All That Heaven Allows


Brassaï, Pierre Bonnard in His Studio at Le Cannet, 1946
"'The main subject is the surface, which has its color, its laws, over and above the objects,' Pierre Bonnard declared in December 1935. I don’t know what I expected to accomplish by hauling my ass to Copenhagen’s Ny Carlsberg Glyptotek museum for the second stop of 'The Colour of Memory,' the first globe-trotting Bonnard survey in twenty years. Concentrating on the artist’s later solar work, the splendid exhibition, arranged chronologically, stumbled only with a series of not-uninteresting but nevertheless wince-inducing 'soundscapes,' about which the less said the better. ..."
ARTFORUM

Pierre Bonnard, La salle à manger, Vernon (The Dining Room, Veron), ca. 1925

2012 January: Pierre Bonnard, 2015 March: Pierre Bonnard: Painting Arcadia, 2019 September: Les Nabis

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