“In Italy, fascism and cinema had always been in a strange relationship. After millions of deaths, years of war and violence; fascism left only two positive things behind: Venice Film Festival and Cinecitta. Fascism, as a consequence of WWII, left thousands of people homeless in Italy; and of course, filmmakers studioless. Great Italian Studio Cinecitta, established by Benito Mussolini in 1937, was damaged significantly during the battles and bombings. This led the filmmakers to go into streets, to experience live action. ... From humanism to communism, from liberal to socialist, this new generation searched for new ways to tell stories of post-war Italy (even, Europe), to formulate a story by keeping the budget low and to hold Zeitgeist in palms of their hands. ...”
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