Josef Albers in Mexico

An untitled photograph, circa 1940, of the Grand Pyramid in Tenayuca, Mexico. Albers took thousands of photographs during his trips south of the border with his wife, the artist-weaver Anni Albers.
"During their first visit to Mexico, in the winter of 1935–36, Josef and Anni Albers knew that they were in a 'country for art like no other.' The couple returned to Mexico thirteen times by the late 1960s, developing a passion for pre-Columbian art and architecture that would influence Josef’s abstract painting and prints and fuel his innovative approach to photography. In 1933, after the Nazis closed the Bauhaus, the German art and design school where they both were instructors, the Alberses moved to North Carolina to teach at Black Mountain College. On their frequent trips to Mexico, they drove to archaeological sites throughout the country—from Monte Albán and Teotihuacán to Uxmal and Chichén Itzá—studying the monumental constructions and amassing a large collection of sculptures and ceramics. For Josef, the complex abstract vocabulary of pre-Columbian art and architecture embodied the principles he and Anni espoused in their work and teaching. ..."
Guggenheim (Video)
NY Times - Homage to Mexico: Josef Albers and His Reality-Based Abstraction
Brooklyn Rail
artbook

2009 May: Josef Albers, 2010 September: The Full Spectrum: Josef Albers

Twelve Illustrated Dust Jackets

"We’ve all been told told not to judge a book by its cover, but what about judging a decade, an artistic moment, or a society? In his latest collection, The Illustrated Dust Jacket: 1920–1970, illustration professor Martin Salisbury traces the history of the book jacket from its origins as a simple dust guard for expensive bound books to its evolution as a promotional tool meant to catch the eye. The middle of the twentieth century marked a high point for the medium, as the period’s leading illustrators brought contemporary visual styles into readers’ hands. A selection of these covers, in chronological order, appears below along with Salisbury’s captions. ..."
The Paris Review

RA Sessions: E Ruscha V

"Making sense of LA takes a lifetime. Ed Ruscha channels the city's endless freeways, hazy light and bewildering energy through his synthesizers. Though he's just released his first album under his given name—which he shares with his father, the acclaimed artist—Ruscha first gained an audience in the early '90s as a member of the shoegaze band Medicine. Since then, his output has moved in multiple directions, mirroring LA's endless sprawl. He's been a resident at the weekly Dub Club event, founded a dub-punk band called Future Pigeon and collaborated with the likes of Suzanne Kraft (as Blasé), Willie Burns, Thomas Bullock and, most recently, the cult British act Woo. All the while, he's been combing the city's garage sales and thrift stores, collecting gear, clothing, records, books, art and ephemera in his studio, which is situated close to Dublab, where he hosts a monthly radio show. ..."
Resident Advisor (Video)
Discogs

In Italy Election, Anti-E.U. Views Pay Off for Far Right and Populists

Supporters wave flags during a rally held by Northern League party leader Matteo Salvini in Rome, on February 28, 2015.
"ROME — Italians registered their dismay with the European political establishment on Sunday, handing a majority of votes in a national election to hard-right and populist forces that ran a campaign fueled by anti-immigrant anger. The election, the first in five years, was widely seen as a bellwether of the strength of populists on the continent and how far they might advance into the mainstream. The answer was far, very far. After Chancellor Angela Merkel of Germany and President Emmanuel Macron of France beat back populist and far-right insurgencies in the past year, Europe had seemed to be enjoying a reprieve from the forces threatening its unity and values. That turned out to be short lived. In Sunday’s vote, preliminary results showed, the parties that did well all shared varying degrees of skepticism toward the European Union, with laments about Brussels treating Italians like slaves, agitation to abandon the euro and promises to put Italy before Europe. ..."
NY Times
NY Times: Italy’s Five-Star Electoral Performance****
CNN: Italy's voters choose populists, deliver stinging rebuke to Europe (Video)
The Atlantic: Italy's Messy Politics Are No Longer Local
NY Times: What to Watch For in Italy’s Election on Sunday
Washington Post: Who and what to watch in Italy’s election
NY Times: Anti-Fascist Protesters Rally in Italy as Mussolini’s Heirs Gain Ground
NY Times: Women Could Decide Italy’s Election, but They Feel Invisible
Jacobin: Italy Is the Future
Jacobin: The Experiment
Jacobin: Italy’s Past Glories

Though Italy has fewer migrants per capita than most European countries, immigration has emerged as the election campaign’s major theme.

2018 January: The Fate of the Party

Complete Communion: Jazz Roundup - UK Special

Moses Boyd
"The first Complete Communion of 2018 is a UK special: not out of patriotism or any such nonsense, but mainly cos I’ve been inundated with interesting new music from Britain-based artists. And it’s not all about London: there’s a huge amount happening across the UK, from Manchester and Sheffield to Coventry and Glasgow. From good-time grooves to the outer limits of free improvisation, jazz’s freedom message continues to resonate. The music’s liberatory potential points to a better, more radical Britain, distinct from the rainy fascist hellscape of the Daily Mail and the 1997-forever banality of the centrist dads. From Stormzy’s Brit Awards excoriation of Theresa May to the widespread solidarity shown towards the university pensions strike, there’s a genuine sense that the old order is falling. In culture, grime is leading the charge, but jazz and improv are right in there too, suggesting new ways of engaging with art and life. ..."
The Quietus (Audio)

A Beginner’s Guide to the Southern Hemisphere Sky

The Alpha Centauri systems lies in the Southern Hemisphere constellation of Centaurus.
"How and when to see Alpha Centauri, southern star patterns such as the Southern Cross, and many other celestial sights on a trip south of the equator. If you regularly spend time with the night sky in the Northern Hemisphere but you've never travelled south of the equator, you only know half the story. Visiting the Southern Hemisphere just to go stargazing isn’t something most of us have the resources to do very often. Yet the southern sky is disorientating, surprising, and utterly transfixing — well worth the trip if you can make it. You’ll see arguably some of the greatest celestial sights: the nearest stars to our solar system, two close dwarf galaxies, and some drop-dead gorgeous clusters. Here are a few reasons why you should visit southerly latitudes at least once in your life. ..."
Sky & Telescope

David Sedaris Creates a List of His 10 Favorite Jazz Tracks: Stream Them Online

"You can't read far into David Sedaris' writing without encountering his father Lou, a curmudgeonly, decades-and-decades-retired IBM engineer with a stiffly practical mind and a harsh word for everybody — especially his misfit son, dedicating his life as he has to the quasi-occupation of writing while living in far-flung places like Paris and rural England. Even now, solidly into his nineties, Sedaris père keeps on providing the sixtysomething Sedaris fils with material, all of it — once polished up just right — a source of laughter for the latter's many readers and listeners. But Lou has also given David something else: a passion for jazz. ..."
Open Culture (Audio)

Meet the Salvadoran New Yorkers Trump Wants to Deport

Yehovani Villalobos fled El Salvador during its civil war and says gangs there make it still unsafe to return.
"When the Trump administration announced in January that nearly 200,000 Salvadorans living in the United States would lose their immigration status in September 2019 and face deportation to Central America, families across New York State began to panic. In 1990, Congress established the Temporary Protected Status program, which provided immigrants from specified countries afflicted by environmental devastation or civil war with the right to live and work in the United States without fear of deportation. But though the program was renewed several times since then with little fanfare, President Trump has sought to end the protections for 300,000 U.S. residents from El Salvador, Haiti, and other countries next year, as part of his sweeping immigration policies that reverse many Obama-era orders. These individuals are living in a kind of immigration limbo — they have had permission to live and work in the United States legally for nearly two decades, but their status was at risk of revocation on the whims of the president. ..."
Voice

Do the wrong thing: 90 years, 90 movies that should have been nominated for Best Picture

Rear Window; 2001: A Space Odyssey; Do The Right Thing; In The Mood For Love and Frances Ha
"When Moonlight pulled a big upset and won the Best Picture Oscar a year ago, it felt like a monumental occasion—and not just because of the snafu that resulted in a different film briefly enjoying the honor. Yes, the Academy bestowed best-movie-of-the-year status on an actual, legitimate contender for the best movie of the year. That hasn’t happened too often over the 90 years the organization has been handing out awards. In fact, the Oscars often don’t just whiff on what deserves to win; they also frequently fail to even nominate the best movies, leaving some essential classic in the making out of the running entirely. ..."
A.V. Club

1932/33: King Kong

Richard Johnson - Ice Huts

"... My Ice Huts series (2007-2017) explores a seasonal, off the grid, architectural form that must be transportable, while still being weather resistant. This ability to endure extreme winter cold is a complex challenge with unlimited solutions, each as personal as it's owner. My Ice Villages series (2010-2017) is informed by early landscape master George Barnard who overlapped several images to extend a viewpoint beyond the single frame. These panoramic images explore the need for community, sometimes structured, often random. By returning to the same locations, over time, I have witnessed regional growth and decline. The images in this series are dedicated to the resourceful people, engaged in ice fishing culture, making our winter-white landscape a little more colourful and infinitely more interesting."
Richard Johnson
Richard Johnson: Ice Villages
Richard Johnson: Ice Huts Storm
W - Ice shanty
NY Times: Freeze Frames of Canada’s Ice Huts

Carl Gari & Abdullah Miniawy – Darraje (2016)

"From DJ Spider & Marshallito's surreal and heavy throwdowns to Mix Mup's snaking drum workouts, Chemotex's noisy excursions to Ekman's industrial clout, the sound of The Trilogy Tapes has been distinctly geared towards loud, pounding club tackle recently. However Will Bankhead's label has always been much more than just a dancefloor vessel, as this new offering from Carl Gari and Abdullah Miniawy demonstrates. Carl Gari is a Munich-based group comprised of Jonas Friedlich, Jonas Yamer and Till Funke, who describe themselves as psychedelic ghetto rave. Miniawy meanwhile is a noted Egyptian chanter, composer and multi-instrumentalist based in Madinet El-Fayoum. Reportedly recorded in Cairo over the course of a few days, the brief collaboration has manifested in a four-track 12" with the slow-creeping sonic dread of 'Nayroz' and 12-minute 'Al Weyasha' undoubted highlights."
Forced Exposure
Carl Gari & Abdullah Miniawy – Darraje (Audio)
Soundcloud: The Trilogy Tapes
YouTube: Al Weshaya (The Trilogy Tapes), Darraje (The Trilogy Tapes)

Here for the Ride: Andre D. Wagner’s Subway Photographs

"I spent my first twenty-three years on this planet living in the same apartment building in the Bronx. I felt ownership over those gum-stained concrete blocks. I dreamed of scattering my ashes on them when I died, like Miguel Piñero scattered his around the Lower East Side. (I still might.) Then, two years ago, when I was twenty-five, I left New York. I left because I was tired. I started working at thirteen to contribute to my household. I busted my ass in public schools, got a scholarship to a Catholic high school, and graduated college with an Ivy League degree. Despite all this, I still lived check to check, just like everyone else I knew. I wanted to do the things my single mom had never had the chance to, like own property or save for retirement. But I saw the money flowing into New York City. I saw neglected neighborhoods regurgitate cocktail bars and cycling studios. I saw the rents skyrocket as fast as the property values. ..."
The Paris Review
Andre D. Wagner
Meet Andre D. Wagner, The Photographer Documenting The Poetic Side Of New York City
Andre D. Wagner’s Street Photos of Life in Brooklyn (Video)
vimeo: Andre D. Wagner, Photographer

2017 August: Capturing Love, the Brooklyn Way, 2017 September: An Ode to Acts of Kindness on the New York City Subway

‘This Route Doesn’t Exist on the Map’

Police in Tapachula, a Mexican city used as a waypoint for migrants known as extra-continentales, patrol past a Cameroonian traveler (in a striped shirt).
"By 7 p.m., the sun had set and groups of young men had begun to gather inside a small, nameless restaurant on a narrow street in Tapachula, Mexico. Anywhere else in the city, a hub of transit and commerce about ten miles north of the Guatemalan border, there would be no mistaking that you were in Latin America: The open colonial plaza, with its splaying palms and marimba players, men with megaphones announcing Jesus, and women hawking woven trinkets and small bags of cut fruit suggested as much. But inside the restaurant, the atmosphere was markedly different. The patrons hailed not from Mexico or points due south but from other far-flung and unexpected corners of the globe—India, Pakistan, Eritrea, Cameroon, Sierra Leone, Congo. Men, and all of the diners were men, gathered around tables, eating not Mexican or Central American fare but steaming plates of beef curry, yellow lentils, and blistered rounds of chapati. ..."
New Republic

Riba Dempel: Popular Dance Music Of Curaçao 1950-1954

"Riba Dempel is the name of the central marketplace in Willemstad, the capital city of the island of Curaçao. It includes the floating market of barques that moor there from neighboring Venezuela selling their fresh produce and fish as well as local stalls where cheap, fresh Creole food is served to all comers. Like the Creole kitchen, the music on this disc is a gumbo of African, European and regional Caribbean influences. Riba Dempel collects classics from the golden age of the indigenous Papiamento recording industry on Curaçao in the 1950s that were originally released on 78 rpms on the Hoyco and Musika labels. ..."
Holland Tunnel Dive
Disogs
amazon, iTunes
YouTube: Riba Dempel - Sexteto Gressman, Boca Di Tribon - Conjunto Cristal, Cara Bunita - Estrellas del Caribe, Etc.

Winter’s Edge at Green-Wood

"Green-Wood is New York City’s most iconic cemetery: founded in 1838, it was among the first of the cemeteries in Brooklyn to eschew the gloom and doom of the churchyard for bucolic natural landscapes, manicured lawns, and winding walkways. It soon earned an international reputation for the beauty and size of its grounds, becoming a highly sought-after burial place among New York City’s elite. Its soil houses the worldly remains of some of the most notable names in the city’s cultural and political history, including Boss Tweed, Leonard Bernstein, Jean-Michel Basquiat, and Horace Greeley. Green-Wood still performs over 1,000 burials each year, but new plots are increasingly scarce, with the vast majority of monuments dating back to the nineteenth century. The cemetery’s focus is now preserving and restoring the existing collection of monuments and statuary. ..."
BKLYNR
W - Green-Wood Cemetery
Map of Green-Wood Cemetery

Miss Sloane - John Madden (2016)

"Elizabeth Sloane (Jessica Chastain), the antiheroine of John Madden’s chilly new drama Miss Sloane, is a character so archetypal, so prescriptive, that you imagine she wasn’t born in normal human fashion but rather created in a lab from leftover vials of testosterone and male tears. A pill-popping, spike-heel-wearing lobbyist, her singular quality is ambition, and her only two human traits are reading John Grisham novels and sleeping with male escorts. 'I pay you,' she tells one of the latter midway through the movie, 'so I can imagine the life I chose to forgo in service of my career.' That Chastain imbues Liz with some humanity is credit to the actress, but it’s also worth noting that the lobbyist shines in comparison to her surroundings. Washington, in Miss Sloane, is rotten to its core, a town riddled with graspers and crooked politicians, and poisoned by its own greed. ..."
The Atlantic
W - Miss Sloane
YouTube: Miss Sloane Official Trailer

The Man Who Brought You Christian Pulisic Has a Plan to Supercharge American Soccer

"Today, the phrase 'Christian Pulisic to Barcelona' would make for the ideal English tabloid headline. It’s plausible enough to allow you to briefly recast Barça’s Holy Trinity of Lionel Messi, Luis Suárez, and Neymar with the young American attacker (say it with me: 'M-S-P'), while remaining outlandish enough to ensure that you’d never utter the thought aloud to anyone except your browser’s history. But a few years ago, Pulisic did go to Barcelona. Only 14 years old at the time, and still several years away from exploding onto the American and European soccer scenes, he was invited to train at the fabled Catalonian club. A move to Barcelona — with the Camp Nou, tiki-taka, tapas, and Messi — would be a dream for any teeanger who’s laced up a pair of cleats and picked up a FIFA controller, but Rob Moore wasn’t sure that this was where Pulisic needed to be. ..."
The Ringer

Jo Hopper, Woman in the Sun

Edward Hopper, Eleven A.M., 1926.
"In a 1906 portrait of Josephine Nivison, painted while she was a twenty-two-year-old student at the New York School of Art, her artist’s smock slips from her shoulder like the falling strap of Madame X’s gown. This is teacher Robert Henri’s portrait of the artist as a young woman; one suggestive detail, sure, along with aspects of Jo’s character he can’t help but capture: her steady gaze of steely resolve, the way she holds her brushes like a divining rod. This is when Jo Nivison meets Edward Hopper, though they do not make much of their first meeting, or even their second. When they graduate, Jo keeps herself in cigarettes by selling drawings to places like the New York Tribune, the Evening Post, the Chicago Herald Examiner. In the 1920 New York City Directory, Jo lists herself as an artist, and she is no slouch. She shows her paintings alongside work by Picasso and Man Ray. In that same directory, Edward Hopper calls himself an illustrator. ..."
The Paris Review

Josephine Nivison Hopper, as painted by Edward Hopper (left) and with Edward Hopper (right)

2008 July: Edward Hopper, 2010 October: Finding Nighthawks, 2010 December: Modern Life: Edward Hopper and His Time, 2012 Wednesday: Through Edward Hopper's eyes: in search of an artist's seaside inspiration, 2013 July: Hopper Drawing, 2014 May: INTERVIEW: “An Interview with Edward Hopper, June 17, 1959″., 2014 September: How Edward Hopper “Storyboarded” His Iconic Painting Nighthawks, 2015 February: Edward Hopper's New York: A Walking Tour, 2015 September: Edward Hopper life and works, 2016 May: "Night Windows," 1928, 2016 July: Sunday (1926), 2016 September: Drug Store (1927), 2018 January: Seven A.M. (1948)

Bop City

Bop City, NYC, New York, 1953
Wikipedia - "Bop City (also known as Jimbo's Bop City) was a jazz club operated by John 'Jimbo' Edwards in San Francisco from 1949 to 1965. It was situated in the back room of a Victorian house at 1690 Post Street, in the Western Addition district. During its heyday, the venue was known for late-night live performances of many popular jazz artists, including Billie Holiday, Louis Armstrong, Chet Baker, and Charlie Parker, and was one of the most famous jazz clubs of its time, being instrumental in popularizing the modern jazz style in San Francisco. The club closed in 1965 when jazz began to decline in popularity. The house was moved two blocks west to 1712 Fillmore Street during the urban renewal in the Western Addition in the 1970s, where it currently stands, and has been designated a San Francisco Designated Landmark. ..."
Wikipedia
PBS: Music of the Fillmore
Jimbo's Bop City
PBS: Music of the Fillmore - Scene

Robert Pete Williams

Wikipedia - "Robert Pete Williams (March 14, 1914 – December 31, 1980) was an American Louisiana blues musician. His music characteristically employed unconventional structures and guitar tunings, and his songs are often about the time he served in prison.  ... Williams was born in Zachary, Louisiana, to a family of sharecroppers. He had no formal schooling, and spent his childhood picking cotton and cutting sugar cane. In 1928, he moved to Baton Rouge, Louisiana and worked in a lumberyard. At the age of 20, Williams fashioned a crude guitar by attaching five copper strings to a cigar box, and soon after bought a cheap, mass-produced one. Williams was taught by Frank and Robert Metty, and was at first chiefly influenced by Peetie Wheatstraw and Blind Lemon Jefferson. He began to play for small events such as Church gatherings, fish fries, suppers, and dances. From the 1930s to the 1950s, Williams played music and continued to work in the lumberyards of Baton Rouge. ..."
Wikipedia
Discogs
WIRZ: Robert Pete Williams
amazon
YouTube: Scrap Iron Blues (Live), Old Girl At My Door (Live), Grown So Ugly, Thousand miles from nowhere, Dyin' Soul, High As I Want To Be, Mama Had A Shotgun, Almost Dead Blues, No One To Care For Me, I'm Blue As a Man Can Be, Freight Train Blues, Motherless Children Have A Hard Time
YouTube: live 1970 1:15:35

Oxford English Dictionary

Wikipedia - "The Oxford English Dictionary (OED) is the main historical dictionary of the English language, published by the Oxford University Press. It traces the historical development of the English language, providing a comprehensive resource to scholars and academic researchers, as well as describing usage in its many variations throughout the world. The second edition came to 21,728 pages in 20 volumes, published in 1989. Work began on the dictionary in 1857, but it was not until 1884 that it began to be published in unbound fascicles as work continued on the project, under the name of A New English Dictionary on Historical Principles; Founded Mainly on the Materials Collected by The Philological Society. ... In 1933, the title The Oxford English Dictionary fully replaced the former name in all occurrences in its reprinting as twelve volumes with a one-volume supplement. More supplements came over the years until 1989, when the second edition was published. Since 2000, a third edition of the dictionary has been underway, approximately half of which is now complete. ..."
Wikipedia
Guardian - Inside the OED: can the world’s biggest dictionary survive the internet?
OED
twitter

Go Down, Moses - William Faulkner (1942)

Wikipedia - "Go Down, Moses is a collection of seven related pieces of short fiction by American author William Faulkner, sometimes considered a novel. The most prominent character and unifying voice is that of Isaac McCaslin, 'Uncle Ike', who will live to be an old man; 'uncle to half a county and father to no one.' Though originally published as a short story collection, Faulkner considered the book to be a novel in the same way The Unvanquished is considered a novel. Because of this, most editions no longer print 'and other stories' in the title. ... On its own terms, 'Was' is a brilliant set-piece, a probing look at the past and a handy opportunity for Faulkner to establish some of the important McCaslins—Buck and Buddy, the old bachelor twins, and the young McCaslin Edmonds. ..."
Wikipedia
Archive - Go Down, Moses
amazon

2011 September: Southern Gothic, 2014 February: William Faulkner, 2015 October: William Faulkner Draws Maps of Yoknapatawpha County, the Fictional Home of His Great Novels, 2015 November: Interviews William Faulkner, The Art of Fiction No. 12, 2016 April: Absalom, Absalom!! (1936), 2016 May: The Sound and the Fury (1929), 2016 October: The Snopes Trilogy (1940, 1957, 1959), 2016 December: Light in August (1932), 2017 February: As I Lay Dying (1930), 2017 June: The Wild Palms (1939), 2017 August: Sanctuary (1931). 2017 September: The Unvanquished (1938), 2017 October: 20 Pieces of Writing Advice from William Faulkner, 2017 November: Yoknapatawpha County

James Blood Ulmer & Pharoah Sanders - Live 2003

"Born in St. Matthews, South Carolina, Ulmer began his career playing with various soul jazz ensembles. He first recorded with organist Hank Marr in 1964. After moving to New York in 1971, Ulmer played with Art Blakey's Jazz Messengers, Joe Henderson, Paul Bley,Rashied Ali and Larry Young. In the early 1970s, Ulmer joined Ornette Coleman; he was the first electric guitarist to record and tour extensively with Coleman. He has credited Coleman as a major influence, and Coleman's strong reliance on electric guitar in his fusion-oriented recordings owes a distinct debt to Ulmer. His appearance on Arthur Blythe's two consecutive Columbia albums. It was described at the time as 'avant-gutbucket', leading writer Bill Milkowski to describe the music as 'conjuring images of Skip James and Albert Ayler jamming on the Mississippi Delta.' ..."
Chriss & Co.
Ponderosa Stomp
YouTube: The Music Revelation Ensemble. James Blood Ulmer - guitar, vocals. Calvin Jones - bass. Cornel Rochester- drums. Pharoah Sanders - tenor saxophone. 1/7, 2/7, 3/7, 4/7, 5/7, 6/7, 7/7

2015 November: Prime Time (1981), 2016 September: Black Rock (1982), 2017 May: Are You Glad to Be in America? (1980), 2017 June: James Blood Ulmer solo live @ Skopje Jazz Festival 2015
2015 December: Maleem Mahmoud Ghania With Pharaoh Sanders - The Trance Of Seven Colors (1994), 2016 January: Ptah, The El Daoud - Alice Coltrane & Pharoah Sanders (1970), 2016 November: Tauhid (1967), 2017 May: The Pharoah Sanders Story: In the Beginning 1963-1964, 2017 November: Let Us Now Praise Pharoah Sanders, Master of Sax, 2018 February: Anthology: You've Got to Have Freedom - Pharoah Sanders (2005) 

The Actions Within - r beny

"I grew interested in live performance videos of ambient music based on an idea, and perhaps inevitably what came to be of interest to me was in marked contrast with where I started out. What interested me at the start was the tension between inaction and inaction, between the perceived stasis of much if not most ambient music, and the simple fact that, in live performance, action is taking place. ... So, I started a YouTube playlist, now 79 videos long and growing, by collecting videos of live ambient performance. A regular presence in this playlist is r beny, whose music is richly ambient, and whose videos do nothing to disguise his techniques. Quite the contrary, they are studies in the connection between the action and inaction I was initially interested in. But as time has passed, one of the things I’ve noticed about r beny’s videos in particular, and many other live ambient performances in general, is how much the music comes alive when you pay attention to what’s happening on screen. ..."
disquiet (Video)
Soundcloud: r beny, Austin Cairns, Bay Area, United States
saudade - r beny (Audio)

The Trencherman: A Tale of Two Coffee Shops

Clockwise from left: Cafe Wha? circa 1970; A menu for Caffe Reggio from 1959; the same coffeehouse from the street; Joe Coffee at 141 Waverly Place.
"I’ve long held that there’s an inverse relationship between the quality of coffee and the vibrancy of where it’s served. Caffe Reggio is proof point one. There has never been a better time for high-quality coffee in the South Village. In the pocket bound by Sixth Avenue and Broadway and Macdougal and Houston, the blocks are littered with third-wave espresso bars like Joe Coffee and Think Coffee and Third Rail and Stumptown. From behind the battlements of La Marzocco machines, baristas pullsingle-origin shots, filling the pre-warmed porcelain demitasses with intricate latte art patterns made with your choice of oat, soy, whole, or skim milk. In a carefully imitated simulacra of Scandinavia or Seattle, one sips the finest shade-grown fair-trade Ethiopian beans $5 can buy. And yet, there is no worse time for coffeehouses in the Village. ..."
Voice
W - Caffe Reggio

Patrons at the Gaslight, 116 McDougal St. Greenwich Village.

2010 September: Espresso, April: The History of Coffee and How It Transformed Our World, 2013 May: Coffeehouse, 2015 June: Barista, 2015 August: Coffee Connections at Peddler in SoHo, 2015 November: The Case for Bad Coffee, 2016 January: 101 Places to Find Great Coffee in New York (2014), 2017 June: How Cold Brew Changed the Coffee Business, 2017 September: Our 7 Favorite Literary Coffee Shops, 2017 October: Clever Literary Coffee Poster, 2017 October: Coffee as Existential Statement: A Crisis in Every Cup on Valencia Street

Derrick Carter on the Rise and Fall of Early Chicago House

"While Chicago’s original house movement was gathering momentum, Derrick Carter was just a young DJ from the western suburbs learning his trade. Soon enough, though, in 1987, with the first wave of house artists gaining popularity in Europe, Carter secured a job at leading local record store Importes, Etc. (He later worked behind the counter at another Windy City institution, Gramaphone.) During his time as a record buyer and shop clerk, Carter witnessed the fall of Chicago’s first house wave and the growing influence of the UK dance scene. Away from work, he released his first record, under the name Conception, in 1988, following it up with releases under a variety of pseudonyms – both solo and with long-time studio partner Chris Nazuka – for such labels as KMS, Rhythm Vision, Housetime and Network. As Chicago’s house scene faded, Carter became one of the city’s most popular local DJs, securing residencies at Shelter, Foxy’s and smartbar. ..."
Red Bull Music Academy Daily (Video)
W - Derrick Carter
How Chicago house got its groove back (Video)
Interview: Chicago house legend Derrick Carter

Top Trump Campaign Aide to Plead Guilty

"A former top adviser to Donald J. Trump’s presidential campaign indicted by the special counsel was expected to plead guilty on Friday, a move that signals he is cooperating with the investigation into Russia’s interference in the 2016 election. The adviser, Rick Gates, is a longtime political consultant who once served as Mr. Trump’s deputy campaign chairman. The plea deal could be a significant development in the investigation — a sign that Mr. Gates plans to offer incriminating information against his longtime associate and the former campaign chairman, Paul Manafort, or other members of the Trump campaign in exchange for a lighter punishment. The deal comes as the special counsel, Robert S. Mueller III, has been raising pressure on Mr. Gates and Mr. Manafort with dozens of new charges of money laundering and bank fraud that were unsealed on Thursday in Alexandria, Va. Mr. Mueller first indicted both men in October, and both pleaded not guilty. ..."
NY Times
CNN - Exclusive: A top Trump campaign adviser close to plea deal with Mueller (Video)

20 Iconic New Yorker Covers

"The cultural capital of the New Yorker cover has waxed and waned over the years, but there’s no denying that many iconic images of New York (and for New Yorkers) have originated there—as well as quite a bit of beauty, as well as some ugliness. Predictably, some of the most iconic New Yorker covers are the ones that address tragedy, or illustrated some kind of upheaval—political, environmental, social—that affected New Yorkers and other Earthlings on a large scale. Others are simply unforgettable as images. Here are 20 of the most memorable. (NB: I’m consciously not including any Trump covers. It’s too soon—and we see his face enough on the internet.) ..."
LitHub

Sound System - The Clash (2013)

"Most box sets are designed to enshrine an artist in the amber of posterity. The idea is that the artist has transcended their time, that they can now be appreciated outside of the context of their era. The digital age, where recordings from the past sit comfortably with tunes from the present, accelerates this trend, suggesting that all the classic artists exist upon their own continuum, that their development was almost a product of self-divination. What is interesting about Sound System is that it throws this notion out the window and celebrates the era that produced the Clash as much as it celebrates the band itself. As designed by Clash bassist Paul Simonon, Sound System looks like an old-school ghetto blaster, and it's filled with replicas of fanzines, stickers, badges, press photos, posters, dog tags -- all manner of period-specific tchotchkes that walk the line between nostalgia and commercial art. ..."
allmusic
W - Sound System (album)
Paste
The Quietus: Turning Rebellion Into Money? The Clash Sound System Box Set Reviewed (Video)
amazon
YouTube: Opening the Clash box

Google Digitizes and Puts Online a Vast Archive of Latino Artworks and Artifacts

"You can't understand human culture in the 21st century without understanding American culture, and as anyone who's spent time in most any major U.S. city knows, you certainly can't understand American culture without understanding Latino culture. I write this while traveling in Los Angeles, a city that makes that point with particularly impressive force, but just a few moments with an overview of Latino art will underscore the vitality it has provided America, and thus the world. You could do little better for such an overview than the Google Cultural Institute's brand new Latino Cultures in the U.S. project, a sizable free digital archive of Latino art and artifacts of Latino history. ..."
Open Culture (Video)

Domino Players, Washington Heights, New York (1970) by Winston Vargas