The Impressionist Line: From Degas to Toulouse-Lautrec


"In 1874 French artists Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir were among the founding members of the Anonymous Society of Painters, Sculptors, Printmakers, Etc., an artist cooperative dissatisfied with the conservative annual state-sanctioned art exhibition known as the Salon. The independent-minded collective—the Impressionists—defied academic tradition with their innovative artistic practices as well as their public presentation strategies. Prints and drawings made up nearly half of the works included in the eight Impressionist exhibitions—a series of independent, artist-organized events held in Paris between 1874 and 1886—that defined the movement. Today Impressionism is usually understood as celebrating the primacy of oil painting rather than the drawn or printed line. The Impressionist Line challenges this perception, exploring the Impressionists’ substantial—and often experimental—contributions to the graphic arts. ..."
The Clark
Radicals at work: New exhibit at The Clark turns around common thinking about the Impressionists
The Clark: Image Gallery
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