How Bob Marley Came to Make Exodus, His Transcendent Album, After Surviving an Assassination Attempt in 1976

 
“’The people who are trying to make this world worse aren’t taking a day off. How can I?,’ said Bob Marley after a 1976 assassination attempt at his home in Jamaica in which Marley, his wife Rita, manager Don Taylor, and employee Louis Griffiths were all shot and, incredibly, all survived. Which people, exactly, did he mean? Was it Edward Seaga’s Jamaican Labour Party, whose hired gunmen supposedly carried out the attack? Was it, as some even conspiratorially alleged, Michael Manley’s People’s National Party, attempting to turn Marley into a martyr?Marley had, despite his efforts to the contrary, been closely identified with the PNP, and his performance at the Smile Jamaica Concert, scheduled for two days later, was widely seen as an endorsement of Manley’s politics. ...”

A blue morning in front of the new Penn Station

 
“George Bellows clearly had a fascination with the construction of Penn Station. Blue Morning, from 1909, is the last of four paintings Bellow completed from 1907 to 1909 chronicling the development of this stunning transportation hub. ‘Undertaken by the Pennsylvania Railroad and designed by architectural firm McKim, Mead, & White, Pennsylvania Station (more commonly known as Penn Station) was an enormously ambitious project that helped transform New York into a thriving, modern, commuter metropolis,’ states the National Gallery of Art. ...”

Ten Months After George Floyd’s Death, Minneapolis Residents Are at War Over Policing

 
“The sacred intersection where George Floyd died beneath the knee of a police officer has seen such an increase in violence that food delivery drivers are afraid to venture there. There have been gun battles, with bloodied shooting victims dragged to ambulances because of barricades keeping the police and emergency vehicles away. ... Residents all over town still complain of officers using excessive force, like during a recent confrontation in which a white officer appeared to wind up and punch a Black teenager. And officers accuse some community members of antagonizing them, like in a recent dispute over a homeless encampment that erupted into a melee with punches and pepper spray. ...”

Sonny Rollins - Our Man In Jazz (1962)

 
“... Sonny Rollins has never seemed to attach the same weight to his albums as Davis or, say, John Coltrane did. Since the beginning of his career, Rollins’ albums have frequently had a tossed-off quality, like they were made as obligations, because that’s what you do—you make records, then go out on the road to support them. This doesn’t make them disposable, by any means. ... Our Man in Jazz, originally released in 1963, is one of those live albums. Recorded in late July 1962 at the Village Gate, it finds Rollins joined by Don Cherry, who had recently left Ornette Coleman’s quartet, on pocket trumpet; they’re backed by the saxophonist’s bassist of choice, Bob Cranshaw, and drummer Billy Higgins, also a veteran of the Coleman band as well as about a million hard bop sessions for Blue Note and other labels. ...”

Ridley Scott’s ‘Blade Runner’: A Game-Changing Science-Fiction Classic

 
“Ridley Scott’s Blade Runner’s path to stardom and cultism has hardly been a bump-free ride. Heavily disputed upon its release, often criticized as an occasionally senseless portrayal of a future with a shallow storyline and abundance of plot holes semi-efficiently covered up by admittedly wonderful visuals, this science-fiction masterpiece is still regarded as a strong polarizing factor in discussions among filmlovers, but its status has quite immeasurably improved since its debut in North American theaters back in 1982. Many people had a change of heart regarding its value. ... But the bottom line is this: whatever a person’s opinion on the qualities or inadequacies of Blade Runner might be—and there are solid arguments convincingly stated from both camps—it’s impossible for a reasonable, art-loving individual not to appreciate Ridley Scott’s movie’s originality, vision and gigantic influence it wielded on films made in the years after the iconic Rick Deckard returned to his retirement. ...”

2017 November: Blade Runner (1982)

Meet the Forgotten Female Artist Behind the World’s Most Popular Tarot Deck (1909)

 
“... A year after Arts and Crafts movement magazine The Craftsman published illustrator Pamela Colman-Smith’s essay excerpted above, she spent six months creating what would become the world’s most popular tarot deck. Her graphic interpretations of such cards as The Magician, The Tower, and The Hanged Man helped readers to get a handle on the story of every newly dealt spread.Colman-Smith—known to friends as ‘Pixie’—was commissioned by occult scholar and author Arthur E. Waite, a fellow member of the British occult society the Hermetic Order of the Golden Dawn, to illustrate a pack of tarot cards. ...”

JAZZ ON FILM … The Films of Marcello Mastroianni

 
“Music from Italian Icons classic films… This celebration of one of Italy's greatest actors, .features 12 amazing scores, written by some of the greatest Italian composers of all time - Piero Piccioni, Piero Umiliani, Armando Trovajoli, Carlo Rustichelli, Giovanni Fusco , Nino Rota, Giorgio Gaslini.. This stunning LP collection features a tailored made, stand-alone jazz compilation by Moochin' About label owner Jason Lee lazell, with downloads for all the complete scores featured and has exclusive sleeve notes by author of Beyond the Latin Lover: Marcello Mastroianni, Masculinity, and Italian Cinema. ...”

Wanderer In The Colorful Fields - Jeannine Schulz (2021)

 
“Another beautiful album by Jeannine Schulz, Wanderer in the Colorful Fields is six tracks of music that feels a split second shy of being entirely on pause. Quite frequently the emphasis is on slight sounds played in reverse, time slipping backward, in which case it’s still a split second shy of pause, just from the other side of the divide. It’s hard to say if the sounds — which seem to include electric guitar and bells, but could be other things entirely — are treated here like objects under glass, carefully presented, or like natural occurences, chance moments happened upon. Either way, the results are delicate, elegant, and richly reflective. ...”

The Water on Mars Vanished. This Might Be Where It Went.

 
“Mars was once wet, with an ocean’s worth of water on its surface. Today, most of Mars is as dry as a desert except for ice deposits in its polar regions. Where did the rest of the water go? Some of it disappeared into space. Water molecules, pummeled by particles of solar wind, broke apart into hydrogen and oxygen atoms, and those, especially the lighter hydrogen atoms, sped out of the atmosphere, lost to outer space. But most of the water, a new study concludes, went down, sucked into the red planet’s rocks. And there it remains, trapped within minerals and salts. Indeed, as much as 99 percent of the water that once flowed on Mars could still be there, the researchers estimated in a paper published this week in the journal Science. ...”
 
Inside Jezero Crater: NASA’s Perseverance rover landed on Thursday in Jezero Crater, an ancient Martian lake roughly the size of Lake Tahoe. The rover will spend years exploring the river delta and making its way to the crater rim.

Krish Raghav - Redemption Songs

“... While most people associate reggae music with Bob Marley and other native Jamaican artists smoking marijuana, the truth is that the genre itself is a little more complicated than it seems. As a matter of fact, did you know that both Chinese and Jamaican producers were responsible for the creation and popularity of reggae music?To illustrate this point, here’s Krish Raghav’s ‘Redemption Songs!’ In the meantime, once you’ve finished, let me know in the comments below what you think about either the comic or on reggae music in general!I didn’t know that reggae music was extremely influential in Chinese culture prior to reading it and I’m half Chinese myself! ...”

Why “Houston Street” is pronounced that way

 
“You can always spot a New York newbie by their pronunciation of wide, bustling Houston Street—as if they were in Texas rather than Manhattan. But the way New Yorkers pronounce the name of this highway-like crosstown road that serves as a dividing line for many downtown neighborhoods begs the question: Why do we say ‘house-ton,’ and what’s the backstory of this unusual street name, anyway? It all started in 1788 with Nicholas Bayard III, owner of a 100-acre farm located roughly in today’s SoHo (one boundary of which is today’s Bayard Street). Bayard was having financial difficulties, so he sold off parcels of his farm and turned them into real estate in the growing young metropolis, according to a 2017 New York Times piece. ...”

2014 October: Houston Street


Sumer Is Icumen In: The Pagan Sound Of British And Irish Folk 1966-75

 
“... Grapefruit Records' excellent 2015 anthology Dust on the Nettles went a long way in exploring this cosmic folk-rock collision, and five years later, they offer up a welcome sequel in Sumer Is Icumen In: The Pagan Sound of British & Irish Folk 1966-1975. Like its predecessor, this set celebrates both the scenes' key players and its distant outliers, but shifts its focus to the eerier, more spiritual side of the folk-rock movement. Fans of the 1973 cult classic folk-horror film The Wicker Man, take note. While much-celebrated stalwarts (Fairport Convention, Pentangle, etc.) get their proper due, it's names like Oberon, Meic Stevens, and Jan Dukes de Grey that really conjure up the ancient mists. Enchanted recorders, frame drums, and dulcimers mingled with surreal backwards tape effects and rumbling organ drones as folk music became more progressive through the filter of artists like Comus, Dr. Strangely Strange, and Third Ear Band. ...”

Greet Spring With a Visit to a Public Garden Image

 
Signs of spring: Daffodils at the New York Botanical Garden

“Last year, the pandemic shut the gates of many public gardens just as spring was on its way: According to a survey by the American Public Gardens Association, only about 4 percent of public gardens remained fully open as of March 30, 2020. Once public gardens began to reopen months later, they became places of natural respite for visitors, perhaps even more so than in the past. Making up for last year’s lost spring, these seven gardens around the country expect to be particularly glorious this year, offering a range of beloved spring flowers, traditional botanical collections and experiential outdoor spaces. At any garden changing conditions can make ephemeral blooms difficult to pin down, so plan on checking with the garden for updates (find more online at publicgardens.org), as well as for new protocols such as advance reservations, schedules, open areas and mask requirements. ...”

The Downtown Book: The New York Art Scene 1974-1984

 
“Remember Downtown? No, no, not the sanitized, respectable SoHo and Chelsea of today, but the real down-and-dirty Downtown, when the East Village was an art scene, punk and new wave rock assailed the ears, graffiti spread like kudzu, and heroin and extreme style were the rage. While Downtown lasted, the AIDS plague peaked, police raided illegal lofts, and artists attacked Establishment institutions. It was an explosive era of Super-8 films; ‘no wave’ cinema; street art and performances; oral poetry; political engagement; feminist, gay and lesbian activism; clubs and alternative spaces. Though its denizens often boasted that they never ventured north of 14th Street, Downtown had porous borders. Geographically, it rambled as far uptown as the South Bronx, but it existed as much in the free-floating minds of its participants as in the confines of grungy streets and lofts. ...”

'We've Lost the Line!': Radio Traffic Reveals Police Under Siege at Capitol

 
“The Times obtained District of Columbia police radio communications and synchronized them with footage from the scene to show in real time how officers tried and failed to stop the attack on the U.S. Capitol. By Robin Stein, Haley Willis, Danielle Miller and Michael S. Schmidt ...”


Various ‎– Funky Nassau - The Compass Point Story 1980-1986

 
“On a session-to-session basis, in slightly varying combinations, drummer Sly Dunbar, percussionist Uziah ‘Sticky’ Thompson, bassist Robbie Shakespeare, keyboardist Wally Badarou, guitarists Barry Reynolds and Mikey Chung, and engineer Alex Sadkin made up the in-house team at Island founder Chris Blackwell's Compass Point, a studio located just outside Nassau in the Bahamas. As Blackwell recalls in David Katz's excellent liner notes to this set, titled Funky Nassau: The Compass Point Story 1980-1986, ‘I wanted a new, progressive sounding band. I wanted a Jamaican rhythm section with an edgy mid range and a brilliant synth player.’ That's what he got, and more, and it made -- or, in the case of Talking Heads and Tom Tom Club, enhanced -- some of the most advanced and adventurous music of the '80s, a great deal of which went down a storm in clubs across the planet. ...”

Russian Interference in 2020 Included Influencing Trump Associates, Report Says

 
The declassified report included details about election interference efforts by adversaries such as Russia and Iran.

“President Vladimir V. Putin of Russia authorized extensive efforts to hurt the candidacy of Joseph R. Biden Jr. during the election last year, including by mounting covert operations to influence people close to President Donald J. Trump, according to a declassified intelligence report released on Tuesday. The report did not name those people but seemed to refer to the work of Mr. Trump’s former personal lawyer Rudolph W. Giuliani, who relentlessly pushed accusations of corruption about Mr. Biden and his family involving Ukraine. ...”

Manet: Three Paintings from the Norton Simon Museum

 
“Considered the father of Impressionism, Post-Impressionism, and, by some, twentieth-century abstraction, Édouard Manet (1832–1883) was a revolutionary in his own time and a legend thereafter. Beyond his pivotal role in art history as the creator of such iconic masterworks as Olympia (1862–63) and Luncheon on the Grass (1863), Manet’s vision has come to define how we understand modern urban life and Paris, the so-called ‘capital of the nineteenth-century.’ Next fall the Frick will present three Manet canvases from the collection of the Norton Simon Museum in Pasadena, California, marking the first time the paintings will be exhibited together elsewhere since their acquisition. The exhibition will present the paintings as examples encapsulating three ‘views’ of the artist’s life and work. ...”

Imagining Nora Barnacle’s Love Letters to James Joyce Image

James Joyce and Nora Barnacle, seated on a wall in Zurich.

“The fact is no one should be able to read the intimate words that anyone writes to their partner—those outpourings are composed for two people only: the lover and the loved. But when you’re writing a novel about Nora Barnacle and James Joyce, and the letters are published and are, well, just there, they become impossible to ignore. Whenever I told anyone I was writing a bio-fictional novel about Nora and Joyce, they would remark, with glow-eyed glee, ‘Oh, no doubt you’ll include the letters.’ And, yes, I have included them. But not quite as you might think. ...”

The Story Behind the Iconic Bass-Smashing Photo on the Clash’s London Calling

 
Pennie Smith was not a fan. Maybe that’s what made her the perfect photographer for The Clash. ‘She was never particularly into rock music,’ writes Rob Walker at The Guardian; she wasn’t starstruck or overawed by her subjects; and she also wasn’t even particularly in love with the most famous shot of her career — the iconic photo of bassist Paul Simonon raising his Fender Precision at New York’s Palladium, seconds before smashing it to bits.  ...”

N.C.A.A. Tournament Brackets: A Guide to the Madness

“Chaos is coming. A promise of every March but one since 1939 — that the N.C.A.A. basketball tournaments will thrill, infuriate, delight and fuel delusions of every sort — is about to have its pandemic-era test. But no one really doubts that the tournaments, assuming they happen as planned, will conjure up the full range of emotions that can make college basketball fans a proudly obsessive lot. No matter your level of fandom, here’s what you need to know about filling out your brackets, how the tournament will operate, where to watch the games, and more. ...”

Best Alt.Country Musicians: 10 Essential Artists

 
“The musicians who came to define the alt.country boom of the late 80s and 90s believed themselves to be outside of the country music establishment and its ethos of the time. As Lucinda Williams, one of the best alt.country musicians of the era, put it, ‘I definitely don’t feel a part of what I call the straighter country music industry of Nashville. I’m definitely not connected with that world. I guess I’m sort of considered an outlaw here, along with Steve Earle.’ The term alt.country (sometimes dubbed ‘insurgent country’) describes a number of musicians who eschewed the pop-infused country music that had begun to take hold in the late 70s and 80s. Though its roots reach back to country music icons such as Hank Williams, Merle Haggard, Waylon Jennings and Willie Nelson, the most direct relevant forerunners to alt.country are Gram Parsons and The Flying Burrito Brothers, who were playing a mix of traditional country music and rock from the late 60s. ...”

Tracing Berenice Abbott’s steps in today’s Bowery

 
“After spending the 1920s as a cutting edge portrait photographer in Paris, Berenice Abbott returned to the United States to find that her documentary-like style of photography was out of fashion. In New York, Abbott ‘was unable to secure space at galleries, have her work shown at museums, or continue the working relationships she had forged with a number of magazine publications,’ states the Smithsonian’s National Museum of American History. Lucky for Abbott—and for fans of her unromanticized images that speak for themselves—the Federal Art Project came calling. In 1935, it gave her the means to photograph the streets, buildings, and people of New York City. More than 300 resulting images were collected in Changing New York, published in 1939. ...”

Police Shrugged Off the Proud Boys, Until They Attacked the Capitol

 
Trump supporters stormed Congress on Jan. 6 to thwart the certification of the presidential election, leading to the deaths of five people.

A protester was burning an American flag outside the 2016 Republican convention in Cleveland when Joseph Biggs rushed to attack. Jumping a police line, he ripped the man’s shirt off and ‘started pounding,’ he boasted that night in an online video. But the local police charged the flag burner with assaulting Mr. Biggs. The city later paid $225,000 to settle accusations that the police had falsified their reports out of sympathy with Mr. Biggs, who went on to become a leader of the far-right Proud Boys. Two years later, in Portland, Ore., something similar occurred. A Proud Boy named Ethan Nordean was caught on video pushing his way through a crowd of counterprotesters, punching one of them, then slamming him to the ground, unconscious. Once again, the police charged only the other man in the skirmish, accusing him of swinging a baton at Mr. Nordean. ...”

Mr. Biggs pummeled Gregory Johnson, above, a member of the Communist Party who burned the American flag at a protest in 2016.

Guedra Guedra: Vexillology review – splicing Moroccan culture with sub-bass

 
“From the spiritual polyrhythms of gnawa to the looping vocalisations of Sufism and the percussive tessellations of Berber folk, the world of north African cultures meet in the music of Morocco. Producer Abdellah M Hassak, AKA Guedra Guedra, has taken these rhythms as the core of his work. His name comes from the Berber dance music performed on the guedra drum; his debut EP, 2020’s Son of Sun, explored these diffuse roots through a dancefloor filter, with added field recordings and electronic Midi sequencing, a junglist collage that straddles tradition and contemporary dance musics. ...”

SoundCloud (Audio)

The Misfits - written by Arthur Miller, directed by John Huston (1961)

The Misfits is a 1961 American drama western film written by Arthur Miller, directed by John Huston, and starring Clark Gable, Marilyn Monroe, and Montgomery Clift. The supporting cast features Thelma Ritter, Eli Wallach and Kevin McCarthy. The Misfits was the last completed film for both Clark Gable and Marilyn Monroe. For Gable, the film was posthumously released, while Monroe died in 1962. The plot centers on a newly divorced woman (Marilyn Monroe) and her time in Reno and Northern Nevada, spent with her friendly landlady Isabelle Steers (Thelma Ritter), an old school cowboy (Clark Gable), the cowboy's tow truck-driving and plane-flying friend (Eli Wallach) and their rodeo-riding, bronc-busting friend (Montgomery Clift) in Dayton, Nevada, and in the western Nevada desert in 1960. ... The making of The Misfits was troublesome on several accounts, not the least of which was the sometimes 100 °F (38 °C) heat of the northern Nevada desert and the breakdown of Monroe's marriage to writer Arthur Miller. Miller revised the script throughout the shoot as the concepts of the film developed. Meanwhile, while her marriage to Arthur Miller had issues, Marilyn Monroe was drinking too much after work, and was using prescription drugs; according to Huston in a 1981 retrospective interview, he was ‘absolutely certain that she was doomed’ a conclusion he reached while working on the film. ... Huston shut down production in August 1960 when Monroe went to a hospital for relaxation and depression treatment. ...”

The City Review

“John Huston’s The Misfits is a studious, daring vision of American life depicting the same type of protagonists that always appealed to the great filmmaker—people who could be easily called losers, but whose streak of idealism and hopefulness, in the midst of their isolating displacement, makes them attractive and quite easily relatable for the audience. The status of this 1961 drama gained an additional burst by the fact that it was the last film Clark Gable and Marilyn Monroe ever worked on, but its value hardly lies in trivialities like this. The main strengths of Huston’s celebrated film can be found in superb acting by Monroe, Gable, Montgomery Clift and Thelma Ritter, as well as Arthur Miller’s genuinely inspired script and director of photography Russell Metty’s astonishing black-and-white visuals. In its production phase, the film basically had to go through hell. ...” John Huston’s ‘The Misfits’ stands tall as a pearl of the sixties which isn’t going to fade into public oblivion any time soon (Video)

2012 June: Before Air-Conditioning (1998), 2014 December: The Crucible (1953), 2015 December: A View from the Bridge (1955), 2016 January: Arthur Miller’s Brooklyn, 2017 October: Death of a Salesman (1949), 2019 August: The Chelsea Affect

New Yorks Underground Societies | Cities of the Underworld

 
“Today, New York is the biggest city in the country... but it's got some dark secrets in its past. It was founded by covert groups, overrun with gangs and mob bosses, and ruled by secret societies. This is the true foundation of the city that never sleeps, and host Don Wildman is headed deep beneath the skyscrapers, taxicabs and street vendors into a New York that few have ever seen before. From a hidden Freemason tunnel and secret world of the Sandhogs, to mobster hideaways and gang escape routes, we're uncovering the secret societies that built New York--from the underground up.“

Arto Lindsay: Space, Parades, and Confrontational Aesthetics

 
“I first Met Arto Lindsay at a party I hosted at my house to preview a new set by my band Zs.  Of course it was an honor and a privilege to have the man in my house—founding the band DNA alone makes him a legend! Arto and I have a mutual friend, Arto’s manager Ryu Takahashi, and through him we had occasion to meet a number of times over the next couple of years.  As I got to know Arto and his work better, I began to appreciate the breadth of his artistic vision.  Not only had Arto founded arguably the most important band from New York’s early-’80s No Wave scene, he is a well-known figure in Brazilian pop, collaborator of Matthew Barney’s, leader of parades, and thrower of sounds in space. Alexis de Tocqueville has said that Americans ‘cut through the form to the substance.’  Punk, which is quintessentially American, does just that.  Born of an urgency around reaching people through disruptive and confrontational aesthetics and social practice, punk is inherently populist at the level of essence. ...”