The Moth Poem - Robin Blaser (1963)

"The Moth Poem is Robin Blaser’s first book publication, which was preceded by a broadside printed by Auerhahn Press in 1963. I love this chapbook format which is perfect for the serial poem. Spicer’s work of the period published by Auerhahn and White Rabbit provide the model, along with Robert Duncan’s groundbreaking Medieval Scenes. ... The Moth Poem with the gray wrappers and the endpapers is a moth itself when opened to be read. The gray covers suggest the wings of the common gray moth and the front and back endpapers have illustrated moth wings on them. ... The work of Dante and the image of the moth are just two of the threads that hold this serial poem together. The Inferno, Purgatorio, and Paradiso tie into the image of the moth at various points. ..."
MIMEO MIMEO
Visitation by Divination: A Ghost Story
W - Robin Blaser
Robin Blaser at SGWU, 1969 (Audio)
amazon

November 2007: EPC, November 2009: Robin Blaser (1925 - 2009), March 2010: Les Chimeres, 2011 February: The Holy Forest, 2011 July: "Image-Nation 21 (territory", 2010 April: Manroot and Acts,  2015 January: 'Absolutely temporary': Spicer, Burgess, and the ephemerality of coterie, 2015 March: San Francisco Renaissance, 2016 March: The Astonishment Tapes: Talks on Poetry and Autobiography with Robin Blaser and Friends, 2017 May: The Pacific Nation, 2016 March: The Astonishment Tapes: Talks on Poetry and Autobiography with Robin Blaser and Friends

Elodie Lauten - Piano Works Revisited (2010)

"Back in the days when there were a plethora of record stores in lower Manhattan that trafficked in independent releases of new music, by total serendipity I picked up an LP featuring music by Elodie Lauten. I was attracted by its provocative title, Concerto for Piano and Orchestral Memory, and its somewhat mysterious cover. The cover consisted of nine photographs—presumably from someone’s apartment—including the top of a kitchen stove and a cat on a bed, but also an upright piano and a synthesizer. There wasn’t much information about the piece, whose eight movements filled both sides, but I took a chance anyway; I was really glad I did. As the vagaries of independent releases go, it was not widely distributed and soon went out of print, and yet, as is so often the case, the music it contained was extraordinary. It’s a bizarre amalgam of minimalism, musique concrète, free jazz, and psychedelic freakout that inexplicably all fits together seamlessly. ..."
Sounds Heard: Elodie Lauten—Piano Works Revisited
1983-2010: Elodie Lauten - Piano Works Revisited
Discogs (Video)
amazon
YouTube: Tempo Di Habanera, Imaginary husband, Revelation
YouTube: Sonate Modale part 1 of 3 - Live at Music Gallery, 1985, 2 of 3, 3 of 3.

2010 July: Elodie Lauten, 2016 July: Orchestre Modern (EP - 1981), 2017 October: Transform EP (2014)

Giant Skeletons Emerge from the Streets of Mexico for Día de los Muertos

Jaén Cartonería
"Mexico City is gearing up for its annual Day of the Dead celebrations and in one neighborhood, something strange is emerging from the city streets. In the Tláhuac municipality, two giant skeletons have burst through the asphalt, resting their weary limbs on the pavement. Measuring over 11 feet wide and 7 feet tall, the sculptures are welcome forebearers of the annual celebrations that take place on November 1 and November 2. The appropriately ghoulish sculptures were created by Jaén Cartonería, a family-run collective of artisans who have been carrying out this tradition for the past eight years. The design was dreamed up by Raymundo Medina Jaen as a way to show children in the Santa Cecilia neighborhood about cultural heritage. Made from cardboard, the sculptures took about one year to create and two days to assemble. ...."
My Modern Met

Metro Tacubaya

Patience Is a Virtue in the Premier League. Isn’t It?

Three years after parting ways with Manager Quique Sánchez Flores, Watford brought him back.
"The Premier League season was only a few weeks old when, in the middle of a quiet Saturday evening, Watford revealed that it had fired its manager, Javi Gracia. He would be replaced, the club said, by his countryman Quique Sánchez Flores, who had himself been fired by Watford three years earlier. This was, in the eyes of most observers, the madness of modern soccer boiled down to its very essence. Gracia had, only a few months earlier, led Watford to the F.A. Cup final. He had, it was broadly agreed, done a reasonable job at one of England’s top-flight makeweights. Watford — owned by Italy’s Pozzo family, and operated according to a model in which the manager is just an employee, not some sort of all-powerful medieval potentate — stood accused of short-termism, shortsightedness, and doing things in a conspicuously foreign way. ..."
NY Times

This Week’s Sky at a Glance, November 1 – 9

"... Saturday, Nov. 2. Saturn shines right of the Moon in early evening, as shown here. Look much higher above them for Altair, a little brighter than Saturn. Capella sparkles low in the northeast these evenings. Look for the Pleiades cluster, fingertip-size, about three fists at arm's length to Capella's right. These harbingers of the cold months rise higher as evening grows late. Upper right of Capella, and upper left of the Pleiades, the stars of Perseus lie astride the Milky Way. Standard time resumes at 2 a.m. Sunday morning for most of North America. Clocks fall back an hour. And for astronomers, darkness henceforth arrives an hour earlier! Sunday, Nov. 3. First-quarter Moon (exactly so at 5:23 a.m. Monday morning EST). On Sunday evening the Moon shines inside the huge triangle of Saturn to its lower right, Altair much higher to its upper right, and Fomalhaut way off to the Moon's left. Sometime around 10 p.m., depending on where you live, zero-magnitude Capella will have risen exactly as high in the northeast as zero-magnitude Vega has sunk in the west-northwest. How accurately can you time this event? Astrolabe not required. . . but it would help. ..."
Sky & Telescope

How To Beat Trump in 2020: Four opinion writers show the way

"2020 Meme Team, Assemble By Charlie Warzel. A long time ago, on a different internet — where Photoshopped images of 'God Emperor' Donald Trump riding atop a velociraptor were just a faint glimmer in a young meme lord’s eye — the Republicans were in trouble. Barack Obama’s 2008 win over John McCain was heralded as a digital over an analog. In 2012, Mitt Romney’s technological secret weapon to track voters in real time crashed on Election Day. A 2012 profile of Obama’s digital team in The Atlantic exclaimed that the 'nerds shook up an ossifying Democratic tech structure.' By 2014, the conventional wisdom was that progressives had lapped the Republican Party in the tech space. I heard rumors swirling that some of the Republican National Committee staff were scouring Silicon Valley churches for tech-company hoodies, looking for programmers to hire. ..."
NY Times: Win the Internet
NY Times: Electrify the Base
NY Times: Focus on His Corruption
NY Times: Seize the Center

Merrrrdrrrre!: Alfred Jarry and Père Ubu

Detail from front cover of Ubu Roi, 1896
"Alfred Jarry (1873–1907) is best known for creating Père Ubu, the monstrous anti-hero of his plays Ubu Roi, Ubu Cocu and Ubu Enchaîné, but, as Alastair Brotchie reveals in this immensely enjoyable journey through Jarry’s life and work, the origins of Ubu are far from straightforward. It all began with the “classroom martyrdom” of one Félix-Frédéric Hébert (1832–1917), a physics teacher at the lycée in Rennes. Possessed of a large stomach, short legs and an air of bluff pomposity, Hébert was ragged mercilessly by his pupils. ... Two brothers, Charles and Henri Morin, began writing and illustrating a series of satirical sketches recounting the exploits of the ridiculous Père Hébert, and these stories were added to by other boys. The 'Hébert cycle' consists of long poems, plays, mock newspapers and fantasy adventures, many exhibiting a protosurreal wit. ..."
The Times Literary Supplement
How a 19th-Century Absurdist Playwright Accidentally Predicted Trump

Poster for Ubu Roi in France, 1896.

2011 April: The Insolent Eye: Jarry in Art, 2013 August: The Banquet Years of Apollinaire, Alfred Jarry, Henri Rousseau, and Erik Satie - Roger Shattuck, 2015 September: An Inglorious Slop-pail of a Play

Wailing Souls - Very Well (1978)

"An undeniable classic straight from 29 Maxfield Avenue. The Wailing Souls' 'Very Well', all-time epic roots reggae, and as impassioned a song about repatriation as ever sung. This 12-inch reissue replaces the B-side 'Fire Coal Man' from the original release with a full extended dub of 'Very Well'!"
DKR
Discogs (Video)
YouTube: Very Well

2018 August: Wailing Souls / Soul & Power

‘To Particularize Is the Alone Distinction of Merit’: Blake’s Visionary Imagination

Beatrice Addressing Dante from the Car, 1824–1827
"The Blake exhibition at Tate Britain, the first major exhibition in nearly twenty years, shows 300 of his prints and paintings, with manuscripts and printed books, gathered from galleries and libraries across the world. There have been other, smaller Blake shows with particular emphases, but this one sets out bravely to guide us through the whole range of his ideas, his art and his working life. A lot to see, a lot to take in. To corral this, the curators have imposed a chronological arrangement, setting Blake’s work in the context of the French Revolution, the spread of industry and the growing British empire, and devoting rooms to his patrons and his career as an engraver to show how he scraped a living until the relative freedom of his final years. ..."
NYBooks

2009 April: William Blake, 2010 December: The Marriage of Heaven and Hell, 2011 June: The Ghost of a Flea, 2012 August: Isaac Newton (1795), 2015 November: America a Prophecy (1793), @019 May: The Notebook of William Blake

Anne Teresa De Keersmaeker: Work/Travail/Arbeid

"The starting point for Anne Teresa De Keersmaeker’s Work/Travail/Arbeid is a simple question: Can choreography be performed in the form of an exhibition? To answer that question, one of today's most important dancer/choreographers reimagined her stage performance Vortex Temporum (2013)—choreographed to the eponymous work by the late French composer Gérard Grisey—for a museum space, away from a conventional theater setting. Work/Travail/Arbeid is not De Keersmaeker’s first project to be performed in the museum space; in 2011 she performed the solo Violin Phase, part of her very first piece, Fase: Four Movements to the Music of Steve Reich (1982), in MoMA's Donald B. and Catherine C. Marron Atrium. But with Work/Travail/Arbeid the artist imagines the choreography as an exhibition. ..."
MoMA (Video)

2009 July: Anne Teresa de Keersmaeker, 2012 December: Rosas Danst Rosas (1983), 2013 September: Re : Rosas!, 2014 March: Maison Martin Margiela with H&M (2012), 2016 October: Vortex Temporum, 2017 March: Counter Phrases (2000)

Revolutions of 1848

Barricade on the rue Soufflot, an 1848 painting by Horace Vernet. The Panthéon is shown in the background.
"The Revolutions of 1848, known in some countries as the Spring of Nations, People's Spring, Springtime of the Peoples, or the Year of Revolution, were a series of political upheavals throughout Europe in 1848. It remains the most widespread revolutionary wave in European history. The revolutions were essentially bourgeois revolutions and democratic and liberal in nature, with the aim of removing the old monarchical structures and creating independent nation-states. The revolutions spread across Europe after an initial revolution began in France in February. Over 50 countries were affected, but with no significant coordination or cooperation among their respective revolutionaries. Some of the major contributing factors were widespread dissatisfaction with political leadership, demands for more participation in government and democracy, demands for freedom of the press, other demands made by the working class, the upsurge of nationalism, and the regrouping of established government forces. The uprisings were led by ad hoc coalitions of reformers, the middle classes and workers, which did not hold together for long. ..."
Wikipedia
Guardian - 1848: Europe's year of revolution – from the archive
YouTube: What Were the Revolutions of 1830 and 1848?

2013 October: French Revolution of 1848

John Ashbery’s Reading Voice

John Ashbery at 92Y in 1970
"The Unterberg Poetry Center at the 92nd Street Y has a seventy-year archive of recordings—it began hosting readings in 1939 and recording them in 1949—and it offers a unique opportunity to study poets’ voices and reading styles. Between 1952 and 2014, John Ashbery made seventeen appearances on the stage of the Poetry Center. He read with other poets—Barbara Guest, Mark Ford, Jack Gilbert, John Hollander, J. D. McClatchy, W. S. Merwin, Kenneth Koch, Ron Padgett, and James Schuyler. He read with painters—Jane Freilicher and Larry Rivers. And he joined in readings honoring other poets—tributes to Frank O’Hara (1970), Elizabeth Bishop (1979) and Marianne Moore (1987). ... As a scholar and poet who uses software to analyze performance style in poetry recordings, I was thrilled when Bernard Schwartz, the Poetry Center’s director, invited me to study the archive. The Ashbery readings seemed, to me, like a perfect corpus to begin with. ..."
The Paris Review (Audio)
NYPL: Finding Ashbery

The New York Public Library Digital Collections. 1950s

A Collection of Vintage Fruit Crate Labels Offers a Voluptuous Vision of the Sunshine State

"Ah, Florida… The Sunshine State. Tourists began flocking to it in earnest once the railroads expanded in the late 19th century, drawn by visions of sunset beaches, graceful palms, and plump citrus fruit in a warm weather setting. The fantasy gathered steam in the 1920s when citrus growers began affixing colorful labels to the fruit crates that shipped out over those same railroad lines, seeking to distinguish themselves from the competition with memorable visuals. These labels offered lovers of grapefruit and oranges who were stuck in colder climes tantalizing glimpses of a dreamy land filled with Spanish Moss and graceful long-legged birds. Words like 'golden' and 'sunshine' sealed the deal. (The reality of citrus picking, then and now, is one of hard labor, usually performed by underpaid, unskilled migrants.) ..."
Open Culture

State Under Siege

"It is an article of faith among many strategists and activists within the Democratic Party that shifting demographics will be its salvation. The Republican electorate gets older and whiter with every election. Greatest Generation and boomer Fox News addicts can’t live forever, and Big Data shows that it’s merely a matter of time until the modal Republican voter is firmly in the minority.
 When I come across this talismanic bit of folk wisdom, I counter with an example that has little relevance to anyone under 40: apartheid-era South Africa. ... The South Africa case may seem extreme, akin to Trump-Hitler analogies. Yet both in spirit and in practice, the modern GOP is embracing a similar strategy of maintaining power in a nation where it has managed to win the popular vote in a presidential election exactly one time since 1992. ..."
New Republic (Audio)
Harvard Politics: The Future of Federalism
W - States' rights
W - John C. Calhoun
W - Steve Bannon

John C. Calhoun, circa 1801.

Sun Ra Arkestra Live In Kalisz, 1986

"Sun Ra Arkestra’s debut concert in Poland is getting its first vinyl offering, this October via Lanquidity Records. Taking place on the 7th of December in 1986 as part of the 13th instalment of the International Jazz Piano festival, the 10-track performance included ‘Prelude To A Kiss’, ‘Children Of The Sun’ and ‘Mack The Knife’. Alongside Sun Ra on piano and synthesizer, it featured an 11-member Arkestra, with Danny Ray Thompson on bassoon and sax, Laurdine Kenneth “Pat” Patrick on baritone saxophone, alto saxophone, and Fender bass, Marshall Belford Allen on alto sax, Tyler Mitchell on bass, Ronald Wilson on tenor sax, John Gilmore on tenor sax and clarinet, James Jacson on Bassoon and ancient Egyptian infinity drums, Leroy Taylor on alto sax, alto & bass clarinet, Tyrone Hill on trombone, Earl 'Buster' Smith on drums and Carl LeBlanc on guitar. ..."
Sun Ra’s 1986 Poland concert recording released for the first time (Audio)
bandcamp (Audio)
Sounds of the Universe (Audio)

Lenox Lounge

"Lenox Lounge was a long-standing bar in Harlem, New York City. It was located in 288 Lenox Avenue, between 124th and 125th. The bar was founded in 1939 by Ralph Greco and served as a venue for performances by many great jazz artists, including Billie Holiday, Miles Davis, and John Coltrane. Harlem Renaissance writers James Baldwin and Langston Hughes were both patrons, as was Malcolm X. The bar deteriorated through the middle of the 20th century. Alvin Reid, Sr. purchased it in 1988 and restored the original Art Deco interior from September 1999 to March 2000, during the only closure in the bar's history. ..."
Wikipedia
Dissent: Harlem Is Everywhere
LAST CALL: WHO’S TO BLAME FOR DESTRUCTION OF THE LENOX LOUNGE?
Voice: Remembering the Lenox Lounge
YouTube: Lenox Lounge Legacy

Circa 1956: Sarah Vaughan and friends at the piano in Lenox Lounge Zebra room.

2009 February: Harlem Renaissance, 2010 August: A Nightclub Map of Harlem, 2010 October: Apollo Theater, 2014 May: History of Harlem, 2014 November: A Harlem Throwback to the Era of Billie Holiday, 2015 February: A Nightclub Map of Harlem, 2017 June: During Prohibition, Harlem Night Clubs Kept the Party Going, 2018 March: Rent party, 2019 January: Apollo Theater Is Celebrated in a New Graphic Novel

Betye Saar The Legends of Black Girl’s Window

Black Girl's Window. 1969
"After nearly a decade of focused work in printmaking, artist Betye Saar created her autobiographical assemblage Black Girl’s Window in 1969. This exhibition explores the relation between her experimental print practice and the new artistic language debuted in that famous work, tracing themes of family, history, and mysticism, which have been at the core of Saar’s work from its earliest days. Celebrating the recent acquisition of 42 rare, early works on paper, this is the first dedicated examination of Saar’s work as printmaker."
MoMA (Video)
MoMA: 9 audios (Audio)
NY Times - Betye Saar at MoMA: Prelude to a Revolutionary Breakthrough

The Syria Withdrawal’s Other Victims

"In Deir Ezzor, the largest city in eastern Syria, on the banks of the Euphrates River, protesters last week chanted and raised signs calling for the downfall of Bashar al-Assad’s dictatorial regime. But they also raised U.S. and French flags, hoping the anti-ISIS coalition might keep its forces in the region. 'I remember when we were taught at a young age about the French colonialist occupier, when the [Syrian] regime pretended to be a champion of national sovereignty,' one of the protesters, a USAID-funded project manager, Abdul Rahman,* told me. 'And now we got to an unprecedented point, in which we ask an occupier to protect us, and we fail to obtain this [protection]. And protect us from whom? From the criminals of our own country.' ..."
New Republic

Junior Byles - Fade Away (1976)

"Kerrie Byles (born 17 July 1948 in Kingston, Jamaica), also known as 'Junior Byles', 'Chubby', or 'King Chubby', is a Jamaican reggae singer. ... Lee 'Scratch' Perry, then working as chief engineer at Joe Gibbs' studio, was scouting for talent for Gibbs' new Amalgamated label, and spotted the group while they were auditioning for the 1967 Festival Song Contest with 'The Time Has Come'. ... Perry signed the group to the label, but left Gibbs soon after. The Versatiles stayed with Gibbs for two years, before moving to work with Perry, and then to Duke Reid's Treasure Isle label, also recording for other producers such as Laurel Aitken.Regarded by some as his greatest work, 'Fade Away' was recorded in 1975 for producer Joseph Hoo Kim; It was a massive hit in Jamaica and was also a big success in the UK, and was covered five years later by Adrian Sherwood's New Age Steppers group. ..."
Wikipedia
Junior Byles - Fade Away
YouTube: Junior Byles & I Roy - Fade Away & Rootsman 12", Fade Away

2013 May: 129 Beat Street: Ja-Man Special 1975-1978

Strange Games & Funky Things Vol. 5 CD Mix - DJ Spinna

"... And this, released in 2010, is Strange Games and Funky Things, Vol. 5. Spinna, Adarkwah, and Jonathan Rau compiled this particular volume. Spinna supplies a 78-minute, 21-track mix, while 16 of the tracks are provided in unmixed form on a second disc. As is the case with the rest of the series, most of the material will not be familiar to those outside the small circle of expert crate-diggers and fiends of likeminded compilation series (Harmless' Life: Styles, for instance). The most popular of the lot here is likely the Soul Searchers' 'Ashley’s Roachclip,' if only through its break, heard in dozens of rap, R&B, and dance songs, from 'Paid in Full' to 'Girl You Know It’s True.' ..."
allmusic
Discogs (Video)
Mixcloud (Audio)
YouTube: Strange Games & Funky Things Vol.5 (Mixed By Dj Spinna)

Forget Lucian Freud's nudes – he was a magnificent painter of plants

Two Plants, 1977-80; Interior at Paddington, 1951.
"Lucian Freud once described one of his plant paintings as 'lots of little portraits of leaves'. Two Plants took him three years to complete and it apparently drove him 'around the bend'. As he recalled: 'I felt like I was composing an enormous symphony, and since I’m completely unmusical, the difficulties were many. And when I took one tiny leaf and changed it, it affected all other areas of it, and so on.' These thoughts, and a few more about how he hoped the painting would convey a 'really biological feeling of things growing and fading', are pretty much all Freud said about the plants in his work. The endless fascination of critics with his fleshy, abrasive-looking models kept the spotlight away from his botanical subjects. ..."
Guardian
W - Lucian Freud

Two Plants, 1977-80

Victory - Joseph Conrad (1915)

"Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved 'popular success.^' The New York Times, however, called it 'an uneven book' and 'more open to criticism than most of Mr. Conrad's best work.' The novel's 'most striking formal characteristic is its shifting narrative and temporal perspective^' with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section has an omniscient narrator. ... Axel Heyst, the novel's protagonist, was raised by his widowed father, a Swedish philosopher, in London, England, and never knew his mother. ... This eventually leads him to the Southeastern Asia, especially to what is now Indonesia, including Surabaya a port in the then Dutch colony of Java."
Wikipedia
Washington Post: Joseph Conrad's Dark 'Victory'
Guardian: Who is Joseph Conrad's winner in Victory?
Gutenberg: VICTORY: AN ISLAND TALE By Joseph Conrad
amazon

2011 November: Heart of Darkness, 2014 May: Nostromo (1904), 2015 December: Heart of Darkness by Joseph Conrad – a trip into inner space, 2016 July: Lord Jim (1899-1900)

Feminize Your Canon: Iris Origo

"Iris Origo might be the most self-effacing writer ever to gain renown as a diarist. Her reputation rests on her unique perceptions of others. As an aristocratic landowner in mid-twentieth-century Italy, she bore witness to all strata of Italian society during the long rise and precipitous fall of fascism. The external circumstances of her life were unquestionably extraordinary. She participated in the final glittering years of prewar Europe’s cosmopolitan society; transformed a region of Italian countryside into a home still visited today for its beauty; and housed, during World War II, escaped prisoners and fleeing refugees. Her writing about this time evinced truths rarely seen in the narratives of historical texts, and did so through illustrative anecdotes that captured the people of the period and what they were feeling. In her diary of the years leading up to the war, A Chill in the Air, there is, for instance, an ever-increasing sense of being shut off from the rest of the world. Letters from England arrive a month late. ..."
The Paris Review
W - Iris Origo
La Foce
JSTOR: Iris Origo’s Italian War Diary
amazon: Iris Origo

Salvador Dalí’s Tarot Cards Get Re-Issued: The Occult Meets Surrealism in a Classic Tarot Card Deck

"Tarot began as a card game and became a tool of occult divination. In that form, with its usually elaborate illustrations, the tarot deck found a major cultural role as an art object: here on Open Culture we've featured decks either designed or inspired by the likes of Aleister Crowley, H.R. Giger, Philip K. Dick, and Salvador Dalí. That last, whose limited edition was published in 1984, has proven to be enough of an object of desire to gain the attention of Taschen, the publisher of visually (and often, in terms of dimensions and weight, physically) intensive photo and art books. Next month they're bringing out a new edition of Dalí's tarot deck, boxed with a companion book by tarot scholar Johannes Fiebig. ..."
Open Culture

Call for cultural and academic boycott of Turkey

"We call on academics, artists and intellectuals around the world to oppose the Turkish invasion of northeastern Syria by boycotting Turkish government sponsored academic, artistic and musical events taking place inside and outside of Turkey. The Turkish state’s invasion of northeastern Syria has brought a dangerous state of war to the only relatively stable region in the country, threatening the lives of thousands with indiscriminate shelling, mass displacement and continuous bombardment. The Turkish attack threatens to do enormous, perhaps irreversible, damage to international standards of law, human rights and human freedom. It also threatens to destroy a unique experiment in feminist social transformation. ..."
ROAR
Noam Chomsky signs call to boycott Turkey and prevent the ethnic cleansing of Kurdish people (Audio)

2016 February: The Feminist, Democratic Leftists Our Military Is Obliterating -  Debbie Bookchin, 2016 May: Turkey’s Authoritarian Turn, 2016 July: How Turkey Came to This, 2017 March: As repression deepens, Turkish artists and intellectuals fear the worst, 2017 July: A Long March for Justice in Turkey, 2017 July: Radical Municipalism: The Future We Deserve, 2017 September: Istanbul: Memories and the City - Orhan Pamuk, 2018 January: Turkey’s State of Emergency, 2018 April: The Unlikely New Hero of Turkeys, 2018 June: How My Father’s Ideas Helped the Kurds Create a New Democracy, 2018 June: How Nietzsche Explains Turkey, 2018 August: The West Hoped for Democracy in Turkey. Erdogan Had Other Ideas.

Pop Ambient from Aldo

"Simple music made with simple tools. The idea might seem obvious, but on YouTube — where many musicians, experienced and new, known and not, share works-in-progress in the form of demos and tutorials — simplicity often isn’t the order of the day. Comprehensiveness is. Here, refreshingly, a single sound source and a single tool for looping combine to let Aldo, a French musician living in London, accumulate and manipulate material. ... This is the latest video I’ve added to my YouTube playlist of recommended live performances of ambient music. Video originally posted at Aldo’s YouTube channel. More from Aldo at instagram.com/aldo.is.taken."
disquiet (Video)

Jon Hassell ‎– Aka / Darbari / Java - Magic Realism (1983)

"The beautiful cover painting by Mati Klarwein serves as an appropriate visual analogy for the music contained herein: an abutting of two worlds, an insinuating blend of early-'80s high tech with ancient Southeast Asia. Over varying, non-specific rhythms supplied by Abdou Mboup, Jon Hassell weaves a music both evocative and plaintive, his modified trumpet sighing like an old Javanese horn pulled into the digital age on its way to what he calls a 'coffee-colored' future where all ethnic traditions become one. The astonishingly vocal sound he gets from that treated trumpet is certainly one of the signatures of this album and one of the more lovely sounds heard anywhere. His compositions have a bit too much direction and drive to comfortably settle into the term ambient, but they remain as relaxed and gently meandering as a jungle stream. One especially nice feature is the subtle electronic burblings that whisper in the background, creating an enticingly busy sense of space. Aka/Darbari/Java is an early high-water mark at the juncture between world and ambient musics."
allmusic (Audio)
Discogs (Video)
YouTube: Empire ii, Empire iii, "Darbari Extension" 1.1, Empire V

Orpheus - Jean Cocteau (1950)

"Orpheus (French: Orphée; also the title used in the UK) is a 1950 French film directed by Jean Cocteau and starring Jean Marais. ... Set in contemporary Paris, the story of the film is a variation of the classic Greek myth of Orpheus. The picture begins with Orpheus (Marais), a famous poet, visiting the Café des Poètes. At the same time, a Princess (Casares) and Cégeste (Édouard Dermit [fr]), a handsome young poet whom she supports, arrive. The drunken Cégeste starts a brawl. When the police arrive and attempt to take Cégeste into custody, he breaks free and flees, only to be run down by two motorcycle riders. ... Instead, they drive to a chateau (the landscape through the car windows is presented in negative) accompanied by the two motorcycle riders as abstract poetry plays on the radio. This takes the form of seemingly meaningless messages, like those broadcast to the French Resistance from London during the Occupation. ..."
Wikipedia
Criterion - Orpheus: Through a Glass, Amorously
Roger Ebert
amazon
YouTube: Mark Kermode reviews Orphée (1950) | BFI Player, Orphée Bande-annonce HD

2009 March: Jean Cocteau, 2016 February: In Which Jean Cocteau Gives Elan To This Milieu

How Gordon Matta-Clark took a chainsaw to 70s New York

Hole in the wall gang … work on Gordon Matta-Clark’s Conical Intersect, 1975.
"Bare-chested and swinging high on a suspended platform in the vast interior space of a derelict steel-trussed warehouse on a New York pier, Gordon Matta-Clark, acetylene torch in hand, cut into the walls, the floors and the roof, letting the light in. Along with the sparks raining from his torch, the light cascaded from the sky through the building’s empty void to the water beneath. Arcs of light moved with the sun’s passage through the day. The camera filming all this is alternately dazzled and consumed by mysterious gloom. Hidden then exposed, Matta-Clark is glimpsed hard at work, oblivious to the height and the danger, swaying on his little platform. ..."
Guardian
Museo Nacional Centro de Arte - Reina Sofía: Day's End

New build … the latest Garbage Wall, at the London exhibition.

2011 October: Gordon Matta-Clark, 2018 January: Towards Anarchitecture: Gordon Matta-Clark and Le Corbusier, 2019 October: The Life and Times of Alvin Baltrop