"Literary magazines have been at the center of a black transnational cultural renaissance. This is not where I intended to end up when I first encountered Ethiopia (Awakening), 1921—a sculpture by Meta Vaux Warrick Fuller (1877-1968), an important artwork created at the dawn of the Harlem Renaissance—at the 59th Venice Biennale in 2022. ... True to the curatorial vision, Fuller’s sculpture is often described as the first pan-African American work because it connected Ethiopia, the only independent African country at the time, to the emerging Black society in America. Fuller belongs on a long list of artists and writers who were championed by the 20th-century American intellectual, W.E.B. Du Bois. ...”
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