‘Goodfellas’ at 30: Martin Scorsese’s Anthropological Goodlife Through a Lens

“As far back as I can remember, director Martin Scorsese has been synonymous with wiseguys, mooks, goombahs, and spin-on-a-dime funny-how guys delivering a gut punch to the senses, all choreographed to a wowser wall of sound. Young pretenders like Quentin Tarantino and Edgar Wright certainly learnt how to make up a killer score not, conversely, on the streets, but at the church of St Martin. The rest is bullshit (but that’s another film). We’re here to talk about Goodfellas (1990), surely his most guilty thrill ride until The Wolf of Wall Street (2013), the white-collar larcenous flip side to the saga of Henry Hill, an initial outsider like the young, asthmatic Scorsese in Little Italy, who finds an in to the neighbourhood mobster way of life. Scorsese indulges in the seductive surface appeal of these dodgy foot soldiers, gradually peeling away the layers like finely chopped garlic to reveal the lousy, grifting, desperate and moral hollow at the centre. ...”2009 August: Marty Scorsese, 2015 March: Mean Streets (1973), 2015 April:  The Departed (2006), 2018 August: Taxi Driver - Martin Scorsese (1976), 2020 June: The Age of Innocence (1993), 2020 December: The Irishman (2019)

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