​Face The Spectrum: Poland’s New Young Experimental Composers

"... [Martyna Basta] Field recordings are the core of her latest album, Slowly Forgetting, Barely Remembering, although it’s not easy to recognise them as such. The music sounds electronic, even though she used no synthesisers during its production. The starting point is acoustic. Take ‘Speechless Lately’, for example, based on recordings of an ice cube, foil blowing in the wind, rustling leaves captured by a contact microphone, a wine glass that’s transformed into a drone. She adds the sounds of zither and electric guitar, introducing scratches of melody to a story suspended in time. She plays with silence, meticulously building with small details. ...”

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