“Back in the early nineties, while I was studying architecture in Manchester and well before I discovered my interest in sound, I learned about the importance of context in creative process and production. I was drawn to artists like Gordon Matta-Clark, Rachael Whiteread, James Turrell and Andy Goldsworthy who worked with the materials around them in-situ. I also taught myself how to develop and print photographs with my inherited Nikon F1, capturing the light/image of a situation in a fraction of a second, and using the camera as a tool for adventure to explore my environment, to bump into chance observations. ...”
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