"Jo Johnson and Hilary Robinson’s album Antenna Echoes has its origins in chance and error: a meeting in a shared neighborhood, and a broken piano. The result of those external influences is a Covid-era collaboration of deeply interior music, all cavernous echoes and warm feedback. Piano is the near constant through the album’s three tracks ('Maze Echoes,' 'Antenna Gain,' 'Fresh Air and the Usual Low-grade Hedonism'), but it would be inaccurate to claim its presence necessarily grounds the plush synthesizer and pervasive sound-design drones. ..."
No comments:
Post a Comment