From the Purveyors of New York’s Best Mozzarella, a New Cafe
The main Di Palo’s shop, on the corner of Grand and Mott Streets, where you can buy Italian cheeses, prosciuttos, salamis, pastas and olive oils, as well as freshly made ricotta and mozzarella.
"With the new Di Palo osteria getting ready to open, there was excitement on Mott Street last week. This is a 21st-century addition to Di Palo’s 109-year-old Italian food shop just around the corner, on Grand Street, and the enoteca (wine store) next to it. At the new place, which will open officially on Monday, you can drink wine, nibble cheese — deep blue Gorgonzola, a creamy ricotta, pecorino studded with fresh peppercorns — or an ephemerally light slice of prosciutto, and there will be events and talks about Italian food and wine. I’ve been coming to Di Palo’s all my life, and I rarely make it out of the store without biting into the mozzarella made there, the milk dripping down my chin. ... There are no pushcarts on Mott now, but according to Lou Di Palo, who owns Di Palo’s with his sister Marie and brother Sal, the street was jammed with them in 1910, when his great-grandfather Savino Di Palo opened a tiny dairy, where he made ricotta and mozzarella, at 131 Mott. In 1903, Savino fled poverty and oppression in the Lucania region of Italy, where he was a farmer and cheesemaker; when he arrived in New York, he did what he knew. ..."
NY Times
W - Mozzarella
YouTube: How Italy’s Biggest Mozzarella Balls Are Made
Savino Di Palo, the current owners' father, in front of the store on Grand Street in 1948.
The People’s Emergency
"In France, the neon-yellow vests known as gilets jaunes are like proverbial opinions: Everyone has one, or at least every motorist does. In case of a breakdown, drivers are supposed to don these reflective garments and lay a high-visibility 'warning triangle' (also provided in one’s kit de sécurité) on the road in front of their vehicles. When men and women wearing yellow vests began slowing down traffic at hundreds of ronds-points (traffic circles) throughout the countryside last November, and then massing by the thousands on Saturdays in Paris, Bordeaux, and Toulouse, it was hard to dismiss them as a bunch of radical-fringe demonstrators. They were wearing the uniform the government itself had asked good citizens to wear to make themselves visible in an emergency. ..."
New Republic (Audio)
W - Yellow vests movement
2018 December: Paris Burning
Kologbo – Africa Is The Future (2017)
"Guitar legend Oghene Kologbo was born in Warri, Nigeria in 1957. His father was the well known highlife musician Joe King Kologbo. When Kologbo was a teenager, he began performing with the revolutionary Afrobeat master Fela Kuti. Kologbo went on to record more than 50 sides with Africa 70. He played the hypnotic tenor guitar lines, but often recorded bass and rhythm guitar too. Kologbo was Fela's personal assistant and 'tape recorder'. That is, it was his job to remember the melodies Fela would sing to him late at night, then teach them to the band at rehearsal the next day. In 1978, after a show at the Berlin Jazz Festival, Kologbo left the band (along with Tony Allen and a few others) and stayed in Berlin. ..."
ParisDJs (Video/Audio)
Discogs (Video)
YouTube: Don’t Mind Them
Notes from an Exiled Revolutionary
"The writer and revolutionary Victor Serge was one of the few prominent opponents of Stalin to escape the despot’s wrath. In 1936, in the midst of the Great Terror, Serge fled the Soviet Union for France. When the Nazis took Paris, in 1940, he fled to Mexico, where he spent the rest of his days in an exile rife with poverty and grief. In a sense, his notebooks became his new home, a place where he felt comfortable to contemplate everything from World War II to Russian literature, from the aftermath of the Revolution to the beauty of an erupting volcano. A new volume from New York Review Books Classics, translated by Mitchell Abidor and Richard Greeman, presents for the first time in English Serge’s notebooks in their entirety. Below, in a series of entries from 1944, Serge marvels at the brilliance of his daughter’s art critiques, mourns his friends Antoine de Saint-Exupéry and Max Jacob, and muses on the darkness of a world at war. ..."
The Paris Review
W - Victor Serge
NYRB: Notebooks 1936–1947 by Victor Serge
Minton's Playhouse
"Minton's Playhouse is a jazz club and bar located on the first floor of the Cecil Hotel at 210 West 118th Street in Harlem and is a registered trademark of Housing and Services, Inc. a New York City nonprofit provider of supportive housing. The door to the actual club itself is at 206 West 118th Street where there is a small plaque. Minton's was founded by tenor saxophonist Henry Minton in 1938. Minton's is famous for its role in the development of modern jazz, also known as bebop, where in its jam sessions in the early 1940s, Thelonious Monk, Bud Powell, Kenny Clarke, Charlie Christian, Charlie Parker and Dizzy Gillespie, pioneered the new music. Minton's thrived for three decades until its decline near the end of the 1960s, and its eventual closing in 1974. After being shuttered for more than 30 years, the newly remodeled club reopened its doors on May 19, 2006, under the name Uptown Lounge at Minton's Playhouse. However, the reopened club was closed again in 2010. Remodeling began again in 2012. ..."
Wikipedia
NY Times: The Harlem Jazz Club Where the Spirit of Billie Holiday Lives On
Minton's Playhouse - About (Video)
YouTube: The History Of Minton's Playhouse
Billie Holiday at Minton’s Playhouse, 1953.
The Sensual Sound Studies of Annea Lockwood
"The 78-year-old performance artist and tape music composer Annea Lockwood grew up at the end of the world, in Christchurch, New Zealand, where she was immersed in the power and interconnectedness of the wild forces of nature. As a young woman, Lockwood traveled to Europe to study classical composition, but ended up falling in with what became known as the Darmstadt School, where she began composing electronic music and experimental pieces. But instead of focusing on the particulars of wires and oscillators, Lockwood’s work would draw out the innate qualities of the natural world and the human experience. Whether in her sound studies of rivers, recordings of conversations or dramatic stunts like burning a piano, Lockwood’s art is about listening deeply to what surrounds us. Recently, the composer reissued Tiger Balm, a sensual sound collage of tiger purrs, breaths, gongs and the drone of airplanes that was influenced by indigenous trance music and set the tone for much of her career. Sophie Weiner spoke to Lockwood about the experiences that formed her sensibility as an artist, her enduring interest in deep listening and what she’s learned in her half-century of composing avant-garde works. ..."
Red Bull Music Academy Daily (Video)
W - Annea Lockwood
Lovely
2017 March: Source: Music of the Avant Garde, 1966-1974
America’s Original Socialist
Pins from Eugene Debs's various presidential campaigns.
"One hundred years ago this month, the American Socialist leader Eugene V. Debs, reported to a penitentiary in Moundsville, W.V., to begin a 10-year prison term. Debs had been convicted the previous fall of violating the Espionage Act, which had been enacted shortly after the United States entered World War I with the ostensible aim of punishing citizens who provided aid to the enemy. By the time Debs went to prison, scores of his fellow Socialists had already been imprisoned under the act’s provisions. Approaching his 64th birthday in ill health, depressed and dreading separation from family and friends, Debs did not crave martyrdom. But he knew he had a role to play, one he had freely chosen, and thus remained outwardly defiant. 'Tell my comrades,' Debs declared on beginning his sentence in April 1919, 'that I entered prison doors a flaming revolutionist, my head erect, my spirit untamed and my soul unconquered.' ..."
NY Times
New Yorker: Eugene V. Debs and the Endurance of Socialism
W - Eugene V. Debs
Eugene Debs speaking in Chicago in 1912.
Small Worlds: Miniatures in Contemporary Art
Lori Nix / Kathleen Gerber, “Library (detail),” 2007.
"In 'Small Worlds: Miniatures in Contemporary Art'— at the University of Vermont’s Fleming Museum of Art in Burlington from Feb. 13 to May 10, 2019—artists adopt the techniques of dioramas, model train figures and architectural models to invent tiny worlds that reflect our dreams and fears. 'Miniatures, reminiscent of our childhood playthings, can recall in us that sense of wonder for the world around us, but can also suggest dark forces hidden beneath the seduction of the small,' the opening sign says. 'As our inherent attraction to the miniature pulls us into the imagined world of the artist, real-world traumas such as violence, displacement, and environmental disaster are brought to our attention in intricate and intimate ways.' ..."
In ‘Small Worlds,’ Artists Fashion Tiny Models Of Dreams And Nightmares
SevenDays
Fleming Museum of Art
RETN: Small Worlds: Miniatures from the Collection 41:58
Detail of Mohamad Hafez's "Hiraeth," 2016
The Metamorphosis
"'Literature is fire,' Mario Vargas Llosa declared in 1967, when he accepted a prize commemorating Rómulo Gallegos, the esteemed Venezuelan novelist and former president. Gallegos represented the center-left tradition in Latin America, and Vargas Llosa was determined to challenge his audience from the left. Literature, the Peruvian novelist continued, 'means nonconformism and rebellion…. Within ten, twenty or fifty years, the hour of social justice will arrive in our countries, as it has in Cuba, and the whole of Latin America will have freed itself from the order that despoils it, from the castes that exploit it, from the forces that now insult and repress it.' Nearly 40 years later, in 2005, Vargas Llosa received a very different sort of prize and delivered a very different kind of speech. Accepting the Irving Kristol Award from the American Enterprise Institute, he denounced the Cuban government and called Fidel Castro an “authoritarian fossil,” praised the Austrian School economist Ludwig von Mises as a “great liberal thinker,” and defended calls for privatizing pensions. It was quite a remarkable transformation. ..."
The Nation
Continental shifts
amazon: Sabers and Utopias: Visions of Latin America: Essays
2015 March: Mario Vargas Llosa
Fame Northern Soul (2019)
"Best-known for producing some of the greatest southern soul from their Muscle Shoals, Alabama studios, FAME was successful at any type of music they turned their hands to. The young writers and musicians were as keen to replicate the sound of Motown as they were to follow the innovative sounds of Stax. This CD spotlights uptempo southern grit with club classics like Clarence Carter's 'Looking For A Fox' and Arthur Conley's 'I Can't Stop; No, No, No', but the label was also capable of chasing on-the-fours dance appeal, with James Barnett's 'Keep On Talking' and Linda Carr's 'Everytime'. They could also ape the big city soul sounds of New York and LA with tracks such as Jimmy Hughes 'I'm Getting Better' and June Conquest's 'Almost Persuaded'. ..."
Holland Tunnel Dive
amazon
Juno: VARIOUS
Mueller Report Reveals Trump’s Efforts to Thwart Russian Inquiry
President Trump leaving the East Room of the White House on Thursday.
"Robert S. Mueller III revealed a frantic, months long effort by President Trump to thwart the investigation into Russia’s 2016 election interference, cataloging in a report released on Thursday the attempts by Mr. Trump to escape an inquiry that imperiled his presidency from the start. The much-anticipated report laid out how a team of prosecutors working for Mr. Mueller, the special counsel, wrestled with whether the president’s actions added up to an indictable offense of obstruction of justice for a sitting president. They ultimately decided not to charge Mr. Trump, citing numerous legal and factual constraints, but pointedly declined to exonerate him. ..."
NY Times
***NY Times: A Portrait of the White House and Its Culture of Dishonesty
***NY Times: Mueller Report Shows Depth of Connections Between Trump Campaign and Russians
***NY Times: See Which Sections of the Mueller Report Were Redacted
***NY Times: House Democrats Subpoena Full Mueller Report, and the Underlying Evidence
NY Times: The Mueller Report: Excerpts and Analysis
NY Times: Mueller Left Open the Door to Charging Trump After He Left Office
NY Times: What We Know So Far From the Mueller Report (Video)
NY Times: Barr’s Defense of Trump Rewards the President With the Attorney General He Wanted (Video)
NY Times: Opinion - Don’t Trust Barr. Verify His Redactions.
Television screens showing Attorney General William P. Barr’s news conference on Thursday.
Mapping Gothic France
"The Mapping Gothic website (http://mappinggothic.org/) was originally conceived by Stephen Murray, Professor of Art and Archaeology at Columbia University, and Andrew Tallon, Assistant Professor of Art at Vassar College, as a space to represent Gothic architecture digitally. Aware of the insufficiencies of a two-dimensional screen for rendering these structures, the site compiles panoramic, gigapan images; exact architectural elevations; timelines; and historical narratives to show these buildings in both time and space. The site derives its guiding Hrinciple from Henri Lefèbvre in seeking connections between what it describes as 'the architectural space of individual buildings, geo-political space, and the social space resulting from the interaction (collaboration and conflict) between multiple agents – builders and users.' Murray and Tallon hope that in addition to providing digital access to these churches, cathedrals, and abbeys, the manipulable platform will allow users to draw their own connections between these Gothic buildings. ..."
Stephen Murray and Andrew Tallon, 2012-. Mapping Gothic France.
Mapping Gothic France
Mapping Gothic France - Map
Tag out
A 1911 American Tobacco Company baseball card illustrating a baserunner being tagged out at third base.
Wikipedia - "In baseball, a tag out, sometimes just called a tag, is a play in which a baserunner is out because a fielder touches him with the ball or with the hand or glove holding the ball, while the ball is live and while the runner is not touching a base. A runner must sometimes advance to the next base because a batter, advancing to first, forces that runner to advance ahead of him to the next base. Two runners are not allowed on one base at one time, so a batter can, in effect, bumper-car a runner forward. Such a runner is spoken of as having been forced to the next base. A defensive play against that runner is called a force play and, if successful, a force out. A tag can put runners out on a forced play as well (in lieu of stepping on a force base). ..."
Wikipedia
Bloomsbury Group
The Studio © Penelope Fewster on behalf of Charleston Trust
Wikipedia - "The Bloomsbury Group—or Bloomsbury Set—was a group of associated English writers, intellectuals, philosophers and artists in the first half of the 20th century, including Virginia Woolf, John Maynard Keynes, E. M. Forster and Lytton Strachey. This loose collective of friends and relatives was closely associated with the University of Cambridge for the men and King's College London for the women, and they lived, worked or studied together near Bloomsbury, London. According to Ian Ousby, 'although its members denied being a group in any formal sense, they were united by an abiding belief in the importance of the arts. Their works and outlook deeply influenced literature, aesthetics, criticism, and economics as well as modern attitudes towards feminism, pacifism, and sexuality. A well-known quote, attributed to Dorothy Parker, is 'they lived in squares, painted in circles and loved in triangles'. ..."
Wikipedia
Tate: Lifestyle and Legacy of the Bloomsbury Group
Decorating secrets of the Bloomsbury Group
The Bloomsbury Group
Independent: Bloomsbury Set: Love triangles, suicide and Communism
W - List of Bloomsbury Group people
YouTube: Charleston - Bloomsbury Group Bohemia
Photograph of family and friends of Vanessa Bell in the walled garden of her home, Charleston farmhouse, in Firle, Sussex.
The Globetrotter
"Blitz the Ambassador is not your average Bed-Stuy rapper. In a neighborhood that’s birthed generations of kids hoping to be the next Biggie or Jay Z, Blitz is an outlier; a Ghana-bred, Ohio-schooled striver, who moved to the central Brooklyn neighborhood like the rest of us: a 32-year-old cosmopolitan maverick hungry for success in the big city. My fascination with Blitz dates back to last May, when I ventured out to the Soul of Brooklyn festival in Bed-Stuy to see him perform. Crowds of native Brooklynites or recent arrivals had flocked to the daylong event, hosted by the Museum of Contemporary African Diasporan Arts. They sauntered around tents, swapping Instagram handles and poring over local artisan jewelry and tote bags. As if cued by the setting sun, Blitz took the stage. He wore a simple navy cotton suit and white shirt adorned by a yellow scarf bursting with a bold Ghanaian wax print pattern, and he immediately lit up the audience with a slew of opening songs from his most recent studio album, Native Sun. ..."
BKLYNR (Audio)
Blitz the Ambassador has a new EP: ‘The Warm Up’ (Video)
Bandcamp: The Warm Up EP (Audeo)
Large Magellanic Cloud
Wikipedia - "The Large Magellanic Cloud (LMC) is a satellite galaxy of the Milky Way. At a distance of about 50 kiloparsecs (≈163,000 light-years), the LMC is the second- or third-closest galaxy to the Milky Way, after the Sagittarius Dwarf Spheroidal (~16 kpc) and the possible dwarf irregular galaxy known as the Canis Major Overdensity. Based on readily visible stars and a mass of approximately 10 billion solar masses, the diameter of the LMC is about 14,000 light-years (4.3 kpc), making it roughly one one-hundredth as massive as the Milky Way. This makes the LMC the fourth-largest galaxy in the Local Group, after the Andromeda Galaxy (M31), the Milky Way, and the Triangulum Galaxy (M33). The LMC is classified as a Magellanic spiral. It contains a stellar bar that is geometrically off-center, suggesting that it was a barred dwarf spiral galaxy before its spiral arms were disrupted, likely by tidal interactions from the Small Magellanic Cloud (SMC), and the Milky Way's gravity. ..."
Wikipedia
1,060-hour image of the Large Magellanic Cloud (LMC) captured by Amateur Astronomers
A France in Turmoil Weeps for a Symbol of Paris’s Enduring Identity
Before the fire, the cathedral had been undergoing an extensive restoration.
"Notre-Dame has occupied the heart of Paris for the better part of a millennium, its twin medieval towers rising from the small central island wedged between the storied left and right banks. Now, France is burning. The fire at Notre-Dame happened on the day that the country’s troubled president, Emmanuel Macron, was supposed to explain how he intended to address the demands of the 'Yellow Vest' movement. An anguished, restless nation has struggled to cope with the monthslong uprising and with the frayed social safety net that spurred the protests. Generations that had come to rely on this social safety net, as a matter of national pride and identity, see it going up in smoke. On Monday, so was the cathedral, which for centuries has enshrined an evolving notion of Frenchness. The symbolism was hard to miss. ..."
***NY Times
******NY Times: Opinion |Why Did Nonbelievers Grieve for Notre-Dame?
****NY Times: Why Notre-Dame Was a Tinderbox
*****NY Times: Notre-Dame Attic Was Known as ‘the Forest.’ And It Burned Like One. (Video)
YouTube: A France in Turmoil Weeps for a Symbol of Paris’s Enduring Identity
***NY Times: Fate of Priceless Cultural Treasures Uncertain After Notre-Dame Fire (Video)
***NY Times: A Miracle of Timing: The Statues That Escaped the Notre-Dame Fire
***NY Times: Opinion | From the Ashes of Notre-Dame
***NY Times: Opinion | Notre-Dame’s Bells Will Toll Again
Patrick Palem, a restoration expert, holding the head of a statue from the spire of Notre-Dame cathedral on Tuesday. Because they had been removed for restoration just days before, the 16 copper figures were spared from the fire.
***NY Times: Notre-Dame Fire Photos: Despair and Grief Amid Smoke and Flame
***Notre-Dame Found Structurally Sound After Fire, as Investigators Look for the Cause (Video)
How the Notre-Dame Cathedral Fire Spread
The fire was first visible in this area of the cathedral in images taken Monday evening.
"It took less than an hour for a fire to spread from the attic of the Notre-Dame Cathedral in Paris, race across the wooden rooftop and topple its 300-foot spire. Around 6:30 p.m., Paris time, smoke began to pour out of the cathedral’s roof, near scaffolding that had been put up over the last few months to conduct renovations on the spire. The fire started in the cathedral’s attic, said Jean-Claude Gallet, commander of the Paris firefighters. The attic is an oddly shaped space, seldom visited, that lies above the soaring stone arches visible from the floor of old European cathedrals. ..."
***NY Times: How the Notre-Dame Cathedral Fire Spread
NY Times: Part of Notre-Dame Spire Collapses as Paris Cathedral Catches Fire (Video)
CBS: Notre Dame spire and roof collapse as fire rages at iconic cathedral in Paris (Video)
NY Times: In Paris, Worn-Out Notre-Dame Needs a Makeover, and Hopes You Can Help (Sep. 28, 2017)
Green Book - Peter Farrelly (2018)
"In an Oscar season not wanting for controversy, Green Book made headlines as one of the most divisive Best Picture nominees. It’s a feel-good film about healing the wounds of racism that’s seen not one, but two racism controversies—first when star Viggo Mortensen dropped the n-bomb during a Q&A, and then when co-writer Nick Vallelonga’s Islamophoic tweet surfaced. These controversies are symptomatic of the film itself, a based-on-a-true-story white savior road trip movie that uses fried chicken as its leitmotif. While Mortensen and his co-star Mahershala Ali both turn in fantastic performances, casting is pretty much the only thing the film gets right. In its handling of everything from the biography of one of the men at the heart of the film to the very nature of American racism, Green Book stumbles. ... But the film’s first sin is right in its name. It takes its title from the Negro Travelers' Green Book, and yet gives this important piece of American history little screen time or analysis. The Green Book was an annual guide published by Victor Hugo Green and his family between 1936 and 1966, and listed hotels, gas stations, and restaurants around the nation that would be hospitable to black visitors. ..."
Esquire: The Problems With Green Book Start With Its Title, and Don't Stop Coming (Video)
Vanity Fair: The Truth About Green Book
W - Green Book
YouTube: Green Book - Official Trailer, Green Book: History vs. Hollywood
W - The Negro Motorist Green Book
NYPL: Green Book
YouTube: The real story of the Green Book
When “play streets” let New York kids run free
"It’s unusual to see groups of kids playing in the streets of New York City anymore. (At least without an adult supervising.) But in the late 19th and early 20th centuries, with parents at work and tenements too crowded for game-playing anyway, kids were free to roam the cityscape—running around sidewalks, playing ball in the middle of the road, or just sitting on the curb, horsing around. The street wasn’t a safe place to play, of course. Newspapers headlines of the era tell the stories of countless children being injured or killed by cars or horses. A public playground movement was underway. But by the 1910s, only 30 had been opened, and not always in the poor neighborhoods that needed them most. So park officials and the Police Athletic League came up with a novel alternative so popular, they still exist today: play streets. ..."
Ephemeral New York
An NYC Mambo, Boogaloo and Salsa Family Tree
"... Eddie Palmieri (b. 1936). Palmieri is a Grammy-winning pianist, composer, and bandleader of Puerto Rican heritage. Influenced by jazz as well as by Latin pianists, Palmieri was also inspired by his older brother Charlie to take up piano after starting on timbales. During the 1950s, Palmieri played with various orchestras, most notably with Tito Rodríguez. In 1961 he founded his own conjunto (group) La Perfecta, combining progressive ideas with various Cuban traditions, utilizing the flute (from the charanga) and two trombones (inspired by Mon Rivera) for a heavier sound. Influenced in the 1960s by the civil rights, social justice and anti-poverty struggles, Palmieri became more message-oriented in his lyric content and more experimental musically, culminating in the ultimate synthesis of Latin and soul/funk, Harlem River Drive (including live recordings made at Sing Sing prison), as well as the most progressive salsa track of the time, 'Vamanos Pa’l Monte' and later psychedelic expansions on the album The Sun of Latin Music, recorded at Jimi Hendrix’s Electric Lady Studios. ..."
Red Bull Music Academy Daily (Video)
Red Bull Music Academy Daily - An Introduction to Eddie Palmieri: A Revolution on Harlem River Drive (Video)
2011 November: Charlie Palmieri, 2014 March: Harlem River Drive - Harlem River Drive (1971), 2014 October: Fania at Fifty, 2017 December: Nu Yorica: Culture Clash In New York City - Experiments in Latin Music 1970-77, 2018 December: Latin Underground Revolution: Swinging Boogaloo, Guaguanco, Salsa & Latin Funk from New York City 1967-1978, 2017 June: Eddie Palmieri - Unfinished Masterpiece (1976), 2018 July: The Soul Of Spanish Harlem / El Barrio: Sounds from the Spanish Harlem Streets, 2011 June: Mario Bauzá, 2017 June: Rhythm & Power: Salsa in New York, 2012 February: Rubén Blades, 2017 December: Carlos Vera: Barcelona's Boogaloo: Mixes and Mashups
The Long-Lasting Legacy of the Great Migration
An African-American family leaves Florida for the North during the Great Depression.
"In 1963, the American mathematician Edward Lorenz, taking a measure of the earth’s atmosphere in a laboratory that would seem far removed from the social upheavals of the time, set forth the theory that a single 'flap of a sea gull’s wings' could redirect the path of a tornado on another continent, that it could, in fact, be 'enough to alter the course of the weather forever,' and that, though the theory was then new and untested, 'the most recent evidence would seem to favor the sea gulls.' At that moment in American history, the country had reached a turning point in a fight for racial justice that had been building for decades. This was the year of the killing of Medgar Evers in Mississippi, of the bombing of the 16th Street Baptist Church in Birmingham, of Gov. George Wallace blocking black students at the schoolhouse door of the University of Alabama, the year of the March on Washington, of Martin Luther King Jr.’s 'I Have a Dream' speech and his 'Letter From a Birmingham Jail.' ..."
Smithsonian
NPR - Great Migration: The African-American Exodus North (Audio)
Vox: Why African Americans left the South in droves — and what’s bringing them back (Video)
In the 1920s, Harlem's African-American population exploded — with nearly 200,000 African Americans inhabiting a neighborhood where there had been virtually no blacks 15 years earlier. Above, a Harlem street in 1942.
Open Veins of Latin America: Five Centuries of the Pillage of a Continent – Eduardo Galeano (1971)
“Imagine: a proud lion has been chased, shot and trapped by poachers who descended heavy-footed upon his land. The poachers are winged and foreign to the lion’s land, as well as dispassionate, or passionate only to wealth’s nefarious whispers. The lion does not and will never capitulate, yet blood flows from bullet-hole wounds. It is this feeling that Eduardo Galeano’s book Open Veins of Latin America: Five Centuries of the Pillage of a Continent embodies: one of anger; of arbitrary and wrongful pillage; a feeling of death that is prolonged and surgical in its keeping the patient alive for as long as the matter dictates; of a raping of beauty, pride and hope. ..."
Sounds and Colours
W – Open Veins of Latin America: Five Centuries of the Pillage of a Continent
Eduardo Galeano Acknowledges the Weaknesses of ‘The Open Veins of Latin America: Five Centuries of the Pillage of a Continent.
[PDF] Open Veins of Latin America: Five Centuries of the Pillage of a Continent
amazon
YouTube: New Book “Children of the Days” 1/2
2015 April: Eduardo Galeano (3 September 1940 – 13 April 2015), 2017 August: Soccer in Sun and Shadow (1993), 2018 August: The Pan American
On Believing - Hanif Abdurraqib
"To begin with a fact that is entirely beside the point (unless you are the owner of a Michigan area code and a very particular type of pride): South Detroit is, in fact, not a real place, at least not within the flimsy geographical construct of the United States. Anyone beginning in Detroit and traveling south will, because of how the borders are drawn, end up in Canada. From a geographical standpoint, South Detroit is Windsor, Ontario. The restaurant South Detroit, which is in Windsor, Ontario, was opened by someone with a slick sense of humor and a sharp eye for nostalgia and aesthetics. ... What South Detroit did have was a good jukebox. I like a jukebox that requires labor. ..."
The Paris Review
W - Jukebox
Nick Cave Creates a List of His 10 Favorite Songs–His Favorite “Hiding Songs”
"For all of the indispensable purposes music has served over thousands of years of human history, at no time before the age of mass produced recorded music was it ever a collectible commodity—something we could own, believing it was made just for us, even when it reached millions of other people. Music has, of course, continued to play a significant communal role, and in some ways maybe even a stronger one in the age of global mass media. Yet the experience of listening to music has also become, over the course of the past century, an unprecedentedly private affair. Whether you grew up with LPs, tapes, CDs, or streaming digital, you know what it’s like to have a collection of songs that seem like they were written just for you, summing up your life in some uncanny way: songs that feel like emotional refuges, welcoming some displaced part of yourself. ..."
Open Culture (Video)
How the Shed Can Live Up to Its Hype: Focus on the Artists
"A city’s culture is an ecosystem. Something gets added, something gets taken away and there’s a change in climate that affects everyone. Everything is interconnected; spending more somewhere inevitably means less somewhere else. Every choice contributes to setting prevailing values: What gets supported? What kind of culture do we want? Into the New York ecosystem now comes the Shed, and the more than $500 million in support behind it. Programming at the new Hudson Yards performance space, which looks like an airplane hangar wrapped in a down comforter, starts on April 5. It would hardly be good critical practice to prejudge the opening season’s starry collaborations and blockbuster statements of purpose before they’ve begun. What the Shed will stand for in the long run is still T.B.D. ..."
NY Times
The Shed, which looks like an airplane hangar wearing a down comforter.
Michael Prophet - Gunman (1981)
"Originally issued on LP in 1981, this is a long-overlooked classic of late roots reggae featuring a very good singer backed by one of the best studio bands of all time -- the mighty Roots Radics -- and mixed by the young dubmaster Scientist at King Tubby's studio. Like many of his colleagues, Michael Prophet had vocal skill that far outstripped his lyrical originality; even in a genre with a high tolerance for cliché, songs like 'Hold on to What You Got' and 'Love and Unity' come across on this album as unusually hackneyed. But the heavyweight rhythm section of drummer Style Scott and bassist Flabba Holt give the songs all the ballast they need, and in a couple of cases (notably 'Hold on to What You Got'), Scientist makes the wise choice of dropping Prophet's vocal out early on in the song and filling the remaining space with expert dubwise effects. ... The four 12" remixes that fill out the end of the program are a very nice bonus, though it's too bad the songs' dubwise extensions don't include any scraps of vocal. ..."
allmusic (Audio)
Discogs
W - Michael Prophet
amazon, iTunes
YouTube: Gunman, Gunman Riddim Mix ★1980 -1984★ Michael Prophet,Yellowman,Frankie Paul & More Mix by Djeasy, Help Them Please 12", Love And Unity, Boom Him Up 12", Youthman
Black Hole Image Revealed for First Time Ever
The first image of a black hole, from the galaxy Messier 87.
"Astronomers announced on Wednesday that at last they had observed the unobserveable: a black hole, a cosmic abyss so deep and dense that not even light can escape it. 'We have seen what we thought was unseeable,' said Shep Doeleman, an astronomer at the Harvard-Smithsonian Center for Astrophysics, and director of the effort to capture the image, during a Wednesday news conference in Washington, D.C. The image, of a lopsided ring of light surrounding a dark circle deep in the heart of the galaxy known as Messier 87, some 55 million light-years away from Earth, resembled the Eye of Sauron, a reminder yet again of the power and malevolence of nature. It is a smoke ring framing a one-way portal to eternity. To capture the image, astronomers reached across intergalactic space to Messier 87, a giant galaxy in the constellation Virgo. There, a black hole several billion times more massive than the sun is unleashing a violent jet of energy some 5,000 light-years into space. ..."
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