Carnival of the Grotesque: Kara Walker’s Insistent Resistance in New Orleans

"The enemy was in sight. It was chugging back up the broad Mississippi, its majestic paddle wheel churning the waters, returning the day-trippers to the dock at the edge of the French Quarter. On the opposite bank, facing downtown New Orleans where the river’s curve forms the promontory called Algiers Point, Kara Walker was waiting. Her antagonist was the steamboat Natchez, a tourist fixture of the Crescent City that purveys nostalgia for a gracious antebellum South — the belles, gamblers, and cotton traders traveling between market towns, steaming past forests and plantations. A replica of its nineteenth-century ancestors, the Natchez does harbor cruises, weddings, and special events. In 1988, when New Orleans hosted the Republican National Convention, nominee George H.W. Bush and family made their triumphant arrival aboard the vessel. Now, under threatening skies on a mild Friday in late February, Walker, the celebrated artist who has made the violence and grotesque of America’s racial history her central theme, was about to deliver some counterprogramming, months in the making. ..."
Voice
W - Kara Walker
Walker
SF MoMA: Kara Walker explains her interest in “demoted” art forms (Video)

2011 May: Kara Walker

The Mystery Of Cabin Island - The Hardy Boys

Wikipedia - "The Mystery Of Cabin Island is Volume 8 in the original The Hardy Boys Mystery Stories published by Grosset & Dunlap. This book was written for the Stratemeyer Syndicate by Leslie McFarlane in 1929. Between 1959 and 1973 the first 38 volumes of this series were systematically revised as part of a project directed by Harriet Adams, Edward Stratemeyer's daughter. ... A series of adventures begins for the Hardy Boys and their friends Chet and Biff after they are invited to spend Christmas vacation on Cabin Island at the invitation of its owner, Elroy Jefferson, as a reward for recovering Jefferson's car in The Shore Road Mystery. While they are collecting the keys to the cabin from Mr. Jefferson they meet Mr. Hanleigh who is interested in purchasing the island. As well, Mr. Jefferson asks the Hardy boys to locate his grandson Johnny who has gone missing. As the boys try to enjoy themselves, someone seems determined to spoil their fun. ..."
Wikipedia
[PDF] The Mystery Of Cabin Island

2010 October: The Hardy Boys

Recycled Funk Episode 13 (Blend Special)

"For as long as I’ve been a DJ, I’ve incorporated the blend, aka live remix into my sets as often as possible. It has become a lost & forgotten aspect of most DJ sets. The art of mixing, like really mixing and putting your personal touch on a set of music. What is a blend exactly. Well, if you’re an oldschool DJ like myself then the label “blend” is synonymous with a) extended/long mixes of 2 songs, or b) mixing an acapella of 1 song with a beat/instrumental of another. In this instance I am showcasing the acapella blend. For the record, I do not, never have used the sync feature to execute a blend mix, or any mix for that matter, and there is no overdubbing involved here, except for my vocals/ID tags. One continuous mix from start to finish. This mix showcases primarily Hip-Hop vocals, with a couple of R&B acapella’s included. I hope you enjoy this Recycled Funk vibe!"
Brooklyn Radio (Audio)

Rent party

Harlem Rent Party (1929) Mabel Dwight
Wikipedia - "A rent party (sometimes called a house party) is a social occasion where tenants hire a musician or band to play and pass the hat to raise money to pay their rent, originating in Harlem during the 1920s. The rent party played a major role in the development of jazz and blues music. The Oxford English Dictionary states that the term skiffle means 'rent party', indicating the informality of the occasion. Thus, the word became associated with informal music. However, many notable jazz musicians are associated with rent parties, including pianists Speckled Red, James P. Johnson, Willie 'the Lion' Smith, and Fats Waller, although rent parties also featured bands as well. The OED also gives boogie as a term for rent party. Rent parties were often the location of so-called cutting contests, which involves jazz pianists taking turns at the piano, attempting to out-do each other. ... Culturally rent parties are a places for the middle class African Americans to go on their nights off to get away from the everyday struggle. During this time the African Americans face high rent prices due to discrimination large numbers of people would be forced to live in small spaces for very high rent prices. ..."
Wikipedia
House Rent Parties : The Vintage Swing & Blues Era (Video)
Open Culture: Discover Langston Hughes’ Rent Party Ads & The Harlem Renaissance Tradition of Playing Gigs to Keep Roofs Over Heads
With Its 'No Dancing' Law Verging On Repeal, New York Legitimizes Its Nightlife

Dancing in a Harlem nightclub, sometime in the late 1930s. The Cabaret Law was originally intended as a tool for cracking down on jazz clubs in the Manhattan neighborhood.

Qat Coffee & Qambus: Raw 45s from Yemen

"Compiled by Chris Menist, Qat, Coffee & Qambus: Raw 45s from Yemen features vintage oud and vocal music inspired by the qat-chewing, coffee-sipping, qambus-playing culture of Yemen. Although part of the classical Arabic musical tradition, the music of Yemen takes its rhythmic lead as much from the East African coast (a mere 20 miles across the Red Sea) as the surrounding Arab Peninsula. Little has been written about the music and culture of one of the world’s oldest civilizations, and each 45rpm disc gives a small glimpse of the poetic tradition, the unique local oud styles as well as an insight into people’s day-to-day lives, or the highs and lows of human relationships. Overall, the compilation gives a flavor of the sights and sounds of Yemen, with detailed notes that tell the story of the hunt for music that has mostly lain forgotten in the antique markets of the capital, until now."
Dust Digital (Audio)
Discogs
amazon
YouTube: Qat, Coffee & Qambus: Raw 45s From Yemen : Folk, World, Country Music Collection Arabic 39:47

A Map of Radical Bewilderment

"Although he is now remembered mostly as a romantic nature writer, in his own time and place Henry David Thoreau was a highly trained, well regarded, disciplined though eccentric land surveyor. In the summer of 1859, he stood under a willow beside the Concord River contemplating a gash he had cut low in the tree’s trunk, to gauge the water level. In 22 miles the Concord fell only 32 inches — it was very nearly a pond — and any additional water heaved the river up and over its banks, before gravity’s current slowly siphoned it out to sea. Yet flooding wasn’t necessarily a problem. Indeed, the annual springtime deluge was the town’s lifeblood, because the waters always rolled back, leaving behind a thick, black, nutrient-rich muck spread all across the bottomlands, whose field grasses grew fat and sleek on nature’s bounty, perfect fodder for the farming town’s livestock. But in 1798, in the predawn haze of the industrial era, the Middlesex Canal Corporation downstream at Billerica raised the height of an old mill dam that had been slung across the river, setting off a century-long fight for control of this resource. ..."
Places Journal

Thoreau’s drafting tools and surveying chain, exhibited at the Concord Museum.

2009 April: Henry David Thoreau, 2012 September: Walden, 2015 March: A Week on the Concord and Merrimack Rivers (1849), 2017 March: Civil Disobedience (1849), 2017 April: The Maine Woods (1864), 2017 June: This Ever New Self: Thoreau and His Journal, 2017 July: Pond Scum - Henry David Thoreau’s moral myopia. By Kathryn Schulz, 2017 July: Walden, a Game, 2017 October: Walden Wasn’t Thoreau’s Masterpiece, 2017 December: Walden on the Rocks - Ariel Dorfman

The Entire Archives of Radical Philosophy Go Online: Read Essays by Michel Foucault, Alain Badiou, Judith Butler & More (1972-2018)

"On a seemingly daily basis, we see attacks against the intellectual culture of the academic humanities, which, since the 1960s, have opened up spaces for leftists to develop critical theories of all kinds. Attacks from supposedly liberal professors and centrist op-ed columnists, from well-funded conservative think tanks and white supremacists on college campus tours. All rail against the evils of feminism, post-modernism, and something called 'neo-Marxism' with outsized agitation. ... Radical Philosophy has published essays and interviews with nearly all of the big names in academic philosophy on the left—from Marxists, to post-structuralists, to post-colonialists, to phenomenologists, to critical theorists, to Lacanians, to queer theorists, to radical theologians, to the pragmatist Richard Rorty, who made arguments for national pride and made several critiques of critical theory as an illiberal enterprise. The full range of radical critical theory over the past 45 years appears here, as well as contrarian responses from philosophers on the left. ..."
Open Culture
Radical Philosophy
Radical Philosophy - Issues
W - Radical Philosophy

International Women's Day

Karabo Poppy Moletsane's Ntsoaki’s Victory
Wikipedia - "International Women's Day (IWD) is celebrated on March 8 every year. It commemorates the movement for women's rights. March 8 was suggested by the 1910 International Socialist Woman's Conference to become an 'International Woman's Day.' After women gained suffrage in Soviet Russia in 1917, March 8 became a national holiday there. The day was then predominantly celebrated by the socialist movement and communist countries until it was adopted in 1975 by the United Nations. The earliest Women's Day observance, called 'National Woman's Day,' was held on February 28, 1909 in New York, organized by the Socialist Party of America at the suggestion of Theresa Malkiel. Though there have been claims that the day was commemorating a protest by women garment workers in New York on March 8, 1857, researchers have described this as a myth. ... Delegates (100 women from 17 countries) agreed with the idea as a strategy to promote equal rights including suffrage for women. ..."
Wikipedia
NY Times: Women We Overlooked in 167 Years of New York Times Obituaries
Guardian: Feminists have slowly shifted power. There’s no going back
Jacobin: The Socialist Origins of International Women’s Day
Vogue: International Women’s Day 2018: The History of IWD’s Socialist Roots
Yale: Women Artists in Paris, 1850-1900

Emma Löwstädt-Chadwick (Swedish, 1855-1932) Beach Parasol, Brittany

Gumba Fire - Bubblegum Soul & Synth-Boogie in 1980s South Africa

"Soundway has announced a new compilation collecting bubblegum soul and synth boogie from 1980s South Africa. Get a taste of the compilation above via The Survivals' 'My Brother'. Entitled Gumba Fire, the compilation has been put together by Soundway's Miles Cleret and DJ Okapi of Afrosynth Records. None of the tracks on the compilation have been reissued or made available digitally before. 'The music captures a period on the record in which the disco-boom was slowing and mutating and morphing into something else, something entirely new,' a press release explains. 'The sound that was forged was often ubiquitously described as bubblegum - usually stripped down and lo-fi with a predominance of synths, keyboards and drum-machines and overlaid with the kind of deeply soulful trademark vocals and harmonies that South African music is famous for.' The album takes its name from the band Ashiko’s track of the same name that features on the compilation. The music featured on the record precedes the Kwaito and house sounds that took over South African dancefloors in the 1990s."
The Quietus (Audio)
Discogs
amazon
YouTube: Gumba Fire - Bubblegum Soul & Synth-Boogie in 1980s South Africa 15 videos

The End of March Madness?

"This week we got a dope show. We talk to sportswriter and friend of the program Patrick Hruby in-depth about the political economy of revenue sports and it’s racialized superstructure, why athletes deserve a piece of the income pie, and the FBI investigation into professional agents and their relationship with schools and collegiate athletes. We also have some Choice Words about the courage and perseverance of gymnast Aly Raisman in seeking justice for assault victims, and a Just Stand Up and a Just Sit Down award for a WNBA coach and a national politician. All that and much more!"
The Nation (Audio)

2011 June: American Basketball Association, 2012 July: Doin’ It In The Park: Pick-Up Basketball, NYC, 2012 November: Your Guide to the Brooklyn Nets, 2013 March: March Madness 2013, 2013 October: Rucker Park, 2014 January: History of the high five, 2015 February: Dean Smith (February 28, 1931 – February 7, 2015), 2015 June: Basketball’s Obtuse Triangle, 2015 September: Joint Ventures: How sneakers became high fashion and big business, 2015 October: Loose Balls - Terry Pluto (2007), 2015 November: The Sounds of Memphis, 2015 December: Welcome to Smarter Basketball, 2015 December: New York, New York: Julius Erving, the Nets-Knicks Feud, and America’s Bicentennial, 2016 January: The Last Shot: City Streets, Basketball Dreams (1994), 2016 January: A Long Hardwood Journey, 2016 March: American Hustle - Alexandra Starr, 2016 November: 2016–17 College Basketball, 2017 November: 2017-18 College Basketball, 2017 March: N.C.A.A. Bracket Predictions: Who the Tournament Experts Pick, 2017 June: The Rise and Fall of the High-Top Sneaker, 2018 January: Chaos Is This College Basketball Season’s Only Constant, 2018 February: Heaven is a Playground

The meaning behind two Gramercy lampposts

"Four Gramercy Park West, with its ornamented white doors and iron lace terrace, is about as breathtaking as a New York City townhouse can get (number four is at left). Built in 1846 soon after Gramercy Park was transformed from a swamp to an elite neighborhood, the Greek Revival home “features sun-filled rooms, high ceilings, and elaborate crown molding, and it comes with a coveted key to the park,” writes 6sqft. It also features two cast-iron lampposts flanking the front entrance on the sidewalk. Oddly, the mirror image townhouse next door, Three Gramercy Park West, has no lampposts. So what’s the significance? The lampposts are remnants of a mayoral tradition leftover from Dutch colonial days. ..."
Ephemeral New York

"Miss You" - Rolling Stones (1978)

Wikipedia - "'Miss You' is a song written by Mick Jagger and Keith Richards. It was released as a single by The Rolling Stones on Rolling Stones Records in May 1978, one month in advance of their album Some Girls, and peaked at number one on the Billboard Hot 100 and number three on the UK Singles Chart. An extended version, called the 'Special Disco Version', was released as the band's first dance remix on a 12-inch single. 'Miss You' was written by Mick Jagger jamming with keyboardist Billy Preston during rehearsals for the March 1977 El Mocambo club gigs, recordings from which appeared on side three of double live album Love You Live (1977). ..."
W - "Miss You"
YouTube: Rolling Stones - Miss You (Long Outtake)

2015 August: Exile on Main Street (1972), 2015 October: "Let's Spend the Night Together" / "Ruby Tuesday" (1967), 2015 December: Brian Jones Presents the Pipes of Pan at Joujouka (1971), 2016 January: Some Girls (1978), 2016 January: The Rolling Stones (EP), 2016 March: Five by Five (EP - 1964), 2016 May: "The Rolling Stones: Charlie Is My Darling — Ireland 1965", 2016 December: Singles Collection: The London Years (1989), 2017 June: Their Satanic Majesties Request (1967), 2017 September: "Sister Morphine" - Mick Jagger, Keith Richards, and Marianne Faithfull (1969)

Fear and Loathing in Cascadia

"In 1995, a Portlander named Alexander Baretich was in Eastern Europe studying nationalism when he conceived a flag for Cascadia, an area encompassing the Pacific Northwest and sometimes beyond, depending on who you ask. He designed it with three horizontal stripes of blue, white, and green for the colors of nature, expressing the conviction among Oregonians that Cascadia is perfect in its natural state. Then he overlaid these stripes with a Doug fir to symbolize resilience against 'catastrophic change,' reaffirming the region’s long-standing fear of contamination and dislike of interlopers. It’s no surprise that the Pacific Northwest produced a man like Baretich who’s proud of his birthplace and enraged over threats to the land. In September, while I was visiting my family in Oregon, a fifteen year old from Vancouver recklessly threw fireworks into the Eagle Creek Canyon along the Columbia River Gorge. Forty-eight thousand acres of Cascadia burned in a fire that now has its own Wikipedia page. ..."
The Baffler
W - Cascadia (bioregion)
W - Cascadia (independence movement)
Award-Winning Cascadia Map - David McCloskey

New York Counterpoint - Steve Reich (1985)

Wikipedia - "New York Counterpoint for amplified clarinet and tape, or 11 clarinets and bass clarinet is a 1985 minimalist composition written by American composer Steve Reich. The piece, intended to capture the throbbing vibrancy of Manhattan, is notable for its ability to imitate electronic sounds through acoustic instrumentation. The piece was commissioned in 1984 by clarinetist Richard Stoltzman for nine B-flat clarinets and three bass clarinets. This was the second in Reich's 'counterpoint' series, preceded by Vermont Counterpoint (1982) for flutes, and followed by Electric Counterpoint (1987), for electric guitars. Each of these works are scored for one live performer who plays against up to a dozen recordings of the same instrument. The canonic interplay in the composition creates multiple layers of sound, akin to Reich's earlier phase pieces. Out of the series, New York Counterpoint is considered the most rhythmically intricate and one of Reich's most well known works. The second movement of the piece was featured as a set work for Edexcel music A level between 2008 and 2016. New York Counterpoint is divided into three movements known only by their suggested tempi: fast, slow and fast. ..."
Wikipedia
Boosey & Hawkes
YouTube: New York Counterpoint

2008 February: Steve Reich, 2010 October: Double Sextet, 2010 December: South Bank Show, 2011 February: Different Trains, 2011 June: Music for pieces of wood, 2011 October: Maximum Reich 2.0, 2011 November: A New Musical Language (documentary, 1987), 2012 May: Influences: Steve Reich, 2017 March: Steve Reich’s Celebration of the Lineage of Minimalism

Josef Albers in Mexico

An untitled photograph, circa 1940, of the Grand Pyramid in Tenayuca, Mexico. Albers took thousands of photographs during his trips south of the border with his wife, the artist-weaver Anni Albers.
"During their first visit to Mexico, in the winter of 1935–36, Josef and Anni Albers knew that they were in a 'country for art like no other.' The couple returned to Mexico thirteen times by the late 1960s, developing a passion for pre-Columbian art and architecture that would influence Josef’s abstract painting and prints and fuel his innovative approach to photography. In 1933, after the Nazis closed the Bauhaus, the German art and design school where they both were instructors, the Alberses moved to North Carolina to teach at Black Mountain College. On their frequent trips to Mexico, they drove to archaeological sites throughout the country—from Monte Albán and Teotihuacán to Uxmal and Chichén Itzá—studying the monumental constructions and amassing a large collection of sculptures and ceramics. For Josef, the complex abstract vocabulary of pre-Columbian art and architecture embodied the principles he and Anni espoused in their work and teaching. ..."
Guggenheim (Video)
NY Times - Homage to Mexico: Josef Albers and His Reality-Based Abstraction
Brooklyn Rail
artbook

2009 May: Josef Albers, 2010 September: The Full Spectrum: Josef Albers

Twelve Illustrated Dust Jackets

"We’ve all been told told not to judge a book by its cover, but what about judging a decade, an artistic moment, or a society? In his latest collection, The Illustrated Dust Jacket: 1920–1970, illustration professor Martin Salisbury traces the history of the book jacket from its origins as a simple dust guard for expensive bound books to its evolution as a promotional tool meant to catch the eye. The middle of the twentieth century marked a high point for the medium, as the period’s leading illustrators brought contemporary visual styles into readers’ hands. A selection of these covers, in chronological order, appears below along with Salisbury’s captions. ..."
The Paris Review

RA Sessions: E Ruscha V

"Making sense of LA takes a lifetime. Ed Ruscha channels the city's endless freeways, hazy light and bewildering energy through his synthesizers. Though he's just released his first album under his given name—which he shares with his father, the acclaimed artist—Ruscha first gained an audience in the early '90s as a member of the shoegaze band Medicine. Since then, his output has moved in multiple directions, mirroring LA's endless sprawl. He's been a resident at the weekly Dub Club event, founded a dub-punk band called Future Pigeon and collaborated with the likes of Suzanne Kraft (as Blasé), Willie Burns, Thomas Bullock and, most recently, the cult British act Woo. All the while, he's been combing the city's garage sales and thrift stores, collecting gear, clothing, records, books, art and ephemera in his studio, which is situated close to Dublab, where he hosts a monthly radio show. ..."
Resident Advisor (Video)
Discogs

In Italy Election, Anti-E.U. Views Pay Off for Far Right and Populists

Supporters wave flags during a rally held by Northern League party leader Matteo Salvini in Rome, on February 28, 2015.
"ROME — Italians registered their dismay with the European political establishment on Sunday, handing a majority of votes in a national election to hard-right and populist forces that ran a campaign fueled by anti-immigrant anger. The election, the first in five years, was widely seen as a bellwether of the strength of populists on the continent and how far they might advance into the mainstream. The answer was far, very far. After Chancellor Angela Merkel of Germany and President Emmanuel Macron of France beat back populist and far-right insurgencies in the past year, Europe had seemed to be enjoying a reprieve from the forces threatening its unity and values. That turned out to be short lived. In Sunday’s vote, preliminary results showed, the parties that did well all shared varying degrees of skepticism toward the European Union, with laments about Brussels treating Italians like slaves, agitation to abandon the euro and promises to put Italy before Europe. ..."
NY Times
NY Times: Italy’s Five-Star Electoral Performance****
CNN: Italy's voters choose populists, deliver stinging rebuke to Europe (Video)
The Atlantic: Italy's Messy Politics Are No Longer Local
NY Times: What to Watch For in Italy’s Election on Sunday
Washington Post: Who and what to watch in Italy’s election
NY Times: Anti-Fascist Protesters Rally in Italy as Mussolini’s Heirs Gain Ground
NY Times: Women Could Decide Italy’s Election, but They Feel Invisible
Jacobin: Italy Is the Future
Jacobin: The Experiment
Jacobin: Italy’s Past Glories

Though Italy has fewer migrants per capita than most European countries, immigration has emerged as the election campaign’s major theme.

2018 January: The Fate of the Party

Complete Communion: Jazz Roundup - UK Special

Moses Boyd
"The first Complete Communion of 2018 is a UK special: not out of patriotism or any such nonsense, but mainly cos I’ve been inundated with interesting new music from Britain-based artists. And it’s not all about London: there’s a huge amount happening across the UK, from Manchester and Sheffield to Coventry and Glasgow. From good-time grooves to the outer limits of free improvisation, jazz’s freedom message continues to resonate. The music’s liberatory potential points to a better, more radical Britain, distinct from the rainy fascist hellscape of the Daily Mail and the 1997-forever banality of the centrist dads. From Stormzy’s Brit Awards excoriation of Theresa May to the widespread solidarity shown towards the university pensions strike, there’s a genuine sense that the old order is falling. In culture, grime is leading the charge, but jazz and improv are right in there too, suggesting new ways of engaging with art and life. ..."
The Quietus (Audio)

A Beginner’s Guide to the Southern Hemisphere Sky

The Alpha Centauri systems lies in the Southern Hemisphere constellation of Centaurus.
"How and when to see Alpha Centauri, southern star patterns such as the Southern Cross, and many other celestial sights on a trip south of the equator. If you regularly spend time with the night sky in the Northern Hemisphere but you've never travelled south of the equator, you only know half the story. Visiting the Southern Hemisphere just to go stargazing isn’t something most of us have the resources to do very often. Yet the southern sky is disorientating, surprising, and utterly transfixing — well worth the trip if you can make it. You’ll see arguably some of the greatest celestial sights: the nearest stars to our solar system, two close dwarf galaxies, and some drop-dead gorgeous clusters. Here are a few reasons why you should visit southerly latitudes at least once in your life. ..."
Sky & Telescope

David Sedaris Creates a List of His 10 Favorite Jazz Tracks: Stream Them Online

"You can't read far into David Sedaris' writing without encountering his father Lou, a curmudgeonly, decades-and-decades-retired IBM engineer with a stiffly practical mind and a harsh word for everybody — especially his misfit son, dedicating his life as he has to the quasi-occupation of writing while living in far-flung places like Paris and rural England. Even now, solidly into his nineties, Sedaris père keeps on providing the sixtysomething Sedaris fils with material, all of it — once polished up just right — a source of laughter for the latter's many readers and listeners. But Lou has also given David something else: a passion for jazz. ..."
Open Culture (Audio)

Meet the Salvadoran New Yorkers Trump Wants to Deport

Yehovani Villalobos fled El Salvador during its civil war and says gangs there make it still unsafe to return.
"When the Trump administration announced in January that nearly 200,000 Salvadorans living in the United States would lose their immigration status in September 2019 and face deportation to Central America, families across New York State began to panic. In 1990, Congress established the Temporary Protected Status program, which provided immigrants from specified countries afflicted by environmental devastation or civil war with the right to live and work in the United States without fear of deportation. But though the program was renewed several times since then with little fanfare, President Trump has sought to end the protections for 300,000 U.S. residents from El Salvador, Haiti, and other countries next year, as part of his sweeping immigration policies that reverse many Obama-era orders. These individuals are living in a kind of immigration limbo — they have had permission to live and work in the United States legally for nearly two decades, but their status was at risk of revocation on the whims of the president. ..."
Voice

Do the wrong thing: 90 years, 90 movies that should have been nominated for Best Picture

Rear Window; 2001: A Space Odyssey; Do The Right Thing; In The Mood For Love and Frances Ha
"When Moonlight pulled a big upset and won the Best Picture Oscar a year ago, it felt like a monumental occasion—and not just because of the snafu that resulted in a different film briefly enjoying the honor. Yes, the Academy bestowed best-movie-of-the-year status on an actual, legitimate contender for the best movie of the year. That hasn’t happened too often over the 90 years the organization has been handing out awards. In fact, the Oscars often don’t just whiff on what deserves to win; they also frequently fail to even nominate the best movies, leaving some essential classic in the making out of the running entirely. ..."
A.V. Club

1932/33: King Kong

Richard Johnson - Ice Huts

"... My Ice Huts series (2007-2017) explores a seasonal, off the grid, architectural form that must be transportable, while still being weather resistant. This ability to endure extreme winter cold is a complex challenge with unlimited solutions, each as personal as it's owner. My Ice Villages series (2010-2017) is informed by early landscape master George Barnard who overlapped several images to extend a viewpoint beyond the single frame. These panoramic images explore the need for community, sometimes structured, often random. By returning to the same locations, over time, I have witnessed regional growth and decline. The images in this series are dedicated to the resourceful people, engaged in ice fishing culture, making our winter-white landscape a little more colourful and infinitely more interesting."
Richard Johnson
Richard Johnson: Ice Villages
Richard Johnson: Ice Huts Storm
W - Ice shanty
NY Times: Freeze Frames of Canada’s Ice Huts

Carl Gari & Abdullah Miniawy – Darraje (2016)

"From DJ Spider & Marshallito's surreal and heavy throwdowns to Mix Mup's snaking drum workouts, Chemotex's noisy excursions to Ekman's industrial clout, the sound of The Trilogy Tapes has been distinctly geared towards loud, pounding club tackle recently. However Will Bankhead's label has always been much more than just a dancefloor vessel, as this new offering from Carl Gari and Abdullah Miniawy demonstrates. Carl Gari is a Munich-based group comprised of Jonas Friedlich, Jonas Yamer and Till Funke, who describe themselves as psychedelic ghetto rave. Miniawy meanwhile is a noted Egyptian chanter, composer and multi-instrumentalist based in Madinet El-Fayoum. Reportedly recorded in Cairo over the course of a few days, the brief collaboration has manifested in a four-track 12" with the slow-creeping sonic dread of 'Nayroz' and 12-minute 'Al Weyasha' undoubted highlights."
Forced Exposure
Carl Gari & Abdullah Miniawy – Darraje (Audio)
Soundcloud: The Trilogy Tapes
YouTube: Al Weshaya (The Trilogy Tapes), Darraje (The Trilogy Tapes)

Here for the Ride: Andre D. Wagner’s Subway Photographs

"I spent my first twenty-three years on this planet living in the same apartment building in the Bronx. I felt ownership over those gum-stained concrete blocks. I dreamed of scattering my ashes on them when I died, like Miguel Piñero scattered his around the Lower East Side. (I still might.) Then, two years ago, when I was twenty-five, I left New York. I left because I was tired. I started working at thirteen to contribute to my household. I busted my ass in public schools, got a scholarship to a Catholic high school, and graduated college with an Ivy League degree. Despite all this, I still lived check to check, just like everyone else I knew. I wanted to do the things my single mom had never had the chance to, like own property or save for retirement. But I saw the money flowing into New York City. I saw neglected neighborhoods regurgitate cocktail bars and cycling studios. I saw the rents skyrocket as fast as the property values. ..."
The Paris Review
Andre D. Wagner
Meet Andre D. Wagner, The Photographer Documenting The Poetic Side Of New York City
Andre D. Wagner’s Street Photos of Life in Brooklyn (Video)
vimeo: Andre D. Wagner, Photographer

2017 August: Capturing Love, the Brooklyn Way, 2017 September: An Ode to Acts of Kindness on the New York City Subway

‘This Route Doesn’t Exist on the Map’

Police in Tapachula, a Mexican city used as a waypoint for migrants known as extra-continentales, patrol past a Cameroonian traveler (in a striped shirt).
"By 7 p.m., the sun had set and groups of young men had begun to gather inside a small, nameless restaurant on a narrow street in Tapachula, Mexico. Anywhere else in the city, a hub of transit and commerce about ten miles north of the Guatemalan border, there would be no mistaking that you were in Latin America: The open colonial plaza, with its splaying palms and marimba players, men with megaphones announcing Jesus, and women hawking woven trinkets and small bags of cut fruit suggested as much. But inside the restaurant, the atmosphere was markedly different. The patrons hailed not from Mexico or points due south but from other far-flung and unexpected corners of the globe—India, Pakistan, Eritrea, Cameroon, Sierra Leone, Congo. Men, and all of the diners were men, gathered around tables, eating not Mexican or Central American fare but steaming plates of beef curry, yellow lentils, and blistered rounds of chapati. ..."
New Republic

Riba Dempel: Popular Dance Music Of Curaçao 1950-1954

"Riba Dempel is the name of the central marketplace in Willemstad, the capital city of the island of Curaçao. It includes the floating market of barques that moor there from neighboring Venezuela selling their fresh produce and fish as well as local stalls where cheap, fresh Creole food is served to all comers. Like the Creole kitchen, the music on this disc is a gumbo of African, European and regional Caribbean influences. Riba Dempel collects classics from the golden age of the indigenous Papiamento recording industry on Curaçao in the 1950s that were originally released on 78 rpms on the Hoyco and Musika labels. ..."
Holland Tunnel Dive
Disogs
amazon, iTunes
YouTube: Riba Dempel - Sexteto Gressman, Boca Di Tribon - Conjunto Cristal, Cara Bunita - Estrellas del Caribe, Etc.

Winter’s Edge at Green-Wood

"Green-Wood is New York City’s most iconic cemetery: founded in 1838, it was among the first of the cemeteries in Brooklyn to eschew the gloom and doom of the churchyard for bucolic natural landscapes, manicured lawns, and winding walkways. It soon earned an international reputation for the beauty and size of its grounds, becoming a highly sought-after burial place among New York City’s elite. Its soil houses the worldly remains of some of the most notable names in the city’s cultural and political history, including Boss Tweed, Leonard Bernstein, Jean-Michel Basquiat, and Horace Greeley. Green-Wood still performs over 1,000 burials each year, but new plots are increasingly scarce, with the vast majority of monuments dating back to the nineteenth century. The cemetery’s focus is now preserving and restoring the existing collection of monuments and statuary. ..."
BKLYNR
W - Green-Wood Cemetery
Map of Green-Wood Cemetery

Miss Sloane - John Madden (2016)

"Elizabeth Sloane (Jessica Chastain), the antiheroine of John Madden’s chilly new drama Miss Sloane, is a character so archetypal, so prescriptive, that you imagine she wasn’t born in normal human fashion but rather created in a lab from leftover vials of testosterone and male tears. A pill-popping, spike-heel-wearing lobbyist, her singular quality is ambition, and her only two human traits are reading John Grisham novels and sleeping with male escorts. 'I pay you,' she tells one of the latter midway through the movie, 'so I can imagine the life I chose to forgo in service of my career.' That Chastain imbues Liz with some humanity is credit to the actress, but it’s also worth noting that the lobbyist shines in comparison to her surroundings. Washington, in Miss Sloane, is rotten to its core, a town riddled with graspers and crooked politicians, and poisoned by its own greed. ..."
The Atlantic
W - Miss Sloane
YouTube: Miss Sloane Official Trailer

The Man Who Brought You Christian Pulisic Has a Plan to Supercharge American Soccer

"Today, the phrase 'Christian Pulisic to Barcelona' would make for the ideal English tabloid headline. It’s plausible enough to allow you to briefly recast Barça’s Holy Trinity of Lionel Messi, Luis Suárez, and Neymar with the young American attacker (say it with me: 'M-S-P'), while remaining outlandish enough to ensure that you’d never utter the thought aloud to anyone except your browser’s history. But a few years ago, Pulisic did go to Barcelona. Only 14 years old at the time, and still several years away from exploding onto the American and European soccer scenes, he was invited to train at the fabled Catalonian club. A move to Barcelona — with the Camp Nou, tiki-taka, tapas, and Messi — would be a dream for any teeanger who’s laced up a pair of cleats and picked up a FIFA controller, but Rob Moore wasn’t sure that this was where Pulisic needed to be. ..."
The Ringer

Jo Hopper, Woman in the Sun

Edward Hopper, Eleven A.M., 1926.
"In a 1906 portrait of Josephine Nivison, painted while she was a twenty-two-year-old student at the New York School of Art, her artist’s smock slips from her shoulder like the falling strap of Madame X’s gown. This is teacher Robert Henri’s portrait of the artist as a young woman; one suggestive detail, sure, along with aspects of Jo’s character he can’t help but capture: her steady gaze of steely resolve, the way she holds her brushes like a divining rod. This is when Jo Nivison meets Edward Hopper, though they do not make much of their first meeting, or even their second. When they graduate, Jo keeps herself in cigarettes by selling drawings to places like the New York Tribune, the Evening Post, the Chicago Herald Examiner. In the 1920 New York City Directory, Jo lists herself as an artist, and she is no slouch. She shows her paintings alongside work by Picasso and Man Ray. In that same directory, Edward Hopper calls himself an illustrator. ..."
The Paris Review

Josephine Nivison Hopper, as painted by Edward Hopper (left) and with Edward Hopper (right)

2008 July: Edward Hopper, 2010 October: Finding Nighthawks, 2010 December: Modern Life: Edward Hopper and His Time, 2012 Wednesday: Through Edward Hopper's eyes: in search of an artist's seaside inspiration, 2013 July: Hopper Drawing, 2014 May: INTERVIEW: “An Interview with Edward Hopper, June 17, 1959″., 2014 September: How Edward Hopper “Storyboarded” His Iconic Painting Nighthawks, 2015 February: Edward Hopper's New York: A Walking Tour, 2015 September: Edward Hopper life and works, 2016 May: "Night Windows," 1928, 2016 July: Sunday (1926), 2016 September: Drug Store (1927), 2018 January: Seven A.M. (1948)

Bop City

Bop City, NYC, New York, 1953
Wikipedia - "Bop City (also known as Jimbo's Bop City) was a jazz club operated by John 'Jimbo' Edwards in San Francisco from 1949 to 1965. It was situated in the back room of a Victorian house at 1690 Post Street, in the Western Addition district. During its heyday, the venue was known for late-night live performances of many popular jazz artists, including Billie Holiday, Louis Armstrong, Chet Baker, and Charlie Parker, and was one of the most famous jazz clubs of its time, being instrumental in popularizing the modern jazz style in San Francisco. The club closed in 1965 when jazz began to decline in popularity. The house was moved two blocks west to 1712 Fillmore Street during the urban renewal in the Western Addition in the 1970s, where it currently stands, and has been designated a San Francisco Designated Landmark. ..."
Wikipedia
PBS: Music of the Fillmore
Jimbo's Bop City
PBS: Music of the Fillmore - Scene

Robert Pete Williams

Wikipedia - "Robert Pete Williams (March 14, 1914 – December 31, 1980) was an American Louisiana blues musician. His music characteristically employed unconventional structures and guitar tunings, and his songs are often about the time he served in prison.  ... Williams was born in Zachary, Louisiana, to a family of sharecroppers. He had no formal schooling, and spent his childhood picking cotton and cutting sugar cane. In 1928, he moved to Baton Rouge, Louisiana and worked in a lumberyard. At the age of 20, Williams fashioned a crude guitar by attaching five copper strings to a cigar box, and soon after bought a cheap, mass-produced one. Williams was taught by Frank and Robert Metty, and was at first chiefly influenced by Peetie Wheatstraw and Blind Lemon Jefferson. He began to play for small events such as Church gatherings, fish fries, suppers, and dances. From the 1930s to the 1950s, Williams played music and continued to work in the lumberyards of Baton Rouge. ..."
Wikipedia
Discogs
WIRZ: Robert Pete Williams
amazon
YouTube: Scrap Iron Blues (Live), Old Girl At My Door (Live), Grown So Ugly, Thousand miles from nowhere, Dyin' Soul, High As I Want To Be, Mama Had A Shotgun, Almost Dead Blues, No One To Care For Me, I'm Blue As a Man Can Be, Freight Train Blues, Motherless Children Have A Hard Time
YouTube: live 1970 1:15:35

Oxford English Dictionary

Wikipedia - "The Oxford English Dictionary (OED) is the main historical dictionary of the English language, published by the Oxford University Press. It traces the historical development of the English language, providing a comprehensive resource to scholars and academic researchers, as well as describing usage in its many variations throughout the world. The second edition came to 21,728 pages in 20 volumes, published in 1989. Work began on the dictionary in 1857, but it was not until 1884 that it began to be published in unbound fascicles as work continued on the project, under the name of A New English Dictionary on Historical Principles; Founded Mainly on the Materials Collected by The Philological Society. ... In 1933, the title The Oxford English Dictionary fully replaced the former name in all occurrences in its reprinting as twelve volumes with a one-volume supplement. More supplements came over the years until 1989, when the second edition was published. Since 2000, a third edition of the dictionary has been underway, approximately half of which is now complete. ..."
Wikipedia
Guardian - Inside the OED: can the world’s biggest dictionary survive the internet?
OED
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Go Down, Moses - William Faulkner (1942)

Wikipedia - "Go Down, Moses is a collection of seven related pieces of short fiction by American author William Faulkner, sometimes considered a novel. The most prominent character and unifying voice is that of Isaac McCaslin, 'Uncle Ike', who will live to be an old man; 'uncle to half a county and father to no one.' Though originally published as a short story collection, Faulkner considered the book to be a novel in the same way The Unvanquished is considered a novel. Because of this, most editions no longer print 'and other stories' in the title. ... On its own terms, 'Was' is a brilliant set-piece, a probing look at the past and a handy opportunity for Faulkner to establish some of the important McCaslins—Buck and Buddy, the old bachelor twins, and the young McCaslin Edmonds. ..."
Wikipedia
Archive - Go Down, Moses
amazon

2011 September: Southern Gothic, 2014 February: William Faulkner, 2015 October: William Faulkner Draws Maps of Yoknapatawpha County, the Fictional Home of His Great Novels, 2015 November: Interviews William Faulkner, The Art of Fiction No. 12, 2016 April: Absalom, Absalom!! (1936), 2016 May: The Sound and the Fury (1929), 2016 October: The Snopes Trilogy (1940, 1957, 1959), 2016 December: Light in August (1932), 2017 February: As I Lay Dying (1930), 2017 June: The Wild Palms (1939), 2017 August: Sanctuary (1931). 2017 September: The Unvanquished (1938), 2017 October: 20 Pieces of Writing Advice from William Faulkner, 2017 November: Yoknapatawpha County

James Blood Ulmer & Pharoah Sanders - Live 2003

"Born in St. Matthews, South Carolina, Ulmer began his career playing with various soul jazz ensembles. He first recorded with organist Hank Marr in 1964. After moving to New York in 1971, Ulmer played with Art Blakey's Jazz Messengers, Joe Henderson, Paul Bley,Rashied Ali and Larry Young. In the early 1970s, Ulmer joined Ornette Coleman; he was the first electric guitarist to record and tour extensively with Coleman. He has credited Coleman as a major influence, and Coleman's strong reliance on electric guitar in his fusion-oriented recordings owes a distinct debt to Ulmer. His appearance on Arthur Blythe's two consecutive Columbia albums. It was described at the time as 'avant-gutbucket', leading writer Bill Milkowski to describe the music as 'conjuring images of Skip James and Albert Ayler jamming on the Mississippi Delta.' ..."
Chriss & Co.
Ponderosa Stomp
YouTube: The Music Revelation Ensemble. James Blood Ulmer - guitar, vocals. Calvin Jones - bass. Cornel Rochester- drums. Pharoah Sanders - tenor saxophone. 1/7, 2/7, 3/7, 4/7, 5/7, 6/7, 7/7

2015 November: Prime Time (1981), 2016 September: Black Rock (1982), 2017 May: Are You Glad to Be in America? (1980), 2017 June: James Blood Ulmer solo live @ Skopje Jazz Festival 2015
2015 December: Maleem Mahmoud Ghania With Pharaoh Sanders - The Trance Of Seven Colors (1994), 2016 January: Ptah, The El Daoud - Alice Coltrane & Pharoah Sanders (1970), 2016 November: Tauhid (1967), 2017 May: The Pharoah Sanders Story: In the Beginning 1963-1964, 2017 November: Let Us Now Praise Pharoah Sanders, Master of Sax, 2018 February: Anthology: You've Got to Have Freedom - Pharoah Sanders (2005)