"Revolutionary times are times of revelation: they uncover and flood with light what has long been darkly buried. Implicit in the above exchange between a kidnapped Philip Michael Santore (Yves Montand) and his masked Tupamaro inquisitor, Hugo (Jacques Weber), in Costa-Gavras’s State of Siege (1972) is the unassailable conviction that politics forms the hidden skeleton of our world. Anyone who can be bothered to dig beneath the surface quickly strikes his shovel against these grim, intractable bones, the ossified determinants of who holds power and who does not. Looming invisibly over the interrogation is Costa-Gavras, supremely aware that he wields in his lens a uniquely effective kind of shovel. Indeed, this to him is what the cinema is: ‘a way of showing, exposing the political processes in our everyday life.’ ...”
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