"For generations, art historians believed Johannes Vermeer was a perfectionist who worked very slowly—a theory supported by his precisely placed brush strokes and relatively limited career output. But in examining one of the painter’s masterpieces, researchers at the National Gallery of Art (NGA) in Washington, D.C., found that may not have actually been the case. Underneath Woman Holding a Balance, Vermeer’s classic canvas dated from around 1664, are layers of spontaneous brushstrokes, chemical imaging has exposed. ...”
2009 September: Vermeer's Masterpiece, The Milkmaid, 2011 February: Vermeer: Master of Light, 2013 October: Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis, 2015 December: This Is Not a Vermeer ™, 2017 January: The Art of Painting (1665–1668), 2021 December: Museum rivalry ‘could make Dutch Vermeer show last of its kind’, 2021 December: Okay Cupid: Reopening Vermeer’s love letter to contradiction
Woman Holding a Balance (c. 1664)
No comments:
Post a Comment