Geopolitics In Tintin Comics: Around The World In 24 Albums

“What makes certain creative works, containing egregious racial caricatures and politically replete depictions, outlive their popularity among rea­ders they were originally meant for, but continue to hold the fancy among readers in other parts of the world? Just like P.G. Wodehouse, whose qua­int, upper-class British humour and characters are all but forgotten in his homeland, but continue to regale generations of English-educated middle class in South Asia. Or, say, Tintin, the globetrotting comicbook hero that Belgians and other Eur­o­peans seem to have grown over, but whose fan­dom continues to grow in the global South. ...”

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