The Telescopic Aulos of Atlas - Lukas De Clerck


"... Lukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times—navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the instrument. Lukas de Clerck has interpreted information from the rare archaeological resources and visual art of the classical period to recreate both playing technique and possible sound timbres with the instrument. With his contemporary approach to drone, post-minimalist music, and contemporary folk, we find a deeply satisfying and compelling, even playful set of songs, timbral exercises and compositions. ..."





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Literary World: New York publishing in the late-aughts


"... Late at night, staring out at the rooftop skyline of the magazine offices at 666 Broadway—Lewis Lapham's magazine— I felt like I could catch a glimmer of the romantic previous world, the world of cluttered bookshelves and small offices and sincere, tweedy editor-intellectuals—Malcolm Cowley's world, Horace Greeley's world. It was in the process of disappearing as I arrived, but a little bit of it was still there. What did I want exactly? To become a real writer, a real literary person. I wanted to get out of the inbred, low-expectations punk-zine world and transition into the high-stakes, high-expectations world of capital-M Magazines and real books. I made literary zines, zines that people liked—strangers wrote me endless handwritten letters, spilling their guts. But it wasn't enough. I wanted more. ..."

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The filmmakers Steve Buscemi considers his favourite to work with


"Perhaps it’s the physical specificity of Steve Buscemi that has led him to acquiring such unique roles in the world of cinema and television. However, despite the striking look of the New York City-born actor, he certainly wouldn’t have achieved his undoubted success were it not for his actual prowess and talent as a performer. A handful of early roles in Parting Glances and Mystery Train well Buscemi well on his way, but it was his effort in Quentin Tarantino’s Reservoir Dogs that announced him as a serious talent. Before long, Buscemi was highly sought after and began delivering some of the most memorable character turns in contemporary cinema. ..."

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How the Weimar Republic’s Hyperinflation Transformed Gender Relations in Germany

Otto Dix, Metropolis (1928). 

"One of the social dividends of post-war inflation in Weimar Germany was greater independence for women. It’s no coincidence that the locus for this was on the dance floor. The dance-hall clientele now included a type of customer who had never been seen before: unaccompanied women. Most of these were young shorthand typists and secretaries who visited the clubs alone or with girlfriends. To the puzzled observer from more conservative circles, or indeed from the provinces, this type of behavior was unheard of, and seemed dangerously close to prostitution. Many girls came from the provinces to Berlin, eager to breathe the balmy air of freedom. ..."




Georg Scholz, War Veterans' Association (1922)
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A House That Memorializes a Vanished New York

A Lawrence Weiner text painting across the facade of what was once the Fluxus artist Geoffrey Hendricks’s Manhattan townhouse. 
 
"In October 1976, the artists Geoffrey Hendricks and Brian Buczak met at a SoHo loft party. Hendricks, then 45, was associated with the Fluxus movement, a loose affiliation of 1960s conceptual artists, including Joseph Beuys, John Cage and Yoko Ono, who rejected traditional practices like abstract painting in favor of elaborate performances. Five years earlier, he’d co-starred in a notable one: In the summer of 1971, Hendricks and his wife of 10 years, the artist Nye Ffarrabas (then Bici Forbes), who were both gay, staged a piece called 'Flux Divorce,' which involved taking a chain saw to their marriage bed and dividing the entryway to their home with barbed wire. ..." 

NY Times

Phillip Ward, the executor of the actor and writer Quentin Crisp’s estate, now resides in what was once Hendricks’s children’s room.
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BSA Images Of The Week: 09.01.24

Joe Iurato and Logan Hicks. Detail. Wooden Walls Project. Asbury Park, NJ.

"In the past two decades, Asbury Park, New Jersey, has undergone a dramatic transformation, evolving from a struggling, economically challenged city into a pleasantly eclectic one. This shift, driven by gentrification, has attracted a wealthier demographic, including professionals and artists from nearby New York City, drawn by affordable housing, a revitalized waterfront, and the promise of a burgeoning cultural scene. For many, it has become a trendy, artistic destination. The Wooden Walls Project, launched in 2015, has been central to its evolution, thanks to Jenn Hampton and Porkchop of Parlor Gallery. A slew of artists—officially and unofficially curated— have regaled Asbury Park with many large-scale murals and street art installations. ..."
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Solastalgia - Altus (2024)


"Glenn Albrecht, an Australian philosopher, coined the term 'solastalgia,' which he defines as 'the homesickness we feel while still at home.' It is best described as the lived experience of negatively perceived environmental change—the agony and desire we experience when we realize the world around us is changing. Solastalgia ventures deep within Altus' emotive, cinematic work intermixed with ambient and modern classical motifs, akin to City of Ashes (2009) and Hidden Realms and Vacant Spaces (2022). ..."


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Intifada: On Being an Arabic Literature Professor in a Time of Genocide


"This is a line of poetry by the Arab poet al-Harith ibn Hilliza, composed more than 1400 years ago. This is the tradition to which Palestine and Palestinian literature belong. Life, never easy for the noble and the just, is not worth living without dignity, he tells us. The line has been ringing in my ears for the past ten months. How difficult and treacherous our paths are, always, within this country and its institutions. We who strive to study Arabic literature with integrity. We who refuse to distort ourselves into the roles assigned to us by the racist tokenizing system of American academia. We who are perpetual guests in our fields of expertise, native informants, colorful faces to revamp the image of the colonial enterprise. We, the ceaselessly other, the continuously suspect. ..."





The First Intifada in the Gaza Strip, 1987. 
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A Scientist’s Quest to Decode Vermeer’s True Colours


"When Frederik Vanmeert stands in front of a Johannes Vermeer painting, the temptation to go close is irresistible. In Amsterdam’s Rijksmuseum, where he works as a heritage scientist, it’s not hard to satisfy this craving for intimacy; patrons are free to get personal with the art. Viewers of Rembrandt’s The Night Watch can approach within a metre of the canvas, while the museum’s four Vermeers, hanging nearby, offer an even more intimate experience. Viewers may, if the moment moves them, lean in within centimetres, though the security guard posted nearby will likely wag a disapproving finger. Still, even millimetres are an interminable chasm for Vanmeert. He’s seen Vermeer’s work in finer detail than most—at the microscopic level, down to the crystal latticework of the pigments that structure the language of the seventeenth-century Dutch painter’s artistic vision. ..."
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Lêkê


"Lêkê are a type of plastic sandals popular in Ivory Coast, including as footwear for amateur soccer games. Lêkê are considered the national shoes of Ivory Coast, worn by people of all ages, including school children and adults. Amateur soccer players wear lêkê for their practicality on sandy pitches and dusty surfaces, citing their lightness, better fit, and comfort. The popularity of lêkê in Ivory Coast extends beyond sports, being worn at parties and other social events. While luxury brands like Gucci and Prada have created their own versions of jelly shoes, lêkê remain popular in Ivory Coast for both stylistic and practical reasons. ... In Ivory Coast, lêkê are not only worn for soccer but also represent a cultural symbol, with specific colors associated with national pride. Sales of Ivorian flag-colored lêkê sandals increased during the Africa Cup of Nations, but they saw a decline after the national team faced losses. 




Young players wearing lêkê in Abidjan, where worn soles and scars from the sandals’ metallic clasps are a point of pride.
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120 Years of New York’s Subterranean Literary Muse

"Within a day of its opening on Oct. 27, 1904, the New York City subway was already inspiring lyricism: The Times marveled at its 'olive-green woodwork, the unfamiliar air, the darkness alongside, and the sudden shooting into beautiful white stations like nothing that the elevated ever had.' That’s just one day. Give novelists 120 years of packed daily commutes, late night rides home from bars and restaurants, early morning trips to the beach, and now the subway isn’t just buried in the bedrock of Manhattan, it’s burrowed deep within New York novels of the last twelve decades, a source of wonder, despair, quotidian boredom. Join us as we ride alongside fictional characters plucked from the works of Edith Wharton, Ralph Ellison, Sylvia Plath, Lee Child, James Baldwin and so many more. ..."


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How George Orwell Paved Noam Chomsky’s Path to Anarchism


"Unlike the many members of the left who captivated him as a young man — such as Dwight Macdonald, George Orwell, and Bertrand Russell — Noam Chomsky himself did not come to left-libertarian or anarchist thinking as a result of his disillusionment with liberal thought. He quite literally started there. At a tender age, he had begun his search for information on contemporary left-libertarian movements, and did not abandon it. Among those figures he was drawn to, George Orwell is especially fascinating, both because of the impact that he had on a broad spectrum of society and the numerous contacts and acquaintances he had in the libertarian left. Chomsky refers to Orwell frequently in his political writings, and when one reads Orwell’s works, the reasons for his attraction to someone interested in the Spanish Civil War from an anarchist perspective become clear. ..."


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In Quebec’s Casse-Croûtes, Fast Food for a Short but Sweet Summer

The daytime line outside La Mollière.

"When newcomers to Canada, the Italian couple had discovered along Quebec’s country roads the joys of the casse-croûtes, the food shacks that lie dormant in the frozen landscape during winter and then burst to life during the all-too-short warm months. And so on a recent afternoon, the couple, Marta Grasso and Andrea La Monaca, sat side by side at a picnic table at one of these shacks, La Mollière, a lobster roll before him and a shrimp roll for her. A large blue sky spread out behind the casse-croûte, built on a promontory over the Gulf of St. Lawrence. ... La Mollière stirs back to life in May. The owners spend the next five months in a trailer behind the casse-croûte, no days off. ..."


A "guédille," or lobster roll, from La Mollière.
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Field Days (The Amanda Loops) - Fred Frith


"14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater.These are loop-based, textural, mood pieces, and invocations of spaces and landscapes, with some fine steel guitar playing. Mostly this is Fred multi-instrumenting, with pianist Daan Vanderwalle, percussionist Willie Wynant, the Arte Sax quartet and Lotte Anker, the Arditti Quartet, Kiku Day, occasional shakuhachi, and violinist/nykelharpist Karla Kihlstedt. Hit from the show: Desert Sundown. ..."


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Urban Narratives: Sebas Velasco Connects in Brixton With “A Lasting Place”


"In the dynamic urban landscape of London, Sebas Velasco has left his mark with a mural titled A Lasting Place at 12 Cobbett Street, Brixton. Born in Burgos, Spain, Velasco is renowned for his hyper-realistic style that captures the essence of urban environments. This mural, inspired by British musician Loyle Carner’s track 'A Lasting Place' from the album Hugo, depicts a young Brixton resident standing against the iconic train line. The cool, muted hues of London night are punctuated by the station’s warm glow, creating a dialogue between the individual and the city’s pulse. Velasco’s approach is deeply rooted in his environment. He involves a process of immersion in local culture, photographing the people and places that inspire his creativity. This mural, his first in London, blends his experiences in Brixton with spontaneous encounters that shape his work. ..."


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On Immigration, Harris and Democrats Walk a Delicate — and Harder — Line


"When Vice President Kamala Harris accepted the Democratic presidential nomination last week at her party’s convention in Chicago, she sought to strike a delicate balance on the issue of immigration, promising to approach enforcement and security at the nation’s southern border as the prosecutor she once was, without abandoning the country’s values. ... It was the kind of equilibrium on the issue that Democrats had striven for all week — a leveling between calls for more officers and judges at the country’s southern border and a system that treats people humanely, between promises to uphold the law and rebukes of the fear-mongering over 'the other' that has permeated the national immigration debate. But the overall message on immigration from the Democratic Party in the past week, as it has been since Ms. Harris announced her candidacy last month, has been decidedly more hard-line than it has been in decades. ..."

The U.S.-Mexico border in June, as seen from Ciudad Juárez, Mexico.
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Ray's Pizza

Greenwich Village

"Ray's Pizza, and its many variations such as 'Ray's Original Pizza', 'Famous Ray's Pizza' and 'World-Famous Original Ray's Pizza', are the names of dozens of pizzerias in the New York City area that are generally completely independent (a few have multiple locations) but may have similar menus, signs, and logos. Ralph Cuomo opened the first Ray's Pizza, at 27 Prince Street in Little Italy, in 1959, named after his nickname 'Raffie'. In the 1960s he briefly owned a second Ray's Pizza, but sold it to Rosolino Mangano in 1964.  ... The confusion of various Ray's Pizzas is featured in a gag in the 1997 episode of The Simpsons 'The City of New York vs. Homer Simpson'. ...  In the episode 'The Maid' in the final season of Seinfeld, Kramer gets lost and calls Jerry for help. He tries to use a Ray's Pizza to describe where he is, but there is confusion over which one he might be seeing. ..."

End Nears for a Pizza Landmark
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In search of Monet’s wild landscapes: a glorious art adventure in central France

The ruins of Crozant castle, the loop of the Creuse and junction with the Sedelle.

"... Behind the wire fencing lining the platform lay a handful of industrial buildings alongside nondescript looking farmland. I had arrived in La Creuse – one of the departments the French call la France profonde – deepest, darkest France – and apparently the country’s least-visited region, north of Limoges and 65 miles south-east of Poitiers. Within minutes, however, things started to look up: I found myself driving through rolling hills and strikingly green valleys, with overhanging hedgerows separating fields and pastures where the rust-coloured Limousin cattle were grazing in the sun. I was on a quest to find the landscape that had inspired the painter Claude Monet, a landscape which, unlike his Rouen, Paris and London, which he painted many times, remains relatively unknown. ..."


Rapids on the Petite Creuse at Fresselines, 1889.
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Love More, Judge Less: How Budots Music Informs Understandings of Intersectionality

DJ Ericnem, performing at a Christmas »handugan« or gift exchange, in the town of San Francisco, Agusan del Sur, Philippines. 

"Manila Community Radio volunteers Sai Versailles and Sean Bautista explore artistic influence, individual agency, and community by immersing themselves in the world of budots, a Filipino grassroots dance music genre. We follow them as they undertake a trip to the Bisaya-speaking region in the Philippines to visit and interview one of budots' pioneers, DJ Love, and share their excitement as they prepare for a Boiler Room showcase that also features budots sonics. They ponder questions of mediating local subcultures and genres and transplanting them to middle-class, urban audiences. »Budots is the hardship of Filipinos. It’s one scratch, one peck. It’s the noises you hear in your surroundings,« says DJ Love. »It reflects the state of a person’s life.« ..."


Sherwin Calumpang Tuna, also known as DJ Love, sitting under a table and smoking a cigarette. November 2005. 

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How ‘Eyes Wide Shut’ became a full-circle moment for Stanley Kubrick


"He was hardly one for sentimentality or emotional attachment, but a regular collaborator of Stanley Kubrick at least appreciated how the final film of his career became a full-circle moment for the legendary director. Never one to do things by halves, even by his standards, Eyes Wide Shut evolved into a mammoth undertaking. Kubrick’s precision and meticulousness had been hallmarks for decades, but the lengths he went to to realise his vision for the existential psychodrama pushed his creative partners to the limit. Tom Cruise did at least view it as one of the most important and inspiring productions he’ll ever be lucky to be a part of, but it was taxing nonetheless. Cruise and then-wife Nicole Kidman dedicated years of their lives to the project for the sole purpose of working with Kubrick, and for better or worse, it’s an experience they’ll remember forever. ..."
  




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Scientists Seeking Life on Mars Heard a Signal That Hinted at the Future

In 1924, a radio receiver built for the battlefields of World War I tested the idea that humans were not alone in the solar system, heralding a century of searches for extraterrestrial life.

"At sunset on a late summer weekend in 1924, crowds flocked to curbside telescopes to behold the advanced alien civilization they believed to be present on the surface of Mars. 'See the wonders of Mars!' an uptown sidewalk astronomer shouted in New York City on Saturday, Aug. 23. 'Now is your chance to view the snowcaps and the great canals that are causing so much talk among the scientists. You’ll never have such a chance again in your lifetime. 'During that weekend, Earth and Mars were separated by just 34 million miles, closer than at any other point in a century. Although this orbital alignment, called an opposition, occurs every 26 months, this one was particularly captivating to audiences across continents and inspired some of the first large-scale efforts to detect alien life. ..."


The radio photo message from the continuous transmission machine.
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Why Guardiola, Maresca and Salah love chess: Space, patterns and ‘controlling the centre’


"What do Pep Guardiola and Enzo Maresca have in common? Coaches wedded to a certain style of football? Midfielders who became managers? Worked together at Manchester City? Bald? All of these things are true, but that’s not the answer we have on the card. The answer we’re looking for? Chess. Both men, who meet at Stamford Bridge this afternoon, are keen proponents of the idea that football can learn plenty from chess, and they as coaches can take valuable lessons from it too. After leaving Barcelona in 2012, Guardiola took a sabbatical and travelled to New York, where he met with Garry Kasparov, the Russian grandmaster. He has also studied the methods of the world’s top-ranked chess player, Magnus Carlsen. ..."

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One Way Street - Walter Benjamin (1928)


"How do unifying acts of collection and recollection – our creation of a memory, our recreation of a dream, the construction of our selves – relate to the activity of writing? This is one of the questions Walter Benjamin poses in One Way Street, his semi-autobiographical, semi-fictional work of philosophy. Because One Way Street is such a sprawling, knotty piece of writing, this article aims to focus on the opening section, in which many of Benjamin’s themes and motifs are first established. It begins by focusing on the relationship between conviction and fact, before moving on to consider Benjamin’s approach to psychoanalysis, the act of writing, childhood, memory, and religion. ..."



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Watch One Heartbreaking Scene to Understand Gena Rowlands’s Genius

Gena Rowlands in “A Woman Under the Influence,” one of several collaborations with her husband John Cassavetes.

"Midway through 'A Woman Under the Influence' (1974) — one of a number of astonishing films starring Gena Rowlands, who died Wednesday, and directed by her husband John Cassavetes — the distance between you and what’s onscreen abruptly vanishes. It’s the kind of moment that true movie believers know and yearn for, that transporting instance when your world seems to melt away and you’re one with the film. It can be revelatory; at times, as with Rowlands’s performance here, it can also be excruciatingly, viscerally painful. Rowlands is playing Mabel, an exuberantly alive woman of great sensitivities whose husband, Nicky (Peter Falk), loves her deeply but doesn’t understand her. They’re home and he has just yelled at her in front of some colleagues, who’ve fled. ..."





2010 December: Shadows (1959), 2013 June: Minnie and Moskowitz,  2021 May: A Woman Under the Influence  (1974) , 2021 July: Gloria (1980)

Rowlands as the tough-as-nails title character in “Gloria.”
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Various – Live At CBGB's - The Home Of Underground Rock


"In 1976 Atlantic Records released a double album of performances recorded live on CBGB's legendary small stage at the back of the club. Featuring sixteen songs from eight bands recorded over three days in June 1976 at The Home Of Underground Rock Live At CBGB's is one of those compilations Piccarella mentioned above. The album is sixty-three minutes of music I'd never heard before and need never hear again. The exceptions being the three Mink DeVille tracks as I have been a fan since the mid-'80s. One of those Mink DeVille tracks - 'Let Me Dream If I Want To' - is on Blank Generation, which also features the opening track from the Live At CBGB's album, 'All For The Love Of Rock & Roll' by the Tuff Darts."





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Mockingjays on Morningside


"I was already thinking about Columbia University, where courageous students are calling out the college administration’s support for genocide in Gaza, when I heard Paul Auster had died of cancer at the age of 77 in his home in Brooklyn. Paul Auster was widely celebrated as a Brooklyn writer from the middle of his career to the end, and many of his later novels took place here. Well, bravo to a writer who can capture a sense of place, and bravo especially to a writer who can claim two separate places as his literary home base! I first read Paul Auster in the late 1980s when he had just published three brilliant postmodern pseudo-detective novels known as the New York Trilogy. These stories captured in vivid street-level detail the collegiate uptown neighborhood of Morningside Heights where Columbia and Barnard sit on a cliff overlooking the southern edge of Harlem. ..."


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A Newly Translated Oral History Reveals Krautrock’s Antifascist Roots

Members of the krautrock group Can, who shared decisions and all songwriting credit.

"... Spoken by the saxophonist Peter Brötzmann, the composer Irmin Schmidt and the guitarist Lutz Ludwig Kramer, these assertions from the newly translated oral history 'Neu Klang: The Definitive History of Krautrock' explain the high stakes driving Germany’s counterculture in the decades following World War II. After the unthinkable, Germany’s youth inherited a 'country in ruins, and thus a ruined culture' (says Schmidt), a partition between the democratic West and the Soviet Union, a global fear of all things German, an identity crisis and a question: how to respond to the crimes of their parents? All easily forgotten when you’re listening to the buoyant and life-affirming music that generation produced in the 1970s. Kraftwerk, Can, Popol Vuh and their peers — a diverse movement often reductively called krautrock — raised the bar for electronic experiments and collaborative democracy in popular music, and helped set the stage for punk, industrial music and techno. ..."



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At a Russian Border Post, Scenes of Ruin After Ukraine’s Surprise Attack

The body of a dead Russian soldier lay in front of the destroyed Sudzha border control post in Russia on Monday. The body was recovered by the Ukrainian military and later placed in a body bag.

"All that remained of a Russian border post was a tableau of destruction: Sheet metal flapped in the wind, customs declarations fluttered about, and stray dogs roamed under a road-spanning sign that said, 'Russia.' Kicking up dust, Ukrainian armored vehicles rumbled past, unimpeded, as the flow of men and weaponry carried on in the biggest foreign incursion into Russia since World War II, an offensive now nearing the end of its first week since the breach of the border here in Sudzha and at several other sites. At the crossing point, a Ukrainian soldier posted on the roadside waved at the forces passing by, days after Russia’s head of the general staff declared that the attack had been rebuffed. At the border, the detritus of a losing battle — and signs of soldiers caught by surprise — were scattered about: bullet cartridges tinkled underfoot, discarded body armor lay on the asphalt. ..."


Ukrainian Army vehicles passing a sign reading, “Ukraine,” left, and “Russia,” right, on a road near the destroyed Russian border post at Sudzha.
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Racism Is Why Trump Is So Popular - James Risen


"... Trump appeals to white people gripped by demographic hysteria. Especially older white people who grew up when white people represented a much larger share of the population. They fear becoming a minority. ...  Every component of the Trump-Republican agenda flows from these demographic fears. The Trump phenomenon and the surge of right-wing extremism in America was never about economic anxiety, as too many political reporters claimed during the 2016 presidential campaign.  t was, and still is, about race and racism. ..."


NY Times: Trump Wanted to Fire Missiles at Mexico. Now the G.O.P. Wants to Send Troops. (2023)

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