I Dream of Wires

"I Dream of Wires is the incorrect title for that great documentary on modular synthesizers. It should be titled: Couldn’t Sleep Because I Read Manuals Too Late at Night and My Brain Wouldn’t Stop Patching. In the meanwhile, here is where my system is currently at (or will be when two of those modules arrive from, respectively, Poland and down in Southern California). The blank space at the bottom is, indeed, bank. Likely other modules will go before it is filled. We’ll see. ..."
disquiet: Sleepless in San Francisco
Waveshaper Media (Video)
amazon
YouTube: I Dream of Wires: The Modular Synthesizer Documentary
vimeo: I Dream Of Wires 23 Videos

The African Americans: Many Rivers to Cross

The Black Atlantic (1500 – 1800)
"... Into the breach has stepped Henry Louis Gates Jr., assisted by dozens of historians. His six-part series, 'The African Americans: Many Rivers to Cross,' beginning on Tuesday on PBS, aims to chronicle 500 years of black history. The program starts with Juan Garrido, a free black man whose 1513 expedition with Spanish explorers in Florida made him the first known African to arrive in what is now the United States, and ends with Barack Obama in the White House in 2013, a time of complexity and contradictions for black Americans. In between, Professor Gates, director of the W. E. B. Du Bois Institute for African and African American Research at Harvard, draws on the latest scholarship to put flesh on characters like the resilient South Carolina slave girl Priscilla as well as her descendants. ..."
NY Times: Black History’s Missing Chapters
W - The African Americans: Many Rivers to Cross
amazon
YouTube: The African Americans
Episode 1: The Black Atlantic (1500-1800), Episode 2: The Age of Slavery (1800 -1860), Episode 3: Into the Fire (1861-1896), Episode 4: Making a way Out of no way (1897-1940), Episode 5: Rise! (1940 - 1968), Episode 6: A More Perfect Union (1968 - 2013)

Priscilla, a Slave

When Neon Owned the Night

While neon was a fixture of cities nationwide, Las Vegas was in many ways its spiritual home. Feb. 17, 1972.
"Before evolution hit a snag, and we reverted to slouching and staring at our phones, human beings walked with their eyes up, looking at things. In the countryside, people contemplated church steeples, maple trees, clouds. In cities, they gaped at neon — and it was everything. Between the 1930s and the 1970s, neon signs were a potent American symbol for both glamour and depravity, hope and desolation. In movies, how many star-struck ingénues have gazed up at the bright lights of Broadway? How many down-and-out characters have checked into a seedy hotel and found a malfunctioning sign buzzing like a bug-zapper outside their window? ..."
NY Times

The night-as-day feel of Times Square was partly a result of neon signage. Dec. 11, 1948.

Tangled Up in Blue: Deciphering a Bob Dylan Masterpiece

"Dylan’s 'Tangled Up in Blue' strikes a middle point between his more surreal lyrics of the ‘60s and his more straightforward love songs, and as Polyphonic’s recent video taking a deep dive into this 'musical masterpiece' shows, that combination is why so many count it as one of his best songs. It is the opening track of Blood on the Tracks, the 1975 album that critics hailed as a return to form after four middling-at-best albums. ... Blood on the Tracks is one of the best grumpy, middle-age albums, post-relationship, post-fame, all reckoning and accountability, a survey of the damage done to oneself and others, and 'Tangled' is the entry point. Dylan’s marriage to Sara Lowndes Dylan was floundering after eight years--affairs, drink, and drugs had estranged the couple. Dylan would later say that 'Tangled' 'took me ten years to live and two years to write.' It would also take him two studios, two cities, and two band line-ups to get working. ..."
Open Culture (Video) 13:03
W - "Tangled Up in Blue:"
Tangled Up in Blue: Bob Dylan’s utterly transformed “Real Live” version
YouTube: Tangled Up in Blue (Live), Tangled up in Blue

An 1840s Road Trip, Captured on Lustrous Silver

Girault de Prangey’s image of the Roman Forum, viewed from the Palatine Hill in 1842.
"... In dozens of cases, that first photographer was Joseph-Philibert Girault de Prangey (1804-1892), a Frenchman of astonishing artistic ambition and considerable tech savvy. In 1842, three years after his countryman Louis Daguerre unveiled the world’s first practical camera, Girault set out on an epic adventure across Europe and into the Middle East, lugging custom photographic equipment that weighed more than a hundred pounds. He returned with over a thousand photographic plates, including the first surviving daguerreotypes made in Greece, Egypt, Anatolia, Palestine and Syria. ..."
NY Times
Metropolitan Museum of Art (Video)
Metropolitan Museum of Art: Five Things to Know about the Monumental Journey and Daguerreotypes of Girault de Prangey
W - Girault de Prangey
amazon: Monumental Journey: The Daguerreotypes of Girault de Prangey

Ayoucha, 1842-43

A midcentury artist’s New York from her window

New York From My Window
"Born in 1887 in Vienna, Emma Fordyce MacRae grew up in early 20th century New York—attending the private Chapin and Brearley Schools before enrolling in the Art Students League in 1911 and studying with John Sloan. She made a name for herself as a member of the Philadelphia Ten, a group of female artists who exhibited together. As the 20th century went on, MacRae married and moved to 888 Park Avenue. She apparently never stopped painting, keeping a studio at 12 West 69th Street, according to her New York Times obituary in 1974. New York From My Window was painted between 1957 and 1962. It’s a deceptively simple work depicting a streetscape under blue skies almost empty of traffic and people. What I want to know is, where exactly is the window she painted from, and what sliver of New York did this artist who should be better known immortalize? ..."
Ephemeral New York
W - Emma Fordyce MacRae
artnet

New England Coke, Gloucester

Sabroso Guaguanco Vol.8 / Vol.9

"... I have actually bought all 10 Sabroso Guaguanco compilations and I have to tell you they are a treasure. I do not doubt that some Colombians pirated this music but it does not bother me. My wife is from Cali Colombia and I just came back from a 3 week visit there. And you know what?, Colombians are crazy about this music and most recording artists from Puerto Rico that can't get work anymore in Puerto Rico because they are too old fill up concerts wherever they go in Colombia. So maybe big labels like Fania lose that don't even provide benefits for all the artists that made them rich. But Colombians keep the original artists employed when they were ignored by everyone else. I got 2tb's of music from 1 fan in Colombia and most of the music you can't even find in any format. So I thank them for keeping this beautiful music alive and giving their creators some dignity. Viva la salsa dura!! ..."
Holland Tunnel
iTunes: Sabroso Guaguancó, Vol. 9
YouTube: Sabroso Guaguancó, Vol. 8, Sabroso Guaguancó, Vol. 9

Can’t Anybody Here Speak the Language?

"... November 1, 1989. Purse your lips a moment. Leave them in a slightly protruding oval, with your jaw and your tongue too poised for a fight, of sorts, against articulation. Your hands should just follow naturally now, palms upward, in a kind of perpetual complaint against nothing in particular and everything at once, because 'Dis is New Yawk, and dat’s how yoo tawk.' There’s a sweet and singular arrogance to the sound of New Yawkese, and the very posture of its pronunciation — the tongue slack and lascivious beneath the mouth’s alveolar ridge in what one speech specialist has described as a 'vertical dialect' — offers a perfect simulacrum of its speakers and their city: the height and hard edge of it, the blend of street-smart swagger and riotous impatience that makes two words of two sentences: Jeet? Did you eat? Skweet. Let’s go eat. ..."
Voice - 7 Days: The Slow Death of the New York Accent

Éliane Radigue: Occam Ocean, Vol. 1 (2017)

"Éliane Radigue spent most of her career taming synthesiser feedback into exquisite astral sounds. Her pieces lasted for hours: grand vistas that unfolded with monumental slow grace. Now she’s into her 80s and writing her ultra-slow music for acoustic instruments, working on a roaming series of solo and ensemble pieces called Occam after the theory of philosopher William of Ockham that the simplest option is always the best. There are no scores, only verbal instructions, and nothing can move fast, so Radigue is very particular about which musicians she’ll trust to take her ethos seriously. The three featured on this album are the very best: harpist Rhodri Davies, violist Julia Eckhardt and clarinettist Carol Robinson, all stunningly adept at summoning those ephemeral overtones and partials, all masters of what Radigue calls 'the virtuosity of absolute control'. ..."
Guardian - Éliane Radigue: Occam Ocean 1 CD review – ultra-slow, ephemeral and virtuosic (Video)
Discogs (Video)
edition — a festival for other music.
soundohm (Audio)
amazon
YouTube: OCCAM OCEAN - ONCEIM (full concert) - 2015 lors du festival

2018 May: Trilogie de la Mort (1988-1993), 2018 October: The Deeply Meditative Electronic Music of Avant-Garde Composer Eliane Radigue, 2019 February: Adnos I-III

A Walk In The Woods - Mikel Rouse Broken Consort (1985)

"Mikel Rouse Broken Consort’s chamber orchestra recording A Walk In The Woods was Rouse’s most ambitious venture yet. Working with legendary engineer Martin Bisi (who recorded many of Rouse’s early works) and co-producer James Bergman, the ensemble set out to make a musical statement that would bridge the worlds of minimalism and rock in an elegant and understated recording. They certainly achieved their goal, as the recording made the New York Times Top Ten Records of 1985. This was all the more impressive as the ensemble never toured for this recording. A Walk In The Woods would also prove to be the ensembles most succesful record to date."
Bandcamp (Audio)
Discogs (Video)
YouTube: Hardfall, Winter in Wyoming

The Passionate, Progressive Politics of Julia Child

After the wild success of “Mastering the Art of French Cooking,” Child cultivated an apolitical mien. But, as she became more comfortable with her fame, she spoke more openly about her beliefs.
"In 1942, Julia McWilliams moved from New York to Washington, D.C., where she was hired as a file clerk at the Office of Strategic Services, the newly formed federal intelligence agency. She had been feeling at loose ends—unmarried at the decrepit old age of thirty, and nursing dashed hopes of becoming a writer. Less than a year later, she found herself stationed in Ceylon (now Sri Lanka), where she met and fell madly in love with Paul Child, a cartographer and aesthete ten years her senior. ... The rest is the stuff of gastronomic legend: the love affair with French cuisine, and then the meandering and often tumultuous path to publishing 'Mastering the Art of French Cooking'—the two-volume compendium, co-authored with Simone Beck and Louisette Berthold, that would make Julia Child the most famous French chef in the world, despite the fact that she was not a bit French, nor even (as she insisted her entire life) a proper chef. ..."
New Yorker
W - Julia Child
Julia Child: Tall Numbers for a Tall Lady (Video)
Vanity Fair: Our Lady of the Kitchen
11 Things You Didn’t Know About Julia Child
NY Times: Julia Child
WGBH (Video)
amazon: Julia Child

1961 Julia Child, I’ve Been Reading, Boston’s public television station WGBH

The Irregular Outfields of Baseball

"In most professional sports, the playing surface and goal size are the same everywhere the game is played. Hockey nets are 178 feet apart. Basketball hoops are ten feet above the hardwood. And American football fields are 100 yards long. Not when it comes to baseball fields, though. Once you leave the infield, where the pitcher's mound is always 10 inches high, and the bases are always 90 feet from each other, the major leagues have few discernible rules regarding field size or fence height. Pro ballparks come in all shapes and sizes, sometimes due to the shape of the city block on which they were built, sometimes just to add character. Just check out how much variation exists in the fence heights of all 30 stadiums across left, center, and right field. ..."
The Data Face
Clem's Baseball: Side-by-side stadium comparisons
In the Same Ballpark (Audio)
Exploring Extreme Ballparks Past

Deep Blue

Wikipedia - "Deep Blue was a chess-playing computer developed by IBM. It is known for being the first computer chess-playing system to win both a chess game and a chess match against a reigning world champion under regular time controls. Deep Blue won its first game against a world champion on 10 February 1996, when it defeated Garry Kasparov in game one of a six-game match. However, Kasparov won three and drew two of the following five games, defeating Deep Blue by a score of 4–2. Deep Blue was then heavily upgraded, and played Kasparov again in May 1997. Deep Blue won game six, therefore winning the six-game rematch 3½–2½ and becoming the first computer system to defeat a reigning world champion in a match under standard chess tournament time controls. Kasparov accused IBM of cheating and demanded a rematch. IBM refused and dismantled Deep Blue. ..."
Wikipedia
Scientific American - 20 Years after Deep Blue: How AI Has Advanced Since Conquering Chess
A Brief History of Deep Blue, IBM's Chess Computer (Video)
Stanford (Video)
Kasparov vs. Deep Blue | The Match That Changed History
amazon: Deep Thinking: Where Machine Intelligence Ends and Human Creativity Begins by Garry Kasparov

2008 October: World Chess Championship 1972, 2009 January: Sicilian Defence, 2009 February: Mikhail Tal, 2009 February: Garry Kasparov, 2009 April: Vasily Smyslov, 2009 August: Chess960, 2009 November: Bent Larsen,2011 November: The Lewis Chessmen, 2012 July: 40 Years Ago Today: Chess Rivals Bobby Fischer and Boris Spassky Meet in the ‘Match of the Century’, 2015 September: The Subtext Buried In Seven Great Movie Chess Scenes, 2018 December: The Last Chess Shop in New York City

Sharp suits, thin ties and the coolest musicians on Earth: Jazz 625 is back!

Singular vision … Bill Evans in the BBC studio.
"The camera holds its close-up on the pianist’s hands, his long fingers adding delicate inner voicings to the familiar melody of Come Rain or Come Shine. Then, very slowly, the camera tracks along the player’s arms and up his body until it reaches his head, which is lowered far enough to be virtually parallel with the keyboard. Nothing is intrusive, nothing is hurried, everything is keyed to the mood of rapt intensity. Captured in black and white because that’s all there was, the shot perfectly complements this music, the jazz of the 1960s. It’s a rare example of television finding a visual language to match a sound. Bill Evans was that pianist, and Jazz 625 was the programme. The hour of music he recorded for the BBC in London on that day in 1965 survives as a priceless document of one of the most influential jazz musicians of his era, a man whose singular vision played a key role in Miles Davis’s Kind of Blue. ..."
Guardian (Video)
W - Jazz 625
YouTube: Jazz 625 At The BBC Live Concert Video, Art Blakey and the Jazz Messengers - Jazz 625, Dizzy Gillespie Quintet-(Jazz 625) 1966, OSCAR PETERSON TRIO at BBC, JAZZ 625, Jazz 625 - The Modern Jazz Quartet, Dave Brubeck Quartet Paul Desmond Jazz 625 Live Concert Video 1964, JAZZ 625 - Thelonius Monk 21-04-65 Part 1, Part 2, Coleman Hawkins Jazz 625, Jimmy Smith - Jazz 625, Part 2, Clark Terry Jazz 625, Ben Webster Jazz 625, Willie "The Lion" Smith - The Lion on BBC's "Jazz 625" - 1965, JAZZ 625.....FEATURES THE BRITISH BAND OF ALEX WELSH

On target … Cannonball Adderley in 1964 with his quintet, featuring Joe Zawinul on piano.

U.S.A. Trilogy - John Dos Passos (1930-36)

Wikipedia - "The U.S.A. trilogy is a series of three novels by American writer John Dos Passos, comprising the novels The 42nd Parallel (1930), 1919 (1932) and The Big Money (1936). The books were first published together in a volume titled U.S.A. by Harcourt Brace in January 1938. The trilogy employs an experimental technique, incorporating four narrative modes, fictional narratives telling the life stories of twelve characters, collages of newspaper clippings and song lyrics labeled 'Newsreel', individually labeled short biographies of public figures of the time such as Woodrow Wilson and Henry Ford and fragments of autobiographical stream of consciousness writing labeled 'Camera Eye'. The trilogy covers the historical development of American society during the first three decades of the 20th century. In 1998, the Modern Library ranked U.S.A. 23rd on its list of the 100 best English-language novels of the 20th century. ..."
Wikipedia
The Paris Review: John Dos Passos at the 92nd Street Y By Lydia Davis (Audio)
The Rumpus
LARB: The Great American Novel That Wasn’t
amazon: USA (The 42nd Parallel / 1919 / The Big Money), The 42nd Parallel - Audible Audiobook

Kahil El’Zabar & The New Ethnic Heritage Ensemble - Ancient/Future/Music (2019)

"All the way from Chicago, we are delighted to welcome Kahil El’Zabar & The New Ethnic Heritage Ensemble for the launch of their new album, ‘Be Known - Ancient / Future / Music’. An artist truly in a league of his own, El’Zabar is a stalwart of spiritual and afro-futuristic jazz with a significant contribution in the continuation of the scene over the last four decades. His driving compositions - simple themes that gain complexity through repetition and improvisation - have been recorded with such jazz heavyweights including Pharoah Sanders, Kalaparusha Maurice McIntyre and 'Light' Henry Huff. Alongside multi-percussionist and vocalist El’Zabar, the Ethnic Heritage Ensemble’s current line-up includes Corey Wilkes on trumpet, who has worked with numerous jazz masters, including Wynton Marsalis, Kurt Elling and with El’Zabar for 15 years, multi-instrumentalist Alex Harding on baritone sax and a special guest on Cello. ..."
Party for the People
Kahil El’Zabar on the Expansiveness of Music History (Video)
Norman Records (Audio/Video)
YouTube: Live in Baltimore, 2/21/18 14:02, Black is Back

Universe Symphony - Charles Ives (1911 and 1928)

"The premiere of Johnny Reinhard’s realization of Charles Ives’s Universe Symphony, at Alice Tully Hall on June 6, 1996, is still justly remembered as counting among the great concerts of the 1990’s. It included dozens of 'downtown' performers, including flautist Andrew Bolotowsky, percussionist Slip La Plante, violinist Tom Chiu, and pianist Joshua Pierce, most of them working out of an appreciation of Reinhard’s effort to produce Ives’s final, purportedly unfinished piece. Though Ives lived to be eighty, he had his first debilitating heart attack around the age of forty-five and thus spent decades in semi-retirement, not only from composing but from insurance retailing, at which he and his partner Julian Myrick were so successful. Legendarily, he spent decades working on a magnum opus that was simply too ambitious for an invalid to complete, especially since his earlier compositions were rarely performed until Ives was in his late fifties. ..."
Brooklyn Rail: Charles Ives’s Universe Symphony, Finally
W - Universe Symphony
allmusic
amazon
YouTube: Universe Symphony 1:04:31

2008 September: Charles Ives, 2010 December: Holidays Symphony, 2012 August: Symphony No. 2, 2012 December: Decoration Day, 2014 March: Central Park in the Dark (1906), 2018 December: Three Places in New England (1911/14)

Myst (1993)

Wikipedia - "Myst is a graphic adventure puzzle video game designed by the Miller brothers, Robyn and Rand. It was developed by Cyan, Inc., published by Brøderbund, and released as a PC game for the Macintosh platform in 1993. In the game, players are told that a special book has caused them to travel to Myst Island. There, players solve puzzles and, by doing so, travel to four other worlds, known as Ages, which reveal the backstory of the game's characters. After the development of several games aimed at children, the Miller brothers conceived of Myst as a game for adults. Development began in 1991 and was Cyan's biggest undertaking to date. ... Myst was a surprise hit, with critics lauding the ability of the game to immerse players in its fictional world. ... Multiple remakes and ports of the game to other platforms have been released, and Myst helped drive adoption of the then-nascent CD-ROM format. Its success spawned numerous ports, remakes, spin-off novels and other media. It was followed by several sequels in the Myst series of games. ..."
Wikipedia
Grantland: Lost to the Ages (Video)
15 Things You Might Not Know About Myst
Myst: Masterpiece Edition (Steam)
YouTube: A Brief History of... Myst

The Sound of Architecture and Design | Bauhaus, Piezo Microphones and FX

"Documentation of a performance I was part of at Baushaustfest Dessau 2017. Filmed by Anja Dietz, David Weber and me. Thx to the Bauhaus Dessau, TU Berlin and Initiative Neuer Zirkus E.V. and especially Karlo, Andrea and Lukas for making this fun to do!"
YouTube: The Sound of Architecture and Design | Bauhaus, Piezo Microphones and FX

2018 October: Distressed Tape, 2019 February: Sandpaper Is a Form of Change, 2019 February: Hainbach - Gear Top 7: My Personal Favorites In 2018

New York Rain: Vintage Sights and Sounds of a Soaked City

The last semi-dry moment for a pedestrian in Times Square. April 5, 1984.
"When a hard rain descends on New York, the whole city feels it. Traffic stands still, puddles get deceptively deep and even the most intrepid of us cowers in the wakes of passing cabs. Any object an unsuspecting pedestrian is carrying quickly becomes a makeshift umbrella, and actual umbrellas quickly become hazards themselves, catching the wind or flipping inside out. Until recently, whenever news was slow, The New York Times sent photographers out to take 'day shots' — slice-of-life images arresting enough to carry the front page. Weather, and people dealing with it, often made great subjects. 'When it rains, it’s a whole different scene,' said Bill Cunningham, the renowned Times staff photographer, in the 2010 documentary 'Bill Cunningham New York.' ..."
NY Times (Audio)

Sudden downpour, outside the old New York Times building on West 43rd Street. Aug. 1, 1963.

2011 November: Bill Cunningham, 2014 March: No Coupons at Chanel

"I Remember Clifford" - Art Blakey and The Jazz Messengers (feat. Lee Morgan) (1958)

"... Trumpeter Lee Morgan hit the big time in 1956 at age 18 with the Dizzy Gillespie big band and his first album as a leader. His star burned brightly through his tenures with Art Blakey, Jackie McLean, Andrew Hill, John Coltrane and others until it was extinguished at age 33 when he was shot and killed in Slug’s Saloon by his wife. In addition, we will hear Morgan with Jimmy Smith, Wynton Kelly, Hank Mobley, Elvin Jones, Jackie McLean, Dr. Lonnie Smith and Joe Henderson. Alan Broadbent, Medeski, Martin & Wood and Harold Mabern will play Morgan’s compositions. ... The video is of Lee Morgan playing Benny Golson's 'I Remember Clifford' in Paris in 1958 with the Jazz Messengers of Art Blakey (d) Benny Golson (ts) Bobby Timmons (p) and Jymie Merrit (b)"
The Music of Lee Morgan (Video)
Soundcloud: Lee Morgan - I Remember Clifford (feat. Art Blakey and The Jazz Messengers)
YouTube: I Remember Clifford by Art Blakey and The Jazz Messengers (feat. Lee Morgan)

2018 January: I Called Him Morgan (2017), 2015 December: Art Blakey - Paris Jam Session (1959)

A downtown alley’s Belgian block paving stones

"Franklin Place is another one of those delightfully hidden alleys you stumble upon in Lower Manhattan—a one-block thread connecting Franklin and White Streets between Church Street and Broadway. Somehow, a new luxury condo managed to get an address on Franklin Place. But no other business or residence opens onto this former 19th century lane, known as Scott’s Alley until the early 1850s, according to the Tribeca Citizen. Long lined with loft buildings used for manufacturing, Franklin Place is actually a private street, owned by the property owners whose buildings run along either side of the alley, the Citizen reported in 2017. ..."
Ephemeral New York
FRANKLIN PLACE, Tribeca

"The Bottle" - Gil Scott-Heron/Brian Jackson (1974)

Wikipedia - "'The Bottle' is a song by American soul artist Gil Scott-Heron and musician Brian Jackson, released in 1974 on Strata-East Records in the United States. It was later reissued during the mid-1980s on Champagne Records in the United Kingdom. 'The Bottle' was written by Scott-Heron and produced by audio engineer Jose Williams, Jackson, and Scott-Heron. The song serves as a social commentary on alcohol abuse, and it features a Caribbean beat and notable flute solo by Jackson, with Scott-Heron playing keyboards. ... It became an underground and cult hit upon its release, and the single peaked at number 15 on the R&B Singles Chart. ..."
Wikipedia
Genius - The Bottle (Audio)
Discogs
YouTube: The Bottle Original 12 inch, The Bottle 13:30 Version (Live)

2017 January: Pieces of a Man (1971), 2017 April: Winter in America - Gil Scott-Heron / Brian Jackson (1974), 2018 February: I'm New Here (2010)

Major League Baseball on the radio

Station WRUF microphone belonging to Red Barber - B-4-94
Wikipedia - "Major League Baseball on the radio has been a tradition for almost 80 years, and still exists today. Baseball was one of the first sports to be broadcast in the United States. Every team in Major League Baseball has a flagship station, and baseball is also broadcast on national radio. ... During the Golden Age of Radio, television sports broadcasting was in its infancy, and radio was still the main form of broadcasting baseball. Many notable broadcasters, such as Mel Allen, Red Barber, Harry Caray, Russ Hodges, Ernie Harwell, and Vin Scully, started in this period. However, broadcasting still did not look like the way it does today—recreations of games based on telegrams, the original means of broadcasting, were still widely used. ... However, as the Golden Era wound down, radio was gradually eclipsed by television. The World Series continued to be broadcast on the radio, with NBC Radio covering the Series from 1960–1975, and CBS Radio from 1976–1997. However, after Mutual's Game of the Day ended in 1960 there would not be regular-season baseball broadcast nationally on the radio until 1985, when CBS Radio started a Game of the Week..."
Wikipedia
How Radio Changed Baseball Fandom Forever (Video)
SABR: Only the Game Was Real: The Aesthetics and Significance of Re-created Baseball Broadcasting
SABR: Al Helfer and the Game of the Day
The Best Major League Baseball Announcers of All Time (Video)
Voices of the Game
YouTube: Baseball - 1950's 27 videos, Classic Baseball on the Radio

1940's KXOK radio, Harry Caray on right, Jack Buck on Left.

Worker Cooperatives

"Part 1: Widening Spheres of Democracy. The 21st century has seen an explosion in Worker Cooperatives—particularly since capitalism's 2008 crisis. In Part 1 of this 2-part series, we'll explore how worker coops present a radically different kind of ownership and management structure—one that has the power to bring democracy into the workplace and into the economy as a whole. We'll take a deep dive into the cooperatively owned and run bike/skate shop Rich City Rides, exploring how they have created a community hub that puts racial & economic justice front and center. ... Part 2: Islands Within a Sea of Capitalism. The second episode in our Worker Cooperative series takes a deep dive into the Mondragon Cooperative Corporation, the largest network of federated cooperatives in the world. We take listeners on a journey through the Basque region of Spain where Mondragon is located, and explore Mondragon's successes and challenges through candid conversations with several worker-members at Mondragon headquarters and at various cooperatives within the federation. ..."
Part 1: Widening Spheres of Democracy (Audio), Part 2: Islands Within a Sea of Capitalism (Audio)
​

Tonada Baile Cantado - Rueda de Bullerengue (Volume 2)

"Names You Can Trust presents the second installment of Rueda de Bullerengue, a collaborative series with NY-based Bullerengue collective, Bulla En El Barrio. Named after the group’s ongoing monthly performance and workshop in Brooklyn, Bulla’s collaborative spirit and dedication to the tradition of los bailes cantados has made an indelible mark on the bubbling tropical music scene of New York City, and in turn, found their way into the crates and sets of DJs and vinyl aficionados via their first 7-inch release on NYCT in 2017. Since those initial moves, Bulla has continued to grow and add working members while maintaining a philosophy and connection grounded in the traditions of their Colombian origins. ..."
Holland Tunnel Dive
iTunes
YouTube: Papa Lopez, Vamos Pa Venecia, La Hamaca, La Suerte

Modernism Awakening

"With multimillion-dollar art sales now almost routine around the world, it was not much publicized when, last spring at a London auction, “Fille à l’imprimé” ('Girl in a printed dress'), painted in 1938 by Mahmoud Said, fetched $664,951. Said (pr. sy-EED) was one of Egypt’s leading Modernists, and although he grew up in a privileged, European-style family, he rooted his work in his country’s Pharaonic heritage and committed himself to the social and political realities of his era. In this painting, Said portrays a fellaha, or female peasant, who appears reflective, dignified and ultimately enigmatic. It inspired a commentator of the time, Youssef Kamal, to write, 'Perhaps the model is expressing Oriental mystery in contradiction to the Occidental mystery of the Mona Lisa.' Such high-priced sales of Arab and Middle Eastern Modernist works have become even more robust in Dubai, a rising hub for art sales of all kinds for more than a decade. Collectors of Modernist works now include museums, both established and new, as well as individuals and galleries across the region and beyond. ..."
AramcoWorld

Chant Avedissian (Egypt), “Gamal Abd El Nasser,” 2008, gouache on cardboard, 49 x 69 cm.

Patti Smith’s Most Notable New York City Gigs

"New York City has been home base to Patti Smith and her band since the very beginning. The Patti Smith Group — the 'group' qualifier was added at Patti’s insistence not long after she was signed by Arista, to try to counteract the label’s immediate Seventies instinct to soften her image — was always a live band. That’s probably because Patti herself was always about performing in front of people no matter what shape her art was taking at any particular moment. She enlisted Lenny Kaye to accompany her at her earliest stage performance and kept coming back to their duo until she felt like she got it right, and then kept adding to that combination as she built the band, piece by piece. ... She could woodshed here to get ready for a tour, or try out new ideas and know there would be a receptive audience; she’s played shows in clubs and churches, theaters and cabarets, university auditoriums and museums, private lofts and rooftop bars. ..."
Voice (Video)