Deep Art Nature: The Battle of Algiers

“The Battle of Algiers was a campaign of urban guerrilla warfare carried out by the National Liberation Front (FLN) against the French Algerian authorities from late 1956 to late 1957. The conflict began as a series of attacks by the FLN against the French forces followed by a terrorist attack on Algerian civilians in Algiers by a group of Pieds-Noirs (European settlers), aided by the police. Reprisals followed and the violence escalated leading the French Governor-General to deploy the French Army in Algiers to suppress the FLN. Civilian authorities left all prerogatives to General Jacques Massu who, operating outside legal frameworks between January and September 1957, successfully eliminated the FLN from Algiers. The use of torture, forced disappearances and illegal executions by the French later caused controversy in France. ...”

Wikipedia, W - National Liberation Front, W - Women in the Algerian War

YouTube: The Algerian Revolutionary, Larbi Ben Mhidi 47:23, Veterans: The French in Algeria 24:23

The six historical Leaders of the FLN: Rabah Bitat, Mostefa Ben Boulaïd, Mourad Didouche, Mohammed Boudiaf, Krim Belkacem and Larbi Ben M'Hidi.

The Battle of Algiers - Gillo Pontecorvo

“The Battle of Algiers is a 1966 Italian-Algerian historical war film co-written and directed by Gillo Pontecorvo and starring Jean Martin and Saadi Yacef. It is based on events undertaken by rebels during the Algerian War (1954–1962) against the French government in North Africa, the most prominent being the titular Battle of Algiers, the capital of Algeria. It was shot on location in a Roberto Rossellini-inspired newsreel style: in black and white with documentary-type editing to add to its sense of historical authenticity, with mostly non-professional actors who had lived through the real battle. The film's score was composed by Ennio Morricone. It is often associated with Italian neorealist cinema. The film concentrates mainly on revolutionary fighter Ali La Pointe during the years between 1954 and 1957, when guerrilla fighters of the FLN regrouped and expanded into the Casbah, the citadel of Algiers. Their actions were met by French paratroopers attempting to regain territory. The highly dramatic film is about the organization of a guerrilla movement and the illegal methods, such as torture, used by the colonial power to contain it. Algeria succeeded in gaining independence from the French, which Pontecorvo addresses in the film's epilogue. The film has been critically acclaimed. Both insurgent groups and state authorities have considered it to be an important commentary on urban guerrilla warfare. ...”