"One problem with seeing an exhibition with someone else is that rhythms of looking are so often at odds—either they move too slowly or not slow enough, or pay too much attention to stuff that you do not. Soon after we met in 2014, Peter Schjeldahl and I figured out that we were weirdly in-sync gallerygoers. Walking through a show together, we’d incessantly narrate bits of what we were seeing to each other, trying out descriptions and bits of language in the presence of the art itself—Peter scribbling on a checklist or small notepad like a proper reporter. These were my most vivid encounters with Peter the Poet, always aiming to delight with an unexpected adjective or analogy. The goal was marrying precision and surprise. ...”
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