 1976 — Minnesota Historical Society

“Co-op War” Factions Face Off Outside Mill City Foods, Minneapolis, 1976 — Minnesota Historical Society
"In 1969, a band of draft-dodgers established a commune 'to grow flowers and make pottery' near an abandoned train depot in Georgeville, Minnesota. One of them brought a video camera. His short documentary survives today. A narrator’s voice lopes its way across some homemade footage of overgrown train tracks: 'We talk to the outside world,' the voice narrates, 'but we have an ambivalent attitude toward it.' But before long, these ambivalent communards would venture to the city to participate in the burgeoning food co-op movement. In 1970, an underground newspaper in Minneapolis proclaimed 'GOOD FOOD FOR STRONG REVOLUTIONARY BODIES AT THE PEOPLES’ PANTRY.' ... Pipe dream or no, this utopianism was short-lived. By 1975, sectarian conflicts had spiraled out of control. ..."
Jacobin
Radical Roots: The Story of a Food Revolution (vimeo)
W - List of food cooperatives
W - Food cooperative
You Are the Co-op Difference
amazon: Storefront Revolution: Food Co-ops and the Counterculture

City Market / Onion River Co-op - Burlington, Vermont

Sun Ra in Sin City

Boethius Discusses Music with a Group of Men, miniature from a c. 1405 edition of Boethius’ Fundamentals of Music
"The last time I spoke with Sun Ra, I asked him for his take on the enduring legacy of the Great American Songbook. It was 1993. Ra had returned to Birmingham, Alabama, where he’d been born nearly eighty years before. He would die there, from complications associated with pneumonia, a few weeks later. The pianist, composer, and bandleader’s first published composition, 'Alone with Just a Memory of You,' written in 1936 together with Henry McCellons, conveyed a tender, awkward Tin Pan Alley tone that betrayed his love of sentimental songcraft. This passion is driven home repeatedly in a survey of Ra’s magnificently gigantic discography. He employed anachronistic singers like Clyde Williams and Hattie Randolph. ... Never mind that Ra is known as one of the most adventurous and innovative figures in the history of the twentieth century. That he brought synthesizers to jazz. That his costumes and light shows paved the way for psychedelic rock. That he wrote apocalyptic and deeply philosophical poetry.  ..."
Laphams Quarterly

William Basinski - Watermusic II (2003)

"A certain flavour of composition puts emphasis more on what could be considered 'hang-time' than 'narrative'. Some pieces don't necessarily have to 'go' anywhere in particular, their existence is simple enough in that it presents a mood, a moment, a place and encapsulates it. Think of still-images for the ears as opposed to moving-pictures for the eyes. As an audio exploration into this hovering suspension-fluid-photography, Basinski presents Watermusic. The piece utilises what seems to be a form of generative music technique similar to that employed by Brian Eno on his 'Systems Series' works, wherein the compositional factor is comprised of the simple interaction between a limited number of carefully calculated cycling motifs, designed to create a form of self-perpetuating music. ... - [k/doherty]"
Cargo Records
soundcloud: Watermusic II
amazon, iTubes
YouTube: Watermusic II

2017 January: The Disintegration Loops (2002-2003)

J.F.K. Files, Though Incomplete, Are a Treasure Trove for Answer Seekers

John F. Kennedy arrived in Dallas on the day he was assassinated in 1963.
"President Trump ordered the long-awaited release on Thursday of more than 2,800 documents related to the assassination of President John F. Kennedy, but bowed to pressure from the C.I.A. and F.B.I. by withholding thousands of additional papers pending six more months of review. While incomplete, the documents were a treasure trove for investigators, historians and conspiracy theorists who have spent half a century searching for clues to what really happened in Dallas on that fateful day in 1963. They included tantalizing talk of mobsters and Cubans and spies, Kremlin suspicions that Lyndon B. Johnson was behind the killing, and fear among the authorities that the public would not accept the official version of events. Paging through the documents online on Thursday night was a little like exploring a box of random papers found in an attic. There were fuzzy images of C.I.A. surveillance photos from the early 1960s; a log from December 1963 of visitors, including a C.I.A. officer, to Johnson’s ranch in Texas; and reports that Lee Harvey Oswald obtained ammunition from a right-wing militia group. Some of the documents convey some of the drama and chaos of the days immediately after the murder of the president. Among them is a memo apparently dictated by J. Edgar Hoover, the F.B.I. director, on Nov. 24, 1963, shortly after Jack Ruby shot and killed Oswald as he was being moved from Police Headquarters to a local jail. ..."
NY Times (Video)
NY Times - A J.F.K. Assassination Glossary: Key Figures and Theories (Video)
NY Times - The J.F.K. Files: Decades of Doubts and Conspiracy Theories (Video)
W - Assassination of John F. Kennedy
W - John F. Kennedy assassination conspiracy theories
W - Umbrella man (JFK assassination)
W - Badge Man, W - Three tramps, W - Babushka Lady

Spain moves to take over Catalonia after region declares independence

"BARCELONA — The Spanish Senate gave the central government in Madrid unprecedented powers over Catalonia on Friday, just minutes after the breakaway region declared independence, sharply escalating a constitutional crisis in the center of western Europe. The two votes — one for independence, one to restore constitutional rule — came in dueling sessions of parliaments in Barcelona and Madrid. The central government easily won permission to take over control of Catalonia. Meanwhile, secessionists in Catalonia faced bitter recriminations from Catalan foes who called the move for nationhood a coup and a historic blunder, a month after a referendum that backed a split from Spain. Spain quickly began to move against what it views as an insurrection. The constitutional court started proceedings against the Catalan parliament’s declaration of independence. There were also reports that Spanish prosecutors were preparing to file rebellion charges against Catalan President Carles Puigdemont. ..."
Washington Post (Video)
Washington Post - Catalonia’s independence vote: What you need to know (Video)
NY Times - Spain Moves to Take Control of Catalonia After Secession Vote

2017 October: Catalonia Leaders Seek to Make Independence Referendum Binding, 2017 October: Catalonia: Past and Future - Luke Stobart

How Does It Feel? An Alternative American History, Told With Folk Music

"You could say the silence started in Calumet in 1913. Word spread that the doors opened inward, that no one was to blame. What followed was a great quiet, a hundred years of agreed-upon untruth. Or you could say it began just afterward, during the patriotic rush of the First World War and the Palmer Raids that followed. The Wobblies were crushed, the call for a workers’ alternative stilled. Or you could say it began after the Second World War. If you see the two global conflicts as a single long realignment of power, then after America emerged as a superpower, its century-long Red Scare kicked back in with a vengeance. That’s how Elizabeth Gurley Flynn saw it. She traced the 'hysterical and fear laden' atmosphere of the late 1940s back to when she was a union maid visiting Joe Hill in prison. 'Now,' she said, 'it is part of the American tradition.' ..."
Longreads (Video)
amazon: Grown-Up Anger: The Connected Mysteries of Bob Dylan, Woody Guthrie, and the Calumet Massacre of 1913 - Daniel Wolff

2008 January: Woody Guthrie, 2009 May: To Hear Your Banjo Play - 1947, 2010 June: Dust Bowl Ballads, 2012 July: Woody Guthrie at 100: Celebrate His Amazing Life with a BBC Film, 2013 September: Buffalo Skinners, 2014 September: "The Ranger's Command", "To Hear Your Banjo Play", "Greenback Dollar", "John Henry", 2016 October: Don't Mourn-Organize!: Songs of Labor Songwriter Joe Hill, 2016 November: AD Presents: A Woody Guthrie Companion (A Mixtape), 2016 December: Talking blues, 2017 March: Bob Dylan Turns Up For Woody Guthrie Memorial

2010 April: Little Red Songbook, 2016 September: Don't Mourn-Organize!: Songs of Labor Songwriter Joe Hill (1990), 2017 January: The Rebel Girl, 2017 March: Industrial Workers of the World (IWW)

Jean-Louis Forain

Au Théâtre 1882
Wikipedia - "Jean-Louis Forain (23 October 1852 – 11 July 1931) was a French Impressionist painter, lithographer, watercolorist and etcher. ... Forain's quick and often biting wit allowed him to befriend poets Arthur Rimbaud and Paul Verlaine as well as many writers, most notably Joris-Karl Huysmans. He was one of only 'seven known recipients' to receive a first edition of A Season in Hell directly from Rimbaud. ... A follower and protégé of Degas, Forain joined the Impressionist circle in time to take part in the fourth independent exhibition in 1879; he participated in three of the four landmark shows that followed between 1879 and 1884. Influenced by Impressionist theories on light and color, he preferred to depict scenes of everyday life: his watercolors, pastels, and paintings focused on Parisian popular entertainments and themes of modernity—the racetrack, the ballet, the comic opera, and bustling cafés. ..."
Wikipedia
Nineteenth-Century Art Worldwide
Social Life in Jean-Louis Forain's Paris 1852-1931
artsy
YouTube: Jean-Louis Forain

You’re Probably Reading This On an Electronic Device

"The Village Voice’s archives are not digitized. ... But ephemera such as those barely scratch the surface. There are Nat Hentoff’s columns — 51 years of them, sketching and agitating in the intellectual space that surrounds civil liberties and free speech. The images of Fred McDarrah, Mary Ellen Mark, Sylvia Plachy, James Hamilton, Amy Arbus, Catherine McGann, and Robin Holland, which have defined so much of what we think of as the Village and the way the Voice has looked at the world. The unflinching reporting and investigative work of Jack Newfield, Alexander Cockburn, Susan Brownmiller, James Ridgeway, Wayne Barrett, Teresa Carpenter, Joe Conason, Tom Robbins, Alisa Solomon, Jennifer Gonnerman, Michael Tomasky, Peter Noel, Julie Lobbia, and Mark Schoofs, just to name a handful. The groundbreaking critical writing of Jerry Tallmer and Michael Feingold on theater; of Jonas Mekas, Andrew Sarris, Molly Haskell, J. Hoberman, Amy Taubin, and Stephanie Zacharek on film; of Peter Schjeldahl, Roberta Smith, Jerry Saltz, and R.C. Baker on art; of Richard Goldstein, Robert Christgau, Tom Carson, James Wolcott, Nelson George, Barry Walters, and Ann Powers on popular music; of Stanley Crouch and Gary Giddins on jazz. The innovatively cross-current cultural writing of Jill Johnston, Ellen Willis, C. Carr, Karen Durbin, Vince Aletti, Greg Tate, Guy Trebay, Thulani Davis, Hilton Als, and Colson Whitehead. ... This list, as lists like this often do, goes on and on and on. ..."
VOICE

20 Baseball Books

"... Baseball is America's language, even its glue. Or as the poet Donald Hall puts it in an introduction to this book: 'It is by baseball, and not by other American sports, that our memories bronze themselves. . . . By baseball we join hands with the long line of forefathers and with the dead.' Diamonds Are Forever, an elegant collection of text and artwork edited by Peter H. Gordon, a curator at the New York State Museum, with the assistance of Sydney Waller and Paul Weinman, is the color catalogue of a traveling exhibit. ... There is something to every taste in Diamonds Are Forever, with its excerpts from 55 writers ranging from Woody Allen to Ernest Hemingway to Carl Sandburg and works by 90 artists, including Andy Warhol, Jacob Lawrence and Elaine de Kooning. Here is the last sentence of Catfish Hunter's brief speech on Catfish Hunter Day at Yankee Stadium: 'Thank you, God, for giving me strength, and making me a ballplayer.'..."
NY Times - "Spring Training," a 1981 oil on canvas by Gerald Garston

5 Seasons - Roger Angel
Eight Men Out: The Black Sox and the 1919 World Series - Eliot Asinof
Why Time Begins on Opening Day - Thomas Boswell
Can't Anybody Here Play This Game?: The Improbable Saga of the New York Met's First Year - Jimmy Breslin, Bill Veeck
The Long Season - Jim Brosnan
The Pride of Havana: A History of Cuban Baseball - Roberto Gonzalez Echevarria
Wait Till Next Year: A Memoir - Doris Kearns Goodwin
The Boys of Summer - Roger Kahn
Summer of '49 - David Halberstam
A Day In The Bleachers - Arnold Hano
Beyond the Sixth Game - Peter Gammons
The Bronx Zoo - Sparky Lyle, Peter Golenbock
Diamonds Are Forever: Artists and Writers on Baseball - Peter H. Gordon (Editor), Donald Hall (Introduction)
Moneyball: The Art of Winning an Unfair Game - Michael Lewis
A Whole Different Ball Game: The Inside Story of the Baseball Revolution - Marvin Miller
American Pastimes: The Very Best of Red Smith
The Glory of Their Times - Lawrence Ritter
Baseball's Great Experiment: Jackie Robinson and His Legacy - Jules Tygiel
Weaver on Strategy - Earl Weaver
The Science of Hitting - Ted Williams

Coffee as Existential Statement: A Crisis in Every Cup on Valencia Street

"Getting a morning coffee on Valencia Street, San Francisco’s high hipster avenue, is not merely buying a drink: it is making an existential statement. Drinking your way down Valencia’s coffee shops offers an unofficial tour of the city’s newly ascendant 21st-century lifestyles. The names of the cafes glisten with the sheen of carefully cultivated style. Ritual Roasters. Four Barrel. The Blue Fig. Craftsman and Wolves. Glazed with polished alliterations and alluring adjectives, the names leave an iron aftertaste of brand awareness and search engine optimization on the palette. The fashionable formula seems to involve taking a familiar item and injecting it with a slightly unusual accent — a blue hue or the fourth barrel — to lift the tediously literal into the intriguingly suggestive. ..."
LA Review of Books

2010 September: Espresso, April: The History of Coffee and How It Transformed Our World, 2013 May: Coffeehouse, 2015 June: Barista, 2015 August: Coffee Connections at Peddler in SoHo, 2015 November: The Case for Bad Coffee, 2016 January: 101 Places to Find Great Coffee in New York (2014), 2017 June: How Cold Brew Changed the Coffee Business, 2017 September: Our 7 Favorite Literary Coffee Shops, 2017 October: Clever Literary Coffee Poster.

Boozoo Chavis - Johnnie Billy Goat (1998)

"Another kudo to Rounder for getting this retrospective gem out before the untimely passing of this icon of zydeco music. This disc is conscientiously culled from some sparkling live performances in Lake Charles, LA, and from his previous Rounder and Goldband releases. This was a man who took the time to give back to the culture that fostered his music and do all he could to promote up-and-coming musicians. This is zydeco -- a mixture of Creole music fused with rhythm & blues -- which is made for partying and dancing. His live performances were just a nonstop whirl from the opening notes to the last with the crowds drenched in sweat and screaming for more, no matter what area of the country he played. ... That raw rocking sound that he was known for all his life is pervasive throughout this disc. This is the best collection of one of the very stalwarts of zydeco music, as well as just an excellent example of what this man could do with songs that were benchmarks in other genres, such as Bob Wills' standard 'Dance All Night.' The sound quality is excellent and it contains an exemplary mixture of songs."
allmusic (Audio)
Wilson "Boozoo" Chavis
amazon, iTunes
YouTube: Boozoo Chavis

Aguirre, the Wrath of God - Werner Herzog (1972)

Wikipedia - "Aguirre, the Wrath of God, known in the UK as Aguirre, Wrath of God, is a 1972 West German epic film written and directed by Werner Herzog. Klaus Kinski stars in the title role. The soundtrack was composed and performed by West German progressive/Krautrock band Popol Vuh. The story follows the travels of Spanish soldier Lope de Aguirre, who leads a group of conquistadores down the Orinoco and Amazon River in South America in search of the legendary city of gold, El Dorado. Using a minimalist approach to the story and dialogue, the film creates a vision of madness and folly, counterpointed by the lush but unforgiving Amazonian jungle. Although based loosely on what is known of the historical figure of Aguirre, the film's storyline is, as Herzog acknowledged years after the film's release, a work of imagination. Some of the people and situations may have been inspired by Gaspar de Carvajal's account of an earlier Amazonian expedition, although Carvajal was not on the historical voyage represented in the film. Other accounts state that the expedition went into the jungles but never returned to civilization. Aguirre was the first of five collaborations between Herzog and the volatile Kinski. ... Aguirre opened to widespread critical acclaim, and quickly developed a large international cult film following. ..."
Wikipedia
MoMA: Werner Herzog’s Aguirre, the Wrath of God
Classic Art Films
senses of cinema: Myth, Environment and Ideology in the German Jungle of Aguirre, the Wrath of God
Slant
amazon
YouTube: Aguirre, Wrath of God - trailer
YouTube: Aguirre, Wrath of God 1:30:26