“Like visiting an aging parent after years away, going to an Eva Hesse show puts mortality on the mind. The materials of her late career—latex, fiberglass, rubber—decompose, becoming more brittle each time we see them. Her forms themselves evoke bodies. Ringaround Arosie (1965), a Masonite relief mounded with electrical wire and cloth, resembles a large areola. Dangling in nets, the polyethylene spheres of Untitled or Not Yet (1966) suggest the gonads of an unknown species. In artificial chemical compounds, Hesse found a volatile, pangender, even posthuman fleshiness, marking a distinct territory in the crowded field of 1960s artists. ...”
Expanded Expansion. Installation view, Anti-Illusion: Procedures/Materials, Whitney Museum of American Art, New York, May 19–July 6, 1969
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