The Pina Bausch Sourcebook - The Making of Tanztheater
"Climenhaga's book...is not yet another omnibus volume, collecting essays from a symposium. It is a complex and excellent edited sourcebook that ties together traces of written memories which have been slumbering in archived magazines or newspapers - waiting to be woken up from a 30-year sleep. Ultimately, The Pina Bausch Sourcebook - The Making of Tanztheater is a source in itself and can be marked as a 'Survey of Remembering Tanztheater'. As a glance at ways of 'Remembering Dance', this book is an indispensable contribution to the (still to be broadened out) research literature on dance for every scholar and student working in the field of dance history and theory. It focuses on and highlights the roots, aesthetics and methods of the German Tanztheater as well as its followers from the 1960s until today. It is a also a source for the reader who seeks to deeply research, ask further questions and continue her or his own path of reflecting on the Wuppertaler Tanztheater and the dance as art form in general. - Theaterforschung"
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Kyoto Laureate Symposium 2007 - Pina Bausch
"The Inamori Foundation’s 23rd Annual Kyoto Prize for Lifetime Achievement in Arts and Philosophy was presented to Pina Bausch in 2007. Pina Bausch is an influential modern dance choreographer whose style blends elements of theater and dance into mesemrizing meditations that touch both dancers and audiences deeply. ... Bausch, known as 'the uncrowned empress of modern dance' (Newsweek), constructs dances by using repetition as a counterbalance for meaning. Simple gestures repeated become a movement, the movement becomes a phrase, and then a dance. The dance progresses by starting a phrase as a solo, then adding dancers until the entire company, sometimes more than 20 dancers, joins together."
USD: Kyoto Laureate Symposium
YouTube: Pina Bausch USD Kyoto Prize Presentation
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Meeting Pina Bausch
"This week the world-renowned Tanztheater Wuppertal Pina Bausch arrives in London - for the first time, without its towering creator. Last summer the German choreographer died at the age of 68. The company intends to continue, despite the dodgy track record for troupes formed around one singular giant vision to survive long without that magnet at the core. Bausch (1940-2009) was shy in person and had no need to publicise her work, but at Christmas 2001 I met her in her base in Wuppertal, and she looked back in detail over the surprising sources in her life for her innovative style of dance-theatre. Small, grey, as unobtrusive as a wren, she seemed deceptively gentle and thin-skinned for someone whose theatre is legendarily acerbic, fantastical, sexually assertive and worldly in its wit."
theartsdesk Q&A
Somebody Nailer My Dress To the Wall. A Glimpse Into The Work of Pina Bausch By Randolyn Zinn
"... As an example of her innovations, take the astonishing first moment of Palermo, Palermo as witnessed by some of us at the Brooklyn Academy of Music in September of 1991. Spanning the width of the Harvey Theater’s stage, an imposing 30-foot high gray wall of concrete blocks faced us, silent and still, as we waited in the darkened house for the piece to begin. We expected an entrance, an overture, something…and we thought our eyes were playing tricks on us when it seemed that the solid wall appeared to be tipping forward from the top. All of a sudden, in arguably one of the most astonishing opening cues in the history of theatre, the enormous wall smashed to the floor, whereupon the performers entered to dance through the rubble."
3QuarksDaily
Step-by-step guide to dance: Pina Bausch/Tanztheater Wuppertal
"... To the disgust of traditionalists, Bausch completely revamped the Wuppertal into a vehicle for her own searing style of Tanztheater. Rules of style and presentation were bulldozed by her imperatives of emotional and psychological expression. Despite the hostile reactions, however, she began to attract an international cult following and the small town of Wuppertal became a mecca for the world of dance (and beyond: her devotees included several actors, directors, artists and film-makers). From the mid-80s onwards, many of the company's new works were made through residencies in international cities, including Rome, Lisbon, São Paulo, LA, Istanbul and Tokyo. ..."
Guardian (Video)
Pina Bausch Remembered
"The world-renowned dancer and hugely influential choreographer Pina Bausch died on 30 June at the age of 68 (See News, 30 Jun 2009). She had, reportedly, been diagnosed with cancer, just five days earlier. Her disappearance from the world of dance seems grievously sudden, for she had never stopped working. Retaining her status as a leading light in her field, she made a personal appearance in London just last year, when Sadler's Wells invited her company, Tanztheater Wuppertal, to present her celebrated seminal works Café Müller and The Rite of Spring as a double bill."
Pina Bausch Remembered
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