Anarchy Around The World: Punk Goes Global


“Forty years after it officially crash-landed in our midst, it’s easy to believe punk ‘sold out’ its lofty original ideals, not least because its leading acts all eventually signed to major labels and played ball with The Man. Yet regardless of its shortcomings, punk still had a seismic global impact during the mid-to-late 70s and its legacy can still be felt in everything from its inherent DIY ethos to its (broadly) anti-sexist stance. However, while countless revisions of this flawed – yet exhilarating – period have since been published, they nearly always fix punk as a purely transatlantic phenomenon. … This is entirely understandable, as both nations have reason to claim punk as their own. In North America, the 70s had barely dawned before New York was spawning remarkable proto-punk acts such as Suicide and New York Dolls, while across 1974-76, trailblazing US refuseniks such as Pere Ubu, Patti Smith, Ramones and Blondie were already hurling out remarkable, oeuvre-defining discs. …”
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Sex Pistols

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