How William Gibson Keeps His Science Fiction Real


Instead of fantasizing about future worlds, Gibson sets his novels in the ongoing, alarming realm of the present.
"Suppose you’ve been asked to write a science-fiction story. You might start by contemplating the future. You could research anticipated developments in science, technology, and society and ask how they will play out. Telepresence, mind-uploading, an aging population: an elderly couple live far from their daughter and grandchildren; one day, the pair knock on her door as robots. They’ve uploaded their minds to a cloud-based data bank and can now visit telepresently, forever. A philosophical question arises: What is a family when it never ends? A story flowers where prospective trends meet. This method is quite common in science fiction. It’s not the one employed by William Gibson, the writer who, for four decades, has imagined the near future more convincingly than anyone else. ..."
New Yorker

2011 July: William Gibson, 2015 May: Mirrorshades: The Cyberpunk Anthology - edited by Bruce Sterling (1986), 2015 July: A Global Neuromancer, 2016 May: The Difference Engine - William Gibson and Bruce Sterling (1990), 2017 August: Sprawl trilogy

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