"If you’re an admirer of composer Hildur Guðnadóttir, then you’ve likely listened to her phenomenal music for Tár, the new Cate Blanchett film, even if you haven’t had a chance to see it in a theater yet. You’ve also, then, sorted out that it may be her most challenging score date, from what seems like the emulation of traffic noise in ‘Tár – II. Allegro’ to the oceanic roiling of ‘Mortar.’ So, while getting oriented with the intensity of Tár, here’s a soothing but no less engaging flashback to 2014: a 20-minute live solo performance in which she sings and plays and loops segments through all manner of textural filters. ...”
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