"In 1956, the Pop artist Ed Ruscha left Oklahoma City for Los Angeles. 'I could see I was just born for the job' of an artist, he would later say, 'born to watch paint dry.' The comment encapsulates Ruscha’s ironic use of cliché as a centerpiece of his work. He called himself an 'abstract artist… who deals with subject matter.' Much of his subject matter has been commonplace words and phrases—decontextualized and foregrounded in paintings and prints made with careful deliberation, against the trend toward Abstract Expressionism and its gestural freedom. Another of Ruscha’s subjects comes with somewhat less conceptual baggage. ..."
Open Curture (Video)
vimeo: Staff Pick Premiere: A Getty-commissioned short by Matthew Miller (Video)
Ruscha’s “Every Building on the Sunset Strip”: Plotting a motorized city, paper route style
W - Ed Ruscha
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