The Sibley Guide to Birds

 
“... The Sibley Guide to Birds represents more than 12 years of work by David Allen Sibley. The final draft of the artwork and text took over six years to complete, and the finished book was published in October 2000. Before painting and writing the final draft David spent over 6 years working on the problems of layout and design. The challenge was to meet the goal of illustrating every species and every significant plumage variation; illustrating every species in flight from above and below; describing the complete range of vocalizations for each species; showing all significant subspecies variations; and doing it all in a format that is logical and easy to understand so that even beginners would not be overwhelmed by the amount of information. The solution was a new and unique design arranging each species in a vertical column on the page. ...”
 
Pages 144-45 of the second edition are above.

​A case of the Palestinian blues

 
Untitled, from the series 'Islam Played the Blues' by Toufic Beyhum.

“For Kareem Samara, a British-Palestinian multi-instrumentalist, composer, and sound artist, it was naseeb — meant to be. One day in 2020, American-Palestinian filmmaker and music producer Sama’an Ashrawi messaged asking him to play ‘Baby, Please Don’t Go,’ an American blues standard, on the oud. Ashrawi was curious what the blues would sound like in the quarter tones of the Middle Eastern instrument. Minutes later, Samara sent him a recording of the tune. ...”

A painting by Nour Bazzari, a teenage Palestinian abstract artist, inspired by Azraq’s rendition of ‘Baby, Please Don’t Go.’

Eluvium - Virga II (2021), Virga I (2019)

 
“The great American writer Frederick Buechner once described vocation as ‘where your greatest joy meets the world’s greatest need.’ A difficult concept simply described, it’s an ideal those privileged enough to pursue often find unattainable. Matthew Cooper is one of the few who could claim to come close. The ambient and classical works he releases as Eluvium are an obvious joy to him in all their painstaking humility, born of the type of industry that comes from hours lost to the world absorbed in a calling. The musical worlds he has built have been a source of comfort to a great many. Enchanting portals to reflect and withdraw, and often ultimately heal. It’s curious, the unexpected places we find our joys meet the needs of the world, and in Cooper’s case his most recent work felt like providence. ...”

Cryptonomicon - Neal Stephenson (1999)

Cryptonomicon is a 1999 novel by American author Neal Stephenson, set in two different time periods. One group of characters are World War II-era Allied codebreakers and tactical-deception operatives affiliated with the Government Code and Cypher School at Bletchley Park (UK), and disillusioned Axis military and intelligence figures. The second narrative is set in the late 1990s, with characters that are (in part) descendants of those of the earlier time period, who employ cryptologic, telecom, and computer technology to build an underground data haven in the fictional Sultanate of Kinakuta. Their goal is to facilitate anonymous Internet banking using electronic money and (later) digital gold currency, with a long-term objective to distribute Holocaust Education and Avoidance Pod (HEAP) media for instructing genocide-target populations on defensive warfare. ...”

Bill Evans - Live in Switzerland (1975)

 
“... Over to Switzerland this week for a concert by the legendary Bill Evans, with his trio consisting of Eddie Gomez on bass and Eliot Zigmund on drums. Considered by many to be one of the most influential Jazz Pianists of the post-World War 2 era, Evans was an innovative pianist, taking an impressionistic approach to traditional Jazz pieces which became his trademark over the years. He was also a gifted composer, with his signature tune Waltz For Debby a standard in most Jazz musicians repertoire.Despite a tumultuous and tragic personal life, Evans was one of the most popular Jazz musicians of the 50s, 60s and 70s. His early death in 1980 from a decades-long abuse of drugs and alcohol robbed the music world of one of its most eloquent and visionary voices. ...”

The Names Heard Long Ago – Jonathan Wilson

 
“Jonathan Wilson’s eleventh book, The Names Heard Long Ago: How The Golden Age of Hungarian Football Shaped The Modern Game, once again sees the celebrated journalist and author delving into a fascinating part of football history, meticulously detailed, thoroughly researched, as one would expect from the architect of the football fanatic’s Bible, Inverting The Pyramid. The Names Heard Long Ago explores the revolutionary concepts found in early 20th Century Hungarian football and the subsequent spread of ideas, tactics and characters around the globe, often granting unprecedented success in the far-reaching countries in which they were adopted, and still found in the game today. …”

New York Stories: King of New York - Abel Ferrara (1990)

King of New York is a 1990 American neo-noir crime thriller film starring Christopher Walken, David Caruso, Laurence Fishburne, Victor Argo, Wesley Snipes, and Giancarlo Esposito. It was directed by independent filmmaker Abel Ferrara and written by Nicholas St. John. Frank White, a drug lord, is riding into New York City in a limousine after being released from Sing Sing. Emilio El Zapa, a Colombian drug dealer, is shot dead and the killers leave a newspaper headline announcing Frank's release. Zapa's partner, King Tito, is in a hotel room with Jimmy Jump, who is Frank's trigger happy right-hand man and Test Tube, who are negotiating the purchase of cocaine. Jimmy and Test Tube shoot Tito and his bodyguards and steal the cocaine. ...”

Wikipedia

Abel Ferrara’s ‘King of New York’ gained a true, cult reputation of a legitimate gangster classic (Video)

Criterion: Trailer (Video), amazon

YouTube:  King Of New York by Abel Ferrara - Trailer

Ray Harryhausen | Titan of Cinema

 
“Film special effects superstar Ray Harryhausen helped elevate stop motion animation to an art. His innovative and inspiring films, from the 1950s onwards, changed the face of modern movie making forever. This is the largest and widest-ranging exhibition of Ray Harryhausen’s work ever seen, with newly restored and previously unseen material from his incredible archive. Ray Harryhausen's work included the films Jason and the Argonauts, the Sinbad films of the 1950s and 1970s, One Million Years B.C. and Mighty Joe Young. He inspired a generation of filmmakers such as Peter Jackson, Aardman Animations, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. ...”

​The Alexandria Quartet: 'Love is every sort of conspiracy'

 
Alexandria Castle, Egypt

"Lawrence Durrell claimed that the four books of The Alexandria Quartet were 'an investigation of modern love'. It's possible to take that idea at face value. Some have even used it as a stick with which to beat him. Notably, his Guardian obituarist (writing in 1990, at a time when Durrell's reputation was possibly at its lowest ebb) said 'a harsh judgment' of his masterpiece might be that it was 'a four-volume romantic novel written by a poet steeped in Freud and on nodding terms with Einstein'. ...”

Lawrence Durrell’s passport, with stamps for entry into Alexandria.

Faster Than Birds Can Fly | John Ashbery, Trevor Winkfield

 
“Trevor Winkfield has a small but intensely devoted following, and much has been written about this English painter who moved to New York City from London in 1969.As the editor of an important mimeograph magazine, Juillard, in the late 1960s, he became associated with poets and writers such as John Ashbery, James Schuyler, Harry Matthews, Ron Padgett, Larry Fagin, Charles North, Kenward Elmslie, and others connected to the New York School. In addition to collaborating with many of these writers, as well as providing inimitable designs for their books, he is the author of two marvelous  collections, George Braque & Others: The Selected Writings of Trevor Winkfield, 1990-2009 (2014) and The Scissors’ Courtyard: Selected Writings, 1967-75 (1994), and the translator of a cornerstone text, How I Wrote Certain of My Books by Raymond Roussel, with an Introduction by John Ashbery, which was first published in 1977. ...”

Lee "Scratch" Perry

 
Lee 'Scratch' Perry OD (born Rainford Hugh Perry; 20 March 1936 – 29 August 2021) was a Jamaican record producer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. ... In 1973, Perry built a studio in his back yard, the Black Ark, to have more control over his productions and continued to produce notable musicians such as Bob Marley and the Wailers, Junior Byles, Junior Murvin, the Heptones, the Congos, and Max Romeo. He also started the Black Art label, on which many of the productions from the studio appeared. With his own studio at his disposal, Perry's productions became more lavish, as the energetic producer was able to spend as much time as he wanted on the music he produced. Virtually everything Perry recorded in The Black Ark was done using basic recording equipment; through sonic sleight-of-hand, Perry made it sound unique. ...”

​MoMA’s Online Courses Let You Study Modern & Contemporary Art and Earn a Certificate

 
“The labels ‘modern art’ and ‘contemporary art’ don’t easily pull apart from one another. In a strictly historical sense, the former refers to art produced in the era we call modernity, beginning in the mid-19th century. And according to its etymology, the latter refers to art produced at the same time as something else: there is art ‘contemporary’ with, say, the Italian Renaissance, but also art ‘contemporary’ with our own lives. You’ll have a much clearer idea of this distinction — and of what people mean when they use the relevant terms today — if you take the Modern and Contemporary Art and Design Specialization, a set of courses from the Museum of Modern Art (aka MoMA) in New York. ...”

Porch Memories

“In the final stanza of his remarkable poem ‘Sunday Morning’ (1923), Wallace Stevens refers to Jerusalem (and more specifically the tomb of Christ) as, possibly, ‘the porch of spirits lingering’. It is such a strange formula that it has endured: the ‘porch of spirits’, the place where they ‘linger’ — this is any portal or threshold linking (and also separating) human beings from whatever gods or angels there might be. A lovely notion. But why did Stevens choose that homely word, and that most quotidian of sites: the porch? A ‘portico’ (whence the word derives) is something grand. But a ‘porch’? It is the postage-stamp façade of a temple (or is it a tomb?) pasted in miniature upon our domestic architecture. In a secular age, as Stevens understood so well, this is where our spirits, whatever they may be, are left to linger. Federica Soletta sits with them awhile in the affecting photo-essay that follows. ...”

​The History of the New York License Plate

 
“There are more than eleven million vehicles registered in New York State, and New York City has about 12% of those (as of August 2021). Until 1901, these vehicles went unregistered, only identified by traits like their make, color and quality. New York Governor Benjamin Odell, Jr. crafted a bill that required vehicle registration and the initials of the vehicle’s owner to be posted on the back of the vehicle. This bill, passed in 1901, would lead to the birth of the license plate. ...”

‘This is our final’: the team who led athletes’ escape from Afghanistan

Khalida Popal, former captain of the Afghanistan women’s team 

“‘We have been working like fingers on one hand, with different roles, and we came together as a big strong punch,’ says the former captain and one of the founders of the Afghanistan women’s national football team, Khalida Popal. She is talking about the small team that pulled off the mission to evacuate 100-200 Afghan athletes and a number of individuals connected to them from the Hamid Karzai international airport in Kabul. Across a two-week period those fingers worked tirelessly around the clock and across numerous time zones, tracking the real-time movements of the Taliban and military personnel on the ground to pull off what seemed completely impossible: to get a group of female football players, many teenagers, and a host of others, including family members, into the airport and on to planes. Who is this motley, but multitalented, crew and how did they manage to get so many out where many more failed? This is their story. …”

​What John Sloan painted after “loafing about Madison Square”

 
“Ashcan painter John Sloan is the master of the city scene, infusing seemingly uneventful interactions with dense imagery and narration that presents a deeper story. ‘Recruiting in Union Square,’ from 1909, is a haunting example of this. But it took some lounging around another New York City park for Sloan to get the inspiration to capture the scene. ...”

Take The Power Back: Black Artist-Owned Labels

The Impressions perform on the NBC TV music show Hullabaloo in April 1965

“... After years of working in a profession that regularly ripped off artists for song rights, publishing, licensing and other monies, Cooke was the first major black artist to start his own independent record label. Cooke’s power move wasn’t only bold; it was a revolutionary DIY act. While artist-run record companies would later be called ‘vanity labels,’ for Sam Cooke and those he inspired – including Curtis Mayfield, James Brown, George Clinton and Prince – having a label was less about ego and more about controlling their music. ...”

 
Prince

​Reissue Of The Week: Kling Klang's The Esthetik Of Destruction

 
“... Setting aside issues of legacy and redundancy, the one thing that unites all the disparate writers of manifestos is simply the desire to write a manifesto - that is, to attempt to impose your will on the future and render order, or a reordering, from chaos, tyranny or stagnation. Yet, as time passes, you begin to realise that the intention behind a manifesto is not just to gain future ground but also to recover something that has been lost or stolen, to go back to a path that was mistakenly abandoned. Often this comes as a return to childhood, to regain the curiosity, simplicity, hunger, and liberating possibility that is lost at some point during the 10,000 hours spent gaining expertise and the slow deadening creep that comes with it. The aim is to absorb then subvert; learning enough to know what to unlearn, as Irmin Schmidt and Holger Czukay of Can did with their former teacher the composer Karlheinz Stockhausen, or Arthur Rimbaud did with the rules and forms of French poetry before he dismantled them. ...”

Russian Ark - Alexander Sokurov (2002)

 
Russian Ark is a 2002 experimental historical drama film directed by Alexander Sokurov. In Russian Ark, an unnamed narrator wanders through the Winter Palace in Saint Petersburg, and implies that he died in some horrible accident and is a ghost drifting through the palace. In each room, he encounters various real and fictional people from various periods in the city's 300-year history. He is accompanied by ‘the European’, who represents the Marquis de Custine, a 19th-century French traveler. The film was recorded entirely in the Winter Palace of the Russian State Hermitage Museum on 23 December 2001 using a one-take single 96-minute Steadicam sequence shot. ...”

2009 March: Aleksandr Sokurov

Sturgeon Moon by Nina MacLaughlin

 
August, the year in its ripeness, when the shadows shift and the trees ache with green. It brings the Sturgeon Moon. Sturgeon, ancient bony-plated creature of lakes, rivers, and seas. A fish without scales, a fish without teeth, a fish that’s been swimming the depths of this earth for more than two hundred million years.A shark-finned rolling pin, dinosaurian, the type of specimen displayed in a case in a museum of natural history, this murk-dweller lives fifty to sixty years and can grow up to twelve feet long. The largest on record was twenty-four feet, the length of more than three queen-size beds head to toe. Though they swim down where it’s dim, they’re also known for flinging their big bodies up out of the water and splashing back down. No one knows why. Joy, I bet. ...”

New York’s Legendary Literary Hangouts

 
Simone de Beauvoi

“You might think of them as solitary creatures, furiously scribbling or typing alone, but as long as there have been writers in New York City, they have socialized together in an assortment of bars, restaurants, apartments and clubs. The Times began writing about these places in its very first issues. In 1910, it published an article lamenting ‘the passing of the literary haunts of New York,’ noting that many once-famous gathering spots were being razed as the city grew and modernized. ‘Number 19 West 24th is gone,’ the piece began. ‘At least the old 19 is gone,  and … no account has been made of the fact that it at one time housed the Author’s Club, and that its rakish stairs were somewhat worn away by the feet of Matthew Arnold, Whittier, Lowell and Field.’ ...”

White Horse Tavern Established in 1880, this West Village bar was a prime literary hotspot in the 1950s.

​Black Film Archive

 

“Black Film Archive celebrates the rich, abundant history of Black cinema. We are an evolving archive dedicated to making historically and culturally significant films made from 1915 to 1979 about Black people accessible through a streaming guide with cultural context. ...”

 

End the Imperial Presidency

 
“Suppose President Biden came before Congress to announce that ending the war in Afghanistan was only the beginning. In recent years, the United States has used force on the ground or conducted strikes from the air in at least nine countries: not only Afghanistan, but also Iraq, Kenya, Libya, Mali, Pakistan, Somalia, Syria and Yemen. These wars go on in part because one person wages them. Congress has abdicated its constitutional duty to determine whether, where and whom America should fight. Mr. Biden inherited this situation, but he need not perpetuate either the ongoing wars or the legal evasions that enable them. ...”

​FIFA, Deemed a Victim of Its Own Scandal, Will Share $200 Million Payout

 
“Even as top soccer officials were still being arrested as part of a sprawling corruption investigation in 2015, lawyers for the sport’s global governing body and U.S. prosecutors began to embrace an intriguing premise: The soccer organization, FIFA, and its affiliates were not only the hosts of the scheme, the thinking went, they were also its victims. For prosecutors, the notion distinguished between the hijackers and the hijacked: It held individuals accountable for their crimes but spared the organizations and the sport that they had defrauded. ...”

DJ Kool Herc vs. Pete DJ Jones

 
“Back in the good old days of 1977 when gas lines were long and unemployment was high, there were two schools of DJs competing for Black and Latino audiences in New York City: the Pete DJ Jones crowd and the devout followers of DJ Kool Herc. One group played the popular music of the day for party-going adult audiences in clubs in downtown Manhattan. The other played raw funk and breakbeats for a rapidly growing, fanatic—almost cultlike—following of teenagers in rec centers and parks. Both sides had their devotees. One night in the Bronx, the two masters of the separate tribes clashed in a dark and crowded club on Mount Eden and Jerome Avenues called the Executive Playhouse. ...”

​Meditations in an Emergency - Frank O’Hara (1957)

 “... One of O’Hara’s few prose poems, the 1954 'Meditations in an Emergency' presents a headlong rush of conflicting emotions (triggered, it seems, by a recent break-up with a lover), as presented in a series of campy and comic aphorisms, exclamations, and observations. ... It’s a brave conclusion, but as the poem has made all too clear, ecstasy is impossible to maintain. Its downside is a terrible sense of emptiness, anxiety, and restlessness. ... Only art, in this scheme of things, can provide solace. Joan Mitchell’s work testifies to similar highs and lows, and to a comparable restlessness. ...”


 

The Birth of Espresso: How the Coffee Shots The Fuel Our Modern Life Were Invented

 
“Espresso is neither bean nor roast. It is a method of pressurized coffee brewing that ensures speedy delivery, and it has birthed a whole culture. Americans may be accustomed to camping out in cafes with their laptops for hours, but Italian coffee bars are fast-paced environments where customers buzz in for a quick pick me up, then right back out, no seat required. It’s the sort of efficiency the Father of the Modern Advertising Poster, Leonetto Cappiello, alluded to in his famous 1922 image for the Victoria Arduino machine (below). Let 21st-century coffee aficionados cultivate their Zenlike patience with slow pourovers. A hundred years ago, the goal was a quality product that the successful businessperson could enjoy without breaking stride. ...”