"Satan hovers in malevolent glory over Eve, who is entwined by his alter ego, the serpent of the Garden of Eden. The uneven, fibrous, opaque color of the ground under Eve distinguishes this area as printed, while the even sweep of the red washes shows that the flames behind Satan are mostly watercolor, a medium William Blake often used because he liked its transparent quality. Blake's images reflected his own very personal visions, which he insisted were ‘not a cloudy vapour or a nothing; they are organized and minutely articulated beyond all that the mortal and perishing nature can produce.’ The twelve large, color-printed drawings that he created in 1795 rank among his most complex works. ...”
2009 April: William Blake, 2010 December: The Marriage of Heaven and Hell, 2011 June: The Ghost of a Flea, 2012 August: Isaac Newton (1795), 2015 November: America a Prophecy (1793), 2019 May: The Notebook of William Blake, 2019 October: ‘To Particularize Is the Alone Distinction of Merit’: Blake’s Visionary Imagination, 2021 September: William Blake’s 102 Illustrations of The Divine Comedy Collected in a Beautiful Book from Taschen, 2022 May: William Blake: The Remarkable Printing Process of the English Poet, Artist & Visionary
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