Kyoto Laureate Symposium 2007 - Pina Bausch

"The Inamori Foundation’s 23rd Annual Kyoto Prize for Lifetime Achievement in Arts and Philosophy was presented to Pina Bausch in 2007. Pina Bausch is an influential modern dance choreographer whose style blends elements of theater and dance into mesemrizing meditations that touch both dancers and audiences deeply. ... Bausch, known as 'the uncrowned empress of modern dance' (Newsweek), constructs dances by using repetition as a counterbalance for meaning. Simple gestures repeated become a movement, the movement becomes a phrase, and then a dance. The dance progresses by starting a phrase as a solo, then adding dancers until the entire company, sometimes more than 20 dancers, joins together."
USD: Kyoto Laureate Symposium
YouTube: Pina Bausch USD Kyoto Prize Presentation

2008 May: Pina Bausch, 2009 June: Pina Bausch 1940-2009, 2012 August: Pina Bausch Costumes.

William S. Burroughs on the Art of Cut-up Writing

"... Decades later, the Beat writer William S. Burroughs took this basic concept and put his own twist on it. Between 1961 and 1964, Burroughs published The Nova Trilogy, a series of three experimental novels fashioned with his own cut-up method. Often considered his definitive work of cut-up writing, The Soft Machine, the first novel in the trilogy, stitched together pages from a series of manuscripts that Burroughs himself wrote between 1953 and 1958."
Open Culture (Video)
The Visual Art of William S. Burroughs

2009 May: Cut-up technique, 2010 March: Cut-up technique - 1, 2010 December: The Evolution of the Cut-Up Technique in My Own Mag.

Tubular Bells - Mike Oldfield (1973)

Wikipedia -"Tubular Bells is the debut record album of English musician Mike Oldfield, recorded when he was 19 and released in 1973. It was the first album released by Virgin Records and an early cornerstone of the company's success. Vivian Stanshall provided the voice of the 'Master of Ceremonies' who reads off the list of instruments at the end of the first movement. The opening piano solo was used briefly in the soundtrack to the William Friedkin film The Exorcist (released the same year), and the album gained considerable airplay because of the film's success."
Wikipedia
W - Mike Oldfield
BBC
amazon: Tubular Bells [Deluxe Edition, Extra tracks, Import]
YouTube: Tubular Bells live @ BBC (1973)

Raymond Pettibon: Here's Your Irony Back: Political Works 1975-2013

"Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has radically blurred the boundaries of 'high' and 'low'. His obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute and authentic reflections of contemporary society."
Steidlville
amazon
Raymond Pettibon's Here's Your Irony Back and To Wit
YouTube: Raymond Pettibon: Here's Your Irony Back (the Big Picture)

Flux + Mutability - David Sylvian and Holger Czukay (1989)

"David Sylvian and Holger Czukay are fairly eclectic and diverse musicians. In the European ambient scene, they are fixtures. Flux + Mutability is an album with two long-form compositions. 'Flux' is 'a big, bright, colorful world' and 'Mutability' is 'a new beginning...in the offing.' These pieces are deep, expansive atmospheres with eerie samples and vacuous walls of sound. The second piece features only guitars, keyboards, and an African flute. The first piece has a much wider sound. It is a safe bet that it has the only ambient flugelhorn ever (by Markus Stockhausen). The real essence of this disc comes from the sound design, mixing, and processing. Sylvian and Czukay present this collection of atmospheres as a tight and cohesive soundscape. The gentle sway of the ambience is deep and comfortable. There are no dark overtones. Fans of Brian Eno, Robert Fripp, Markus Reuter, and Liquid Mind will like this CD. It is an important selection for fans of electronic minimalism."
allmusic
W - Flux + Mutability
YouTube: Flux + Mutability, Mutability (A New Beginning Is in the Offing)

2011 February: Plight & Premonition

I Remember Ralston Farina

"I remember Ralston Farina. Or rather, I remember being aware of the name Ralston Farina back in the mid-1970s, in the context of work that was not yet called performance but was something newer and funkier than Happenings. Maybe I saw the wise-guy Pop-art moniker Ralston Farina—half dog food, half breakfast cereal—on a poster in a Lower Manhattan bookstore or on a postcard from some alternative art space. Or more likely I’d seen the two-page spread in the downtown giveaway Art-Rite that appeared under a facsimile of the artist’s signature and began with the ringing declaration 'Ralston Farina is an angry man who came too early and stayed too late,' intriguingly called him 'a vagabond without home or tangible art,' and included a few blurry, underlit, barely legible photographs of someone (perhaps this metahippie trickster himself?) sitting in a chair, holding a valise (an enigma clutching a mystery)."
Artforum

The Lost Ball Parks: Ebbets Field

"Interviews with fans of the Brooklyn Dodgers sharing their experiences at one of the most intimate ball parks ever, where they played from 1913 to 1957."
YouTube: The Lost Ball Parks: Ebbets Field
NYT: Echoes of Ebbets Field as It Turns 100
The Hardball Times: A Visit to Ebbets Field
Reflections on Ebbets Field

The Hip Hop Family Tree

"Some 40 years ago, hip hop was born of house and street parties in the South Bronx. Pittsburgh-based cartoonist Ed Piskor tells the story in The Hip Hop Family Tree, his new large-format 112-page comic from Fantagraphics Books. Piskor begins with DJ Kool Herc's first break beats and continues through key figures like Grandmaster Flash, Kurtis Blow, Russell Simmons and Sugar Hill Records' Sylvia Robinson. The sprawling, fast-paced book ends in 1981 — the year hip hop erupted into national consciousness. Four more volumes are planned."
Ed Piskor launches The Hip Hop Family Tree
Brain Rot: Hip Hop Family Tree, Double Dee and Steinski
amazon

2012 January: The Hip-Hop Family Tree: A Look Into the Viral Propagation of a Culture, 2012 August: ‘Hip Hop Family Tree’ Comics Explain Genesis of the Genre.

Lodovico Carracci - The Dream of Saint Catherine of Alexandria

Lodovico Carracci - The Dream of Saint Catherine of Alexandria 
"We recognize this sleeping figure as Saint Catherine by the fragment of spiked wheel in the lower left corner, which was the instrument of an attempted martyrdom. Here Lodovico Carracci represented her legendary dream in which Mary and the infant Christ, accompanied by angels, appeared to her. Plighting his troth, Christ placed a ring on Catherine's finger, and through this mystic marriage she became his bride. To cast the event as a dream, rather than having Saint Catherine receive the ring while awake, is Lodovico's innovation. Two angels at the left look on with protective tenderness, while others barely emerge amid the vaporous bronze radiance at the right -- spirit becoming matter."
NGA
ArtDaily

Nick Cave - The Abattoir Blues Tour (2007)

"It's got all the look of 'deluxe' written on it, the thick, book-like black cover with an inset photo of frontman Nick Cave doing his flip to wig city dance -- Bad Seeds fans don't need much encouragement to rush out and pick up something by St. Nick and his motley crew of bent ministers of melody, and there's good reason. This double-DVD/double-CD package assembled from the Abattoir Blues Tour in 2003 and 2004 is quite a thing. The 17 tracks that cover the CDs are taken from dates throughout the tour. Sound is wonderful -- particularly with the new ambient, noisier aspect of the Bad Seeds put into place by Warren Ellis' violin. ..."
allmusic
W - The Abattoir Blues Tour
YouTube: Easy money, Hiding All Away, Messiah Ward, The Weeping Song, Wild World, Abattoir Blues, Red Right Hand, Babe you turn me on, Nick Cave and The Bad Seeds - live at Brixton 2004

2008 August: Nick Cave, 2010 November: Henry Lee - Nick Cave & PJ Harvey, 2011 March: The Boatman's Call, 2011 December: B-Sides & Rarities, 2012 January: Nick Cave & Warren Ellis - White Lunar, 2013 January: "We No Who U R", 2013 April: No More Shall We Part, 2013 June: The Secret Life Of The Love Song/The Flesh Made Word (1999).

Fate in a Pleasant Mood/When Sun Comes Out - Sun Ra

"Fate in a Pleasant Mood/When Sun Comes Out is a pairing of two early-'60s Saturn LPs that catch the Arkestra in an interesting transitional phase. Fate in a Pleasant Mood is one of the final recordings from the Chicago phase, while When Sun Comes Out is one of the first recordings made after the band relocated to New York. The Chicago period had Ra forging a personal sound using elements of swing and bop, with stellar horn arrangements and propulsive timpani drums. By the time they settled in New York, the swing and bop elements had fallen by the wayside and the percussive elements figured more prominently, with solos taking a more outside tack. ..."
allmusic
W - Fate in a Pleasant Mood
W - When Sun Comes Out
YouTube: Lights of a satellite, The Others in Their World, Space Mates, Kingdom of Thunder, Ankhnaton, Distant Stars. When Sun Comes Out. The Nile, Calling Planet Earth (Live), We Travel The Spaceways

A Short History of the Highrise

"At a time when Manhattan luxury condos can cost tens of millions of dollars, residential high-rise buildings made of glass have become symbols of gargantuan excess and privilege. But the history of vertical living goes far back in time and extends around the globe — from the biblical Tower of Babel, to Arizona cliff dwellings to the Soviet Khrushchyovka towers. In the last century, the high-rise (a common contemporary word for buildings 12 or more stories high) became a common tool, made of concrete, to counter urban sprawl and social inequality. New York played a crucial role in the evolution of this global phenomenon. And as the world’s cities have grown, the residential high-rise has become a social and political barometer of urbanization’s successes and failures. We’ve paid surprisingly little attention to this part of the urban fabric."
NY Times
NYT: A Short History of the Highrise (Video)

Robert Wilson | crickets audio recording slowed way down

"Tom Waits (on Robert Wilson): 'Wilson, he's always playing with time. I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all. So I think when Wilson slows people down, it gives you a chance to watch them moving through space. And there's something to be said for slowing down the world.'"
Soundcloud (Video)

2008 April: Robert Wilson, 2010 January: Einstein on the Beach, 2010 July: The CIVIL warS, 2011 May: Einstein on the Beach: The Changing Image of Opera , 2011 August: Stations (1982), 2012 February: Absolute Wilson, 2012 August: Einstein on the Blog: Christopher Knowles’ Typings, 2013 March: The Life and Times of Joseph Stalin, 2013 April: Death, Destruction and Detroit.

Clarence "Frogman" Henry

Wikipedia - "Clarence 'Frogman' Henry (born March 19, 1937, Algiers, New Orleans, Louisiana) is an American rhythm and blues singer and pianist. Fats Domino and Professor Longhair were young Henry's main influences while growing up. When Henry played in talent shows, he dressed like Longhair and wore a wig with braids on both sides. His trademark croak, utilized to the maximum on his 1956 debut hit 'Ain't Got No Home,' earned Henry his nickname and jump-started a career that endures to this day. '(I Don't Know Why) But I Do' and 'You Always Hurt the One You Love', both from 1961, were his other big hits."
Wikipedia
allmusic
YouTube: Ain't got no home, 1956, Ain´t No Pleasin´ You, That Old Piano, Just My Baby and Me, Cheatin' Traces

Nicola Martini

"Shiftings, displacings. The gap of sensory perception is offsetted on another curve; the gap remains the same, but the scale changes. Material infiltrates in material itself. The process is a fulfillment of a rite, needful for finding myself inside of the pores, firctions, interstices and membranes that compose materials. Osmosis, as a mental concept of porosity that consists of all forms, something comes out from resonant space; added and relocated mass of material in the space; nothing will be subtracted. Only constant, the impossibility of pore’s filling, none is perfectly isolated from the outside and from within."
Nicola Martini
Kaufmann Repetto

Sorrow Come Pass Me Around: A Survey of Rural Religious Black Music

"Description: A collection of spiritual and gospel songs performed in informal non-church settings between 1965-1973. Most are guitar-accompanied and performed by active or former blues artists. 'Most records of black religious music contain some form of gospel singing or congregational singing recorded at a church service. This album, though, tries to present a broader range of performance styles and contexts with the hope of showing the important role that religious music plays in the Southern black communities and in the daily lives of individuals.' – David Evans, from the liner notes"
Dust-Digital
Aquarium Drunkard (Video)
grooveshark: The Ship is at the Landing; When the Circle Be Unbroken, Babe Stovall

Measure (1957-1962) - John Wieners

"... So impressed with the elder poet, Wieners spent a year at Black Mountain College studying with Olson and Robert Duncan. In 1957, while working with the Poet’s Theater in Cambridge, he edited the first issue of Measure. By 1958 Wieners moved to San Francisco where no. 2 was published. Subtitled 'Magic,' contributors include: Michael Rumaker, Robin Blaser, Robert Creeley, Jack Kerouac, Charles Olson, Robert Duncan, Edward Dorn, Stuart Z. Perkoff, V.R. (Bunny) Lang (one of the founders of the Poet’s Theater in Cambridge), Gregory Corso, James Broughton, Michael McClure, Richard Duerden and Stephen Jonas. By no. 3 (1962), Wieners was back in Milton where he published work by James Schuyler, Barbara Guest, Helen Adam, Madeline Gleason, Jack Spicer, Larry Eigner, John Haines and others, including Gerrit Lansing who was living in Gloucester."
Granary Books
Measure 2 (Magic), 1958 edited by John Wieners
[PDF] Measure 2 (1958)
Notebook (John Wieners, Charles Olson, &c.)
Red Lemonade
Jacket 21 - The Hipster of Joy Street

2008 July: John Wieners, 2009 December: John Wieners - 1, 2011 May: John Wieners: June 21, 1959, 2012 May: Behind the State Capitol: Or Cincinnati Pike, 2012 August: John Wieners - 707 Scott Street, 2013 January: Mass: John Wieners.
2012 April: A Secret Location on the Lower East Side.

City of Disappearances

Enrique Metinides, Untitled p36,(1990)
"In a city with a transient population, like San Francisco, it's uncommon to meet someone who has lived here since birth. Populated by foreigners passing through, high-tech commuters, and more dogs than children, the percentage of home-owners is well below the national average. Yet despite an ability to identify such tendencies, cities like San Francisco (or London) remain unstable and elusive, subject to physical as well as ideological shifts and disappearances—whether sudden and violent like an earthquake or gradual like the fading of a memory. The exhibition City of Disappearances dramatizes this shared resemblence of the world's cities by borrowing the title of Iain Sinclair's psycho-geographic 'anthology of absence' written by and about London."
CCA Wattis Institute for Contemporary Arts
e-flux
Guardian: You might become a park
LONDON: CITY OF DISAPPEARANCES

Record Player: Christian Marclay (2000)

"Although the history of musical pillage certainly starts way before the 20th century, the practice of plunderphonics (stealing snippets of pre-recorded sounds, often leaving its sources perfectly recognisable, in order to create something new and normally at odds with its original purposes) arose with the broadening of the aural spectrum brought about by the musique concrète revolution of the 1950s. The fact that it took so long after the invention of the first recording devices to take this decisive step is probably due to the resilience of modern ego-centered concepts of authorship and individuality that, although still prevalent in face of all the contradictory evidence, gradually started weakening after WWII. Inspired by the roads previously paved by concrète musicians and theorists, but also heavily influenced by the worlds of performance art, punk rock and no wave, Christian Marclay was probably the first musician to steal the plunder from the academic domain and to consistently work on the possibilities of disarranging previously ordered sonic artefacts."
UbuWeb (Video)

2008 September: Christian Marclay, 2010 July: Christian Marclay Festival, 2010 October: Night Music, 2011 March: Christian Marclay - Part I: Race to ‘The Clock’, 2011 July: Christian Marclay's Video Quartet, 2011 August: Cyanotype, 2012 July: Fred Frith at Cafe Oto, with Christian Marclay, John Edwards, and Mark Sanders.

Seven Sisters

Carrie Mae Weems, The Edge of Time - Ancient Rome from Roaming, 2006
"... Seven Sisters features ethnically diverse and world-renowned artists’ commentaries on the intersection of ethics, race, culture, and self-expression. Among the hottest young and established artists of today, Seven Sisters includes Carrie Mae Weems, Mickalene Thomas, Rina Banerjee, Patricia Piccinini, Camille Rose Garcia, Kenyatta A.C. Hinkle, Toyin Odutola, and Vanessa Prager."
Jenkins Johnson Gallery, San Francisco

Robert Ashley’s opera “The Old Man Lives in Concrete”

"Iconoclast composer Robert Ashley revisits his opera, Concrete, with eight new songs. Each evening’s performance features four solo songs (Portraits) about ordinary people who did extraordinary things for which they’ll never be recognized, alternating with ensemble sections (Meditations) with short solos sung by Ashley (as The Observer)."
Roulette (Video)
vimeo: Roulette TV: ROBERT ASHLEY (Video)

2008 March: Robert Ashley, 2011 November: Perfect Lives - Robert Ashley.

Marcel Dzama

The Revolution’s been defeated, before you begin, 2010.
Wikipedia - "Marcel Dzama (born 1974) is a contemporary artist from Winnipeg, Canada who currently lives and works in New York. His work has been exhibited internationally, in particular his ink and watercolor drawings. ... Dzama works extensively in sculpture, painting, collage, and film. The artist is also known for his intricate dioramas and large scale polyptychs that draw from his talents across a range of media. Dzama works in multiple disciplines to bring his cast of human figures, animals, and imaginary hybrids to life, and has developed an international reputation and following for his art that depicts fanciful, anachronistic worlds."
Wikipedia
David Zwirner (Video)
amazon: Marcel Dzama
Guardian - Cult artist Marcel Dzama: 'I try not to censor myself'
Marcel Dzama: The End Game (Video)
NYT: Drawn to Trouble

French Revolution of 1848

Lamartine in front of the Town Hall of Paris rejects the red flag on 25 February 1848, Henri Felix Emmanuel Philippoteaux
Wikipedia - "The 1848 Revolution in France, sometimes known as the February Revolution (révolution de Février), was one of a wave of revolutions in 1848 in Europe. In France the revolutionary events ended the Orleans monarchy (1830–48) and led to the creation of the French Second Republic. Following the overthrow of Louis Philippe in February, the elected government of the Second Republic ruled France. In the months that followed, this government steered a course that became more conservative. On 23 June 1848, the people of Paris rose in insurrection, which became known as June Days Uprising - a bloody but unsuccessful rebellion by the Paris workers against a conservative turn in the Republic's course. On 2 December 1848, Louis Napoleon was elected President of the Second Republic, largely on peasant support. Exactly three years later he suspended the elected assembly, establishing the Second French Empire, which lasted until 1871."
Wikipedia
The French revolution of 1848 European history summary France

2012 May: Realism, 2013 March: Sentimental Education - Gustave Flaubert.

Blank City

"Céline Danhier’s 'Blank City' uses conventional documentary methods — talking-head reminiscences intercut with clips from the archives — to explore the work of a group of aggressively anticonventional artists. This is not a criticism. The movie is about the iconoclastic filmmakers clustered in the East Village and Lower East Side of Manhattan in the late 1970s and early ’80s. The chaotic, fast-moving, hazily remembered scene they created deserves and benefits from the scholarly consideration Ms. Danhier offers. A dogged journalist and a careful, enthusiastic cultural historian, she illuminates a hectic and fascinating place and time, bringing it back to life and tracing its continuing influence."
NYT: That ’80s Moment When Nothing and (Almost) Everything Mattered
Roger Ebert
Blank City
vimeo: Blank City trailer

A Promised Exhibition

Mystic Transport, 1992
"The most comprehensive presentation of Gülsün Karamustafa’s works to date, both in Turkey and internationally, A Promised Exhibition is on view at both SALT Beyoğlu and SALT Galata, through January 5, 2014. A long-overdue survey, A Promised Exhibition takes its name from the artist’s series Promised Paintings (1998-2004) and puts in perspective the two disparate yet concurrent aspects of Karamustafa’s artistic career: paintings made with the local audience in mind and a more intrepid experimental practice, which coalesces with this specific series of paintings. The exhibition spans the artist’s entire oeuvre including painting, collage, installation, and video works from the early 1970s to today. Comprising a comprehensive selection of her works, A Promised Exhibition does not unfold in a chronological manner, but rather mimics the spiral movement of the artist’s practice."
SALT
‘A Promised Exhibition’ for Gülsün Karamustafa

Iwan Baan

Urban Think Tank (2010), Caracas, Venezuela
Wikipedia - "Iwan Baan (born February 8, 1975 in Alkmaar) is a Dutch architectural photographer. He has challenged a long-standing tradition of depicting buildings as isolated and static by representing people in architecture and showing the building's environment, trying "to produce more of a story or a feel for a project" and "to communicate how people use the space". He has photographed buildings by many of the world's most prominent architects, including Rem Koolhaas and Toyo Ito."
Wikipedia
Iwan Baan
Iwan Baan: Contemporary Architectural Photographs
YouTube: Photographer Iwan Baan | Euromaxx

Calico Mingling - Lucinda Childs (1973)

"Calico Mingling, a 1973 dance by Lucinda Childs that took place outdoors at Robert Moses Plaza in Fordham University, is recorded in a grainy ten-minute black and white film. Seen from a distance, and sometimes from above like chess pieces on a board, four dancers march backward and forward, raising and lowering their arms. In the photos, others performers are sometimes caught frozen in midair, while the slide show is a shifting succession of static photographic objects. ..."
UbuWeb (Video)

2008 June: Lucinda Childs, 2010 January: Einstein on the Beach, 2011 March: Carnation, 2012 February: Choreographic, Lucinda Childs.

Art Bears Songbook - 2010-09-19 - Rock In Opposition Festival

"... An Art Bears 'review' took place in May 2008 at the world premiere of the Art Bears Songbook at the 25th Festival International de Musique Actuelle de Victoriaville in Quebec. It was performed by Cutler (drums), Frith (guitar, bass guitar, violin, piano), Jewlia Eisenberg (voice), Carla Kihlstedt (violin, voice), Zeena Parkins (keyboards, accordion), Kristin Slipp (voice) and The Norman Conquest (sound manipulation). Krause was unable to participate, so Frith and Cutler decided to rework the trio's repertoire for an expanded group, with the voices of Eisenberg, Slipp and Kihlstedt replacing Krause's 'eccentric and idiomatic delivery'. The project was so-named because Frith and Cutler did not want it to be seen as an Art Bears reunion."
Wikipedia
YouTube: ART BEARS SONGBOOK au RIO 2010, Art Bears Songbook: truth

2010 February: Art Bears, 2012 July: The Art Box., 2013 July: Coda To "Man & Boy"

JFK November 22, 1963: A Bystander's View of History

"When President John F. Kennedy was assassinated in Dallas, Texas, on November 22, 1963, the event and its aftermath were broadcast to a stunned nation through photography and television. Reporters used dramatic spot news photographs by professional photojournalists as well as snapshots by unsuspecting witnesses to explain the events: the shooting of the President, the hunt for the assassin, the swearing in of the new President, the widow's grief, the funeral, the shooting of Oswald. Viewers interpreted these photographs in various ways: to comprehend the shocking news, to negotiate their grief, to attempt to solve the crime. The combination of personal photographs assuming public significance and subjective interpretations of news images disrupted conventional views of photography as fact or evidence."
International Center of Photography
The day JFK was assassinated as seen by bystanders: Rare snapshots from fateful event in Dallas to go on show
11-22-1963: New Evidence

Blind Willie Johnson

Wikipedia - "'Blind' Willie Johnson (January 22, 1897 – September 18, 1945) was a gospel blues singer and guitarist. While the lyrics of his songs were often religious, his music drew from both sacred and blues traditions and is distinguished by his powerful bass thumb-picking and gravelly false-bass voice, with occasional use of a tenor voice. Blind Willie Johnson, according to his death certificate, was born in 1897 near Brenham, Texas, United States (before the discovery of his death certificate, Temple, Texas had been suggested as his birthplace). When he was five, he told his father he wanted to be a preacher and then made himself a cigar box guitar. His mother died when he was young and his father remarried soon after her death."
Wikipedia
Blind Willie Johnson: His Life and Music (Video)
allmusic
Dark Was the Night: The Life and Times of Blind Willie Johnson
YouTube: Trouble will soon be over (1927), Let Your Light Shine On Me, It's Nobody's Fault But Mine, Jesus Make Up My Dying Bed, If I Had My Way I'd Tear the Builing Down

2013 August: "Dark Was the Night, Cold Was the Ground"