Super Black Blues (1969)


"Bob Thiele, the former head of blues at ABC Records who founded the Flying Dutchman imprint BluesTime in the late '60s, designed the 1969 album Super Black Blues as a way to showcase the label's three recently signed blues legends, T-Bone Walker, Joe Turner, and Otis Spann. ... The emphasis on improvisation and long grooves certainly made Super Black Blues different than the original '40s and '50s sides by Walker, Turner, and Spann -- those were restricted by technology and taste -- and it's fun to hear them stretch out with George 'Harmonica' Smith, Arthur Wright, Ernie Watts, Ron Brown, and Paul Humphrey in tow. ..."
allmusic (Video)
YouTube: Blues Jam, Jot's Blues, Paris Blues, Here Am I Broken Hearted

What Comes Next for Cuban Modern Dance?


Amanda Batista Robaina, center, is a 16-year-old student in contemporary dance at the Instituto Superior de Arte, Cuba’s arts university, in Havana.
"HAVANA — Idania Wambrug teaches dance in a capacious, brick-vaulted studio with so much light streaming down from high windows that it almost feels like an outdoor pavilion. It’s the same studio where she was a student in the 1960s, and over the years, all that natural light has been helpful when the electricity has gone out. The studio is in the National School of Dance here in Havana, part of the National Arts Schools, an avant-garde architectural project conceived not long after the 1959 Cuban Revolution but never completed. What Ms. Wambrug teaches comes from that time as well. With a mandate from the revolutionary government, the Cuban choreographer Ramiro Guerra created 'técnica cubana,' a hybrid of American modern dance — the language of Martha Graham, José Limón and others, which Mr. Guerra had studied in the United States — with ballet and Cuban tradition, both Spanish and African. ..."
NY Times
NY Times: Slide Show
Joyce: Cuba Festival
Danza Contemporanea de Cuba (Video)
YouTube: Cuban Contemporary Dance Technique, Cuban-Modern-Dance, Contemporary Dance Training, Contemporary Class / Floor work

Something Out There - Zeena Parkins (1987)


"Zeena Parkins is a New York-based (Detroit-born) harpist who has introduced the instrument in the context of improvised music. Her first major experience was in prog-rock outfits Skeleton Crew and News from Babel. She designed her own electric version of the harp (with help from Tom Cora), and continued to enhance it throughout her career. Something Out There (No Man's Land, 1987) collects solos, duos and trios with drummer Ikue Mori, cellist Tom Cora, turntablist Christian Marclay, percussionist Samm Bennett, etc. There are pieces that focus on creating rhythm by dissonant harp and drums, like the powerful Firebrat and Cornered, there are pointillistic vignettes like Without Words and Sidereal Messenger, and there are mere displays of atonal bravura like Left-Handed Walk and Appointment In Samarkind. Marclay dominates the collage art of Mother Tongue and Southern Exposure, which end up stealing the show. ..."
Scaruffi
Discogs
allmusic
illustrated amateur: Southern Exposure
YouTube: Firebrat, Zeena Parkins & Ikue Mori - Jezebel

2011 January: Zeena Parkins, 2012 December: Fred Frith, Ikue Mori, Zeena Parkins / sound. at REDCAT, 2014 October: Janene Higgins & Zeena Parkins (2000), 2012 October: Ikue Mori, 2015 March: Phantom Orchard: Zeena Parkins and Ikue Mori, 2016 April: News from Babel (1983-1986).

The Amazing Architectural Evolution of the Filling Station


Roarin’ Rohrer’s Streamline Moderne gas station, McAlester, Oklahoma, ca. 1930–1945
"Gas stations might be boring or even ugly places, but for the most part, you can’t avoid stopping by one on a long trip. However, they have been so many more beyond the basic design of columns, roof and shop over their history. The following 60+1 filling stations encompass almost a century of architectural progression, showcasing some of the best Art Deco, Bauhaus, futurist, brutalist, minimalist, modernist, Googie building designs of the motorist history. Enjoy the ride!"
gizmodo
W - Filling station
W - U.S. Route 66

Motherlode - James Brown (1988)


"During the mid- and late '80s, after Brown and Polydor parted ways, the label began to reissue his work, some of which had been out of print for close to a decade. Motherlode is one of the finest compilations. Coming a few years after In the Jungle Groove, a compilation effort that culled some of Brown's harder-edged 1969-1971 tracks, this covers 1969-1973 and has the smoothness of a regular release effort. By this point, Motherlode producers Cliff White and Tim Rogers began to know more about Brown's 'classic' work than he did and could do compilations where the tracks were all potent. ... The track, which manages to subtly cross reggae with bebop, again features Brown with his 1971-1975 band and it exhibits their chemistry and the band's unbelievable versatility. Although Motherlode has been lost in the shuffle due to a plethora of other compilations, this is still illuminating and enjoyable."
allmusic
W - Motherlode
Discogs
amazon
YouTube: Motherlode [Full Album]

Work Rest and Play - Madness (EP - 1979)


Wikipedia - "Work Rest and Play is an EP by British ska/pop band Madness. ... The EP's success was largely down to 'Night Boat to Cairo', which headlined the set and had an accompanying music video. The fourth song, 'Don't Quote Me On That', was a commentary on press coverage which had tried to paint the band as racists who supported the National Front. Some of the band's shows had been disrupted by skinhead violence and, in a 1979 NME interview, Madness member Chas Smash was quoted as saying 'We don't care if people are in the NF as long as they're having a good time.' This was quoted to add to the speculation that Madness was a racist band supporting the National Front, although the band members denied those allegations. ..."
Wikipedia
YouTube: Night Boat To Cairo (Live)
YouTube: NIGHT BOAT TO CARIO - DECEIVES THE EYE - THE YOUNG AND THE OLD - DONT QUOTE ME ON THAT

Alex Katz at Gavin Brown’s Enterprise


Night House 1, 2013
"Among the more moving art experiences is seeing a painter excel late in life. Alex Katz, 87, is well known for landscapes and portraits that combine direct perception; wet-on-wet speed-painting and scale; and a distinct merging of Pop Art, abstraction and the plein-air tradition. But now he is having one of the best gallery exhibitions of his career, a display of landscape paintings — lately his surest work — that while seeming to modulate his familiar style have a new, more emotional resonance. ..."
NY Times
Gavin Brown's enterprise
WSJ: A Look At Alex Katz’s Late Career
No Sad Songs: Q+A With Alex Katz and Gavin Brown
When Gavin Brown Met Alex Katz: An Artist's New Show Is At An Unexpected Venue
YouTube: Alex Katz at GAVIN BROWN'S ENTERPRISE

2008 February: Alex Katz, 2010 December: Life Imitates Art, 2012 June: Alex Katz Prints, 2013 April: On Painting: Alex Katz & Felix Vallotton

Windows that Open Inward - Pablo Neruda. Milton Rogovin, Photographing.


The rafters in Pablo Neruda's studio.
"In 1967, Milton Rogovin was invited to collaborate on a project with the great Chilean poet Pablo Neruda. While at Neruda's home in Isla Negra, Chile, Milton photographed Neruda's living room. The ceiling had the names of poets who were influential to Neruda. Windows that Open Inward contains poems by Pablo Neruda and photographs by Milton Rogovin. This book was published in 2004 by White Pine Press. Milton's involvement with Neruda and his month-long photographing trip to Chile is spoken about in films and books on Milton's photography. ..."
Milton Rogovin
W - Casa de Isla Negra
BBC - Chile through Pablo Neruda's eyes
Fundación Pablo Neruda
Google - Windows that Open Inward
amazon

February 2009: Pablo Neruda, 2011 November: 100 Love Sonnets, 2015 November: The Body Politic: The battle over Pablo Neruda’s corpse, 2015 December: In Chile, Where Pablo Neruda Lived and Loved.

Sturtevant Drawing Double Reversal


Sturtevant, Johns 0 Through 9, 1965.
"In the rooms of the MMK 1, a selection of more than one hundred drawings dating from 1964 to the present – and thus from throughout the late artist’s œuvre – is on display. Among them are eighty drawings here on view to the public for the first time. The intense research and study of Sturtevant’s graphic work carried out in preparation for the show led to the conclusion that the early drawings are the key to understanding her conceptual work. Particularly the so-called Composite Drawings of 1965 and 1966 convey an impression of her radical artistic thought and the status of her work in recent art history. ..."
Domus
artbook
Galerie Thaddaeus Ropac - Solo
W - Elaine Sturtevant
NY Times: Elaine Sturtevant, Who Borrowed Others’ Work Artfully, Is Dead at 89
YouTube: STURTEVANT I RELOADED I GALERIE THADDAEUS ROPAC PARIS MARAIS I 2014/2015, Sturtevant's Repetitions, In Paris with Sturtevant

Celebrating Jane Jacobs


"The writer, activist, and urban theorist Jane Jacobs was born 100 years ago today. Best known for her 1961 book The Death and Life of Great American Cities, Jacobs pulled together her experiences as an architecture journalist, New York City resident, and long-time observer of urban life (she grew up in Scranton, Pennsylvania, watching the city’s slow economic decline) to form her ideas about how cities and neighborhoods work best. In the book, which she called 'an attack' on established ideas of city planning, Jacobs argued strongly for urban density and diversity. ..."
Curbed
#jj100 (Video)
W - Jane Jacobs
Jane Jacobs Walk
TIME - Defending Vibrant City Life: Jane Jacobs at 100 (Video)
Jane Jacobs believed cities should be fun — and changed urban planning forever (Video)
W - The Death and Life of Great American Cities, Jane Jacobs
A MARVELOUS ORDER an opera about Robert Moses and Jane Jacobs (Video)
amazon
YouTube: Celebrating the City: Jane Jacobs at 100, Jane Jacobs vs Robert Moses: Urban Fight of the Century, Jane Jacobs - The Little Woman That Could, Jane Jacobs: Neighborhoods in Action

One Step Forward Two Steps Backward: 1976, Reggae & Critical Amnesia


"Be wary of the curators, including me, and the path they choose for you in ‘building a collection’. Always revealing, those artifacts a dominant culture deems representative of marginal cultures. Reggae music, as an expression of black Jamaican consciousness, as the music that most uniquely summates the imaginative and spiritual desires, and brute reality of Jamaican life, is now usually critically reduced to a half-handful of album-length transmissions. Noticeable also, among even the ‘collector’ mindset and in the tiny worlds of avant-garde rock-crit and even dance-crit, that increasingly the emphasis on dub’s studio-sorcery or dancehall’s digi-manipulation is paramount. ..."
The Quietus (Video)
YouTube: Peter Tosh - Them A Fi Get A Beaten, Power and the glory - Ernie Smith

“Daze World”, the Artist and Book from City to Canvas and Back


"'This is not an autobiography in the practical sense. I didn’t cover the day-to-day minutia of my childhood or formative teenage years all the way to the present. Rather, I have chosen to take the reader on a journey that covers some of the seminal moments in my life. Those moments shaped my art and allowed me to continue to evolve as an artist,' says graffiti/street/studio artist DAZE of the brand new collection of images and essays that make up 'Daze World,' the new hardcover from Schiffer. The trains of the 1970s are formative and foundational to the NYC story and Daze is happy to talk to you about his love affair with the cars, tracks, tunnels, yards. Also important to him is his gradual transition in the early and mid-1980s to canvas and galleries. It is a transition that may be insurmountable, or at least treacherous, for a graffiti writer. ..."
Brooklyn Street Art

The Slits - "Typical Girls" / "I Heard It Through the Grapevine" (1979)


"Following on from the more recent spiky, punky, dubby sound of MIA’s ‘Paper Planes’, we have this classic from proto riot girrrls The Slits. Their take on ‘I Heard it Through the Grapevine‘ (Motown’s lament about 'the rumor mill that swirls around a cheating lover') has been described as 'the gold standard in violently recontextualized punk covers' and 'transcendent'. The song is memorable by virtue of it doing what all the best covers surely should: radically reinterpreting a song (a classic in its own right in this case, though I’d suggest it doesn’t have to be) and making it into something new. Apart from the genre shift, Ari’s vocal twists and ingenious insertion of 'I heard it through the bassline' at one point in the song give it a life of its own. Meanwhile, the lack of change in terms of heterosexist and standard gender appropriate alterations is refreshing. ..."
Song of the day: The Slits – I Heard it Through the Grapevine
Discogs
YouTube: Typical Girls, I Heard It Through The Grapevine

2010 October: Ari Up (17 January 1962 – 20 October 2010), 2012 July: Subatomic Sound System meets Lee Scratch Perry & Ari Up of the Slits (7″ vinyl), 2014 September: Live in Cincinnati and San Francisco 1980, 2015 August: Return Of The Giant Slits (1981/2007)

Almendares Alacranes - 1878 to 1961


Wikipedia - "The Almendares club was one of the oldest and most distinguished baseball teams in the old Cuban League, which existed from 1878 to 1961. Almendares represented the Almendares District on the outskirts of the old city of Havana—when the league was founded it was still considered a suburban area, but later became a district within the enlarged city. Almendares was one of the most successful franchises in the Cuban League. In their early history they were known by their colors as the Blues; later they adopted the name of Alacranes (Scorpions). Throughout their existence they had a famous rivalry with the Habana baseball club. ... For Cubans, baseball offered the possibility of national integration of all Cubans, of all classes, black and white, young and old, men and women. ..."
Wikipedia
Alacranes del Almendares Baseball in Cuba History
SABR: Lazaro Salazar
CubanBéisbol
Inter-Social Leagues
Death Will Have To Find Me on a Baseball Field: Connie Marrero Bio
[PDF] Forgotten Heroes: John “Buck” O'Neil
Alacranes del Almendares

Jennifer Hayden


"Jennifer Hayden came to comics from fiction-writing and children’s book illustration. Her new book, The Story of My Tits (Top Shelf, 2015), is a 352-page graphic memoir and breast cancer narrative. Her previous book, the autobiographical collection Underwire (Top Shelf, 2011), was excerpted in The Best American Comics 2013 and named one of 'the best comics by women' by DoubleX. She is a member of Activate (the premier webcomics collective in New York City), where she posts her webcomic S’crapbook, which earned a Notable listing in the Best American Comics 2012. ... After hours, Jennifer plays electric fiddle with The Rocky Hill Ramblers and The Spring Hill Band. She lives in Central New Jersey with her husband, their two college-age children, two cats, and the dog."
Jennifer Hayden - Bio
Jennifer Hayden
Hayden Shares Her Breast Cancer Survival Tale in "The Story of My Tits"
amazon: Jennifer Hayden

Never Say Never - Romeo Void (EP 1982)


Wikipedia - "'Never Say Never' is a 1982 song by the new wave band Romeo Void. One of their best-known songs, 'Never Say Never' was a favorite on early MTV, featuring a music video filmed in black and white using film noir motifs. The song is driven by a throbbing, funky bassline and punctuated by jagged guitar and saxophone, incorporating post-punk influences. The song was featured in the 1984 film Reckless starring Aidan Quinn as a football star and renegade. Quinn's character takes over the school dance's DJ booth to play the single, much to the dismay of all his classmates. A dance sequence ensues with Quinn's character moshing about while a somewhat distraught Daryl Hannah tries to figure out how to dance with him. ..."
Wikipedia
W - Romeo Void
allmusic
Discogs
YouTube: Never Say Never (Live)
YouTube: 01 - Never Say Never 00:00 02 - In The Dark 6:04 03 - Present Tense 10:26 04 - Not Safe 16:15

The Difference Engine - William Gibson and Bruce Sterling (1990)


"This genre-transcending science fiction novel by the co-inventors of 'cyberpunk,' William Gibson and Bruce Sterling, is set in an alternative version of Victorian London, circa 1855, with many of its familiar historical features intact: pea-souper fogs pierced with the dim glow of the first gaslight lamps, a war being fought in the Crimea, ladies in crinolines, gents in top hats, prodigies both of squalor and of nouveau riche excess. But then, and it is quite an enormous 'but then,' the authors have decreed that one crucial datum of history shall be other than it was: sometime in the 1820's the mathematician Charles Babbage succeeded in constructing an operational Analytic Engine, a clockwork computer powered not by electricity but by steam engines. The historical, cultural and scientific repercussions are enormous, as they have been in our own time, and the resulting counter-Victorian era is elaborated with a Dickensian density of imaginative detail. ..."
NY Times: Queen Victoria's Computers
W - The Difference Engine
Speculiction
libcom: The difference engine - William Gibson and Bruce Sterling
NYPL: William Gibson 101:03

2010 September: Cyberpunk, 2010 October: Bruce Sterling, 2011 July: William Gibson, 2015 May: Mirrorshades: The Cyberpunk Anthology - edited by Bruce Sterling (1986), 2015 July: A Global Neuromancer

Bruce Conner: It's All True


CROSSROADS. 1976/2013.
"BRUCE CONNER: IT’S ALL TRUE is the artist’s first monographic museum exhibition in New York, the first large survey of his work in 16 years, and the first complete retrospective of his 50-year career. It brings together over 250 objects, from film and video to painting, assemblage, drawing, prints, photography, photograms, and performance. Bruce Conner (1933–2008) was one of the foremost American artists of the postwar era. Emerging from the California art scene, in which he worked for half a century, Conner’s work touches on various themes of postwar American society, from a rising consumer culture to the dread of nuclear apocalypse. ..."
MoMA
SF MoMA
UC Press - Bruce Conner: It's All True
YouTube: A Movie, BREAKAWAY - Art + Music - MOCAtv, Intro / THREE SCREEN RAY - Art + Music - MOCAtv, MEA CULPA - Art + Music - MOCAtv, MONGOLOID - Art + Music - MOCAtv

Algerian War


Wikipedia - "The Algerian War, also known as the Algerian War of Independence or the Algerian Revolution ... was a war between France and the Algerian National Liberation Front (FLN) from 1954 to 1962, which led to Algeria gaining its independence from France. An important decolonization war, it was a complex conflict characterized by guerrilla warfare, maquis fighting, and the use of torture by both sides. The conflict was also a civil war between loyalist Algerians supporting a French Algeria and their Algerian nationalist counterparts. ... Although the military campaigns greatly weakened the FLN militarily, with most prominent FLN leaders killed or arrested and terror attacks effectively stopped, the brutality of the methods employed failed to win hearts and minds in Algeria, alienated support in Metropolitan France and discredited French prestige abroad. ..."
Wikipedia (Video)
The Atlantic: A Chronology of the Algerian War of Independence
Algeria and War, 1954-62
History of Algerian Independence
YouTube: Charles De Gaulle and the Algerian War | 1954-1960 | Documentary on the Algerian War of Independence 26:15, Veterans: The French in Algeria 23:24, Al Jazeera Algeria Test of Power 1of2 An Authoritarian Era 49:12, Al Jazeera Algeria Test of Power 2of2 An Era of Tempests 47:12

2016 April: Algerian Chronicles - Albert Camus (2013)

Discover Harvard’s Collection of 2,500 Pigments: Preserving the World’s Rare, Wonderful Colors


"If modern paint companies’ pretentiously-named color palettes gall you to the point of an exclusively black-and-white existence, the Harvard Art Museums’ Forbes pigment collection will prove a welcome balm. The hand and typewritten labels identifying the collection’s 2500+ pigments boast none of the flashy 'creativity' that J. Crew employs to peddle its cashmere Boyfriend Cardigans. The benign, and wholly unexciting-sounding 'emerald green' is — unsurprisingly —the exact shade legions of Oz fans have come to expect. The thrills here are chemical, not conferred. A mix of crystalline powder copper acetoarsenite, this emerald’s fumes sickened penniless artists as adroitly as they repelled insects. Look how nicely it goes with Van Gogh’s ruddy hair. ..."
Open Culture (Video)

Amos Chapple


"For most people, Oymyakon—the world's coldest permanently settled area, located a few hundred miles from the Arctic Circle in the Russian tundra—wouldn't be a top-of-the-list travel destination. But for New Zealand photographer Amos Chapple, it offered an opportunity he couldn't refuse. Working as an English teacher in Russia to support his travel photography, Chapple viewed a trip to Oymyakon—and its nearest city, Yakutsk (576 miles away)—as a chance to embark on a unique photography project. ... Still, it's extremely remote: six time zones away from Moscow, there is a small airport but no railway, and the town boasts but one major road leading in and out of it. Known as the 'Road of Bones,' it was built by gulag inmates under Stalin's regime. ..."
Smithsonian: Photos From the Coldest City on Earth
On Siberia's Ice Highway (Video)
Amos Chapple

GOWANUS! Brooklyn’s Troubled Waters


"Brooklyn’s Gowanus — both the creek and the canal — is one of the most mysterious and historically important waterways in New York City. By coincidence, it also happens to be among its most polluted, shrouded in frightening tales of dead animals (and a few unfortunate humans) floating along its canal shores. Its toxic mix is the stuff of urban legends (most of which are actually true). But this was once the land of delicious oysters. This was the site of an important Revolutionary War battle. This was part of the property of the man who later developed Park Slope. But, in current times, it ALSO happens to be one of New York City’s hottest neighborhoods for real estate development. How does a neighborhood go from a canal of deadly constitution to a Whole Foods, condos and shuffleboard courts? ..."
The Bowery Boys: New York City History
The Bowery Boys: New York City History - The history and future of Gowanus
Love that dirty water: The Gowanus Canal's Union Street Bridge
NYUpress - Gowanus: Brooklyn’s Curious Canal by Joseph Alexiou
Inside Lavender Lake, Our New Favorite Beer Garden
vimeo: Lavender Lake (short story) - Stephane Missier
NY Times: Brooklyn Artist in Troubled Water

DJ OBaH


"OBaH turned a family legacy into a profession, becoming a rising industry music producer and highly sought after NYC DJ. OBaH stands for Oldskool Beats and Harmonies for a very good reason: he’s the son of veteran NYC DJ/Musician/Professor and activist, Baba Chico. Growing up, OBaH had the world’s best funk, jazz & soul records at his fingertips. Armed with his father’s epic library of music, OBaH quickly made his mark on the NYC club scene, becoming the resident DJ at several nightclubs in his native Brooklyn. Quickly gaining respect and a solid fan base, his first big break came courtesy of world-renowned DJ, Rich Medina, who invited OBaH to spin at his weekly party at the legendary (now defunct) APT nightclub in the Meatpacking district of NYC. ..."
OBaH: Bio
OBaH (Video)
Soundcloud (Video)
OBaH's mixes (Video)
YouTube: Dubspot Instructor Spotlight - Video Profile: Meet Brooklyn's DJ OBaH - Producer / Educator

"The Rolling Stones: Charlie Is My Darling — Ireland 1965"


"For those who can’t get to the New York Film Festival tonight or next Thursday for the screening of Peter Whitehead’s documentary 'Charlie Is My Darling,' which shows the Rolling Stones onstage and off during their 1965 concert tour in Ireland, fear not—it’s coming to DVD next month. But don’t miss it then: Whitehead catches the band while its feet are still touching the ground and while its members are still facing both the homey pleasures and the mounting terrors of a relatively un-insulated life, while their joy in making music and in having a limber jaunt together is still fresh and their success is still a lightly gilded serendipity. ..."
New Yorker - “Charlie Is My Darling”: The Rolling Stones in 1965
W - Charlie Is My Darling
NY Times: Early Stones, Presented as Diamonds in the Rough
amazon
DailyMotion: Charlie Is My Darling - Ireland 1965

2015 August: Exile on Main Street (1972), 2015 October: "Let's Spend the Night Together" / "Ruby Tuesday" (1967), 2015 December: Brian Jones Presents the Pipes of Pan at Joujouka (1971), 2016 January: Some Girls (1978), 2016 January: The Rolling Stones (EP), 2016 March: Five by Five (EP - 1964)

Spotlight (2015)


"'The city flourishes when its great institutions work together,' says the cardinal to the newspaper editor during a friendly chat in the rectory. The city in question is Boston. The cardinal is Bernard F. Law and the editor, newly arrived at The Boston Globe from The Miami Herald, is Martin Baron. He politely dissents from the cardinal’s vision of civic harmony, arguing that the paper should stand alone. Their conversation, which takes place early in 'Spotlight,' sets up the film’s central conflict. Encouraged by Baron, a small group of reporters at The Globe will spend the next eight months (and the next two hours) digging into the role of the Boston archdiocese in covering up the sexual abuse of children by priests. ... When institutions convinced of their own greatness work together, what usually happens is that the truth is buried and the innocent suffer. Breaking that pattern of collaboration is not easy. Challenging deeply entrenched, widely respected authority can be very scary. ..."
NY Times (Video)
NPR: Film Shines A 'Spotlight' On Boston's Clergy Sex Abuse Scandal (Video)
W - Spotlight
YouTube: Spotlight Official Trailer #1

Professor Wouassa - Dangerous Koko (2011)


"Debut album by Swiss-based afro-beat band Professor Wouassa. Features Duke Amayo, Chico Mann, Black Cracker, Korbo, Thais Diarra, Didier Awadi, Alina Amuri, Luthor… In the humid slums of the city of Lausanne, Switzerland, Professor Wouassa develops a singular musical genre with roots in the African continent. These six sorcerers don't shy away from mixing afrobeat, high-life and ethio-jazz to their background of 60's soul, old funk and hip-hop. ..."
afrobeat, afrofunk, afrojazz, afrorock, african boogie, african hiphop
Soundcloud
YouTube: Dangerous Koko! - full album

Reginald Marsh, "Tattoo and Haircut," 1932


"Of the foremost realists of the 1930s, Reginald Marsh was fascinated by public behavior and the exciting commotion of New York. Tattoo and Haircut portrays a busy scene of people below the massive structure of the El on the Bowery, then an area notorious as a skid row. Rendered in Marsh’s gently satirical style are several city types: a derelict on crutches, loitering men conversing or smoking cigarettes, a chic woman walking by herself. Marsh used an egg tempera medium to fill every inch of the composition with details, from architectural elements to signs and text. Introduced to the artist by the muralist Thomas Hart Benton, the medium suited Marsh’s keen skills as a draftsman. Here he added successive films of tempera in muted colors, using its mottled, uneven surface to emphasize the grimy nature of this world. His technique thus reinforces his presentation of the subject: cacophonous, dilapidated, and dim, yet vibrantly alive."
The Art Institute of Chicago
W - Reginald Marsh

Human Interest: Portraits from the Whitney’s Collection


"Human Interest: Portraits from the Whitney’s Collection offers new perspectives on one of art’s oldest genres. Drawn entirely from the Museum’s holdings, the more than two hundred works in the exhibition show changing approaches to portraiture from the early 1900s until today. Bringing iconic works together with lesser-known examples and recent acquisitions in a range of mediums, the exhibition unfolds in eleven thematic sections on the sixth and seventh floors. Some of these groupings concentrate on focused periods of time, while others span the twentieth and twenty-first centuries to forge links between the past and the present. This sense of connection is one of portraiture’s most important aims, whether memorializing famous individuals long gone or calling to mind loved ones near at hand. ..."
Whitney
Whitney (Video)
NY Times: Picturing America in the Selfie Age, at the Whitney

"Texas Flood" - Larry Davis (1958)


Wikipedia - "'Texas Flood' (sometimes called 'Stormin' in Texas' or 'Flood Down in Texas') is a blues song recorded by Larry Davis in 1958. It is considered a blues standard and has been recorded by several artists, including Stevie Ray Vaughan, who made it part of his repertoire. 'Texas Flood' is a slow-tempo twelve-bar blues notated in 12/8 time in the key of A♭. It was written by Davis in California in 1955 and is credited to Davis and Duke Records arranger/trumpeter Joe Scott. Nominally about a flood in Texas, Davis used it as a metaphor for his relationship problems:
Well I'm leavin' you baby, Lord I'm goin' back home to stay (2×)
Well where there's no floods or tornadoes, baby the sun shines every day
Although Davis later became a guitar player, for 'Texas Flood' Fenton Robinson provided the distinctive guitar parts, with Davis on vocals and bass, James Booker on piano, David Dean on tenor saxophone, and an unknown drummer. The song was Davis' first single as a leader and became a regional hit. ..."
Wikipedia
W - Larry Davis
allmusic
Discogs (Video)
YouTube: "Texas Flood", Fenton Robinson ~ "Texas Flood"(Electric Chicago Blues 1974), "Texas Flood" - Stevie Ray Vaughan & Albert King, Stevie Ray Vaughan - "Texas Flood"

Painting With Light: Art and Photography


John Atkinson Grimshaw "London, Pall Mall and St. James Street", c.1880s
"Painting With Light: Art and Photography from the pre-Raphaelites to the Modern Age, will exhibit at Tate Britain from the 11th May to 25th September. This is a concept we can fully support as an idea for an exhibition, getting under the skin on the relationship between British painters and photographers. Focussing on a period of 75 years, the exhibition is set to bring close to 200 pieces of work and a great way of presenting different collections and mediums the Tate has and can bring together. ..."
Photography.News
Tate
Interview: Painting with Light, Tate Britain, London

Sun Song - Sun Ra (1956)


"This essential title is also available under the moniker of Sun Song (1956). Regardless of name, this long-player contains some of Sun Ra's most complex, yet accessible efforts. Ra had been an active performer since the late 1940s, recording with his various combos or 'Arkestra(s)' as Ra dubbed them. ... Ra's highly arithmetical approach to bop was initially discounted by noted jazz critic Nat Hentoff as 'repetitious,' with phrases 'built merely on riffs with little development.' In retrospect, however, it is obvious there is much more going on here. Among the musical innovations woven into the up-tempo 'Brainville' and 'Transition,' are advanced time signatures coupled with harmonic scales based on Ra's mathematical equations. ... Ra's original LP jacket comments can be found within the liner notes of the Sun Song compact disc. This is noteworthy as one of the rare occasions that Sun Ra sought to explain not only his influences, but his methods of composition and modes of execution as well. ..."
allmusic
W - Jazz by Sun Ra
LondonJazzCollector
amazon
YouTube: Sun Ra - Sun Song [Full Album]

Simple Headphone Mind - Stereolab / Nurse With Wound (EP - 1997)


Wikipedia - "Simple Headphone Mind is the second collaboration between Stereolab and Nurse With Wound. As with their first release, Crumb Duck, Stereolab recorded the basic track and then handed it over to Steven Stapleton to do with as he pleased. Unlike with Crumb Duck, listeners can hear the original Stereolab recording, as it was issued under the title The Long Hair Of Death on a split single with Yo La Tengo; this version was also featured on Stereolab's Aluminum Tunes compilation album. Again, as with Crumb Duck, the release was a limited edition. ..."
Wikipedia
Discogs
YouTube: Simple Headphone Mind, Trippin ' With the Birds

Why is modern poetry so bad? (2013)


ONE MORE LOOK AT ALABAMA - October 1984 conference
"Friday morning, America’s great poets will wake up to find that someone has TP-ed their trees and scrawled 'COWARD' on the door. A 6,000-word jeremiad about the pathetic state of contemporary poetry appears in the July issue of Harper’s magazine, which hits bookstores Friday. In 'Poetry Slam, or, The Decline of American Verse,' Mark Edmundson, an English professor at the University of Virginia, upbraids our bards for being 'oblique, equivocal, painfully self-questioning . . . timid, small, in retreat . . . ever more private, idiosyncratic, and withdrawn.' That’s just for starters. ... Sharon Olds, Mary Oliver, Charles Simic, Frank Bidart, Robert Hass, Robert Pinsky — they’re all brought into Edmundson’s office for a dressing down. Their poems 'are good in their ways,' he concedes. ..."
Washington Post
[PDF] Poetry Slam or, The Decline of American Verse - Mark Edmundson
In Every Generation: A Response to Mark Edmundson
Slate: Who Are You Calling Opaque?
The Atlantic: Literature Is Dead (According to Straight, White Guys, At Least)
A Brief Reply to ‘Poetry Slam’ by Mark Edmundson
Poetry Daily Critique
Scarriet
W - Poetry Slam

"The Old New World" - Alexey Zakharov


"Here’s an amazing short film titled 'The Old New World' by photographer and animator Alexey Zakharov of Moscow, Russia. Zakharov found old photos of US cities from the early 1900s and brought them to life. The photos show New York, Boston, Detroit, Washington, D.C., and Baltimore between 1900 and 1940, and were obtained from the website Shorpy. It’s a 'photo-based animation project' that offers a 'travel back in time with a little steampunk time machine,' Zakharov says. 'The main part of this video was made with camera projection based on photos.'”
This Animation Was Created Using Old Photos from the Early 1900s (Video)

Mike Kelley, More Love Hours Than Can Ever Be Repaid and The Wages of Sin, 1987


"More Love Hours Than Can Ever Be Repaid is a chaotic assemblage of handmade dolls and blankets that Mike Kelley found in thrift stores. Kelley does not designate to whom more 'love hours' are owed, but simply puts forward the condition of loving something too much, or of receiving too little in return—like the cast-off items that make up the sculpture. The title also conjures associations of guilt: when parents and relatives create these toys and blankets, are the countless hours of stitching, knitting, and crocheting a kind of penance, and for what? Do we expect children to repay the time and love lavished on them? ..."
Whitney
Welcome to Mike Kelley University
LA Times - Mike Kelley: A game-changer for the art world
W - Mike Kelley