No Hope, No Fear: Industrial Music in Zagreb
"It was at a secondhand shop for electronics in the former Yugoslavia where, in 1982, Vladislav Knezević found a cassette by chance. It was a bootleg copy of Für Immer, by Deutsch Amerikanische Freundschaft. The insert had the tracklisting in both English and German, its letters uneven and patchy from the inconsistent typewriter ribbon. DAF – an electronic band with a minimalistic sound that focused on fast-paced basslines and simplistic German vocals – had somehow found their way to Zagreb, hidden among the throwaways of the shop. At the time, Knezević had no clue what an impact DAF and their style of music would have on the future of his city. But much later on, after he became an electronic musician himself, he would look back on the appearance of the cassette as nothing less than destiny. Two years earlier, the first Yugoslavian president, Josip Broz Tito, died. The country, then one-sixth of Yugoslavia, was left without stability after 27 years. There was a feeling of uncertainty that initiated an unfamiliar sense of freedom amongst the people, especially the youth. At the cusp of a new decade, Tito’s passing would prove pivotal to the history of Zagreb, and all of Croatia. While Croatia was a socialist republic before the president’s death, the 1980s promised change. ..."
Red Bull Music
Flyer for a Borghesia show at Club Đuro Đakovic in Zagreb – June 16th, 1988
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