The City So Nice They Can’t Stop Making Movies About It By A.O. Scott

Filming “Taxi Driver” on the streets of New York.
"According to City Hall, on any given day there are around 120 film and television projects in production in New York. About 12,000 permits are issued a year, resulting in the intermittent irritation of non-industry-connected residents as we try to park our cars or push our strollers. We might complain, but really we wouldn’t want it any other way. Trailers, craft service tables and production assistants policing sidewalks with clipboards and walkie-talkies have long been fixtures of New York life. They are also the building blocks of a virtual city, a second metropolis extracted from and existing alongside the real one. For natives, transplants and tourists alike, it can be hard to tell where the actual New York leaves off and its cinematic doppelgänger begins. And it would be downright impossible to pick just one movie that sums up the experience of the city. Still, it might be interesting to try. ..."
NY Times
One Film, One New York (Video)

Miles of Aisles - Joni Mitchell (1974)

"Miles of Aisles is a four-sided live album with a greatest-hits feel to it that collects 18 numbers from Mitchell's successful concert tour of last winter. It's a strong album of her best songs performed mostly informally, backed on sides one and four by reedman Tom Scott and his band — an interesting album because it displays an occasional awkwardness that provides a glimpse into the artist's mercurial character. Although she constantly maintains a stunning professional control over her own performance, much of the pleasure of this record comes from the new band arrangements of songs we've heard often (one or two of which I've heard to death). Even 'Woodstock,' which is now something of a hoary hippy anthem, gets a clever revitalization through Robben Ford's biting guitar work that constructs a personality of its own as the concert builds. ..."
Rolling Stone
W - Miles of Aisles
amazon
YouTube: Miles of Aisles 18 videos

2015 July: Blue (1970), 2015 Novemer: 40 Years On: Joni Mitchell's The Hissing Of Summer Lawns Revisited, 2016 August: On For the Roses (1972), 2016 November: Court and Spark (1974), 2017 February: Hejira (1976)

Remembering Red Vienna

"When it comes to progressive urban planning and municipal administration, 'Red Vienna' (1919–1934) remains a common reference point. Best known for its housing programs, this radical municipal project also entailed comprehensive social improvements that included health care, education, child care, and cultural reform efforts. Red Vienna represents a historically specific, social-democratic response to social and political questions that remain relevant today: the distribution of wealth, access to infrastructure, and the reorganization of reproductive labor. Against the backdrop of contemporary challenges to left, urban politics — the struggle for the right to housing, for public reinvestment, and against the rising right — we should look back on this sweeping interwar project to draw out the possibilities and limits of progressive urban politics within a conservative state. ..."
Jacobin
W - Red Vienna
MIT: The Architecture of Red Vienna, 1919–1934
Weimar: Red Vienna
YouTube: Vienna Karl Marx-Hof, between 1927 and 1930

Frederick Wiseman’s - National Gallery (2014)

"Though 'Interstellar' pounds the eardrums mercilessly with Hans Zimmer’s overbearing music, the noisiest movie coming out this week is Frederick Wiseman’s 'National Gallery,' which opened on Wednesday at Film Forum. The documentary is about the London museum of the title, and is set almost entirely within its confines. The three-hour-long film has no musical score and no apparent added sound effects. What it does have is a lot of of talking, much of which takes place in the presence of masterworks on display. A lot of that talk is a distraction and an annoyance on the order of construction noise—and yet that superfluous and distracting vocal drone is the canny intellectual underpinning of Wiseman’s movie. ..."
New Yorker (By Richard Brody)
NY Times: Framing the Viewers, and the Viewed
Guardian: National Gallery (Video)
PBS (Video)
National Gallery London
W - National Gallery
twitter
YouTube: NATIONAL GALLERY Official US trailer, Top 10 Paintings at the National Gallery London, London: The National Gallery & Gift Shop

The UVA Class the White Supremacists Didn’t Take

"In 2001 Richard Spencer received his B.A. from the University of Virginia. Jason Kessler graduated in 2009. My cousin Julian Bond, the erudite, firebrand civil rights icon, taught at the school from 1992 through 2012. He traveled from D.C. to Charlottesville for twenty years, educated nearly five thousand students. Julian’s class, The History of the Civil Rights Movement, was an elective. It seems almost a certainty that neither Spencer nor Kessler would have taken it. Perhaps back then Kessler, the organizer of Charlottesville’s Unite the Right rally, and Spencer, at the time not yet a Nazi, were already steeping hate like tea and crafting a new society on the Lawn. Or dreaming of a purely white nation as they passed UVA’s Rotunda — all while Julian opened volume after volume of his life and the lives of others he had known. Julian would have spoken about SNCC, the Student Nonviolent Coordinating Committee, which he helped organize. ..."
Voice

The return of the KLF: pop's greatest provocateurs take on a post-truth world

"So why exactly did the KLF set £1m on fire? It’s been a burning question for 23 years, as pop’s greatest provocateurs chose to let rumour, conjecture and myth around the publicity stunt – held on the Scottish island of Jura and ending their career on 23 August 1994 – swirl about unanswered for two decades. Until now. The project formed by Bill Drummond and Jimmy Cauty in 1987, which has lain dormant in a self-imposed moratorium of 23 years, returned at 00.23am on the morning of Wednesday 23 August. As Drummond and Cauty drove into a backstreet of Liverpool in an ice-cream van to begin three days of events, their first new work – a trilogy of dystopian fiction, an 'end of days story', called 2023: A Trilogy – simultaneously dropped online. Yet this is not a book for those looking for straightforward answers, and is as abstruse as the KLF themselves, who have published it under their other moniker, the Justified Ancients of Mu Mu. ..."
Guardian
Guardian - GoogleByte v Beyon-Say: an exclusive extract from the KLF's chilling novel about the world in 2023
amazon: 2023 by The Justified Ancients of Mu Mu.
BBC: The KLF return 23 years after bowing out of the music industry (Video)
 
2009 May: The KLF, 2011 June: Justified & Ancient, 2013 May: "3 a.m. Eternal", 2013 November: "America: What Time Is Love?" / "What Time Is Love?", 2017 March: Embrace The Contradictions: The Strange World Of... The KLF

Fela Kuti - Ikoyi Blindness / Kalakuta Show (1976)

"A two-for-one set, Ikoyi Blindness was a middle-of-the-pack release in a sea of mid-'70s Fela Kuti records that featured two songs and about a half-hour's worth of music. The rhythms were a little tighter and more highlife-influenced than they had been on albums from earlier in the decade. 'Ikoyi Blindness' itself was pretty typical of Kuti's efforts from the period, both in its structure, which built up to a call-and-response vocal, and in its taut two-chord melodic base. 'Gba Mi Leti Ki N'Dolowo (Slap Me Make I Get Money)' is a little more interesting due to its choppier rhythms, more vibrant percussion, stuttering low guitar riff, and extended haunting electric keyboard lines. By the time of 1976's Kalakuta Show, Kuti's releases were starting to seem not so much like records as ongoing installments in one long jam documenting the state of mind of Nigeria's leading contemporary musician and ideological/political dissenter. ..."
allmusic
afrobeat, afrofunk, afrojazz, afrorock, african boogie, african hiphop ...
amazon
YouTube: Ikoyi Blindness, Gba Mi Leti Ki N'Dolowo, Kalakuta Show, Dont Make Garan Garan

New York’s Oldest Subway Cars, Beautiful Symbols of a Sad Decline

Though now a symbol of the New York City subway system’s state of disrepair, the R32 cars are genuinely a marvel of mid-twentieth-century engineering.
"In 1964, the New York City Transit Authority introduced the shiny, stainless-steel R32 subway car. 'There was a very special inaugural trip that took place on today’s Metro-North line into Grand Central Terminal, welcoming the trains into New York,' James Giovan, an educator at the New York Transit Museum, told me recently. The R32s were dubbed Brightliners. By 1965, six hundred had been built. With their brilliant corrugated bodies, they bore little resemblance to other cars. They were praised for having the clearest intercom system. Their plastic benches marked the end of gritty rattan-wicker seats. ..."
New Yorker

Resisting Gentrification, Rezoning and Displacement in East Harlem with The Harlem Art Collective at the Guerrilla Gallery

"A range of artworks and writings — by members of the Harlem Art Collective aka HART and the East Harlem community — on the theme No Rezoning, No Displacement, No Gentrification have made their way onto the Guerrilla Gallery on East 116th Street. The image pictured above — painted by Kristy McCarthy aka DGale and Zerk Oer — features a color-coded map with median prices of real estate sales and incomes of East Harlem residents, illustrating how increasingly difficult it is for working-class folks to afford to live in their own community. Several more images follow..."
Street Art NYC

World Spirituality Classics 1: The Ecstatic Music of Turiya Alice Coltrane (2017)

"Ashrams, physically speaking, are not easy to reach. Traditionally set at some remove, they are expanses of nature and silence and deliberate living that involve meditation, yoga, and communal meals. They instill a pleasant buzz. To visit the Sai Anantam Ashram, which Alice Coltrane founded and directed from 1983 until her death a decade ago, required a winding and mountainous Southern California drive; one could easily miss the gate. When you approached the entrance, as Franya J. Berkman wrote in her 2010 book Monument Eternal, the music of Coltrane and her devotees floated up from speakers set beside the dirt driveway. Coltrane’s rare ashram tapes have long been mythical. In the mid-1970s—after a rich musical life steeped in Detroit churches and bebop piano, as an accompanist to her husband John and over a decade composing her own visionary cosmic jazz—Coltrane began to retreat from public and secular life. ..."
Pitchfork (Audio)
NPR (Spotify or Apple Music)
Luaka Bop (Audio)
amazon
YouTube: Alice Coltrane Turiyasangitananda

2015 December: Maleem Mahmoud Ghania With Pharaoh Sanders - The Trance Of Seven Colors (1994), 2016 January: Ptah, The El Daoud - Alice Coltrane & Pharoah Sanders (1970), 2016 November: Tauhid (1967), 2017 May: The Pharoah Sanders Story: In the Beginning 1963-1964

Pere Ubu & Peter Laughner - Two First Singles (1975-76)

"Pere Ubu emerged from the urban wastelands of mid-'70s Cleveland to impact the American underground for generations to follow; led by hulking frontman David Thomas, whose absurdist warble and rapturously demented lyrics remained the band's creative focus throughout their long, convoluted career, Ubu's protean art punk sound harnessed self-destructing melodies, scattershot rhythms, and industrial-strength dissonance to capture the angst and chaos of their times with both apocalyptic fervor and surprising humanity. Named in honor of Alfred Jarry's surrealist play Ubu Roi, Pere Ubu was formed in the autumn of…"
iTunes
YouTube: Two First Singles 1975-76
First Single A - 30 Seconds Over Tokyo 6:21 B - Heart Of Darkness 4:44 Second Single A - Final Solution 4:38 B - Cloud 149 2:32

2008 April: Pere Ubu, 2010 July: Pere Ubu - 1, 2012 November: David Thomas And The Pedestrians - Variations On A Theme, 2013 February: Dub Housing, 2014 September: Carnival of Souls (2014), 2015 June: Street Waves / My Dark Ages (1976), 2016 January: Live at the Longhorn: April 1, 1978, 2016 February: Cloudland (1989), 2016 April: Architecture of Language 1979-1982, 2016 November: The Modern Dance (1978), 2016 December: Don't Expect Art (1980), 2017 January: New Picnic Time (1979), 2017 June: Allen Ravenstine

Agnès Varda on her life and work - Artforum

"Agnès Varda discusses her life and work, from her films—which helped launch the French New Wave—to her photography, sculptures, and installations, on view at Blum & Poe in New York from March 2 to April 15, 2017." 16:25
ARTFORUM (Video)

August 2010: Agnès Varda, May 2011: The Beaches of Agnès, 2011 December: Interview - Agnès Varda, 2013 February: The Gleaners and I (2000), 2013 September: Cinévardaphoto (2004), 2014 July: Black Panthers (1968 doc.), 2014 October: Art on Screen: A Conversation with Agnès Varda, 2015 September: Cléo from 5 to 7 (1962), Plaisir d’amour en Iran (1976), 2017 April: Agnès Varda’s Art of Being There, 2017 April: AGNÈS VARDA with Alexandra Juhasz.

The Ground on Which I Stand, a Speech on Black Theatre and Performance - August Wilson (1992)

"I wish to make it clear from the outset, however, that I do not have a mandate to speak for anyone. There are many intelligent blacks working in the American theatre who speak in loud and articulate voices. It would be the greatest of presumptions to say I speak for them. I speak only myself and those who may think as I do. In one guise, the ground I stand on has been pioneered by the Greek dramatists—by Euripides, Aeschylus and Sophocles—by William Shakespeare, by Shaw and Ibsen, and by the American dramatists Eugene O’Neill, Arthur Miller and Tennessee Williams. In another guise, the ground that I stand on has been pioneered by my grandfather, by Nat Turner, by Denmark Vesey, by Martin Delaney, Marcus Garvey and the Honorable Elijah Muhammad. ..."
Princeton University McCarter Theatre
PBS: The Ground on Which I Stand (Video) 2:30
YouTube: The Ground on Which I Stand ($)

2017 July: Fences (2016)

When the South Held the Keys - An interview with Matt Karp

Henry Clay speaking on the Compromise of 1850 in the Senate, ca. 1855.
"In the years before the New Deal, the ex-Confederate states were, as Seth Ackerman put it, 'a desperately poor, single-crop farm region with a per capita income roughly half the national average and a third the level of the Northeast.' And its ruling class was no exception — few would make the mistake of calling the postbellum elite 'cosmopolitan.' When history is read backwards, the continuities between the postwar and pre-war ruling classes of the Southern states are magnified and exaggerated.  ... But Princeton historian and Jacobin contributing editor Matt Karp’s new book This Vast Southern Empire: Slaveholders at the Helm of American Foreign Policy makes clear that this is a mistake. ..."
Jacobin
JuntoCast
Dissent - Booked: When Slaveholders Controlled the Government, with Matthew Karp
amazon

Augustus Pablo - In Fine Style (2003)

"London's Pressure Sounds label followed up their El Rocker's compilation (an excellent introduction to the musical vision of Augustus Pablo) with this set of rare 7" and 12" sides from the Jamaican innovator. Songs are grouped by rhythm, with multiple versions of seven Pablo productions making up the 17 tracks here. Because of this, In Fine Style may not be the recommended entry point for beginners. Collectors, however, will be greatly rewarded, and novices willing to dive in will experience firsthand the art of the version. Deejays Jah Levi (aka singer Hugh Mundell) and Jah Iny appear on a couple of tracks, but the remainder of the set is given over to Pablo's excursions on piano, organ, clavinet, xylophone, and his trademark melodica. ... It's an essential chapter, both in Pablo's story, and in the history of reggae."
allmusic
Discogs
amazon
YouTube: In Fine Style 55:03

The Playa Provides: A Journey of Starting Over at Burning Man

"I arrived at Burning Man with a suitcase of costumes and a backpack stuffed with my whole life. I had just left New York for good, and for the next 8 days, the desert was my new home. With tens of thousands of feathered & leathered creatures strutting and fire-spewing art cars crawling, The Playa, the dry lake basin that holds the annual festival, was a maze of disorient and fantasy. The temptation to lose myself to the desert nights, to become a dot in the LED glitterscape, was strong. But this wasn’t my first rave, and I was here for so much more than just the party. I was on the mend and I was on my own for the first time. I was here to reclaim my life on my terms. I just happened to be doing it one of the world’s most legendary gatherings. I had a lot to learn. The day I left Brooklyn was the day I started over. I woke up in a hungover daze; the night before was my 'goodbye, forever' party, which involved too many drinks to count followed by 3 a.m. tacos, a late night cry precluding a fitful sleep. ..."
The Medium
indiegogo (vimeo) 2:29
YouTube: Burning Man: A Journey Through The Playa 27:55
YouTube: Deep Tunes for Deep Playa (Vol 6) 1:29:29

amazing Burning Man in photography

2007 November: Burning Man, 2009 August: Burning Man - 1, 2013 January: Timelapse-icus Maximus 2012 "A Burning Man for Ants", 2016 October: A Brief History of Who Ruined Burning Man

Two Prince Street relics on a pre-SoHo building

"SoHo’s cast-iron commercial buildings have long been repurposed into expensive lofts and boutiques. But hiding in plain site on the handsome, two-story brick and iron building between Greene Street and Wooster Place are two relics, nods to the neighborhood’s late 19th and 20th century manufacturing past. These metal signs, advertising the services of a lithographer and engraver as well as an office supplies seller, flank the ends of 120-125 Prince Street, actually two separate buildings constructed in 1892-1893 with a common facade. 'Stationery, Office Supplies, Paper, and Twine” states the one on the right. Twine? To wrap packages in an era before masking tape. ..."
Ephemeral New York
W - Pearl Street (Manhattan)
Forgotten NYC: PRINCE STREET

What's In My Bag? Paul Weller

"Paul Weller is a British guitarist, singer and songwriter nicknamed The Modfather, a founding member of The Jam and Syle Council, and a successful solo artist. The Jam formed in 1972 with Paul Weller and his school friends, guitarist Steve Brookes, bassist Bruce Foxton, and drummer Rick Buckler. When Brookes left the band shortly after its formation, they decided to remain a three-piece. At the time their debut album, In the City (Polydor, 1977), was released Weller was just 19 years old. With their third album, 1978's All Mod Cons (Polydor), Weller's songwriting took a huge leap forward, demonstrating that he was not limited to writing punk songs. ..."
Amoeba (Video)

2009 March: The Jam, 2012 November: "Going Underground", 2013 January: In the City, 2013 February: This Is the Modern World, 2013 July: All Mod Cons, 2013 November: Setting Sons, 2014 January: Sound Affects (1980), 2014 December: Live At Bingley Hall, Birmingham, England 1982, 2015 March: "Town Called Malice" / "Precious", 2015 July: The Gift (1982), 2015 September: "Strange Town" / "The Butterfly Collector" (1979), 2016 April: "Down In The Tube Station At Midnight" (1979), 2017 January: Absolute Beginners EP (1981), 2017 March: David Watts / "A" Bomb In Wardour Street (1978).

Woods Hole

Wikipedia - "Woods Hole is a census-designated place in the town of Falmouth in Barnstable County, Massachusetts, United States. It lies at the extreme southwest corner of Cape Cod, near Martha's Vineyard and the Elizabeth Islands. The population was 781 at the 2010 census. It is the site of several famous marine science institutions, including Woods Hole Oceanographic Institution, the Marine Biological Laboratory, the Woods Hole Research Center, NOAA's Northeast Fisheries Science Center (which started the Woods Hole scientific community in 1871), the Woods Hole Science Aquarium, a USGS coastal and marine geology center, and the home campus of the Sea Education Association. ..." Brad. Woods Hole, May 3-12, 1975.
Wikipedia
W - Woods Hole Oceanographic Institution
Woods Hole Oceanographic Institution
Woods Hole, a village on Cape Cod
YouTube: Drawbridge at Woods Hole Cape Cod Massachusetts

Jane Fay Baker, Winter Parking: Woods Hole, Woodcut

"I Can't Stand Myself (When You Touch Me)" - James Brown (1967)

Wikipedia - "'I Can't Stand Myself (When You Touch Me)', also known as 'I Can't Stand It', is a song written and recorded by James Brown in 1967. It is the most successful of the handful of recordings he made with The Dapps, a band of white musicians led by Beau Dollar. The single release of the song, on which its tempo was mechanically sped up, rose to #4 on the Billboard R&B chart and #28 on the Pop chart. The single's B-side, 'There Was a Time', also charted. 'I Can't Stand Myself (When You Touch Me)' was included on the 1968 album I Can't Stand Myself When You Touch Me, where it was labeled 'Pt. 1'. A 'Pt. 2', which appeared later in the album, never received a single release. ...  James Chance and the Contortions covered the song on the 1978 No Wave compilation album No New York. ..."
Wikipedia
YouTube: I Can't Stand Myself (When You Touch Me) (Parts 1&2), James Chance & the Contortions - I Can't Stand Myself

Socialism: As American As Apple Pie

"... In the early 1900s, socialists led the movements for women's suffrage, child labor laws, consumer protection laws and the progressive income tax. In 1916, Victor Berger, a socialist congressman from Milwaukee, sponsored the first bill to create 'old age pensions.' The bill didn't get very far, but two decades later, in the midst of the Depression, President Franklin D. Roosevelt persuaded Congress to enact Social Security. Even then, some critics denounced it as un-American. But today, most Americans, even conservatives, believe that Social Security is a good idea. What had once seemed radical has become common sense. Much of FDR's other New Deal legislation -- the minimum wage, workers' right to form unions and public works programs to create jobs for the unemployed -- was first espoused by American socialists. ..."
CNN: What is democratic socialism, American-style?
thenib (Graph)

Sprawl trilogy

Wikipedia - "The Sprawl trilogy (also known as the Neuromancer, Cyberspace, or Matrix trilogy) is William Gibson's first set of novels, composed of Neuromancer (1984), Count Zero (1986), and Mona Lisa Overdrive (1988). The novels are all set in the same fictional future, and are subtly interlinked by shared characters and themes (which are not always readily apparent). The Sprawl trilogy shares this setting with Gibson's short stories 'Johnny Mnemonic', 'New Rose Hotel', and 'Burning Chrome', and events and characters from the stories appear in or are mentioned at points in the trilogy. The novels are set in a near-future world dominated by corporations and ubiquitous technology, after a limited World War III. ...  Some of the novels' action takes place in The Sprawl, an urban environment that extends along much of the east coast of the US. The story arc which frames the trilogy is the development of an artificial intelligence which steadily removes its hardwired limitations to become something else. ..."
Wikipedia
W - Neuromancer, W - Count Zero, W - Mona Lisa Overdrive
WILLIAM GIBSON WIKI
amazon: Sprawl Trilogy Book Series

2011 July: William Gibson, 2015 May: Mirrorshades: The Cyberpunk Anthology - edited by Bruce Sterling (1986), 2015 July: A Global Neuromancer, 2016 May: The Difference Engine - William Gibson and Bruce Sterling (1990)

Brion Gysin - Unseen Collaborator

Night in Marrakech, 1968
"October Gallery, London is pleased to present Unseen Collaborator, a solo exhibition of works by the artist Brion Gysin. The exhibition will feature several unseen paintings 1950-1985, including his Sahara phase, Marrakech crowd scenes, permutations and cutups, calligraphy and grid pieces, an architectural photograph, and a Dreamachine. Neo-calligrapher, master of line, multimedia revolutionary and cultural historian, Gysin’s experiences in New York, Tangier, Paris and London influenced his seminal artistic productions. William S. Burroughs called Gysin, ‘the only man I truly respect’. ..."
October Gallery
Wall Street International
artnet

Three Stones for Jean Genet told Patti Smith (2013)

"In April of 2013, American singer Patti Smith travels to the grave of French writer Jean Genet in Larache, Morocco. She brings him three stones, which she collected for him over 30 years ago. ... In this particular moment there was no plan for a film, the situation seemed to private to me. But I wanted to document our little discovery tour in some way and packed Christoph Schlingensief's 16mm Bolex camera, which had been given into my custody shortly before. Patti Smith was friends with Christoph Schlingensief and I knew she would like this reference. There were also a few rolls of old black and white material left. On a sunny day, after Patti Smith's concert in Tanger, we gave her a tour through town and to the beach-café at Cape Spartel, to places that linked us through Paul Bowles, whom the three of us knew well and admired. On the second day we went to Larache. At the grave of Jean Genet we did only a few shots. ..."
filmgalerie451
YouTube: Three Stones for Jean Genet told Patti Smith

Jùjú music

Wikipedia - "Jùjú is a style of Nigerian popular music, derived from traditional Yoruba percussion. The name comes from a Yoruba word 'juju' or 'jiju' meaning 'throwing' or 'something being thrown.' Juju music did not derive its name from juju, which 'is a form of magic and the use of magic objects or witchcraft common in West Africa, Haiti, Cuba and other South American nations.' It evolved in the 1920s in urban clubs across the countries, and was believed to have been created by AbdulRafiu Babatunde King, popularly known as Tunde King. The first jùjú recordings were by Tunde King and Ojoge Daniel from the same era of the 1920s when Tunde King pioneered it. The lead and predominant instrument of Jùjú is the Iya Ilu, talking drum. ... Afro-juju is a style of Nigerian popular music, a mixture of Jùjú music and Afrobeat. Its most famous exponent was Shina Peters, who was so popular that the press called the phenomenon 'Shinamania'. Afro-juju's peak of popularity came in the early 1990s. ..."
Wikipedia
King Sunny Ade Interview by Jason Gross (June 1998)
Sparkling Prince of Juju Music Called Ludare
13 NIGERIAN ARTISTS THAT INFLUENCED JUJU MUSIC (Video)

Jonas Mekas talks about Movie Journal

"New York–based filmmaker Jonas Mekas talks about his Village Voice column Movie Journal, which covered avant-garde cinema during the 1960s and ’70s. To read Amy Taubin’s piece on Mekas and his column, pick up the April 2017 issue of Artforum, or read it online here."
ARTFORUM (Video)

2014 May: Anthology Film Archives, 2014 October: Captured: A Film/Video History of the Lower East Side, 2016 February: Jonas Mekas, 2017 July: Patti Smith Sang Some Lou Reed at a Gala For Anthology Film Archives’ Expansion

Charlottesville’s Faces of Hate

A counter-protester walks through a cloud of tear gas.
"The neo-Nazis and white supremacists who marched and brawled in Charlottesville, Virginia, this weekend wore their whiteness like a shield. It was proudly evident in their uncovered faces and their arms outstretched in Hitler salutes. It was displayed on their bare skin, which flaunted tattoos of swastikas and Confederate flags. Mark Peterson’s photographs capture the baleful scene, illuminating the protesters’ faces and eyes, some of which are joyful in their hate. They bludgeon and stamp on counter-protesters, who scramble and care for the fallen, including Heather Heyer, struck and killed by a white supremacist’s car. ..."
New Republic
New Yorker: Making America White Again By Toni Morrison (November 21, 2016)
NY Times: Why Confederate Monuments Must Fall
NY Times: What Jewish Children Learned From Charlottesville

Here's What Coney Island Looks Like In The Empty Pre-Dawn Hours

"In 2015 we began documenting New York City neighborhoods in the few hours that most of them become temporarily abandoned—the pre-dawn hours, when things appear a little more dystopian. Most recently, photographer Gretchen Robinette visited Coney Island just before sunrise on a warm August morning, in the hours before a big storm hit, from around 4:45 a.m. to 6:30 a.m. While most areas were eerily quiet and desolate, Robinette found a few people just starting and ending their days on the beach. ..."
gothamist

2009 April: Coney Island, 2010 July: Nathan's Famous, 2011 March: "An Underground Movement: Designers, Builders, Riders", Owen Smith, 2013 August: Donna Dennis: Coney Night Maze, 2013 October: Last Days of Summer at Coney Island, 2014 July: Coney Island - Directors: Steve Siegel and Phil Buehler (1973), 2015 May: The Case for Riding the Subway to the Last Stop, 2016 December: Coney Island: Visions of an American Dreamland, 1861-2008

Sanctuary - William Faulkner (1931)

Wikipedia - "Sanctuary is a novel by the American author William Faulkner about the rape and abduction of a well-bred Mississippi college girl, Temple Drake, during the Prohibition era. It is considered one of his more controversial works, given its theme of rape. First published in 1931, it was Faulkner's commercial and critical breakthrough, establishing his literary reputation. It is said Faulkner claimed it was a 'potboiler', written purely for profit, but this has been debated by scholars and Faulkner's own friends. ... The novel is set in Faulkner's fictional Yoknapatawpha County, Mississippi and takes place in May/June 1929. ..."
Wikipedia
NY Times: FAULKNER WAS WRONG ABOUT 'SANCTUARY' - By MALCOLM COWLEY (February 22, 1981)
Gogol's Overcoat
Tom Conoboy
amazon: Sanctuary: The Corrected Text

2011 September: Southern Gothic, 2014 February: William Faulkner, 2015 October: William Faulkner Draws Maps of Yoknapatawpha County, the Fictional Home of His Great Novels, 2015 November: Interviews William Faulkner, The Art of Fiction No. 12, 2016 April: Absalom, Absalom!! (1936), 2016 May: The Sound and the Fury (1929), 2016 October: The Snopes Trilogy (1940, 1957, 1959), 2016 December: Light in August (1932), 2017 February: As I Lay Dying (1930), 2017 June: The Wild Palms (1939)

Pathways to Unknown Worlds : Sun Ra, El Saturn & Chicago’s Afro-Futurist Underground, 1954-1968

Installation view, Hyde Park Art Center, Chicago
"Curated by John Corbett, Anthony Elms, and Terri Kapsalis, and opening at the Hyde Park Art Center in October 2006 (5020 S. Cornell Avenue Chicago), this unique exhibition showcases a diverse, brilliant, provocative and by-and-large never seen range of materials related to pianist, bandleader, mystic, philosopher and Afro-Futurist Sun Ra. Most of these materials come from Ra’s tenure in Chicago (and the period directly thereafter, where from New York he maintained close contact with his Chicago colleagues), especially during mid-50s when he and his business partner and fellow mystic Alton Abraham – together with a small secret fraternal organization that has remained heretofore but a shadowy part of Ra’s early years – built a network of cryptic associations, amassed a huge library of books on the occult, magic, Egyptology, race studies, Theosophy, philosophy and religion, and began constructing the mythology and public persona that was presented to a crossover audience later in the ’60s in the form of Sun Ra’s Myth-Science Arkestra. ..."
Corbett vs. Dempsey (Video)
[PDF] Performing the Past to Claim the Future: Sun Ra and the Afro-Future
Underground, 1954-1968
NY Times: Beamed From Tomorrow By HOLLAND COTTER
Patrick Sisson
Sun Ra: Myth, Science, and Science Fiction.

Sun Ra, at the piano, with his Arkestra in 1960.

Jean-Baptiste-Camille Corot - Road by the Water (c. 1865–70)

"Corot often painted the landscape in Ville-d’Avray, west of Paris, where his family had a country home. The villagers scattered along this sun-dappled road carry various bundles, their tasks appearing more leisurely than arduous. The figures are carefully positioned to lead our eye through the painting, while the soft, hazy light and warm shadows infuse this idyllic view of rural France with a sense of tranquility. ..."
The Clark

2010 May: Jean-Baptiste-Camille Corot

Saint Catherine Street / Underground City, Montreal

St.Catherine and Drummond-Montreal
Wikipedia - "Saint Catherine Street (officially in French: rue Sainte-Catherine) (11.5 km or 7.1 mi) is the primary commercial artery of Downtown Montreal, Quebec, Canada. It crosses the central business district from west to east, beginning at the corner of Claremont Avenue and de Maisonneuve Boulevard in the city of Westmount, traversing the borough of Ville-Marie, and ending on Notre-Dame Street just east of Viau Street in the borough of Mercier–Hochelaga-Maisonneuve. The street runs parallel to the largest segments of Montreal's underground city. The series of interconnected office tower basements and shopping complexes that make up this main thoroughfare lie immediately north of the street. Educational institutions located on or near the street include Concordia University, McGill University, Université du Québec à Montréal, Dawson College and LaSalle College. ..."
Wikipedia
YouTube: Montreal downtown, rue Sainte-Catherine, WALKING ST CATHERINE STREET IN DOWNTOWN MONTREAL

W - Underground City, Montreal
Wikipedia - "RÉSO, commonly referred to as The Underground City (French: La Ville Souterraine), is the name applied to a series of interconnected office towers, hotels, shopping centres, residential and commercial complexes, convention halls, universities and performing arts venues that form the heart of Montreal's central business district, colloquially referred to as Downtown Montreal. The name refers to the underground connections between the buildings that compose the network, in addition to the network's complete integration with the city's entirely subterranean rapid transit system, the Métro. Moreover, the first iteration of the Underground City was developed out of the open pit at the southern entrance to the Mount Royal Tunnel, where Place Ville Marie and Central Station stand today. ..."
YouTube: Underground City Of Montreal, Montreal Underground City

2013 October: Montreal Metro, 2014 July: Montreal, tales of gentrification in a bohemian city, 2016 August: Montreal-style bagel, 2016 August: Montreal-style bagel, 2017 April: St-Henri, the 26th of August - Shannon Walsh (2011), 2017 May: A family affair: St-Viateur Bagel celebrates 60 years

'From A to Z' - Johanna Drucker (1977)

Pages from the 1977 edition of 'From A to Z.'
"'Quick, tell me the differences among Olson, Williams, and Pound.' Placed at the bottom of the 'Introduction,' this line speaks volumes about the encounter between modern poetry and print publication that is documented in the bibliography-a-clé, From A to Z. Composed of letterpress type, forty-eight drawers of individual metal letters each used once to form a text that made sense, the book contains twenty-six (each lettered alphabetically) poems attributed to poets who had been part of the Bay Area in the mid-1970s (Leslie Scalapino, Ron Silliman, Clark Coolidge, Tom Raworth, Stephen Rodefer, Geoff Young, Betsy Davids, David Bromige, Tom Clark, etc.). ..."
Jacket2
Johanna Drucker: Retrospective Celebrates 40 Years of Print Works
Project MUSE

Charlottesville and the Bigotocracy

White nationalists and neo-Nazis demonstrated in Charlottesville, Va., on Saturday.
"The late, great Gore Vidal said that we live in 'The United States of Amnesia.' Our fatal forgetfulness flares when white bigots come out of their closets, emboldened by the tacit cover they’re given by our president. We cannot pretend that the ugly bigotry unleashed in the streets of Charlottesville, Va., this weekend has nothing to do with the election of Donald Trump. In attendance was white separatist David Duke, who declared that the alt-right unity fiasco 'fulfills the promises of Donald Trump.' In the meantime, Mr. Trump responded by offering false equivalencies between white bigots and their protesters. His soft denunciations of hate ring hollow when he has white nationalist advisers like Steve Bannon and Stephen Miller whispering in his ear. Such an ungainly assembly of white supremacists rides herd on political memory. ..."
NY Times

We Wanted a Revolution: Black Radical Women, 1965–85

Faith Ringgold, For the Women’s House, 1971
"Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color—distinct from the primarily white, middle-class mainstream feminist movement—in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. Presenting a diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking. ..."
Brooklyn Museum
NY Times: To Be Black, Female and Fed Up With the Mainstream
amazon
WNYC: "We Wanted a Revolution" a Radical Affirmation of Black Women Artists (Audio)