Where Birds Meet Art . . . After Dark


Red-faced Warbler by ATM. Location: 601 W. 162 St., New York, NY 10032
"The Audubon Mural Project is a collaboration between the National Audubon Society and Gitler & Gallery to create murals of climate-threatened birds throughout John James Audubon's old Harlem‐based neighborhood in New York City. The project is inspired by the legacy of the great American bird artist and pioneering ornithologist and is energized by Audubon’s groundbreaking Birds and Climate Change Report, which reveals at least half of all North American birds are threatened by a warming climate. The project commissions artists to paint murals of each of the report's 314 species, and has been widely covered in the media, including The New York Times. ... Want to take a tour of the Harlem murals? New York City Audubon has you covered. Visit 30 installations on a Sunday morning escapade, along with John James Audubon's final resting place. More details and registration here. You can also take a self-guided tour using our printable map. ..."
Audubon (Video)
NY Times: Public Art Takes Flight
[PDF] THE AUDUBON MURAL PROJECT
topic: Birds of North America - Jason Ward (Video)

Calliope Hummingbird​ by Kristy McCarthy. Location: Apollo Pharmacy, 3569 Broadway (at 146th St.), New York, NY 10031

Beach Life


Martin Parr, Mar Del Plata, Argentina, 2014.
"No one captures the colorful, blissful chaos of the beach like the British photographer Martin Parr. Some of his seaside shots swim with the verve of a Hieronymus Bosch painting. Others are spare, dotted with tiny figures who are nearly swallowed up in the sprawl of the dunes. Everywhere there are stories: a seagull going about its day; surfers cresting and crashing; a couple, still wet from a dip, canoodling across their towels. Martin Parr: Beach Therapy collects and reproduces the latest in Parr’s long-running series of sandy photographs. A selection of images from the book appears below. ..."
The Paris Review
artbook: Martin Parr: Beach Therapy

Let's Get Lost - Bruce Weber (1988)


"Let's Get Lost is a 1988 American documentary film about the turbulent life and career of jazz trumpeter Chet Baker written and directed by Bruce Weber. The title is derived from the song 'Let's Get Lost' by Jimmy McHugh and Frank Loesser from the 1943 film Happy Go Lucky, which Baker recorded for Pacific Records. A group of Baker fans, ranging from ex-associates to ex-wives and children, talk about the man. Weber's film traces the man's career from the 1950s, playing with jazz greats like Charlie Parker, Gerry Mulligan, and Russ Freeman, to the 1980s, when his heroin addiction and domestic indifference kept him in Europe. By juxtaposing these two decades, Weber presents a sharp contrast between the younger, handsome Baker — the statuesque idol who resembled a mix of James Dean and Jack Kerouac — to what he became, 'a seamy looking drugstore cowboy-cum-derelict', as J. Hoberman put it in his Village Voice review. ..."
Wikipedia
NY Times: A Jazzman So Cool You Want Him Frozen at His Peak
Roger Ebert
Chet Baker Sings and Plays from the Film "Let's Get Lost" (Audio)
YouTube: Let's Get Lost - Trailer
YouTube: Let's Get Lost 1:59:47

2018 September: Gerry Mulligan Quartet - Pacific Jazz Records (1952), 2019 May: Italian Movies (2014)

Skin Flesh & Bones Meet The Revolutionaries - Fighting Dub 1975-1979


"Monday 15th May sees the re-release of Skin, Flesh & Bones Meet The Revolutionaries album, Fighting Dub 1975 - 1979 on Cooking Vinyl imprint, Hot Pot. Originally recorded in 1975 on the Love Label, the album is reissues here in its entirety. Most of the tracks were laid at Randy’s studio, and subsequently mixed at Joe Gibbs studio by the late Eroll ‘ET’ Thompson. The original album features dub cuts of many of Lloyd Campbell’s hits up that time, including 'Dread Out Deh', 'Jacket', 'Won’t You Come Home', 'First Cut Is The Deepest' and others. Listening to the album with hindsight, it can be seen as a blueprint for the ‘rockers’ sound developed by Sly Dunbar at Channel One in the period shortly after its release. In fact, Lloyd was to work consistently with Sly and the Revolutionaries throughout the late 1970s. ..."
Holland Tunnel Dive
Discogs (Video)
amazon
YouTube: Slavery Dub, Argument, Boxer Dub, Danny Special, Jack Ruby Special, Third Cut Dub, In Tone Rock, Peace, Freedom, Dub & Happiness

Syd Shelton discusses his exhibition of antiracist protest photographs in London


Bagga, 1979
"... I became involved with Rock Against Racism after the Battle of Lewisham in southeast London in 1977. This was when a racist march by about one hundred National Front supporters was met with five thousand antiracist activists who had traveled down from all over the country. The Metropolitan Police were determined that the National Front be able to march, so they deployed a quarter of their force, suited with riot gear. This was the first time the police in Britain were militarized, and the officers’ use of riot shields really shifted the goalposts for activists—we were up against something different now. At the same time, Eric Clapton had just delivered a horribly racist tirade onstage, in support of Conservative politician Enoch Powell’s 'rivers of blood' speech. We realized we needed to grab the headlines to counter the right-wing media’s high profile, and our first major event was a carnival in April 1978—a huge concert in the Victoria Park in Tower Hamlets. We didn’t want it to just be a free rock concert, though; we wanted it to be a demonstration. ..."
ARTFORUM
Guardian - Rock Against Racism: the Syd Shelton images that define an era
Interview – Syd Shelton
Rock Against Racism: Syd Shelton's photographs of a movement in 1970s Britain
W - Rock Against Racism
vimeo: Archive in Focus: Syd Shelton, Rock against Racism 7:19

Darcus Howe (with loudhailer) addresses a crowd from on top of a toilet block, 1977.

Why New York Can’t Have Nice Things


"On approximately the same timeline that London has been building Crossrail, our Metropolitan Transportation Authority has been building East Side Access, which will bring Long Island Rail Road trains into a new terminal beneath Grand Central. The Regional Plan Association, an urban-planning think tank for the New York region, describes East Side Access as 'a commuter-line extension similar to London’s Crossrail in scope and scale.' This is true only in the sense that the core, underground section of East Side Access will cost about the same amount as Crossrail’s underground core and will take just a few years longer to deliver. For that same amount of money, more or less, London is getting three times as much infrastructure. ESA will eventually serve 160,000 passengers a day; Crossrail will serve half a million. ..."
Intelligencer

Paris, $168 million per station. Adding nine miles and seven stations to Line 14 will cost the city $4.4 billion in total — a lot for a city that usually spends between $90 million and $135 million per station.

Gerry Mulligan ~ Night Lights (1963)


"This album titled song was composed by Gerry Mulligan and this particular piece to me is straight out of the jazz history books. It is a timeless mood for those of us who like the wee hours of the morning and the dark we seem so accustomed to as if 3:00am is the norm. It reminds me of either driving around or sitting down by Detroit’s riverfront on a hot summer night when it’s still 80 degrees out in the middle of the night. Mulligan took to the piano himself on this 63′ rendition and laid down one of jazz’s most beautiful pieces. I could have picked a thousand that he did on sax. This mans bio reads like the who of who’s playing with almost every big known jazz musicians there was. ..."
Longshot's Blog (Video)
LondonJazzCollector (Audio)
W - Night Lights
Discogs (Video)
amazon
YouTube: Night Lights 31:30

June 2019: Peekaboo Planets


"This month's Sky Tour starts with a solstice update and a rundown of lunar phases, then helps you find four planets in the evening sky along with the best stars and constellations of early summer. For those in the Northern Hemisphere, June offers the shortest nights of the year. This month’s solstice occurs on June 21st at 11:54 a.m. EDT. Astronomically speaking, that’s when summer begins in the Northern Hemisphere and winter in the Southern Hemisphere. Once again the lunar phases track the calendar closely. New Moon comes on June 3rd, first quarter on June 10th, and full Moon on the 17th. Traditionally, this is called the Full 'Strawberry' Moon, signaling when these tasty treats get ripe. But many Europeans know it as the full Rose Moon. Last quarter follows on June 25th, and a week later the cycle starts again. Each lunation, from new Moon to new Moon, takes 29½ days — so it's no wonder our words month and Moon sound alike! ..."
Sky & Telescope (Audio)

Fred Frith - Traffic Continues (2000)


"For the past quarter century the varied recordings of peripatetic musical renegade Fred Frith have provided a far-flung tour of the worldwide avant-garde fringe. On Traffic Continues, he composes for and plays guitar with Ensemble Modern, the venerable 21-piece new music assemblage based in Frankfort, Germany. This handsomely packaged Winter & Winter CD is one of the strongest statements of Frith's career, a finely balanced work that contains concert hall and street sensibilities in equal measure, preserving the full vitality of the composer's idiosyncratic musical personality. There are two lengthy pieces on the recording, the 29-minute 'Traffic Continues' written in 1996 and the 35-minute 'Traffic Continues II: Gusto (for Tom Cora)' written in 1998 as an homage to the late Tom Cora, the phenomenal cellist who was a member of the avant rock band Skeleton Crew with Frith and harpist Zeena Parkins. ..."
allmusuc (Audio)
Ensemble Modern / Fred Frith - Traffic Continues
W - Traffic Continues
Discogs (Video)
amazon, iTunes
YouTube: Traffic Continues: First Riddle, Traffic Continues-Ensemble Modern-Traffic III / Traffic I, One Never Knows Do One? Adage Coda, Long Fade, II "Gusto": XII. No Convenient Time

Roberto Rossellini’s War Trilogy


"Roberto Rossellini was one of the seminal directors of the Italian neo-realist era. A filmmaker rooted in documentary style approach, he applied that to chronicling the change in people and places after the trauma of World War II. This was perhaps never more effective than his defining works Rome Open City, Paisan, and Germany Year Zero. Now Criterion brings together these three connected films with a wealth of extras in this superb package. It’s a fitting release to mark Criterion’s 500th spine number. Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II — Rome Open City, Paisan, and Germany Year Zero — that he left his first transformative mark on cinema. With their stripped-down aesthetic, largely nonprofessional casts, and unorthodox approaches to storytelling, these intensely emotional works were international sensations and came to define the neorealist movement. Shot in battle-ravaged Italy and Germany, these three films are some of our most lasting, humane documents of devastated postwar Europe, containing universal images of both tragedy and hope. ..."
Criterion Review: ROBERTO ROSSELLINI’S WAR TRILOGY
Criterion: Roberto Rossellini’s War Trilogy
W - Rome, Open City (1945), W - Paisan (1946), W - Germany, Year Zero (1948)

Germany, Year Zero (1948)
"Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative — a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But this was, of course, a conviction that carried plenty of aesthetic and intellectual, as well as spiritual, consequences, including some that we’re still mulling over today. Deliberately or not, Germany Year Zero concludes Roberto Rossellini’s War Trilogy by posing a kind of philosophical conundrum, a fact already signaled by its title, which he borrowed, with permission, from a book by French sociologist Edgar Morin. ..."
The Humanity of the Defeated: GERMANY YEAR ZERO
Slant - Blu-ray Review: Roberto Rossellini’s War Trilogy
senses of cinema - Roberto Rossellini’s Germany, Year Zero: A Child’s Journey through the Crumbling Skeleton of War-torn Germany
amazon: Roberto Rossellini’s War Trilogy
MUBI: Rome, Open City, Paisan, Germany Year Zero
vimeo: Children in Roberto Rossellini’s war trilogy

Roberto Rossellini

2016 March: Journey to Italy - Roberto Rossellini (1954), 2016 March: Stromboli - Roberto Rossellini (1950), 2018 August: 3 Films by Roberto Rossellini Starring Ingrid Bergman

An Artist on Paying Homage to Harlem, and Using Found Fabrics in Paintings


The artist Tschabalala Self sits in front of one of her textile paintings in her studio in New Haven.
"On a drizzly morning in April, the artist Tschabalala Self, 28, straps on kneepads and pulls back her braids to kneel above a quilt-like painting. Her textile works are sewn from fabric scraps — brick-stamped canvas, Timberland-colored beige, acid-washed denim — and imagine black women and men in her home neighborhood of Harlem as exaggerated characters. ... Self’s body of work, called 'Street Scenes,' is a series of eight paintings with trompe l’oeil brick walls that coalesce to form one scene — a narrative continuation of 'Bodega Run,' currently up at the Hammer Museum in Los Angeles, her garishly lit installation of sculptural paintings depicting women in a neighborhood corner store. ..."
NY Times
W - Tschabalala Self
Meet Fast-Rising Artist Tschabalala Self

After she plans out a composition for a new work, Self cuts fabric swatches and arranges them on the ground.

2019 UEFA Champions League Final: Liverpool 2 Tottenham Hotspur 0


"The 2019 UEFA Champions League Final was the final match of the 2018–19 UEFA Champions League, the 64th season of Europe's premier club football tournament organised by UEFA, and the 27th season since it was rebranded the UEFA Champions League. It was played at the Wanda Metropolitano in Madrid, Spain on 1 June 2019, between English sides Tottenham Hotspur, in their first European Cup final, and Liverpool, in their ninth final overall and their second in a row, having been defeated by Real Madrid in 2018. It was the seventh Champions League final – and the fourth of the decade – to feature two teams from the same association, and the second all-English final after 2008. It was also the first final since 2013 to not feature at least one Spanish team, with Barcelona and Real Madrid having shared the previous five titles between them. Liverpool won the final 2–0, with a penalty after 106 seconds from Mohamed Salah and a strike by substitute Divock Origi after 87 minutes. ..."
Wikipedia
BBC: Tottenham Hotspur 0 Liverpool 2 (Video)
NY Times: Scoring Early and Late, Liverpool Wins Sixth Champions League Title
Guardian - Champions League final 2019: Tottenham 0-2 Liverpool – in pictures
UEFA - Madrid 19
Washington Post - Champions League final: Liverpool defeats Tottenham, 2-0, for sixth Champions League title

Harry Winks, right, with Mohamed Salah.

Lee Moses - Time And Place (2007) / How Much Longer Must I Wait? (2019)


"... Lee Moses was a huge talent and if he’d had the big hit album he richly deserved, Time And Place would’ve been it. A self-taught multi-instrumentalist, Moses cut his teeth in the clubs of Atlanta, the ‘Motown of the South’, where he frequently performed alongside his contemporary Gladys Knight (who reportedly wanted him for the Pips, but couldn’t pin him down). It was, however, in New York in the ‘60s that Moses made his greatest bid to find the solo fame he desired. ... Time And Place soon became a much-sought-after item for collectors, and its cult has continued to grow over the years. Here, we re-present it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses’ sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little – but just a little – less of an enigma. ..."
Holland Tunnel Dive
W - Lee Moses
Graded on a Curve: Lee Moses, How Much Longer Must I Wait? Singles & Rarities 1965–1972
Discogs: Time And Place (Video), Discogs: How Much Longer Must I Wait? Singles & Rarities 1965-1972 (Video)
amazon: Time And Place Expanded Edition Digitally Remastered, How Much Longer Must I Wait? Singles & Rarities 1965-1972
YouTube: Time and Place (full album) 1:11:10, How Much Longer Must I Wait? Singles & Rarities 1965-1972 43:52

Can Barcelona rekindle its radical imagination?


Ada Colau
"The night of 26 May 2019 was a bad one for Spain’s so-called Fearless Cities. Four years after winning local elections, the left-wing municipal platforms that governed Madrid, Barcelona, Zaragoza, A Coruña, Santiago de Compostela and other key cities have suffered major losses. The only exceptions are Cádiz and Valencia. The former will certainly be governed by the anticapitalist Adelante Andalusia and the latter by the progressive Compromís. Everywhere else, the municipalists will be replaced by either Pedro Sanchez’s resuscitated Socialist Party or a right-wing coalition that includes the disintegrating Popular Party, the technocratic Ciudadanos and the neo-fascist Vox. ..."
ROAR
W - Ada Colau
NY Times: Valls Puts ‘Identity’ at Center of Barcelona’s Mayor Race

Supporters of Spanish prime minister and Socialist Party candidate Pedro Sánchez gather at the party headquarters in Madrid to wait for the results of the general election, April 28, 2019.

Citizen Jane: Battle for the City


"Citizen Jane: Battle for the City, directed by the gifted journalist and documentarian Matt Tyrnauer, tells the story of a David-and-Goliath fight over urban planning that took place more than 50 years ago. Yet the movie just about pulses with contemporary resonance. It has moments of uncanny overlap with this week’s election, and it explores the scope and meaning of that overly familiar thing — the city — in ways that will box open your thinking. It’s a finely woven tapestry that feels as relevant and alive as the place you live. It’s also got great sparks of conflict. The movie, which kicked off the seventh DOC NYC film festival last night, features two nearly mythological antagonists. In one corner is Robert Moses, the scabrous New York power broker and construction czar who, in the years after World War II, transformed the city by gutting its poorer sections and erecting miles of concrete-slab housing projects and snaking superhighways. In the other corner is Jane Jacobs, activist and author of The Death and Life of Great American Cities (1961), who led an uprising against Moses’ dehumanized dream of a paved-over utopia. ..."
Variety
Vanity Fair: The Woman Who Saved New York City from Superhighway Hell
NPR: City Planning As A Contact Sport In 'Citizen Jane: Battle For The City' (Audio)
Altimeter (Video)
amazon
YouTube: Citizen Jane: Battle for the City Official Trailer

2018 April: The Death and Life of Great American Cities (1961), 2019 May: Jane Jacobs Walk

Yussef Kamaal - Black Focus (2016)


"Yussef Kamaal is the South London duo of drummer/percussionist Yussef Dayes and Kamaal Williams (Henry Wu) on Rhodes piano and synth. The former is best known for his work as kit man for cosmic Afrobeat ensemble United Vibrations. The latter is also a producer whose dubplates have garnered wide-ranging critical notice. Gilles Peterson signed them to Brownswood based on witnessing a 20-minute live set. The music on Black Focus is a seamless weave of spiritual jazz funk, broken beat, and global sounds, but it's also more and less. The duo enlisted a who's-who of South London all-stars to assist in various spots: Saxophonist Shabaka Hutchings, trumpeter Yelfris Valdes, bassists Tom Driessler and Kareem Dayes, and guitarist Mansur Brown. ..."
allmusic (Audio)
Album Review: Yussef Kamaal – Black Focus [Brownswood Recordings, 4th November 2016] (Video)
YouTube: Henry Wu presents The Yussef Kamaal Trio Boiler Room London Live Set 14:17, Calligraphy // Brownswood Basement Session
YouTube: Black Focus 47:42

Mexican Muralism: Art as a Vehicle for Change and Rebellion


"No other movement proposed and produced art for the people quite like Mexican muralism, entwined with its nation's history, culture and tradition with such dedication and vision. Spurred by the Mexican Revolution and succeeding civil war, it sought to reunify the country, but also educate the common man through powerful messages of cultural identity, solidarity, oppression, resistance and progress. Although it started as a government-backed program, it evolved into a fiercely independent movement that intersected art and politics. It also liberated art from the confines of museums and galleries, bringing it into the public space and making it available to all. ..."
PROHBTD


The Hal of Gnawa: James Holden, Floating Points, Vessel, and Biosphere in Morocco


"In Moroccan Gnawa ritual, songs are more than sound. They animate as spirits, who rise up and possess the body of a listener, piloting them into trance. Western musicians have long mapped patterns of migration to Morocco in search of ways to elevate their own practice. In the ’60s and ’70s, Led Zeppelin’s Robert Plant and Jimmy Page and jazz pianist Randy Weston, among others, initiated collaborations with the Gnawa. And in late March of this year, 14 kilometers outside the southern city of Marrakech, James Holden, Floating Points, Vessel, and Biosphere coupled with legendary Gnawa masters Mahmoud Guinia and Mohamed Kouyou for a weeklong residency, set to culminate in two performances beamed live via Boiler Room’s inaugural broadcast from North Africa. No predecessor has ever come trailing so many wires. ..."
Red Bull Music Academy Daily (Video)

2016 March: Gnawa music, 2015 March: Habibi funk: Listen to this rare vinyl mix of incredible Arab songs from the 60s/70s, 2014 September: Claude McKay and Gnawa Music, 2014 August: The Aesthetes: Expats of Tangier, Morocco, 2013 September: Kassidat: Raw 45s from Morocco, 2013 March: Poems for the Millennium: The University of California Book of North African Literature, 2012 November: An Intro To Rebel Hip-Hop Of The Arab Revolutions, 2010 May: The Master Musicians of Jajouka.

The History of the Lunch Box


Gunsmoke - 1959
"Considering what passed for children’s fashion in the 1970s when I started elementary school—patterned polyester pants with coordinating turtlenecks—it’s no surprise that picking out new clothes was not my favorite part of back-to-school shopping. Instead, I considered my most important September decision to be choosing the right lunch box. ... Mickey Mouse was the first popular character to grace the front of a lunch box, in 1935. But the lunch box as personal statement really took off in the 1950s, along with television. According to Whole Pop, executives at a Nashville company called Aladdin realized they could sell more of their relatively indestructible lunch boxes if they decorated them with the fleeting icons of popular culture; even if that Hopalong Cassidy lunch box was barely scratched, the kid whose newest fancy was the Lone Ranger would want to trade in his pail for the latest model. ..."
Smithsonian
Smithsonian: Lunch Box

Cup of coffee


"A 'cup of coffee' is a North American sports idiom for a short time spent by a minor league player at the major league level. The idea behind the term is that the player was only in the big leagues long enough to have a cup of coffee before being returned to the minors. ... One well-known variant of the cup of coffee is the September call-up, in which major-league clubs call up additional players to the big leagues from the minors on September 1, when rosters expand from 25 players to 40. This is by definition a cup of coffee, because September is the last month of the baseball season. ..."
Wikipedia
SABR: A Short Cup of Coffee
The Cup Of Coffee Club: The Ballplayers Who Got Only One Game
One game in the bigs: 10 short baseball careers

Dancehall: Raising the Voices of the Dead


Chris Wayne performing with Sugar Minnott’s Youth Promotion soundsystem, Jamaica, 1985
"When I was living in Kingston, Jamaica, a few years ago, the caretaker of our building died. For the purposes of this essay, I’m going to call him Mr. A. Mr. A was a helpful older man who was always willing to help fix whatever was broken. In fact, again for the purposes of this essay, the word fix isn’t quite right. He’d resurrect them, bring them back to life. You never knew which things he’d be able to resurrect, though, until he was halfway through—when it became clear his powers would either prevail or had failed him. Though a fluorescent light proved to permanently flicker, whenever Mr. A played around with the stove it worked, even after I’d spent hours with no luck. One weekend, Mr. A was supposed to be away, but sadly, he didn’t end up going anywhere. The effects of the tropical climate eventually made his death obvious. ..."
NYBooks (Video)

King Jammy’s soundsystem on the move, Jamaica, 1985

2016 December: Dancehall, 2018 August: The Roots of Dub, 2018 September: From Roots to Dancehall

‘I’m Weird, but I Get Results’: Have You Met This Wizard on the Subway?


Devin Person, 33, works at Squarespace in Manhattan. He also works as a self-proclaimed professional wizard.
"In New York, a city where anyone can be anything, Devin Person is a self-proclaimed professional wizard. On a Sunday afternoon in his Brooklyn neighborhood, Greenpoint, Mr. Person — looking more Merlin than Harry Potter, with his plush robe and scraggly white beard — led about three dozen people in meditation. He encouraged them to 'sample the flavors and energy of each cloud formation as if you were walking around Costco’s different free sample stations,' to float 'like Michael Phelps diving into the pool' and to wear a smile 'like the sun on the Raisin Bran box.' As a modern 'wizard,' Mr. Person, 33, holds group sessions, like the recent meditation and Wizarding Hour in Greenpoint. ... He generally charges $150 for a one-on-one meeting, or $400 to $500 to create a ritual, but sometimes offers services pro bono. ..."
NY Times

Mr. Person wearing his wizarding hat and robe on the subway. Some commuters chat with him about “deep, interesting things — their dreams, their wishes,” according to one rider. Others feign indifference.

Socialism and the Democracy Deficit


"Socialism, the political economy that for a century dared not speak its name in American domestic politics, is enjoying a return to prominence it hasn’t experienced since the early twentieth century. On the one hand, self-identified 'democratic socialists' such as Bernie Sanders and Alexandria Ocasio-Cortez have won considerable public approval and support, particularly from younger people. On the other hand, nervous defenders of plutocracy like President Trump have gone out of their way to renew warnings of a socialist threat to American freedom not heard much since the end of the Cold War. 'America will never be a socialist country,' Trump vowed during this year’s State of the Union address, as though the new Democratic House majority were about to make Kim Jong Un the honorary chair of the Democratic National Committee. ..."
New Republic (Audio)
New Republic: The Socialist Network (Audio)
New Republic: Reclaiming the Future (Audio)
New Republic: Socialism in No Country
New Republic: Socialism

Citizen socialist: Eugene V. Debs addresses a crowd in Chicago in 1922.

Max Richter - The Blue Notebooks (2004)


"On February 15th, 2003, the world said no to war. Humanity linked up in what the New York Times called a 'global daisy chain' of peaceful demonstrations against the US invasion of Iraq. It was the single largest anti-war protest in history, with up to 30 million people demonstrating worldwide. Max Richter was among those who took to the streets that day. About a week later he made his second album, The Blue Notebooks. It was recorded in only three hours, with a string quintet and the actress Tilda Swinton reading from texts by Franz Kafka and the Nobel Prize-winning poet Czesław Miłosz 'for a token fee.' When the LP came out a year later, in March 2004, the killing of four Blackwater contractors in Fallujah sparked a renewed period of bloody violence. Quiet protest is the beating heart of The Blue Notebooks, which has now been reissued on its 15th anniversary with additional material. ..."
Max Richter - The Blue Notebooks (15 Years Edition)
Max Richter Shares a Jlin Remix From His Imminent Blue Notebooks Reissue (Video)
W - The Blue Notebooks
YouTube: On The Nature Of Daylight (Entropy)(Live), 10 Hours of On the Nature of Daylight (Entropy) 10:07:04
YouTube:Richter: The Blue Notebooks 1 / 18

Francis Ponge (1899 - 1988)


Francis Jean Gaston Alfred Ponge (French: [pÉ”̃Ê’]; 27 March 1899 – 6 August 1988) was a French essayist and poet. Influenced by surrealism, he developed a form of prose poem, minutely examining everyday objects. … In his later years Ponge was a recluse, living at his country house. He died in Le Bar-sur-Loup at the age of 89. … In his work, Le parti pris des choses (often translated The Voice of Things), he meticulously described common things such as oranges, potatoes and cigarettes in a poetic voice, but with a personal style and paragraph form (prose poem) much like an essay. Ponge avoided appeals to emotion and symbolism, and instead sought to minutely recreate the world of experience of everyday objects. He described his own works as ‘a description-definition-literary artwork’ which avoided both the drabness of a dictionary and the inadequacy of poetry. His principal aim was to avoid stereotypical thinking. …”
Wikipedia
Poetry Foundation

"Le parti pris des choses is a collection of 32 short to medium-length prose poems by French poet and essayist Francis Ponge first published in 1942 (see 1942 in poetry). The title is often translated into English as The Voice of Things, The Way Things Are, or The Nature of Things (perhaps to echo Lucretius, though the book's philosophical underpinnings are more often associated with phenomenology). ... As a writer, he joined the Surrealist movement for a short time during the 1930s; this also had political ramifications, influencing him to join the Communist Party. However, his most notable works were to come later in his life. He fought in both World Wars, and it was after his stint in the army in World War II that he decided to leave the Communist Party. It was at this time, in 1942, that he joined the French Resistance and also published what is considered his most famous work, Le parti pris des choses. This text was in fact written over the span of 15 years, from 1924 to 1939. After his publication of Le parti pris des choses, Ponge was not unnoticed in the literary world. He was praised heavily by literary heavyweights Albert Camus and Jean-Paul Sartre in the early 1960s. ..."
W - Le parti pris des choses

"How do you set out translate knowing that so much will be lost in translation? And must not this 'Sofia Coppola dilemma' grow exponentially when the subject is poetry. Recently, Jonathan Larson soldiered through this task of sorting through what he calls 'dissensions and alliances in the tribe of words' in Francis Ponge’s volume of poetry entitled, Nioque of the Early-Spring. Stumbled upon by coincidence/fate, Larson found himself traveling with the book of French poetry literally close to his heart, and has now translated its musical structure into English. Originally written in the 1950s but with relevance to the French Radicals of ‘68 (and perhaps ‘18), Ponge created poetry in a style that (to my mind) recalls William Carlos Williams’s imagist evocations of the things of everyday life. ..."
Jonathan Larson On His Translation Of The Poetry Of Francis Ponge
Two Poems by Francis Ponge
LitHub
Jacket2: Francis Ponge translated by John Ashbery 
The Paris Review: Soap By Dan Piepenbring, the complete review - Soap
Jacket2: Three pebbles
Google - Dreaming the Miracle: Three French Prose Poets
SCRIBD: Francis Ponge - The Voice of Things
Ponge: Taking the Side of Things
Joshua Corey on "Trying to Translate Ponge"
amazon: Francis Ponge
amazon: Dreaming the Miracle: Three French Prose Poets: Max Jacob, Jean Follain, Francis Ponge

Dada Africa, Non-Western Sources and Influences


Left: Raoul Hausmann, People are Angels and Live in Heaven. Right: Sophie Taeuber, Arp Abstract Motif
"Dada, a prolific and subversive art movement, first emerged in Zurich during the First World War, and then spread to centres such as Berlin, Paris and New York. Through their new works – sound poems, collage, performance – the Dada artists question Western society struggling with the first World War, while appropriating the cultural and artistic forms of non-western cultures such as Africa, Oceania and America. The Musée de l’Orangerie is presenting an exhibition on these exchanges with African, American Indian and Asian works alongside those of the Dadaists - Hanna Höch, Jean Arp, Sophie Taeuber-Arp, Marcel Janco, Hugo Ball, Tristan Tzara, Raoul Haussmann, Man Ray and Picabia, among others. ..."
Musée de l'Orangerie
The Dadaists’ Fevered Dreams of Africa
The African Cultures that Shaped Western Art
Academia: Dada Africa: Non-Western Sources and Influences
amazon: Dada Africa

Sophie Taeuber-Arp (1889-1943), Composition verticale – horizontale, 1916

2016: DADA Companion, 2016: The Growing Charm of Dada, 2009 February: Charles Baudelaire, 2012 December: Impressionism and Fashion, 2017: How Baudelaire Revolutionized Modern Literature, 2017: The Dada Painters and Poets: An Anthology - Mary Ann Caws, 2018 May: Europe After the Rain: Watch the Vintage Documentary on the Two Great Art Movements, Dada & Surrealism (1978)

A Conservative Impulse in the New Rock Underground


"August 18, 1975: Arabian swelter, and with the air-conditioning broken, CBGB resembled some abattoir of a kitchen in which a bucket of ice is placed in front of a fan to cool the room off. To no avail of course, and the heat had perspiration glissading down the curve of one’s back, yeah, and the cruel heat also burned away any sense of glamour. After all, CBGB’s Bowery and Bleecker location is not the garden spot of lower Manhattan, and the bar itself is an uneasy oasis. On the left, where the couples are, tables; on the right, where the stragglers, drinkers, and the love-seekers are, a long bar; between the two, a high double-backed ladder, which, when the room is really crowded, offers the best view. ... Now consider the assembly-line presentation of bands with resonant names like Movies, Tuff Darts, Blondie, Stagger Lee, the Heartbreakers, Mike de Ville, Dancer, the Shirts, Bananas, Talking Heads, Johnny’s Dance Band, and Television; consider that some nights as many as six bands perform, and it isn’t hard to comprehend someone declining to sit through a long evening. ..."
Voice