Citizenfour (2014)

Wikipedia - "Citizenfour is a 2014 documentary film directed by Laura Poitras, concerning Edward Snowden and the NSA spying scandal. ... In January 2013, Laura Poitras, an American documentary film director/producer who had been working for several years on a film about monitoring programs in the US that were the result of the September 11 attacks, receives an encrypted e-mail from a stranger who called himself, 'Citizen Four'. In it, he offers her inside information about illegal wiretapping practices of the US National Security Agency (NSA) and other intelligence agencies. In June 2013, accompanied by investigative journalist Glenn Greenwald and The Guardian intelligence reporter Ewen MacAskill, she travels to Hong Kong with her camera for the first meeting with the stranger, who reveals himself as Edward Snowden. After four days of interviews, on June 9, Snowden's identity is made public at his request. ..."
Wikipedia (Video)
NY Times: Intent on Defying an All-Seeing Eye (Video)
Slate: The NSA Debate We Should Be Having (Video)
New Yorker: Why “Citizenfour” Deserved Its Oscar

Disco Not Disco (2000)

"Is it disco? Well, not completely. Just look at the title -- it sounds confused. And the title was inspired by one of the groups featured here, and that group, Was (Not Was), was not disco. Most of these songs came from the post-punk era, and like the material by a lot of the bands that easily fit in that category, they blur the line between punk (in attitude) and dance (in rhythm). But only one or two of the artists here could honestly be classified as post-punk. Furthermore, how could anyone say with a straight face that a compilation with the Steve Miller Band's 17-minute long 'Macho City' is a post-punk one? So what is it then? It's Disco Not Disco, a compilation of songs suitable for the dancefloor. Less ambiguously, what binds these strange bedfellows together is the fact that they were popular on the dancefloors of New York City clubs in the late '70s and early '80s. ..."
allmusic
W - Disco Not Disco, W - Disco Not Disco 2, W - Disco Not Disco 3
Disco Not Disco: Post Punk, Electro and Leftfield Disco Classics 1974-1986
Spotify
YouTube: Yoko Ono - Walking On Thin Ice (1981 Re-Edit), Was (Not Was) - Wheel Me Out, The Bank - Tinga Lin Tingo, Eddy Grant- Time Warp (12'' VERSION), Maximum Joy - Silent Street/Silent Dub

American Impressionism and Realism: The Painting of Modern Life, 1885–1915

William Merritt Chase, At the Seaside
"American Impressionism and Realism: The Painting of Modern Life, 1885–1915 brings together the appealing works of two generations of American painters and presents them from a fresh point of view. The American Impressionists and Realists have been categorized as separate or even opposing groups, but, in fact, they shared significant experiences and goals—notably Parisian training, an enthusiasm for modern French painting, and a desire to translate these sources into a peculiarly American idiom. The continuities between these two groups are more impressive and the constrasts more subtle, a complexity that is highlighted by arranging the works not by artist or chronology, but by broad subject categories: the country, the city, and the home. ..."
Yale Press
amazon
LA Times - New Look at 'Modern Life' : LACMA Show Reveals Continuity of American Impressionist, Realist Painting

Tom Verlaine (1979)

"Tom Verlaine scores a solid winner on his first solo release. Not surprisingly, many of the songs here suggest the music of Television, his former band, especially in the use of vibrant and full guitar textures and frequent solo break sections in which to feature them. Verlaine's fey vocals surprisingly do not detract from the gutsiness of these numbers. Several of the songs here utilize hooky initial guitar riffs in the tradition of 1960s bands like the Rolling Stones, the Kinks, and the Beatles, most notably on 'Flash Lightning,' 'Kingdom Come,' and especially 'Grip of Love.' ... This is a top-notch solo debut that bears repeated listenings."
allmusic
W - Tom Verlaine
How Tom Verlaine is creating new waves
Spotify
YouTube: The Grip of Love, Souvenir from a dream, Kingdom come, Breakin' in My Heart, Last Night, Red Leaves, Mr.Bingo, Yonki Time

2007 November: Tom Verlaine, 2010 March: Tom Verlaine - 1, 2011 October: Warm and Cool, 2012 Nov: Little Johnny Jewel, 2012 December: Words from the Front, 2013 July: Flash Light, 2013 October: See No Evil, 2014 October: Dreamtime (1981), 2014 November: Marquee Moon (1977), January: Adventure (1978).

1001 Ways to Beat the Draft - Tuli Kupferberg and Robert Bashlow (1966)

Wikipedia - "1001 Ways to Beat the Draft is a satirical Vietnam War protest pamphlet written in 1966 by Robert Bashlow and Tuli Kupferberg. The text reels through dozens of ways that young men facing conscription during the Vietnam War could avoid service. Kupferberg leaves no societal more unscathed in this anti-war pamphlet, which is considered one of the most notable antiwar publications. Donald L. Simons, in his autobiography I Refuse: Memories of a Vietnam War Objector, wrote 'It is not possible to determine how many men successfully fooled the system, but stories of attempts, and how to do it, became part of the Sixties culture.' The most famous examples were Arlo Guthrie's classic folk song, 'Alice's Restaurant', and the book, 1001 Ways to Beat the Draft. The pamphlet was published originally by Oliver Layton Press, New York; Kupferberg also printed it under his publishing label, Birth Press, and an illustrated version from Grove Press came out in 1967."
Wikipedia
Jacket2: Tuli Kupferberg, '1001 Ways to Beat the Draft'
1001 Ways to Beat the Draft - Tuli Kupferberg and Robert Bashlow (1966)

Jimmy Reed - Big Boss Man (1960)

Wikipedia - "'Big Boss Man' is a blues song first recorded by Jimmy Reed in 1960. Unlike his most popular songs, the songwriting is credited to Luther Dixon and Al Smith. It was a hit for Reed and has been interpreted and recorded by a variety of artists, including Elvis Presley and B.B. King, who had record chart successes with the song. 'Big Boss Man' is an uptempo twelve-bar blues shuffle that features 'one of the most influential Reed grooves of all time'. It is credited to Jimmy Reed's manager, Al Smith, and Vee-Jay Records staff writer, Luther Dixon. The song is one of the few Reed hits that was written by someone other than Reed and his wife. Backing Reed, who sang and played harmonica and guitar, are Mamma Reed on vocal, Lee Baker and Lefty Bates on guitars, Willie Dixon on bass, and Earl Phillips on drums."
Wikipedia
YouTube: Big Boss Man

Astor Place

Barbiere
Wikipedia - "Astor Place is a short two-block street in NoHo/East Village, in the lower part of the New York City borough of Manhattan. It runs from Broadway in the west, just below East 8th Street; through Lafayette Street, past Cooper Square and Fourth Avenue; and ends at Third Avenue, continuing as St. Mark's Place. It borders two plazas at the intersection with Cooper Square, Lafayette Street, Fourth Avenue, and Eighth Street – the Alamo Plaza and Astor Place Station Plaza. The name is also sometimes used for the neighborhood around the street. It is named for John Jacob Astor, at one time the richest person in the United States, who died in 1848; the street was named for him soon after. ..."
Wikipedia
Karen Johnson - Astor Place
Astor Place Area
Curbed NY
YouTube: man in a cube, Astor Place: Riots at the Opera, Designing IBM Astor Place

Roman à clef

The Mandarins - Simone de Beauvoir (1954)
Wikipedia - "Roman à clef ... French for novel with a key, is a novel about real life, overlaid with a façade of fiction. The fictitious names in the novel represent real people, and the 'key' is the relationship between the nonfiction and the fiction. This 'key' may be produced separately by the author, or implied through the use of epigraphs or other literary techniques. Created by Madeleine de Scudery in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures, roman à clef has since been used by writers as diverse as Ernest Hemingway, George Orwell, Victor Hugo, Phillip K. Dick, Bret Easton Ellis, Naguib Mahfouz, and Malachi Martin. The reasons an author might choose the roman à clef format include satire; writing about controversial topics and/or reporting inside information on scandals without giving rise to charges of libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having to expose the author as the subject; avoiding self-incrimination or incrimination of others that could be used as evidence in civil, criminal, or disciplinary proceedings; and the settling of scores."
Wikipedia
Literary Definition: Roman à clef

Art Zoyd - Rock in Opposition Festival 2015

"The lineup for this year’s Rock In Opposition festival has been confirmed. The 2015 edition of the French event takes place in Le Garric on September 18-20, dedicated to the memory of Daevid Allen and curated by Robert Wyatt. It includes a 45th anniversary appearance by Art Zoyd in a 9-person lineup, which is the subject of a nearly-complete crowdfunding campaign. Organisers Rocktime say: 'RIO’s international influence has been confirmed over the years, due to the intensity of a unique proposition in an unforgettable location. We seek to create incredibly moments of live performance and sharing, where audiences from all over the world can gather round their passion.'”
Team Rock
YouTube: Rock in Opposition Festival 2015 (1 of 3), (2 of 3), (3 of 3)

Shepard Fairey: A Steady Drumbeat Inside and Out

"A steady drumbeat characterizes the work of Shepard Fairey on the street and in the gallery, using art and design and his insight into the corrosive power of propaganda to pound out damning critiques and ironic appeals that address political, social, environmental issues of our day. If the new mural and the paintings, layered collages, and metal sculptures comprising On Our Hands are an indication of our current state, it is a time of neglect and peril like no other – yet exactly like every other. ..."
Brooklyn Street Art

2009 March: Shepard Fairey, 2010 August: Banksy, 2011 May: Shepard Fairey's New Music Video For Death Cab For Cutie, 2013 August: Brooklyn Mural Project featuring Faith47, DALeast, Shepard Fairey, Eltono, Buff Monster & more, 2015 August: Politically and Socially Conscious NYC Street Art, Part II: Caleb Neelon & Katie Yamasaki, Shepard Fairey, Kesley Montague, Icy & Sot, Chris Stain & Josh MacPhee, David Shillinglaw & Lily Mixe

The Greenwich Village vision of artist Alfred Mira

Seventh Avenue, Greenwich Village
"Alfred S. Mira and his realistic, gritty, intimate Greenwich Village street scenes should be better known. Born in 1900 in Italy to a carpenter father, he left school and began working for an interior decorator, dreaming of going to art school but without the 50 cents a day it cost to attend. He did make a career out of painting though; he listed his address as East 8th Street and his occupation as painter in the 1940 census. And he sold his work at the Washington Square outdoor art exhibit, a heralded event decades ago. ..."
Ephemeral New York
Interview with Artist Alfred Mira
artnet

Poetry Center Digital Archive

"Poetry Center Digital Archive makes available significant portions of early audio recordings from the Poetry Center's American Poetry Archives collection, supplemented by select archival texts and images. New files will be added incrementally as recordings are prepared and as we proceed through the collection from the 1950s onward. The Poetry Center, founded at San Francisco State College (now SFSU) in 1954 by English professor Ruth Witt-Diamant, has been recording and archiving tapes of its public events for nearly six decades. ... This collection, together with the Poetry Center housed within the SFSU College of Humanities (Department of Creative Writing), today holds over 4,000 hours of unique original audio and video master-recordings, 1954–present – an inestimable cultural asset. ..."
Poetry Center Digital Archive: About
Poetry Center Digital Archive (Video)
San Francisco State University

Dance Theater Workshop

Wikipedia - "Dance Theater Workshop, colloquially known as DTW, was a New York City performance space and service organization for dance companies that operated from 1965 to 2011. Located as 219 West 19th Street between Seventh and Eighth Avenues in the Chelsea neighborhood of Manhattan, DTW was founded in 1965 by Jeff Duncan, Art Bauman and Jack Moore as a choreographers' collective. In 2002 DTW opened its new Doris Duke Performance Center, which contains the 192-seat Bessie Schönberg Theatre. ... Such notable artists as Mark Morris, David Gordon, Bill T. Jones, Laura Dean, Susan Marshall, Ron Brown, Donald Byrd, H.T. Chen, David Dorfman, Doug Elkins, Molissa Fenley, Whoopi Goldberg, Janie Geiser, Bill Irwin, LadyGourd Sangoma, Ralph Lemon, Bebe Miller, Michael Moschen, David Parsons, Lenny Pickett, Merián Soto, Pepón Osorio, Paul Zaloom and hundreds of others found an early artistic home at Dance Theater Workshop."
Wikipedia
New York Live Arts (Video)
NY Times: Dance Theater Merges With Bill T. Jones Troupe
[PDF] Dance Theater Workshop (1965-2011) by Elizabeth Zimmer
facebook
YouTube: Dance Theater Workshop

Behind the Beat: Hip Hop Home Studios

"Behind the Beat is a look into the creative spaces of producers and DJ's from the US and UK. Featured are the studios and equipment of some of: Madlib, J Dilla, DJ Design, DJ Premier, DJ Spinna, Skitz, Nextmen, Taskforce, DJ Swamp, E- Swift, Beyond There, Kut Masta Kurt, Fat Jack, Jehst, Beatminerz, DJ Shadow, Dan the Automator, Chief Xcel, Young Einstein, The Grouch, Numark, Cut Chemist, Thes One, J Zone and Mario Caldato Jr. From the press release: 'These photographs are about more than just the equipment. Decades on from hip hop’s birth, producers have an enormous presence, commanding underground and even pop followings. But more often than not, producers are just a name on a record, always in the background. These pictures capture the visual side of the beats they make. They are the images behind the beat.'"
Stones Throw
W - Behind the Beat: Hip Hop Home Studios
amazon

Rollins Plays for Bird (1957)

"As the tenor sax is not in the same key as an alto, Sonny Rollins would have to transpose a lot of music to take a tribute to Charlie Parker to a high level. Instead Rollins has chosen standards associated with Parker, and recorded them within a year after Bird's passing. This idea poses some peculiar challenges, added on to the fact that the quintet of Rollins starts the proceedings with a 27-minute medley of seven tunes seamlessly stitched together. Pianist Wade Legge, an unsung hero of jazz in the '50s for sure, plays some wonderful music here, and laces the grooves of the tunes together, while bassist George Morrow and the always exceptional drummer Max Roach keep things moving forward. Even more unusual is that trumpeter Kenny Dorham is in many instances invisible on the date, playing less than a cursory role to Rollins. Dorham rarely plays together with him, and is much more separate than equal, which in many regards is a shame. Considering how well Dorham and tenor saxophonist Joe Henderson worked as a tandem, one wonders why this happened. ..."
allmusic
W - Rollins Plays for Bird
ROLLINS PLAYS FOR BIRD...A Tribute
YouTube: Rollins Plays for Bird 43:29

2012 September: The Singular Sound of Sonny Rollins, 2012 December: Village Vanguard

Joint Ventures: How sneakers became high fashion and big business

Dunk Low Pro SB Pigeon, 2005, by Nike x Staple Design.
"Say you were a city kid growing up in America. Say you wanted to show off your grace and speed, your skills and creativity, your vision and stroke and raw power. You wanted to break laws and defy gravity. But you needed ankle support, and it was helpful to not burn the hell out of your soles. A good basketball sneaker mattered. In 1923 Converse put the name of one of their salesmen, a balding white guy called Charles 'Chuck' Taylor, on the side of a sneaker, but the Seventies saw corporate America finally acknowledge urban influence, the city game. Black players started getting paid to endorse basketball shoes: first Kareem Abdul-Jabbar, jazz fluid and unstoppable, with his picture on the tongue of an Adidas high-top; then Knicks guard Walt Frazier rocking low-top suede Pumas; then high-flying, superbly Afroed, ferociously goateed Julius Erving, who wore leather Converses with dr. j printed above the outsoles. ..."
Harpers

2011 June: American Basketball Association, 2012 July: Doin’ It In The Park: Pick-Up Basketball, NYC, 2012 November: Your Guide to the Brooklyn Nets, 2013 March: March Madness 2013, 2013 October: Rucker Park, 2013 November: Free Spirits', 2014 January: History of the high five, 2015 February: Dean Smith (February 28, 1931 – February 7, 2015), 2015 June: Basketball’s Obtuse Triangle, 2015 September: SLAM Magazine.

Lee "Scratch" Perry - Black Ark in Dub (1993)

"A fine collection of early Perry dub packaged in what seems to be a semi-legit, bootleg way. This label seems to be tied in with the French label Lagoon, which has released the Perry-produced Bob Marley session (two CDs, both of them essential). This is a good selection; Perry remixes are typically audacious and crazy, but there's little enclosed information telling you when the tracks were cut. Lack of information is an ongoing problem with Perry releases, since his entire output defies any kind of authoritative historical treatment. Still, this is worthy of your time, even if it doesn't provide the big buzz of some of Perry's other, more far-out experiments."
allmusic
W - Black Ark Studios
Spotify
YouTube: Black Ark in Dub (Album)

2009 November: Lee "Scratch" Perry, 2012 February: Arkology, 2012 June: The Black Ark, 2012 July: Subatomic Sound System meets Lee Scratch Perry & Ari Up of the Slits, 2012 August: "I Chase the Devil", 2014 March: Blackboard Jungle Dub (1973)

Ernest Hemingway: Between Two Wars

A visa from the War Department issued in 1944.
"This is the first ever major museum exhibition devoted to the work of Ernest Hemingway (1899–1961), one of the most celebrated American authors of the 20th century. Organized in partnership with the John F. Kennedy Presidential Library and Museum, it includes multiple drafts of Hemingway's earliest short stories, notebooks, heavily revised manuscripts and typescripts of his major novels—The Sun Also Rises, A Farewell to Arms, and For Whom the Bell Tolls. The show also presents correspondence between Hemingway and his legendary circle of expatriate writers in 1920s Paris, including Gertrude Stein, F. Scott Fitzgerald, and Sylvia Beach. Focusing on the inter-war years, the exhibition explores the most consistently creative phase of Hemingway's career and includes inscribed copies of his books, a rarely-seen 1929 oil portrait, photographs, and personal items. ..."
The Morgan Library & Museum
The Morgan Library & Museum: Images
NY Times: Hemingway Was a Pack Rat. Here’s What His Mementos Reveal.
New Yorker: May, 13, 1950. How Do You Like It Now, Gentlemen? By Lillian Ross

2012 June: "The Spanish Earth", Written and Narrated by Ernest Hemingway, 2014 November: Lost Generation

Explained: The Secret Language Of New York City's Signage

"When you walk down the streets of New York City, you aren't walking just through the present. You are surrounded by the canyon walls of the past, and the signage around you—the building names, the business signs, the faded slogans—are actually fossils, peeking out from the strata of decades gone by into the present. An adjunct professor of design and typography at the Cooper Union School of Art, Alexander Tochilovsky considers himself something of a paleontologist of these signs. By wandering around the streets of Brooklyn's Fort Greene neighborhood, Tochilovsky was able to point out what the billboards, building names, house numbers, and mailboxes that surround us say about New York's past."
Fast Company (Video)

In Search of Lost Time: Swann's Way: A Graphic Novel

"[Deep breath.] So there's this new English translation of a French graphic novel adaptation of Swann's Way, the first of seven novels in Marcel Proust's masterwork, In Search of Lost Time. Got all that? First there was the 1913 novel by Proust (in French!), then a graphic novel adaptation by Stephane Heuet (in French!) that was published in installments between in 1998 and 2013, and now that whole thing has been translated by Arthur Goldhammer (into English!). It's complicated. But then, this is Proust we're talking about. "Complicated" is where the guy hangs his beret and stores his mustache wax, so it makes a certain amount of sense. ..."
NPR - French, English, Comics: Proust On Memory, In Any Language (Video)
W.W. Norton
amazon

2008 June: Marcel Proust, 2011 October: How Proust Can Change Your Life, 2012 April: Marcel Proust - À la recherche du temps perdu, 2013 February: Marcel Proust and Swann's Way: 100th Anniversary, 2013 May: A Century of Proust, 2013 August: Paintings in Proust - Eric Karpeles, 2013 October: On Reading Proust, 2015 September: "Paintings in Proust" - View of the Piazza del Popolo, Giovanni Battista Piranes

Maureen Gallace

Fall Construction. 1997
"Painting from nature is nearly as old as the hills. For years, Alex Katz was the most prominent keeper of its flame, but other devotees have lately come into clearer view — Mr. Katz’s contemporary, the great Lois Dodd, for one. In addition, younger painters like Maureen Gallace and the even younger Daniel Heidkamp and Aliza Nisenbaum have wholeheartedly or partly followed suit. Painting from various forms of life has become a thing — as they say — in the hipper reaches of the contemporary art world. So what better time to survey the underappreciated achievement of Martha Armstrong, a plein-air painter in her mid-70s who trained at Smith College and the Rhode Island School of Design and has worked for years in relative obscurity. Since 1988, she has had eight solo shows, including this one, at the noticeably unhip Bowery Gallery, an artists’ co-op founded in 1969. ..."
NY Times
Bowery Gallery
Maureen Gallace

The Jam - "Strange Town" / "The Butterfly Collector" (1979)

"Paul Weller left British journalist Paolo Hewitt with the impression that 'Strange Town' was about an alien visiting London, and perhaps it is, as the singer swallows so many of the song's lyrics that it's difficult to be sure. But the ones that he does enunciate perfectly describe not an alien, but the feeling of alienation that is experienced by any tourist or immigrant. Ask directions in Weller's strange town and the response is, 'I don't know, I don't care, and I got to go mate.' Inquire in the wrong clothes and wrong accent, and they'll 'smash your nose.' Tired, friendless and frustrated, this visitor is no happy camper, and no poster child for the London Tourist Board. ... There was a toughness about 'Strange Town' that was new to the band, as producer Vic Coppersmith-Heaven transformed their previously youthful energy into an adult aggression that matched Weller's own bitterness at this time."
allmusic
W - "Strange Town" / "The Butterfly Collector"
YouTube: "Strange Town", "The Butterfly Collector"

2009 March: The Jam, 2011 December: Down in the Tube Station at Midnight, 2012 November: "Going Underground", 2013 January: In the City, 2013 February: This Is the Modern World, 2013 July: All Mod Cons, 2013 November: Setting Sons, 2014 January: Sound Affects (1980), 2014 December: Live At Bingley Hall, Birmingham, England 1982, 2015 March: "Town Called Malice" / "Precious", 2015 July: The Gift (1982).

South of the Border - Oliver Stone (2009)

Wikipedia - "South of the Border is a 2009 American documentary film directed by Oliver Stone. The documentary premiered at the 2009 Venice Film Festival. Writer for the project Tariq Ali calls the documentary 'a political road movie'. Stone stated that he hopes the film will help people better understand a leader who is wrongly ridiculed 'as a strongman, as a buffoon, as a clown.' The film has Stone and his crew travel from the Caribbean down the spine of the Andes in an attempt to explain the 'phenomenon' of Venezuelan president Hugo Chávez, and account for the continent's 'pink tide' leftward tilt. A key feature is also Venezuela's recent Bolivarian revolution and Latin America's political progress in the 21st century."
Wikipedia
NY Times: Oliver Stone’s Latin America
South of the Border (Video)
Guardian: Oliver Stone: 'The truth about Hugo Chávez' (Video)
NPR - Oliver Stone, Visiting Points 'South' With A Few Buds
Jacobin - The Truth About Chávez: Bernie Sanders is wrong — Hugo Chávez was no dictator.
Jacobin - History Doesn’t Go In a Straight Line: Noam Chomsky on Bernie Sanders, Jeremy Corbyn, and the potential for ordinary people to make radical change. By Noam Chomsky
YouTube: Documentary - South of the Border 1:17:54

Johnny-on-the-Pony

Wikipedia - "Buck buck (also known as Johnny-on-a-Pony or Johnny-on-the-Pony) is a children's game with several variants. One version of the game is played when 'one player climbs another’s back' and the climber guesses 'the number of certain objects out of sight.' Another version of the game is played with 'one group of players [climbing] on the backs of a second group in order to build as large a pile as possible or to cause the supporting players to collapse.' As early as the 1500s, children in Europe and the Near East played Buck, Buck, which had been called 'Bucca Bucca quot sunt hic?'. Pieter Bruegel's painting 'Children's Games' (1560) depicts children playing a variant of the game. ..."
Wikipedia
Johnny on the Pony
The finest & bravest square off in Johnny on the Pony
Online Magazine Topics Guide
vimeo: Johnny on the Pony
YouTube: Buck-Buck

Transmissions: Art in Eastern Europe and Latin America, 1960–1980

Mangelos (Dimitrije Bašicevic). Manifest de la relation. 1976.
"Transmissions: Art in Eastern Europe and Latin America, 1960–1980 focuses on parallels and connections among artists active in Latin America and Eastern Europe in the 1960s and 1970s. During these decades, which flanked the widespread student protests of 1968, artists working in distinct political and economic contexts, from Prague to Buenos Aires, developed cross-cultural networks to circulate their artworks and ideas. Whether created out of a desire to transcend the borders established after World War II or in response to local forms of state and military repression, these networks functioned largely independently of traditional institutional and market forces. ..."
MoMA
NY Times - Review: ‘Transmissions’ at MoMA Explores an Era When Art Upended Tradition
WSJ
post

Kansas Joe McCoy (May 11, 1905 – January 28, 1950)

Wikipedia - "Kansas Joe McCoy (May 11, 1905 – January 28, 1950) was an American Delta blues musician and songwriter. McCoy played music under a variety of stage names but is best known as 'Kansas Joe McCoy'. Born in Raymond, Mississippi, he was the older brother of the blues accompanist Papa Charlie McCoy. As a young man, McCoy was drawn to the music scene in Memphis, Tennessee where he played guitar and sang vocals during the 1920s. He teamed up with future wife Lizzie Douglas, a guitarist better known as Memphis Minnie, and their 1930 recording of the song 'Bumble Bee' on the Columbia Records label was a hit. ..."
Wikipedia
allmusic
Spotify
YouTube: Memphis Minnie & Kansas Joe McCoy-Pile Driver Blues, What's The Matter With You?, Kansas Joe McCoy and Memphis Minnie When the Levee Breaks, Memphis Minnie & Kansas Joe - What's A Matter With The Mill, Me And My Chauffeur Blues #1 - Memphis Minnie & Kansas Joe McCoy, Well, Well, Look Who's Coming Down The Road, One More Greasing, Memphis Minnie & Kansas Joe - Wild About My Stuff, Joliet Bound - Kansas Joe McCoy & Memphis Minnie, Evil Devil Woman Blues, Kansas Joe McCoy & Memphis Minnie - Preachers Blues, Weed Smoker's Dream -Harlem Hamfats

Public Enemy - Shut'em Down (1991)

"The passing of the torch in hip-hop is never a happy occasion. It's mostly filled with bitterness and shit talking. Chuck D clearly knew that PE's five-year reign was coming to a close. Once you realize and come to grips with this fact. you can either fight the power, or play diplomat and go out like a champ. If only every act in hip-hop thought like this. Thank God Chuck D chose the latter and let young upstart Pete Rock take over the boards to give PE's 'aight' song the decade' second best facelift. (The first goes to Black sheep's 'The Choice is Yours.') This song marks the renaissance period of New York hip-hop that was more jazz-centric over the usual Southern soul bed it was used to. A marvelous closing-credits soundtrack to a storied streak of revolutionary madness from the best group in hip-hop."
Rolling Stone
Wikipedia
YouTube: Shut'em Down, Shut Em Down (Pete Rock Remix)

2009 May: Public Enemy, 2011 July: It Takes a Nation of Millions to Hold Us Back, 2012 February: Fear of a Black Planet, 2012 August: Apocalypse 91… The Enemy Strikes Black, 2012 December: A Dozen Pivotal Moments in the 30 Year Career of Public Enemy, 2014 June: "Prophets of Rage" (2011), 2015 February: The Noise And How To Bring It: Hank Shocklee Interviewed, 2015 May: Give it up (1994).

Eleni Karaindrou - The Weeping Meadow (2004)

"Film and orchestral music composer Eleni Karaindrou has made a beautiful and moving statement with THE WEEPING MEADOW. A native of Greece, Karaindrou's influences are decidedly European, and within the music, one can hear the stamp of impressionistic composers like Erik Satie, avant garde innovators like Bartok, as well as Greek and Balkan folk forms. Karaindrou's music also traffics in 20th-century minimalism, creating tense, atmospheric spaces that feel empty and dense at once (one of the composer's frequently used motifs involves 'patterns' that recall the tingling, polyphonic gestures of Phillip Glass). Although several themes are reprised throughout the album, the combination of ambient textures, folk phrasing (accordions, guitars, and violins figure prominently into several pieces), and lush orchestral work keep the music consistently interesting. ..."
allmusic
amazon
Spotify
YouTube: The Weeping Meadow, Refugee's theme & The Weeping Meadow (Live)
YouTube: The Weeping Meadow Full Album 44:04

2008 June: Eleni Karaindrou, 2012 October: Ulysses' Gaze

King Ottokar's Sceptre - The Adventures of Tintin (1938)

Wikipedia - "King Ottokar's Sceptre is the eighth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1938 to August 1939. Hergé intended the story as a satirical criticism of the expansionist policies of Nazi Germany, in particular the annexation of Austria in March 1938 (the Anschluss). The story tells of young Belgian reporter Tintin and his dog Snowy, who travel to the fictional Balkan nation of Syldavia, where they combat a plot to overthrow the monarchy of King Muskar XII. ..."
Wikipedia
Tintin Wiki
amazon
YouTube: King Ottokar's Sceptre (Full Movie) 1:25:16

2008 May: Georges Remi, 1907-1983, 2010 July: The Adventures of Tintin: Breaking Free, 2011 December: Prisoners of the Sun, 2012 January: Tintin: the Complete Companion, 2012 December: Snowy, 2015 August: The Black Island (1937)

In praise of dirty, sexy cities: the urban world according to Walter Benjamin

Modern Marseille is being sandblasted, primped and cultureified.
"Marseille isn’t as wicked as it used to be. In 1929, the playwright and travel writer Basil Woon wrote From Deauville to Monte Carlo: a Guide to the Gay World of France, warning his respectable readers that, whatever they do, they should on no account visit France’s second city. 'Thieves, cut-throats and other undesirables throng the narrow alleys and sisters of scarlet sit in the doorways of their places of business, catching you by the sleeve as you pass by. The dregs of the world are here unsifted … Marseille is the world’s wickedest port.' Much has changed since 1929. Gay doesn’t mean what it used to mean. Marseille isn’t the world’s wickedest port, but subject to one of Europe’s biggest architectural makeover projects. ..."
Guardian
W - Walter Benjamin
The Walter Benjamin Research Syndicate

Fighting with All Our Might

Mabel Dwight (1876-1955), Merchants of Death, 1935
"Following the catastrophic stock market crash of October 29, 1929, many American artists committed themselves to using the expressive power of their art in the struggle for social change. By 1933, one quarter of the workforce was unemployed and signs of the Great Depression were everywhere: homeless men, women, and children; soup kitchens; shantytowns; protests, strikes, and lockouts. Artists worked to document these problems and also to ameliorate them. Some joined the government programs formed by President Franklin D. Roosevelt’s New Deal, which aimed to revive the nation by creating jobs, aiding farms and small businesses, and regulating finance. ..."
Whitney

Up Is Up, But So Is Down: New York’s Downtown Literary Scene, 1974-1992

"When people talk about the explosion of art in New York in the 1970s and ’80s, they usually mean the Ramones and Television and punk rock, or Jean-Michel Basquiat and the downtown arts scene. But a lively literary movement was taking place, though it has received considerably less attention. Around the time Patti Smith was recording her debut album, 'Horses,' the cultural provocateur Kathy Acker was mailing acquaintances mimeographed stories that juxtaposed violence and vulnerability under the name 'the Black Tarantula.' The writer and performer Constance DeJong was creating multimedia works with Philip Glass. At the Poetry Project at St. Mark’s Church, the monologuist Eric Bogosian was giving his first solo performance. Taken together, according to Brandon Stosuy, the editor of 'Up Is Up, But So Is Down: New York’s Downtown Literary Scene, 1974-1992,' this activity represents the birth of an underground literary movement that was just as vibrant as the musical revolution taking place. ..."
NY Times
amazon

David Van Tieghem - Ear to the Ground [1979]

"'Conceived & Performed by David Van Tieghem, Produced and Directed by John Sanborn & Kit Fitzgerald. Ear to the Ground,' wherein Van Tieghem literally 'plays' the streets of New York as if it were a musical instrument, have become internationally acclaimed favorites. These collaborations with video artists John Sanborn, Kit Fitzgerald, and Mary Perillo have been televised and presented in art venues and nightclubs throughout the world. In 1985, 'Ear to the Ground' opened the premiere season of the PBS TV series 'Alive from Off-Center.'"
UbuWeb (Video)
The Wire - Listen: David Van Tieghem composition (Video) 19:22
YouTube: David Van Tieghem x Georgia - Slippery Slope, Live at the Chelsea Hotel, Crystals/Estranho Encontro

2009 May: David Van Tieghem

Gather the Rose of Love : YZ and LE CABARET DE SANCERRE

"Summer’s final roses are still ripe for the picking here in Brooklyn, with no threat of autumn’s frost in sight and late September sun to illuminate them as you scuffle by on concrete sidewalks. Street Artist YZ lives and works in Montreuil near Paris and has been bringing rooms of an old cabaret alive with roses this summer and shares with us today images of classical figures she painted with india ink on silk paper for these decaying walls. 'Each room has it’s own character and the natural light sometimes reveals a different aspect of the original painting,' she says of the nudes originally created by Bouguereau, Lehmann, Gerome, and Merle. ..."
Brooklyn Street Art

A Great Supercut of “The Lick”: The Musical Meme That Shows Up Everywhere From Coltrane, to Stravinsky, to Christina Aguilera

"A couple years ago, we brought you a post on the history of the 'Amen Break,' six seconds of sampled drums from a gospel instrumental that—since sampling began in the 80s—has became a ubiquitous rhythmic element in virtually every popular genre of rhythm-based music, from hip-hop, to drum and bass, to EDM. While the technology that enabled the 'Amen Break' may be unique to the digital era, the sample’s endless iterations show us something timeless about how music evolves. Picking up on Richard Dawkins’ 1976 coining of the term 'meme,' Susan Blackmore argued in The Meme Machine that 'what makes us different' from other animals 'is our ability to imitate…. When you imitate someone else, something is passed on. This ‘something’ can then be passed on again, and again, and so take on a life of its own.' ...”
Open Culture (Video)