"Here’s some advice we seldom hear: best played at medium volume. Remanence (Brian McWilliams, previously covered as Aperus, and John Phipps) also recommend that the music be played at night so the nuances can blend with ‘the muted atmosphere of a quiet environment.’ They are right; these drones are poorly suited to sunshine, preferring to exist in the backgrounds, corners and closets, seeping out as the night descends. The dark ambient gurgles and long, slow drones are akin to those of artists on the Cold Spring label, though Remanence admits a slice of filtered light. ...”
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