Rashid Johnson: Anxious Men

"Since distinguishing himself as the youngest artist in Freestyle, the landmark 2001 exhibition at the Studio Museum in Harlem, Johnson has established himself as one of the preeminent artists of his generation. Invoking such varied themes as the black experience in America, the dialogue between abstraction and figuration, and the relationship between art and personal identity, Johnson has been discussed within the context of contemporary painting, photography, sculpture, video, installation art, and even performance. Now, with the Anxious Men, drawing enters that list. ..."
Drawing Center
NY Times: Looking Deeply at the Art of Rashid Johnson
Hauser & Wirth
New York’s Prestigious Drawing Center Showcases Star of the ‘Post-Black’ Art Movement
Nowness: Rashid Johnson's Post-black Art
Guggenheim: Storylines: Rashid Johnson

Mark Alan Stamaty

Wikipedia - "Mark Alan Stamaty is an American cartoonist and children's book writer and illustrator. During the 1980s and 1990s, Stamaty's work appeared regularly in the Village Voice. He is the creator of the long-running comic strip Washingtoon, as well as the earlier comic strip MacDoodle Street, and the online strip Doodlennium for Slate magazine He is also a spot illustrator for Slate. He produced a monthly comic strip in the New York Times Book Review called 'Boox' in 2001–2004 that made fun of publishing trends. Stamaty has published several books, including collections of his strips and graphic novels for children, notably Alia's Mission: Saving the Books of Iraq (2004) and the cult classic Who Needs Donuts? (originally published in 1973 and reprinted by Random House in 2003."
Wikipedia
Mark Alan Stamaty
The New York Comics and Picture-Story Symposium: Mark Alan Stamaty
New Republic: A Pre-Election Washingtoon Round-Up
Slate Illustrated, 2009
amazon: Mark Alan Stamaty

The Sounds of Memphis

"The Memphis Grizzlies will be honoring the old Memphis Sounds for their Hardwood Classic games this season by wearing the Sounds’ red-and-white jerseys. Given that the Sounds were around in the early 1970s and were of the ABA, the jerseys are pretty slick and sweet. Even better is the logo of the Memphis Sounds. Just gorgeous. Of course that name, the Sounds, is the most appropriate name ever given to a Memphis pro basketball team. The Tams and Pros of the ABA and the Grizzlies of the NBA don’t speak to the soul of that Tennessean city as well as the Sounds do. The Mighty Mississippi passes by and gives Memphis a steady rhythm. The pastoral hinterlands stand by providing a certain patience to Memphis as well. The confluence of these geographic entities gives Memphis a unique feel, a particular sound, that deserves a little more exploration. ..."
Pro Hoops History (Video)

2011 June: American Basketball Association, 2012 July: Doin’ It In The Park: Pick-Up Basketball, NYC, 2012 November: Your Guide to the Brooklyn Nets, 2013 March: March Madness 2013, 2013 October: Rucker Park, 2013 November: Free Spirits', 2014 January: History of the high five, 2015 February: Dean Smith (February 28, 1931 – February 7, 2015), 2015 June: Basketball’s Obtuse Triangle, 2015 September: SLAM Magazine, 2015 September: Joint Ventures: How sneakers became high fashion and big business, 2015 October: Loose Balls - Terry Pluto (2007).

OverUnder: “My Sentiments Abstractly” Opens in Oakland

"A mark. That is all most of us can hope to make on the world, or even to get through it. The Celebrity Industrial Complex that is busily distracting us also routinely overlooks masses of beautiful people who are daily just trying to pay the rent, tend to their ill, worship their deity, grow their garden, pen their poem, make their mark. 'My Sentiments Abstractly' says the title of OverUnder’s solo show opening tonight in Oakland, California, continues the fine/Street Art/graffiti artists’ examination of his mark making, and . Feeling mortal, OverUnder is taking a wider view of the path with this collection of recent wheatpastes, painting, photography, mixed media and site-specific installation. ..."
Brooklyn Street Art

Three Historic Performances at Paris’ Le Bataclan: The Velvet Underground (1972), Genesis with Peter Gabriel (1973) & Jeff Buckley (1995)

1972: John Cale, Lou Reed and Nico
"After every terrible tragedy in the West, we expect celebrities to weigh in. And they do, with comments insightful and heartfelt, appalling and boorish, perfunctory and banal. Often, the larger the public profile, the more self-serving the soundbite. One take in particular has provoked sneers and ridicule: Bono—who paid respects with his band at music venue Le Bataclan—told an interviewer, 'this is the first direct hit on music we’ve had in this so-called War on Terror.' ... One can understand the sentiment, without excusing the verbiage. Le Bataclan—scene of what has rightly been called a 'bloodbath'—has occupied a significant place in pop music history since it started booking rock bands in the 1970s; and it has hosted famous musicians and singers—like Edith Piaf—since its opening in 1864. ..."
Open Culture (Video)

12'' Vivian Jones - Red Eyes (1993)

"... By the mid-90s Vivian Jones had established his own Imperial House label, and he escaped his lovers rock image when in 1994 he released the rootsyIyaman, an approach that continued with The King. In 1994, ‘Happiness’ reaffirmed his status as one of the UK’s top lovers rock performers. In 1995 he recorded his debut for Fashion Records, ‘Dedicated To His Majesty’, which featured an outstanding performance from the contemporary DJ Nico Junior. ..."
allmusic
W - Vivian Jones
YouTube: Red Eyes, Got a Light

Brian Eno & Harmonia '76 - Tracks and Traces (2009 Reissue)

Wikipedia - "Tracks and Traces is the one and only album credited to Harmonia '76, but it is generally regarded as the third album by the highly influential Krautrock/Kosmische Musik group Harmonia. Harmonia was formed by the addition of Neu! guitarist Michael Rother to Cluster, the duo of Hans-Joachim Roedelius and Dieter Moebius. British ambient musician Brian Eno joined the group at Harmonia's studio in Forst, Germany for the September 1976 recording sessions which resulted in this album. ..."
Wikipedia
The Quietus
popmatters
YouTube: Tracks and Traces Full Album (2009 Reissue)

Interviews William Faulkner, The Art of Fiction No. 12

"William Faulkner was born in 1897 in New Albany, Mississippi, where his father was then working as a conductor on the railroad built by the novelist’s great-grandfather, Colonel William Falkner (without the 'u'), author of The White Rose of Memphis. ... Encouraged by Sherwood Anderson, he wrote Soldier’s Pay (1926). His first widely read book was Sanctuary (1931), a sensational novel which he says that he wrote for money after his previous books—including Mosquitoes (1927), Sartoris (1929), The Sound and the Fury (1929), and As I Lay Dying (1930)—had failed to earn enough royalties to support a family. ... Recently, though shy and retiring, Faulkner has traveled widely, lecturing for the United States Information Service. This conversation took place in New York City, early in 1956."
The Paris Review

2011 September: Southern Gothic, 2014 February: William Faulkner, 2015 October: William Faulkner Draws Maps of Yoknapatawpha County, the Fictional Home of His Great Novels

When Women Ruled Fashion

The Empress Eugénie Surrounded by Her Ladies-in-Waiting, by Franz Xaver Winterhalter, 1855.
"As the story is usually now told, Charles Frederick Worth (1825–1895), often described as a French couturier of British origin, created the institution of haute couture. This take on fashion history defines the most respected sector of the fashion world—the sector where the economic stakes are highest—as having always been what it largely is today: a male preserve. It’s true that, despite such notable exceptions as Coco Chanel, beginning with the founding of the Maison Worth in 1858, the great fashion houses have been run by men. From today’s vantage point, it seems as if it’s always been the same scenario: men designing women’s clothing and dictating not only color and skirt length but the ideal shape for the female body—even the types of undergarments to be used to achieve perfect proportions. But the history of haute couture is more than an all too predictable chronicle of famous tailors. ..."
Laphams Quarterly

Three Teams of Coordinated Attackers Carried Out Assault on Paris, Officials Say; Hollande Blames ISIS

The Guardian
"Three teams of Islamic State attackers acting in unison carried out the terrorist assault in Paris on Friday night, officials said Saturday, including one gunman who may have traveled to Europe on a Syrian passport along with the flow of migrants. 'It is an act of war that was committed by a terrorist army, a jihadist army, Daesh, against France,' President François Hollande told the nation from the Élysée Palace, using an Arabic acronym for the Islamic State. 'It is an act of war that was prepared, organized and planned from abroad, with complicity from the inside, which the investigation will help establish.' As the death toll rose to 129 victims — with 352 others injured, 99 of them critically — a basic timeline of the attacks came into view. ..."
NY Times (Video)
Guardian: Paris attacks kill more than 120 people – as it happened (Video)
BBC - Paris attacks updates (Video)
France24 (Video)
The Atlantic: What ISIS Really Wants (2015 March)
What is “Islamic”? A Muslim Response to ISIS and The Atlantic (2015 February)
Nov. 15:
NY Times: The Opinion Pages | What Will Come After Paris
NY Times: To Save Paris, Defeat ISIS
NY Times: How ISIS Expanded Its Threat

Buddy' Moss (January 16, 1914 – October 19, 1984)

"Eugene 'Buddy' Moss (January 16, 1914 – October 19, 1984) was, in the estimation of many blues scholars, one of the two most influential East Coast blues guitarists to record in the period between Blind Blake's final sessions in 1932 and Blind Boy Fuller's debut in 1935 (the other being Josh White). A younger contemporary of Blind Willie McTell, Curley Weaver and Barbecue Bob, Moss was part of a coterie of Atlanta bluesmen, and among the few of his era who had been involved in the blues revival of the 1960s and 1970s. A guitarist of uncommon skill and dexterity with a strong voice, he began as a musical disciple of Blind Blake, and may well have served as an influence on the later Piedmont-style guitarist Blind Boy Fuller. Although his career was halted in 1935 by a six-year jail term, and then by the Second World War, Moss lived long enough to be rediscovered in the 1960s, when he revealed his talent had persevered throughout the years. ..."
Wikipedia
Jas Obrecht Music Archive (Video)
American Music
Spotify
YouTube: Buddy Moss Recorded Works (1933-41) In Chronological Order, Rediscovery, Going To Your Funeral In A Vee Eight Ford, Four Songs From 1963: "Untitled Instrumental No 1", "Hey Lawdy Mamma", "In The Evening" and "A Thousand Women Blues"

The Masses,1911 - 1917

June 1914 cover of The Masses depicting the Ludlow Massacre
"The Masses was a graphically innovative magazine of socialist politics published monthly in the United States from 1911 until 1917, when federal prosecutors brought charges against its editors for conspiring to obstruct conscription. It was succeeded by The Liberator and then later The New Masses. It published reportage, fiction, poetry and art by the leading radicals of the time such as Max Eastman, John Reed, Dorothy Day, and Floyd Dell. ... their magazine. ... It was more open to Progressive Era reforms, like women's suffrage, than Emma Goldman's anarchist Mother Earth. At the same time it fiercely criticized more mainstream leftist publications like The New Republic for insufficient radicalism. After Eastman assumed leadership, and especially after August 1914, the magazine’s denouncements of the war were frequent and fierce. ... "
Wikipedia
Modernist Journals Project
A Short History of THE MASSES

St. Mark’s Place: It’s Party Time in the East Village!

"St. Mark’s Place may be named for a saint but it’s been a street full of sinners for much of its history. One of the most fascinating streets in the city, St. Mark’s traces its story back to Peter Stuyvesant, meets up with the wife of Alexander Hamilton in the 1830s, experiences the incredible influx of German and Polish immigrants in the late 19th century, then veers into the heart of counter-culture — from the political activism of Abbie Hoffman to the glamorously psychedelic parties of Andy Warhol. And that’s when the party really gets started! St. Mark’s is known for music, fashion, rebellion and pandemonium. In the 1970s and 80s, clothing stores like Limbo and club nights like Club 57 helped define its character — punk, new wave, alternative, raucous. ..."
Bowery Boys History
The Strange History of the East Village's Most Famous Street
What an Electrifying Past: 19-25 St. Marks Place
St. Marks Place in 20 Years of Photos
Rockit Scientist Records Packs Up Its Crates
On the Stoop of Rock ‘n’ Roll History
Voice: Our 10 Best Things to Eat on St. Marks Place in the East Village, NYC
YouTube: Saint Marks Place NYC Historical Photos, St. Marks Place NYC

2011 October: Saint Mark's Place

The Body Politic: The battle over Pablo Neruda’s corpse

"The were all there for Pablo Neruda, but nobody seemed to like Pablo Neruda. The members of the Chilean media had assembled on a rock formation that rose up from the beach, a formation that now bristled with tripods like a sea urchin, a dozen lenses trained on the darkened windows of Neruda’s hillside home. Nothing was happening there; the poet lay still in his grave. 'He wrote all these love poems, but he was a son of a bitch,' said a reporter from a wire service. She poured Nescafé from a thermos into a styrofoam cup and recited a brief history of the poet’s amorous cruelty. She wondered about Neruda’s first divorce, a hasty arrangement in Mexico, possibly unofficial. Was Neruda a bigamist? ..."
Harpers

February 2009: Pablo Neruda, 2011 November: 100 Love Sonnets.

A Political History of Hip-Hop: South Bronx to the Arab Spring Exhibition at IMA

"With American hip-hop dominating the radio and record sales, many would be surprised to know that France is the second biggest (behind the USA) consumer and producer of hip-hop music in the world. In a unique new exhibition covering political, cultural and musical themes, the Institut au Monde Arabe in Paris have traced the multicultural genealogy of hip-hop from old school rap of New York’s South Bronx to the streets of the recent Arab Spring via France in ‘HIP-HOP, du Bronx aux rues arabes‘. With hip-hop music now a global phenomenon with incredible commercial power and influence, it’s hard to imagine that just a few decades ago it emerged on the margins of American society. ..."
LOPA
LOPA Magazine
Time Out Paris
YouTube: What Ever Happened to Hip Hop (Documentary) 54:44, From Mambo to Hip-Hop: A South Bronx Tale 56:06, What is Beef? Hip-Hop/Rap (Documentary) 1:42:55

2012 January: The Hip-Hop Family Tree: A Look Into the Viral Propagation of a Culture,  2012 November: An Intro To Rebel Hip-Hop Of The Arab Revolutions, 2014 June: Born in the Bronx: A Visual Record of the Early Days of Hip Hop, 2014 December: How to Raise Hell in Three Steps: on RUN-D.M.C, Parliament, Blackness and Revolution, 2015 April: Hip-Hop Revolution, 2015 April: Hip-Hop History Tuesdays: Joe Conzo (Born In The Bronx) Amoeblog Interview, 2015 July: Nas presents the Real Hip-Hop – video, 2015 September: Hip Hop Family Tree 1975-1983 Gift Box, 2015 October: Rubble Kings – The Mixtape.

Times Insider: Reporting Europe's Refugee Crisis

"Stories of Hope, Courage and Loss As Historic Journey Unfolds By Richard W. Stevenson. Sometimes it is clear in an instant that the world has changed: a jetliner slices into an office tower; a leader is felled. But more often, history unfolds incrementally. For months, we have watched it do so in literally millions of steps, as hundreds of thousands of people trudge from some of the world’s most conflict-ridden and poorest regions toward Europe and what they hope will be more secure and prosperous lives. It is a development remarkable in its scale, and in what it says about the limits of borders in a globalized, interconnected world. And it is producing countless stories of courage, loss, heroism and avarice that are forcing societies to confront issues of race, religion, security and national identity. ..."
NY Times
This map shows the routes of Europe's refugee nightmare — and how it's getting worse

CR Newsmakers Interview: Ben Towle, Craig Fischer

"I was looking for ways to throw a spotlight on this weekend's HeroesCon in Charlotte -- an extremely well-liked, much-lauded show -- when Ben Towle contacted me to remind that he and Craig Fischer were doing an ambitious panel this weekend on comics and music. That's a good subject for a big panel at a comics show, particularly one where Ed Piskor and Peter Bagge are in attendance. I'm also sort of interested in comics programming right now as its own thing -- it has improved across the board in recent year due in no small part to people like Ben and Craig doing ambitious presentations like they will be this weekend. ..."
Comics Reporter

The Bootleg Series Vol. 12: The Cutting Edge 1965–1966

Wikipedia - "The Bootleg Series Vol. 12: The Cutting Edge 1965–1966 is a set of recordings from 1965 and 1966 by Bob Dylan, released in November of 2015 on Legacy Records. It compiles mostly unreleased session demos and outtakes from recording sessions for the albums Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde. Three different versions of the set were released simultaneously: a two-disc Best of edition in the packaging and format standard to the rest of the series after the first installment; a six-disc box set Deluxe edition similar in packaging to its counterpart from the previous Bootleg set; and an 18-disc limited Collector's Edition available exclusively by order from Dylan's official website. Stated on the website as being limited to 5000 copies total in manufacture ever, the Collector's Edition is unique as it includes "...every note recorded during the 1965-1966 sessions, every alternate take and alternate lyric.' ..."
New Yorker: Bob Dylan and the “Hot Hand”
Salon - Bob Dylan’s “electric trilogy” masterpieces: I played all 18 discs and 357 tracks. Here’s why you should
NPR - Review: Bob Dylan (Video)
YouTube: Visions of Johanna, Just Like a Woman - Take 1, It Takes a Lot to Laugh It Takes a Train to Cry - Take 1, Stuck Inside of Mobile with the Memphis Blues Again - Take 13, Sitting On a Barbed Wire Fence - Take 2, Subterranean Homesick Blues (alternate music video)
YouTube: The Story Of The Cutting Edge, UPDATED unboxing Bob Dylan's The Bootleg Series Vol. 12: The Cutting Edge 1965 - 1966

Life After God - Douglas Coupland (1994)

Wikipedia - "Life After God is a collection of short stories by Douglas Coupland, published in 1994. The stories are set around a theme of a generation raised without religion. The jacket for the hardcover book reads 'You are the first generation to be raised without religion.' The text is an exploration of faith in this vacuum of religion. The stories are also illustrated by the author. Several critics have suggested that this publication marks an early shift in the stylistic vocabulary of Coupland and, according to one critic, he was 'excoriated presumably for attempting be serious and to express depression and spiritual yearning when his reviewers were expecting more postmodern jollity'. However, the short story would later come to garner more praise (see below) though critics and academics have paid little attention to the publication in terms of academics' articles and commentary. ..."
Wikipedia
amazon
Douglas Coupland’s Life After God: A Case of Style Over Substance - by Dan Geddes
Life After God? No Answers from Gen-X Guru
Interview with Douglas Coupland

Deloris Ealy & The Roadrunners Band

"This 45 captured my attention not only for its extended title, but also for its fetching ebay price of nearly $1,000. 'Deloris is Back (To Blow Your Mind) with Jerome and His Band' has one of the funkiest, most primal drum grooves on vinyl. That's an even more impressive feat if you're to believe Deloris when she wails that her drummer is only thirteen years old! It's three minutes of simple reel-to-reel recording technology, but therein lies the charm behind the most expensive mp3 file in my collection. Enjoy!"
Deloris Is Back With Jerome & His Band- Deloris Ealy
YouTube: It's About Time I Made A Change, Honeydripper, In Your Town, How I Wish You Were Mine, Traveler In Space, Kenyatta's In Your Town

The Freedom Principle: Experiments in Art and Music, 1965 to Now

New Orleans–style group photo in painter Wadsworth Jarrell’s backyard, c. 1968
"The Freedom Principle: Experiments in Art and Music, 1965 to Now links the vibrant legacy of the 1960s African American avant-garde to current art and culture. It is occasioned in part by the fiftieth anniversary of the founding of the Association for the Advancement of Creative Musicians (AACM), a still-flourishing organization of Chicago musicians whose interdisciplinary explorations expanded the boundaries of jazz. Alongside visual arts collectives such as the African Commune of Bad Relevant Artists (AfriCOBRA), the AACM was part of a deep engagement with black cultural nationalism both in Chicago and around the world during and after the civil rights era. Combining historical materials with contemporary responses, The Freedom Principle illuminates the continued relevance of that engagement today. ..."
The Freedom Principle: Experiments in Art and Music, 1965 to Now
artsy
Guardian: The Freedom Principle review – an astounding fusion of jazz and art
YouTube: The Freedom Principle

American Qur'an

"A project to hand-transcribe the entire Qur'an according to historic Islamic traditions and to illuminate the text with relevant scenes from contemporary American life. Nine years in the making, the project was inspired by a decade of extended travel in Islamic regions of the world. ... Collected together and grouped generally according to length (rather than chronologically), the 114 chapters ('suras') form a collection of sermon-like 'revelations' that are the fundamental text of Islam, the fastest growing religion in America. At a time when the United States was involved in two wars against Islamic nations and declared itself to be in a cultural and philosophical struggle against Islamic extremists, American artist Sandow Birk’s latest project considers the Qur’an as it was intended – as a universal message to humankind. ..."
Sandow Birk
Atlantic: American Qu’ran Makes a Sacred Text Familiar
GOOD
amazon

Ruth & Marvin Sackner

Miami Beach, 2005
"Concrete! Ruth and Marvin Sackner share their love of words and images with an intimate tour of their Miami Beach home/museum -- the worlds largest private collection of concrete/visual poetry from such twentieth century art movements as Italian Futurism, Russian and Eastern European Avant Garde, Dada, Surrealism, Bauhaus, De Stijl, Ultra, Tabu-Dada, Lettrisme, and Ultra-Lettrisme. Over sixty-thousand objects from around the word speak volumes about a compulsive and joyful life of collecting art, poetry, and artist books. with art by Guillaume Apollinaire, Allen Ginsberg, Roy Lichtenstein, Matta, Bob Cobbing, Tom Phillips, Katharina Eckhart, Gertrude Stein, Ben Vautier and many, many more... and with music by Terry Riley, Arnold Dreyblatt and more. Ruth and Marvin Sackner founded the Archive in Miami Beach, Florida in 1979. Its initial mission was to establish a collection of books, critical texts, periodicals, ephemera, prints, drawings, collages, paintings, sculptures, objects, manuscripts, and correspondence dealing with precedent and contemporary, internationally produced, concrete and visual poetry. ..."
UbuWeb (Video)
Ruth Sackner R.I.P.
The Sackner Archive of Concrete and Visual Poetry
Encounters with Concrete and Visual Poetry (Video)
The Miami Rail
A Human Document: Selections from the Sackner Archive of Concrete and Visual Poetry
Collecting Art, Without Knowing What Kind of Art You're Collecting

Politics by Other Means - Arundhati Roy

"Although I do not believe that awards are a measure of the work we do, I would like to add the National Award for the Best Screenplay that I won in 1989 to the growing pile of returned awards. Also, I want to make it clear that I am not returning this award because I am 'shocked' by what is being called the 'growing intolerance' being fostered by the present government. ... Life is hell for the living too. Whole populations — millions of Dalits, Adivasis, Muslims, and Christians — are being forced to live in terror, unsure of when and from where the assault will come. ..."
Jacobin

2008 May: Arundhati Roy, 2010 April: "Walking With The Comrades"

The Instruction Manual: How to read John Ashbery.

"John Ashbery wrote his first poem when he was 8. It rhymed and made sense ('The tall haystacks are great sugar mounds/ These are the fairies' camping grounds') and the young writer—who had that touch of laziness that sometimes goes along with precocity—came to a realization: 'I couldn't go on from this pinnacle.' He went on, instead, to write poems that mostly didn't rhyme, and didn't make sense, either. His aim, as he later put it, was 'to produce a poem that the critic cannot even talk about.' It worked. Early on, a frustrated detractor called him 'the Doris Day of Modernism.' Even today a critic like Helen Vendler confesses that she's often 'mistaken' about what Ashbery is up to. You can see why: It simply may not be possible to render a sophisticated explication de texte of a poem that concludes 'It was domestic thunder,/ The color of spinach. Popeye chuckled and scratched/ His balls: it sure was pleasant to spend a day in the country.' ..."
Slate

Philippe Decouflé

Autour de Panorama
Wikipedia - "Philippe Decouflé (born October 22, 1961) is a French choreographer, dancer, mime artist, and theatre director. As a child he travelled extensively around Lebanon and Morocco, before learning his skills as a teenager at the Annie Fratellini Ecole du Cirque and the Marceau Mime School. While frequenting Parisienne nightclubs he discovered and was attracted to contemporary dance, and he eventually moved to the Centre National de la Danse Contemporaine in Angers to study under choreographer Alwin Nicolais. After briefly working as a solo dancer, he formed the Découflé Company of Arts in Bagnolet in 1983, moving it to a former electrical works in the Parisienne suburb of Saint-Denis in 1995. ..."
Wikipedia
Philippe Decouflé
UbuWeb: Shazam (2001), 2 Iris (2005)
YouTube: Octopus, 3 Boys Dance fight, Panorama, Abracadabra (1998), Contact

New York City's Mail Chutes are Lovely, Ingenious and Almost Entirely Ignored

Glorious example at the exquisite Fred French building.
"If you have ever worked in an old building, the chances are you will have at some point walked past a small mysterious brass box . Located about halfway up the wall, it is notable for a flat length of glass leading both into and out it, disappearing into the ceiling and the floor below. Often painted over, ignored and unused, they are a relic of the golden age of early skyscrapers called the Cutler mail chute. ..."
Atlas Obscura
W - Mail chute

Prime Time - James Blood Ulmer (1981)

"After cultivating a huge underground reputation both as a sideman in Ornette Coleman's Prime Time band and as an increasingly influential musician among the more experimental edges of the New York City punk and noise scenes, James Blood Ulmer was finally, in 1981, given a major-label contract by Columbia. Free Lancing was the first of three albums for the label before he, like many before and after, was unceremoniously dropped. It opens explosively with 'Timeless,' a ripping instrumental showcasing Ulmer at his best, all jagged angles, raw blues feeling, and chainsaw guitar shards. ... But it's Ulmer's stinging guitar lines -- rough-hewn, corrosive, and scrabbling -- throughout this recording that make it one of his finest."
allmusic
W - Prime Time
YouTube: Free Lancing Full Album 47:37

New Order - True Faith (1987)

Wikipedia - "'True Faith' is a song by New Order, produced by Stephen Hague. It was the first New Order single since their debut Ceremony to be issued in the UK as two separate 12" singles. The second 12" single features two remixes of "True Faith" by Shep Pettibone. ... The release of 'True Faith' was accompanied by a surreal music video directed and choreographed by Philippe Decouflé and produced by Michael H. Shamberg. In it, bizarrely costumed dancers leap about, fight and slap each other in time to the music; while a girl in dark green makeup emerges from an upside-down boxer's speed bag and signs the lyrics. The video has often been voted amongst the best music videos of its year. ..."
Wikipedia
W - 1963
YouTube: True Faith, 1963

2009 February: New Order, 2011 May: Movement, 2011 October: Low-Life, 2011 December: Brotherhood, 2012 May: Unknown Pleasures - Joy Division, 2012 September: Power, Corruption & Lies (1983), 2015 June: Believe In A Land Of Love: New Order's Low-Life 30 Years On.

The Crack-Up - F. Scott Fitzgerald (1945)

Wikipedia - "The Crack-Up (1945) is a collection of essays by American author F. Scott Fitzgerald. It consists of previously unpublished letters, notes and also three essays originally written for and published first in the Esquire magazine during 1936. It was compiled and edited by Edmund Wilson shortly after Fitzgerald's death in 1940. ... As an example of this 'truth,' he cites the ability to see that things are hopeless and yet be determined to make them otherwise. However, in modern decision theory, this quote has been used by some to explain the bias shown in many experiments where subjects gather information to justify a preconceived notion. These experiments suggest that the mental ability described by Fitzgerald (being able to see both sides of an argument) is more uncommon than many assume."
Wikipedia
'The Crack-Up' by F. Scott Fitzgerald
New Yorker: As Big as the Ritz
PBS - Essay: The Crack-Up
YouTube: Spoken Essay | "The Crack-Up" F. Scott Fitzgerald 1/3, 2/3, 3/3

Lucinda Williams - NPR Music Tiny Desk Concert

"She came to the Tiny Desk a little unsure, and left singing 'West Memphis' with intensity and passion. Lucinda Williams has a voice like no other, and it shines in these intimate moments. Williams is on a roll with a new double album, Down Where The Spirit Meets The Bone, which is filled with fresh and beautiful songs — all this from a songwriter known for working at a deliberate pace. Hearing her perform these new songs with her brilliant band was a rare and exciting treat. -- BOB BOILEN"
YouTube: NPR Music Tiny Desk Concert Something Wicked This Way Comes - Cold Day In Hell - Protection - West Memphis

2008 January: Lucinda Williams, 2010 May: Lucinda Williams - 1, 2011 March: Blessed, 2011 November: Austin, Texas, 1989, 2012 May: World Without Tears, 2012 October: Honky Tonk Women: The Changing Role of Women, 2013 January: "Can`t Let Go", "Pineola", "Changed the Locks", 2013 June: Car Wheels on a Gravel Road, 2013 August: Essence (2001).

Inventory of digitized magazines

"Supplementing the flowing content that characterizes the Jacket2 interface, Reissues offers a stable archive of digitized journals and magazines primarily focused on poetry and poetics. This landing page will feature updated links to the full Reissues inventory as it continues to grow. Reissues is inspired by archival platforms ranging from Eclipse and UbuWeb to The Modernist Journals Project and The International Dada Archive. Just as Jacket2 is built upon the preservation of forty issues of John Tranter’s Jacket magazine, Reissues seeks to re-present periodicals in conversation with contemporary issues in poetics. We publish fully searchable facsimile PDF editions, scanned in high resolution and organized with bookmarked content for easy navigation to individual works within each magazine. ..."
Jacket2

Janis Joplin at Woodstock festival, 16 August 1969

"Joplin’s Shooting Star 1966-1970 - In the rock ‘n roll firmament of the 1960s, Janis Joplin was a shooting star who burned white hot for five short years. She died of a heroin overdose at age 27. Joplin sang her own brand of the blues in an incendiary style. Yet in her short time — between 1966 and 1970 — she carved out a piece of music history that was distinctly her own. During these years, she traveled from the conservative community of Port Arthur, Texas to the expansive and unpredictable world that was the drug/hippie/music scene of 1960s San Francisco — and mostly in the glare of national stardom. ..."
Pop History (Video)
YouTube: Try (just a little bit harder), Can turn you loose, Work me lord, Ball and chain

2008 May: Janis Joplin, 2010 October: Janis Joplin: 1962-1965, 2012 December: "Little Girl Blue"

George Bellows, narrated by Ethan Hawke (2012)

Shipyard Society, 1916
"Narrated by Ethan Hawke, this film was made in conjunction with the exhibition George Bellows. Bellows arrived in New York City in 1904 and depicted an America on the move. In a twenty-year career cut short by his death at age 42, he painted the rapidly growing modern city—its bustling crowds, skyscrapers, and awe-inspiring construction projects, as well as its bruising boxers, street urchins, and New Yorkers both hard at work and enjoying their leisure. He also captured the rugged beauty of New York's rivers and the grandeur of costal Maine. This documentary includes original footage shot in New York City and Maine; examples of Bellows' paintings, drawings, and prints; and archival footage and photographs."
NGA Part 1 (Video), Part 2 (Video)
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Love Of Life Orchestra ‎– Extended Niceties EP (1980)

Wikipedia - "Love of Life Orchestra was created by Peter Gordon (sax, keyboards, composition) and David Van Tieghem, a talented, smart-aleck avant-garde percussionist with ties to new music composer Steve Reich. Both have gone on to greater fame as elder statesmen of the downtown music scene in New York, but these early works stand as an important developmental chapter. — Mark Fleischmann. Collaborators on their recording Extended Niceties have included Arto Lindsay and David Byrne. Early members of the band included Laurie Anderson (electric violin), Blue Gene Tyranny (keyboards), Ken Deifik (harmonica), Scott Johnson (guitar), Rhys Chatham (flute), Peter Zummo (trombone), Arthur Russell (cello), Kathy Acker (vocals), and Jill Kroesen (vocals)."
Wikipedia
Discogs
YouTube: Extended Niceties, Beginning Of The Heartbreak / Don't Don't