"Midway through the Mandingue groove inferno that is 'Dakan Sate, Korotoumi' I knew I had found a gem. Hypnotic guitar solos, heavy bass riffs, psychedelic organ lines, and funky horns … what more could you want? That was in 2006. I was in Bobo Dioulasso, the second largest city in Burkina Faso and one of its major centres of Mandingue culture. Here the sounds of nearby Mali and Guinea had fused with local styles, giving birth to a rich musical scene: bands such as Bembeya Jazz, Super Djata Band and other Mandingue giants were among the best-sellers of the region, and record dealers had once imported them in great quantities from distributors in Abidjan or Cotonou, the cities where most local artists had their LPs manufactured. ..."
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