“Alice Notley’s one and only exhibition of her visual art in the United States was in 1980 at MoMA PS1. The press release, written by Notley, notes that her collages are made ‘of paper (potential trash) from the poet/artist’s life, pieces of illustrations from favorite cheap books, sidewalk discoveries, and things she could see on the floor, from her chair, and was too lazy to throw away.’ Notley’s nonchalance toward her materials should not be mistaken for a lack of aesthetic intensity. Like her visionary poetry, which she has written and published continuously for over fifty years, Notley’s visual art is defined by intricate layers of presence and association as well as common themes: light, femininity, and irreducibility. ...”
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