"Some poems declare their interest in magic openly through formal choices. Some poems are constructed as and/or ‘after’ ancient or occult spells and take the form of a spell, which has some generally predictable structures. If we go from the ancient spells exemplified in Joshua Trachtenberg’s work, we’ll find these components: appeal, historiolae (historical or mythological precedents/correlates of the situation at hand), invocation, enunciation of names, request. Of poems that follow this form, sonic choices alluding to the spell’s incantatory form might be the easiest to identify as invested in magic; poems of chant and litany lull and charm the reader with sound....”
“The Enamored Mage: Translation #6” a portrait of Robert Duncan by Jess, 1965. Courtesy of The M.H. de Young Memorial Museum, San Francisco