"Although the history of musical pillage certainly starts way before the 20th century, the practice of plunderphonics (stealing snippets of pre-recorded sounds, often leaving its sources perfectly recognisable, in order to create something new and normally at odds with its original purposes) arose with the broadening of the aural spectrum brought about by the musique concrète revolution of the 1950s. The fact that it took so long after the invention of the first recording devices to take this decisive step is probably due to the resilience of modern ego-centered concepts of authorship and individuality that, although still prevalent in face of all the contradictory evidence, gradually started weakening after WWII. Inspired by the roads previously paved by concrète musicians and theorists, but also heavily influenced by the worlds of performance art, punk rock and no wave, Christian Marclay was probably the first musician to steal the plunder from the academic domain and to consistently work on the possibilities of disarranging previously ordered sonic artefacts."
UbuWeb (Video)
2008 September: Christian Marclay, 2010 July: Christian Marclay Festival, 2010 October: Night Music, 2011 March: Christian Marclay - Part I: Race to ‘The Clock’, 2011 July: Christian Marclay's Video Quartet, 2011 August: Cyanotype, 2012 July: Fred Frith at Cafe Oto, with Christian Marclay, John Edwards, and Mark Sanders.
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