Bertolt Brecht and Hanns Eisler, 1950.
"Los Angeles has long been an urban dialectic par excellence, with its discordant melodies and apparent contradictions; its extreme polarities of nature, of culture, of economics, of politics. The metaphors come easily—the tropical flower abloom in a desert basin, the city of illusions, etc.—and Bertolt Brecht employed them acidly and exactingly in the poems he wrote during his LA exile in the 1940s. Indeed, at no time, perhaps, was the city’s surreal admixture of improbable light and equally improbable darkness (sunshine and noir, in other words) more startling than during that very time, the thirties and forties, when hundreds, perhaps thousands of Weimar-era German-speaking exiles (Brecht, Theodor Adorno, Alfred Döblin, Fritz Lang, Peter Lorre, brothers Thomas and Heinrich Mann, Arnold Schoenberg and Salka Viertel, among them) fled the killing fields of World War II Europe and found themselves in a city of angels nestled along the cerulean pool of the Pacific. ..."
east of borneo
Translator’s Note: “Hollywood Elegies” by Bertolt Brecht
NY Times: When Weimar Luminaries Went West Coast
Arnold Schoenberg's Los Angeles
2009 December: Kurt Weill & Bertolt Brecht, 2011 August: W - Communards’ Wall 1871, 2012 March: The Threepenny Opera - Bertolt Brecht, Kurt Weill, 2012 July: Supply and Demand: Songs by Brecht / Weill & Eisler - Dagmar Krause, 2013 March: Pina Bausch - "The Seven Deadly Sins", 2015 February: The Partnership: Brecht, Weill, Three Women, and Germany on the Brink, 2016 October: Lotte Lenya Sings Kurt Weill's The Seven Deadly Sins & Berlin Theater Songs (1997)
