Joralemon Street Tunnel

 
1913 postcard illustrating the tunnel and City Hall station

“The Joralemon Street Tunnel, originally the Brooklyn–Battery Tunnel, is a pair of tubes carrying the IRT Lexington Avenue Line (4 and ​5 trains) of the New York City Subway under the East River between Bowling Green Park in Manhattan and Brooklyn Heights in Brooklyn, New York City. The Joralemon Street Tunnel served as an extension of the Interborough Rapid Transit Company (IRT)'s first subway line from the Bowling Green station in Manhattan to the IRT Eastern Parkway Line in Brooklyn. The tubes were constructed using the shield method and are each 6,550 feet (2,000 m) long and 15.5 feet (4.7 m) wide. The tubes are lined with cast-iron ‘rings’ formed with concrete. Their maximum depth is 91 to 95 feet (28 to 29 m) below the mean high water level of the East River, with a maximum gradient of 3.1 percent. The construction of the tunnel also saw the conversion of 58 Joralemon Street, in Brooklyn, into a ventilation building and emergency exit. The Joralemon Street Tunnel was the first underwater subway tunnel connecting Manhattan and Brooklyn. ...”

Janek Schaefer - The haunting beauty of plunderphonics, field recordings and sonic art Image

 
“Back in the early nineties, while I was studying architecture in Manchester and well before I discovered my interest in sound, I learned about the importance of context in creative process and production. I was drawn to artists like Gordon Matta-Clark, Rachael Whiteread, James Turrell and Andy Goldsworthy who worked with the materials around them in-situ. I also taught myself how to develop and print photographs with my inherited Nikon F1, capturing the light/image of a situation in a fraction of a second, and using the camera as a tool for adventure to explore my environment, to bump into chance observations. ...”

A Quiet Life of Loud Home Runs: Hank Aaron in Photographs Image

 
After a short stint in the Negro leagues and two seasons in the minors, Aaron reached the majors as a 20-year-old outfielder for the Milwaukee Braves in 1954. He did not make the All-Star Game that season, but he did in every other year from 1955 to 1975.

“Hank Aaron wasn’t as loud as some other stars, on or off the field. He was a steady presence, a fixture in right field, a mainstay at the All-Star Game and a terror at the plate. His path was often difficult, and his name is sometimes overlooked when rattling off the greatest to ever play the game. But make no mistake: To his peers — or the closest thing baseball could offer in terms of peers — Aaron was nothing short of a god among men. There were many special seasons in Aaron’s career, but nothing could quite match 1957, when he blossomed into one of the game’s best players and led the Milwaukee Braves to a World Series title — the franchise’s first championship since 1914 and the only one while the team was based in Milwaukee. Aaron received the Most Valuable Player Award after the season. ...”

Celestial Love - Sun Ra

“Originally released in 1984, Celestial Love was recorded at Variety Studios in New York City in September of 1982, and was Sun Ra's last studio album to be released by El Saturn Records. Much of the album's content also appeared on the full-length Nuclear War record which was issued in Europe by post-punk label Y Records in 1984. Far from the brash, apocalyptic radicalism of the single "Nuclear War," this set is closer to the more straightforward end of the Arkestra canon. As with much of Ra's later, Philadelphia-period work, this release incorporates earlier jazz and swing tunes as well as his own compositions, linking jazz's past with its present and future. Duke Ellington is paid tribute in the form of two tracks, ‘Sophisticated Lady’ (which starts out slow and blue, then emerges swinging at full power) and a truly cheerful ‘Drop Me Off in Harlem.’ Both of the numbers sung by June Tyson are, of course, absolutely delightful. ...”

Here to Learn: Remembering Paul Bowles

Paul Bowles outside of Tangier

“In the spring of 1982 I was working as a deck machinist on a cable-laying ship based out of Norfolk, Virginia. In a copy of the Village Voice that I’d picked up while on shore leave, I saw an advertisement for a writing workshop with Paul Bowles in Tangier, Morocco, scheduled for that summer. I immediately sent away for an application form, and when it arrived, I carefully filled it out and put it in an envelope along with a couple of short stories, the quality of which, according to the enclosed information brochure, would be the determining factor in my being accepted. I gave the envelope to the purser and it went off with the next batch of ship’s mail. My hopes of being accepted were not high. ...”

Empty Mirror

                                              Bowles’ study in the the Immeuble Itesa.

2007 November: The Authorized Paul Bowles Web Site, 2010 February: Paul Bowles (1910-1999), 2011: January: Halfmoon (1996), 2013 July: Tellus #23 - The Voices of Paul Bowles, 2014 January: Let It Come Down: the Life of Paul Bowles (1998), 2014 March: The Sheltering Sky (1949), 2015 January: Things Gone & Things Still Here, 2015 October: The Sheltering Sky by Paul Bowles – a cautionary tale for tourists, 2015 November: The Rolling Stone Interview (May 23, 1974), 2016 June: Let It Come Down (1952), 2016 December:  Paul Bowles & the Music of Morocco, 2017 July: Night Waltz: The Music of Paul Bowles, 2018 July: The Sheltering Sound, 2019 September: Jane Bowles, 2019 December: So Why Did I Defend Paul Bowles?, 2020 June: A Distant Episode (1947), 2020 September: Paul Bowles in Exile - Jay McInerney

 

Watching Paris, Texas—in Texas

 
“If you are looking to take a road trip to the shooting locations of Paris, Texas, you will be making pitstops at a lot of Texas towns like Galveston and El Paso, but not the actual city of Paris, Texas itself. Although named after the tiny Texan city, the true location of Paris is actually a quaint little town on Highway-82, 90 miles northeast of Dallas and has a 45-foot replica of the Eiffel Tower paying homage to its French counterpart. However, the now-iconic feature film never actually shows its namesake or shoots in it. German director and film pioneer Wim Wenders’ avant-garde art house western swept the jury at the Cannes Film Festival in 1984 with its visual enticement, subtle poetic emotional unveiling and existential solitude. The screenplay by Pulitzer Prize-winner Sam Shepard opens with Travis, a character famously played by the great Harry Dean Stanton, stumbling into the desert with no preamble and soon embarks on a road trip across the desolate albeit hauntingly picturesque landscape of west Texas. ...”

2010 April: New German Cinema, 2010 November: The American Friend (1977), 2012 March: Paris, Texas (1984), 2015 October: Places, Strange and Quiet

The Home Diaries - Whitelabrecs (2020)

 
“Home Diaries is an invitation to artists and musicians to create an album or EP to document their personal experience during the lockdown or social distancing conditions that are upon us, due to the coronavirus outbreak. The series reflects a range of sounds, styles and ideas, as each artist portrays their own reflections uniquely. Each release is digital only for now, as we hope to raise what we can to help keep our label ticking over at this time. The releases feature a recurring polaroid image of a small lonely house, with a coloured filter chosen by the artist for each respective release. We also interview each artist and this is included as a bonus PDF with the download. You can also check out the Home Diaries series direct from the artist themselves in most cases or on Spotify if you prefer. Hit play on the mini album players below to check out the series. ...”

Newcastle United's old St James' Park and a striking vision of bygone football

 
St James' Park, Newcastle, 1930, by Byron Dawson 

“This wonderful depiction shows St James’ Park as it was nine decades ago. It’s a far cry from the towering concrete, steel and glass structure that occupies the same site and dominates the Newcastle skyline today. It was painted in 1930 by the artist Byron Dawson. The fans, seemingly all male, are smartly dressed in coats and hats. There isn’t a black and replica shirt in sight!On the left of our painting is the old West Stand. Built in 1906, in the midst of United’s Edwardian golden era, the stand was St James’ main seating area for decades, as well as home to the players’ dressing rooms, the boardroom and press area. ...”

 
 

Draw Your Lockdown Life with Teresa Wong

“Discover how drawing mundane objects can be a way in to seeing the beauty and meaning all around us with Teresa Wong. You can pick up a copy of Teresa’s book Dear Scarlet from our friends at Bookshop, where proceeds will help benefit The Believer and independent bookstores.Watch the video of the livestream below, and follow these steps to create your own list-style comic of mundane objects. ...”

How to Make a Tape Loop in 9 Steps

 
“There’s something special about the sound of a cassette, they produce this amazing warmth and warble as they pass the electromagnetic reader heads that amplify the electric signal. Tapes can be used for much more than listening back to music in an old boombox or car stereo.In fact, the cassette has been used to record and create music for quite a long time. One of the most interesting uses of the cassette tape is the tape loop. It’s a creative way to generate infinite, sprawling sounds that are completely analog and require no digital technology. Let’s take a look at how tape loops work, how to make one of your own, and how to use them in your own music. ...”

How ‘Once Upon a Time in America’ Became Sergio Leone’s Butchered Swan Song

 
“... The great Italian director Sergio Leone established himself as the inventor of the spaghetti Western genre in the mid-1960s thanks to his Dollars trilogy (A Fistful of Dollars, For A Few Dollars More and The Good, the Bad and the Ugly) starring the legendary Clint Eastwood. His three following and equally adored films would become known as the Once Upon a Time trilogy and would end up spanning three decades—the first installment, called Once Upon a Time in the West, was released in 1968, the second one Duck, You Sucker! came out three years later in 1971, and the last one titled Once Upon a Time in America took him over a decade to make. ...”

The Complete List of Trump’s Twitter Insults (2015-2021)

 
“As a political figure, Donald J. Trump used Twitter to praise, to cajole, to entertain, to lobby, to establish his version of events — and, perhaps most notably, to amplify his scorn. This list documents the verbal attacks Mr. Trump posted on Twitter, from when he declared his candidacy in June 2015 to Jan. 8, when Twitter permanently barred him. More recent insults are highlighted. ...”

Frantz Fanon: Black Skin, White Mask - Isaac Julien (1995)

 
“Isaac Julien and Mark Nash’s Frantz Fanon: Black Skin, White Mask (1996) is a film portrait of the revolutionary, writer and psychiatrist, whose classic publications The Wretched of the Earth (1961) and Black Skin White Mask (1952) remain the bibles of decolonisation. One of the leading black intellectuals of the twentieth century, Frantz Fanon (1925-1961) trained in psychiatry in France. He explored the ‘black is beautiful’ Negritude movement and entered into a dialogue with Jean-Paul Sartre about the experience of being black. He wrote his first major work, Black Skin White Masks as his graduate psychiatry thesis, focusing on the psychological interdependence of the colonised and colonisers, with particular reference to the French colonies. ...”

Carlos Pinto and John Sear Fashion Elegant Mosaic Mural of Endangered Swan for “The Audubon Mural Project” in Uptown Manhattan

 
“163rd Street off Broadway was the place to be last week. Multidisciplinary artists Carlos Pinto and John Sear brought their wondrous skills to The Audubon Mural Project, adding two elegant trumpeter swans to the approximately 100 uptown murals featuring endangered birds. The Audubon Project’s first mosaic mural fashioned entirely with recycled objects — from shards of glass to shattered plates  — garnered a huge welcome from the neighborhood, with volunteers eager to assist in the process. Featured above is the completed mural that was captured this past Monday. The images that follow were taken last week as the mural was still in progress: Carlos Pinto at work ...”

The Journey of the Antihero Image

 
David Goodis at Warner Bros. One of the bleakest of all the noir authors, he set his 1946 novel, Dark Passage, in San Francisco.

“What is noir? It’s one of those catch-all concepts, an I-know-it-when-I-see-it designation, as elusive as a Santa Ana wind. It’s an American genre with a French name, a literary style perhaps best understood through the lens of film: atmospheric black and white. As a category, noir dates back to the 1920s and the writers who contributed to the pulp magazine Black Mask. These included Raymond Chandler, who published his first story there in 1933, as well as Erle Stanley Gardner, Raoul Whitfield, Dashiell Hammett—who introduced the Continental Op, an archetypal detective who never reveals his name, in October 1923—and the now largely forgotten Paul Cain, whose brutal, jazzy 1933 novel, Fast One, reconfigured Southern California crime fiction with a bang. ...”

Speaking Up for the Armchair Fan

 
Critics of television’s influence on soccer ignore that it’s still the way most fans experience the game.

“Television is not a dirty word. It is not the sort of word that should be spat out in anger or growled with resentment or grumbled through gritted teeth. It is not a loaded word, or one laced with scorn and opprobrium and bile. It is not a word that has a tone. Not in most contexts, anyway.In soccer, television is treated as the dirtiest word you can imagine. It is an object of disdain and frustration and, sometimes, hatred. Managers, and occasionally players, rail against its power to dictate when games are played and how often. They resent its scrutiny and its bombast. Television is never cited as the root of anything pleasant. Television is the cause of nothing but problems. There is no need to linger for long on the irony and the hypocrisy here. Television, of course, is also what pays their wages. ...”

The violin over the door of a Turtle Bay mansion Image

 
“Old New York City houses hold the most interesting clues—like this bas relief of an angel and horns. It sits over the doorway of 225-227 East 49th Street in Turtle Bay, a mostly brownstone block with the exception of this unusual Tudor-style building. Now a carved up rental, it was once a single-family mansion…and the hint about its most famous occupant is inside this bas relief.See the violin and musical notes? This is the former home of Efrem Zimbalist, the Russian-born violinist whose career spanned much of the 20th century. (If you aren’t familiar with him, you might have heard of his actor son, Efrem Zimbalist, Jr., or his actress granddaughter, Stephanie Zimbalist.) ...”

The Yale Anthology of Twentieth-Century French Poetry

 
“... Mary Ann Caws preempts any complaints regarding selection of poets and poems in her editor’s note: ‘Compiling a major volume such as this one is, of necessity, a highly subjective process. In considering the many poets writing in French in the twentieth century and just after, I have given less attention to the number of poems and pages per poet than to the more important goal of including as many poets from as many countries as a single volume permits. My aim has been to create a truly international anthology, one that represents the diversity and changing nature of French poetics during the century just past, giving sufficient space to the voices of the living, while not letting them overwhelm those of the past. Every effort has been made to include poets that seem to have been most crucial to their own time as well as those from the present that demand to be read.’ ...”

Duke Ellington - Liberian Suite (1947)

 
“By 1947, when Duke Ellington jumped to Columbia after a brief stay at Musicraft (following six years at RCA Victor), he had one of the best bands anyone ever led, in any category of music. The tragedy was that Columbia squandered its opportunity to use them. The group spent almost a full year cutting short-form single tracks, and didn't get around to doing any of the more challenging music that Ellington was writing until the December 24, 1947 session that yielded Liberian Suite, after which it got caught in the Musician's Union recording ban and wasn't in the studio again until 1949. Liberian Suite brought Ellington to a new level of recognition. He'd begun writing multi-section suites in the early '40s, but Liberian Suite was his first international commission, from the government of the African nation, to celebrate the 100th anniversary of its founding by freed American slaves; it was the first formal manifestation of a process by which Ellington would be a virtual musical ambassador to the world by the end of the next decade. As to the music, it is not Ellington's most sophisticated, but it is filled with bracing rhythms, juicy parts for the horns and saxes, and one stunning vocal part. ...”

The Socialism of James Joyce

 
Ulysses is a book in which everything happens and nothing happens. The story of a day in the life of a city — the Hibernian metropolis, as James Joyce saw Dublin — is a journey in a rambling flow of consciousness, where the very serious political issues of the day (the book is set on June 16, 1904) wrestle for space with the mundanities and excitement of the lives of his characters. Speaking of his appreciation for the book, Jeremy Corbyn noted how ‘Joyce references and richly describes what’s happening in the street. So somebody is holding forth about a big political issue and then the refuse cart goes by.’ Edna O’Brien, one of Joyce’s finest biographers, has rightly maintained that ‘no other writer so effulgently and so ravenously recreated a city.’ ...”

 
A section of an 1883 Letts, Son, and Company map of Dublin showing the eastern end of Liffey between the Custom House and the river’s mouth. Along the north bank are the main docks and port industrial complexes. Port and Docks - Mapping Dubliners

Venice: Palazzo Grimani - Canaletto

 
“This work is almost a portrait of a building: the imposing facade of the Palazzo Grimani fills nearly the entire composition. Boatmen emerge from the left and right just in front of us, adding a sense of movement, while figures composed of dots and daubs of paint stand on the palace’s steps. Palazzo Grimani, built between 1556 and 1575 for Gerolamo Grimani, Procurator of San Marco, was one of the outstanding buildings of Renaissance Venice. It was admired during the eighteenth century and included in Antonio Visentini’s Admiranda Urbis Venetae, a series of architectural drawings of Venetian palaces. ...”
 
National Gallery

Decoding the Far-Right Symbols at the Capitol Riot

 
“Militiamen showed up proudly bearing the emblems of their groups — American flags with the stars replaced by the Roman numeral III, patches that read ‘Oath Keepers.’ Alt-right types wore Pepe the Frog masks, and QAnon adherents could be seen in T-shirts urging people to ‘Trust the Plan.’ White supremacists brought their variant of the Crusader cross.And then there were thousands of Trump supporters with MAGA gear — flags, hats, T-shirts, thermoses, socks. One flag portrayed President Trump as Rambo; another featured him riding a Tyrannosaurus rex and carrying the kind of rocket-propelled grenade launcher seen on the streets of Mogadishu or Kandahar. The iconography of the American far right was on display on Jan 6. during the violence at the Capitol. ...”
Pepe the Frog