"The Dance Session is strictly speaking not the session of dance. 'The Seven Deadly Sins' by Kurt Weill and Bertold Brecht and her dance company have come up with the most destructive show one could have ever imagined to see on the German stage. It goes without saying they are doing this quite consciously. This show is not only absolutely unpretentious in terms of scale or humor. It totally lacks any outward luster. This performance is poor, infinitely sad and yet charged with enormous energy… In contrast with Brecht who spoke about seven mortal sins, Pina Bausch focuses on one – renting out female flesh. It is by no means limited to the all too old theme of a woman’s degradation to a sellable pleasure article that can be obtained through fluttery or by force. Neither has it anything to do with emancipation. - Die Welt, June 18, 1976"
"The Seven Deadly Sins" by Kurt Weill and Bertold Brecht
Tanztheater Wuppertal - Die sieben Todsünden (The Seven Deadly Sins)
NYT: "The Seven Deadly Sins" and "Don't Be Afraid"
W - The Seven Deadly Sins (ballet chanté)
[PDF] Brechtian Traces in Pina Bausch's Choreographic and Cinematic Work
blip: Dance Not Dance: Pina Bausch (Video)
2008 May: Pina Bausch
2009 June: Pina Bausch 1940-2009
2012 August: Pina Bausch Costumes
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