The Sopranos - Season 5

"The fifth season of The Sopranos aired on HBO from March 7 to June 6, 2004. The fifth season was released on DVD in region 1 on June 7, 2005. The story of season five focuses on the return of two prominent members of the DiMeo family, Tony Blundetto and Feech La Manna, who are released from lengthy stays in prison and struggle to reintegrate themselves back within the family and the life of crime. Several prominent members of the Lupertazzi family also return from prison, and the subsequent power vacuum caused by the death of Boss Carmine creates a growing rift between the New York and New Jersey crime families. Tony and Carmela adjust to their new lives and each other following their separation, which greatly affects their son, A.J. Uncle Junior's mental health continues to deteriorate, and Adriana's guilt over her role as an FBI informant grows. ..."
Wikipedia
W - List of The Sopranos characters
RecapGuide
Top 5 Episodes: The Sopranos – Season 5 (Video)
The Sopranos: 10 Best Episodes Of Season 5, According To IMDb
The Closing Credits Song For Every Episode of The Sopranos (Season 5)(Video)
YouTube: The Sopranos Season 5, Tony owns Phil, Tony sees his painting at Paulies, Tony's Terrible Things, Ohs and Hos!

2020 July: The Sopranos - Season 1, 2020 July: Season 2, 2020 August: Season 3, 2020 August: Season 4

Humberto Solás - Lucía (1968)

"A breathtaking vision of Cuban revolutionary history wrought with white-hot intensity by Humberto Solás, this operatic epic tells the story of a changing country through the eyes of three women, each named Lucía. In 1895, she is a tragic noblewoman who inadvertently betrays her country for love during the war of independence. In 1932, she is the daughter of a bourgeois family drawn into the workers’ uprising against the dictatorship of Gerardo Machado. And in the postrevolutionary 1960s, she is a newlywed farm girl fighting against patriarchal oppression. A formally dazzling landmark of postcolonial cinema, Lucía is both a senses-stunning visual experience and a fiercely feminist portrait of a society journeying toward liberation. ..." (Orson Welles Cinema, Wikipedia, Cambridge, Boston. Bill: 1972-75)
Criterion
Interview with Humberto Solás: "Every point of arrival is a point of departure"
W - Lucía
MUBI (Video), Criterion Channel ($)

The B-Side: "Negro Folklore from Texas State Prisons," A Record Album Interpretation

Eric Berryman
"... The B-Side: 'Negro Folklore from Texas State Prisons,' A Record Album Interpretation (streaming through September 14 on the Wooster Group’s website) may consist mainly of men singing along with a record, but it is not a sing-along. It is a channeling of spirits. After briefly explaining his fascination with a 1965 LP titled Negro Folklore from Texas State Prisons and a book called Wake Up Dead Man: Hard Labor and Southern Blues, the performer Eric Berryman plays the record almost straight through, only breaking to read from the liner notes or the book and explain, for example, the type of work a song might be sung to or a historical fact about a character named in the chorus—like Jack of Diamonds, a monstrous prison guard said to have challenged the devil for control of hell. ..."
The Paris Review (Video)

Chantal Joffe: For Esme – With Love and Squalor

Poppy, Esme, Oleanna, Gracie and Kate, 2014
"Known for her expressive studies of women and children, these new large panels represent a move away from the intimacy characteristic of Chantal Joffe's previous work, and into a realm where the play between physical reality and imagery becomes more apparent. Her fluid and deliberately disintegrating painting style is carried out on a scale that boldly distorts the familiar figurative elements of her work, and serves to heighten the sense of the physicality of paint and the process of painting itself. ..."
Victoria Miro
Interview Magazine
Arnolfini
Apollo Magazine
W - Chantal Joffe

The Fighting Temeraire - J. M. W. Turner (1838)

"The Fighting Temeraire, tugged to her last berth to be broken up, 1838 is an oil painting by the English artist Joseph Mallord William Turner, painted in 1838 and exhibited at the Royal Academy in 1839. The painting depicts the 98-gun HMS Temeraire, one of the last second-rate ships of the line to have played a role in the Battle of Trafalgar, being towed up the Thames by a paddle-wheel steam tug in 1838, towards its final berth in Rotherhithe to be broken up for scrap. The painting hangs in the National Gallery, London, having been bequeathed to the nation by the artist in 1851. ... When Turner came to paint this picture he was at the height of his career, having exhibited at the Royal Academy, London, for 40 years. He was renowned for his highly atmospheric paintings in which he explored the subjects of the weather, the sea and the effects of light. ..."
Wikipedia
National Gallery - J.M.W. Turner: Painting The Fighting Temeraire (Video)
Turner, The Fighting Temeraire

November 2007: J. M. W. Turner, 2009 April: Turner & Italy, 2011 June: J. M. W. Turner - 1, 2014 June: In Which We Find His Theory Of Color Implausible, 2014 September: The EY Exhibition: Late Turner – Painting Set Free, 2015 May: Mr. Turner (2014), 2018 November: The Slave Ship (1840), 2018 December: Turner and Constable: The Inhabited Landscape

Best of Perception & Today Records (2012)

"... Perception Productions, a New York based label that ran from the late 60s through until 1974, was a strangely eclectic affair. Its roster stretched from a radical Afro-American poet through to the pop band King Harvest whose hit ‘Dancing In The Moonlight’ became a massive hit for the UK band Toploader a couple of decades later. The inbetween points covered jazz, funk, vocal harmony soul and proto-disco. ... When they started up the label their initial signings suggested that the black high arts were their true love. The first year saw Shirley Horn, James Moody and the most famous of them all Dizzy Gillespie signed in quick succession. Gillespie is one of African-American music’s most important figures, who in the 1940s alongside Charlie Parker figureheaded the revolutionary changes in jazz that were labeled Bebop. ..."
Holland Tunnel Dive
Bandcamp (Audio)
YouTube: The Best of Perception and Today Records 2:01:13

Trump Called the Coronavirus ‘Deadly’ in Private While Minimizing Its Risks in Public, Book Reveals

"President Trump acknowledged to the journalist Bob Woodward that he had knowingly played down the coronavirus earlier this year even though he was aware it was 'deadly' and vastly more serious than the seasonal flu. 'This is deadly stuff,' Mr. Trump said on Feb. 7 in one of a series of interviews Mr. Woodward conducted with the president for his upcoming book, 'Rage.' The Washington Post and CNN were given advance copies of the book and published details on Wednesday. CNN also provided audio of some of Mr. Trump’s exchanges with Mr. Woodward. ... Joseph R. Biden Jr., Mr. Trump’s Democratic opponent, excoriated the president over the report. 'He knew and purposely played it down,' Mr. Biden said during a speech in Warren, Mich., Wednesday afternoon. 'Worse, he lied to the American people.' ..."
NY Times (Video)
NBC - Meet the Press Blog: Latest news, analysis and data driving the political discussion

Bob Woodward

"I've Seen That Face Before (Libertango)" - Grace Jones (1981)

"'I've Seen That Face Before (Libertango)' is a single by Jamaican singer Grace Jones, released in 1981. The song is a reworking of Astor Piazzolla's 'Libertango'. It has sold 146,800 copies in France. The song juxtaposes 'Libertango', an Argentine tango classic written by composer and bandoneonist Astor Piazzolla (first recorded by Piazzolla himself in 1974), against a reggae arrangement and new lyrics penned by Jones herself and Barry Reynolds. Lyrically, it describes the darker side of Parisian nightlife. The song includes spoken parts in French: 'Tu cherches quoi? À rencontrer la mort ? Tu te prends pour qui ? Toi aussi tu détestes la vie...' which translates 'What are you looking for? For death? Who do you think you are? You hate life, you too...' ..."
W - "I've Seen That Face Before (Libertango)"
Discogs (Video)
YouTube: I've Seen That Face Before (Libertango)

Central Park Birder Turns Clash Into Graphic Novel About Racism

"We’ve all seen the video by now: Amy Cooper, a white woman, lying to police about Christian Cooper, a writer and longtime birder who politely asked her to move her dog out of a part of Central Park designated for birdwatching. Now, he’s written a graphic novel about birdwatching for DC Comics, who just made the first chapter available online (with the rest of the book set to publish next year). It’s a Bird is the story of Jules, a young Black birdwatcher whose binoculars show him the stories of Amadou Diallo, Breonna Taylor, and George Floyd. ..." (Renata D.)
LitHub
NY Times: Central Park Birder Turns Clash Into Graphic Novel About Racism
W - Central Park birdwatching incident
The Nation - Birding While Black: Just the Latest Bad Reason for White People to Call Police
YouTube: Central Park Birder Turns Clash Into Graphic Novel About Racism

Birder Christian Cooper

Roman Britain - The Work of Giants Crumbled

"Fall of Civilizations tells the story of what happens when societies collapse. A history podcast looking at the collapse of a different civilization each episode. What did they have in common? Why did they fall? And what did it feel like to watch it happen? Each episode, we look at a civilization that rose to glory, and then collapsed into the ashes of history. We ask: Why did it collapse? What happened next? And what did it feel like to be a person alive at the time? A vast ruined bath house, a fire-damaged poem and a world teetering on the brink of collapse. In this episode, we look at the collapse of Roman Britain. Find out how a great civilization grew up almost overnight on the island of Britannia, how it endured the test of centuries against barbarian invasions and foolish rulers, and what happened after its final dramatic collapse. ..."
Adam Smith (Video)
Soundcloud (Audio)
YouTube: Roman Britain - The Work of Giants Crumbled 1:03:29

VP Records

"VP Records is an independent Caribbean-owned record label in Queens, New York. The label is known for releasing music by notable artists in reggae, dancehall and soca. The VP Records label was founded in 1979 by the late Vincent 'Randy' Chin and his wife Patricia Chin, who owned the Randy's Records store in Kingston, Jamaica (as seen in the 1978 film Rockers), as well as the Studio 17 recording studios. In the mid-1970s, the Chins moved to New York City, setting up a record store in Brooklyn called VP Records in 1975, from which they sold and distributed records. In 1979, they relocated the store to Jamaica, Queens. ..."
Wikipedia
Red Bull: How a Kingston record store powered the Jamaican dancehall culture of today
Discogs (Video)
YouTube: VP 35th Anniversary Pop-Up Exhibit

Vincent and Pat Chin in the 1980s. Image via VP Records

Curtis Mayfield - New World Order (1996)

"In 1990, Curtis Mayfield was struck by a falling lighting rig during an outdoor concert in New York, leaving him paralyzed from the neck down. New World Order was the gospel-tinged soul pioneer's triumphant return, his first and final studio release since the incident. In order to record his final album, he positioned his broken body by laying on his back so that he could intake the necessary oxygen to sing, one painstaking line at a time. ... With a team of contemporary R&B producers beside him to do the physical work he was no longer capable of, Mayfield miraculously delivered the album with stunning vocal delivery. The album's lyrical urgency and poetic prowess underscored the album's true musical power - the undeniable persevering power of Mayfield himself. ..."
Soul Music (Video)
W - New World Order
Genius (Audio)
Discogs (Video)
amazon
YouTube: New World Order (Official Music Video), New World Order 13 videos

2013 June: Roots (1971), 2014 May: Super Fly (1972), 2014 July: There's No Place Like America Today (1975), 2014 September: Back to the World (1973), 2014 October: Omnibus (1995), 2015 March: "Freddie's Dead" (1972), 2019 January: Don’t Worry) If There’s A Hell Below, We’re All Going To Go (1970)

‘Loft Jazz: Improvising New York in the 1970s’ Explores a Vital Chapter in Downtown History

L–R: Ted Daniel, Milford Graves, Frank Lowe, Juma Sultan, Noah Howard, James DuBoise, unknown, Sam Rivers, and Ali Abuwi outside Studio We, 1973
"In the late 1960s and 1970s, with New York City’s socioeconomic scaffolding rickety and near collapse, abandoned industrial spaces in Lower Manhattan were buttressed by artists. Painters, appropriators, and sculptors converted nineteenth-century sweatshops into studios, and dance-happy DJs turned these same buildings into the first cathedrals of disco. One of the most fecund, though least documented, scenes was chiseled out by jazz musicians, most young, black, and with eclectic leanings. These post-Coltrane free players, and free thinkers — shunned by a mainstream in the midst of commodifying the 'counterculture' — lived, rehearsed, and performed in these loft spaces, usually in or around Soho. ..."
Voice
NY Times - Jazz Lofts: A Walk Through the Wild Sounds By Stanley Crouch (April 17, 1977)
W - Loft jazz
new york’s free jazz loft scene, with tom marcello’s photos from studio rivbea
University of California - Loft Jazz: Improvising New York in the 1970s by Michael C. Heller, amazon

Meet the “artist laureate” of the East River

“Henderson Houses”
"The East River—its bridges, boats, and natural beauty—has inspired centuries of artists. But few have depicted the river with the richness and romanticism of Woldemar Neufeld. Neufeld’s journey to New York City was marked by tragedy. Born in Southern Russia in 1909, his Mennonite family immigrated to Waterloo, Ontario, after his father was executed by the Bolsheviks in 1920 following the Russian Revolution, states the Waterloo Public Library. After establishing himself as an artist in 1933, he continued studying at the Cleveland Institute of Art and Case Western Reserve University. In the mid-1940s, he, his wife, and his young family moved to Manhattan. ..."
Ephemeral New York
Woldemar Neufeld

“East River in Winter”

Today Belongs to Workers

"For most Americans, Labor Day marks a change in the seasons: summer has ended, football is about to begin, and millions of students return to school. Celebrations consist of taking advantage of deep discounts on patio furniture and mattresses. Not that there’s much political enthusiasm for Labor Day on the Left, either. Many depict it as a tokenistic 'gift' from capitalist politicians who wanted a sanitized May Day, that could capture militancy and disperse it into 'responsible' channels. This narrative calls Labor Day a 'bosses’ holiday' that marks the working class’s historic defeat. This not only misrepresents the day’s history, but also forces us to choose one holiday over the other, as if there were not enough room on the calendar for two days that celebrate workers. ..."
Jacobin
W - Labor history of the United States

2015 September: Take a Labor Day Tour of Blue-Collar Art, 2018 September: When Labor Day Meant Something

Battle of Crécy

The Battle of Crécy, from a 15th-century illuminated manuscript of Jean Froissart's Chronicles
"The Battle of Crécy (known in some older English sources as 'Cressy') took place on 26 August 1346 in north-east France between a French army commanded by King Philip VI and an English army led by King Edward III. The French attacked the English while they were traversing northern France during the Hundred Years' War resulting in an English victory and heavy loss of life among the French. ... The English then laid siege to the port of Calais. The battle crippled the French army's ability to relieve the siege; the town fell to the English the following year and remained under English rule for more than two centuries, until 1558. Crécy established the effectiveness of the longbow as a dominant weapon on the Western European battlefield. ..."
Wikipedia
YouTube: Hundred Years' War: Battle of Crecy 1346

Map of the route of Edward III's chevauchée of 1346

Young Marble Giants- Wurlitzer Jukebox (1979)

"Most music – well, unless it is totally experimental and off the wall – has roots. You can see where it has come from, what influences play upon it, what the inspiration is. With the benefit of hindsight you can also see where it was going, what it would lead to. There is none of this with Young Marble Giants. They can’t be compared to anybody else – either in their past or their future. They arrived in 1978, split up in 1980, and released one album and two EPs. YMG were like nothing before and since. Colossal Youth (the album) was their first release i.e. before the EPs and it turned up in 1980, like nothing else at the time, so different, but perfectly formed. It was if they had followed a different path to get where they were; it was just a different kind of music. ..."
Toppermost (Video)

2015 August: Young Marble Giants

Cooking with Italo Calvino - Valerie Stivers

The piecrust Tower of Babel. From the bottom: plain, chocolate almond, rosemary, oatmeal, and mascarpone.
"In the novel The Baron in the Trees, by Italo Calvino (1923–1985), Cosimo Piovasco di Rondò, a young man from a noble family, apple of his parents’ eyes, climbs a tree one night during dinner—because he is refusing to eat his dinner—and then never comes down for the rest of his life. It’s a strong stance on a meal. It’s also a strong stance on our world, 'the world as it is,' as Calvino once wrote in a letter. The young baron retreats because he is revolted by the decadence, provincialism, militarism, stupidity, and corruption of his aristocratic family, who serve, among other things, as a stand-in for the Italian Communist Party. ..."
The Paris Review

2020 April: Invisible Cities (1972)

Lynn Varnado ‎– Tell Me What's Wrong With The Men (1973)

"Producer Miles Grayson was behind some of the most in-demand and impossible to find funk and soul records to emerge from the US West Coast. One of his discoveries was Lynn Varnado, known today for her northern soul masterpiece ‘Wash And Wear Love’. As that 45 is so expensive, the B-side ‘Tell Me What’s Wrong With The Men’ rarely gets the exposure it deserves. This 7-incher should rectify that. To make it even more irresistible, the flip features her first-time-on-single sister funk masterpiece ‘Staying At Home Like A Woman’."
Ace Records
Discogs (Video)
YouTube: Tell Me What's Wrong With The Men, Wash And Wear Love, AIN'T THAT SOMETHING, Second Hand Love + Staying At Home Like A Woman, Staying At Home Like A Woman

40 Years Later, Reggae’s Heart Still Beats in the Bronx

Lloyd Barnes
"Lloyd Barnes carried a shopping bag full of cleaning supplies up to a humble recording studio tucked above a financial services center and a Caribbean restaurant in the Eastchester neighborhood of the Bronx. A colleague was in a session with a dancehall vocalist, and Barnes pointed out his most recent nonmusical project, a custom-upholstered sofa embroidered with his record label’s logo: a dreadlocked Lion of Judah with its tail cocked up aggressively, and a flag displaying a star of David next to the name Wackie’s. ..."
NY Times
The Complete Force: Wackies, A Primer (Video)
W - Wackies, W - Lloyd Barnes
Discogs
YouTube: Wackies Sampler vol 1 1:11:15, Wackies Sampler vol. 2 1:14:28, Wackies Sampler vol. 3 1:19:20

Trump: Americans Who Died in War Are ‘Losers’ and ‘Suckers’

Donald Trump greets families of the fallen at Arlington National Cemetery on Memorial Day 2017.
"When President Donald Trump canceled a visit to the Aisne-Marne American Cemetery near Paris in 2018, he blamed rain for the last-minute decision, saying that 'the helicopter couldn’t fly' and that the Secret Service wouldn’t drive him there. Neither claim was true. Trump rejected the idea of the visit because he feared his hair would become disheveled in the rain, and because he did not believe it important to honor American war dead, according to four people with firsthand knowledge of the discussion that day. In a conversation with senior staff members on the morning of the scheduled visit, Trump said, 'Why should I go to that cemetery? It’s filled with losers.' In a separate conversation on the same trip, Trump referred to the more than 1,800 marines who lost their lives at Belleau Wood as 'suckers' for getting killed. ..."
The Atlantic

Octavio Paz

"Octavio Paz Lozano (March 31, 1914 – April 19, 1998) was a Mexican poet and diplomat. For his body of work, he was awarded the 1981 Miguel de Cervantes Prize, the 1982 Neustadt International Prize for Literature, and the 1990 Nobel Prize in Literature.  ... A prolific author and poet, Paz published scores of works during his lifetime, many of which have been translated into other languages. His poetry has been translated into English by Samuel Beckett, Charles Tomlinson, Elizabeth Bishop, Muriel Rukeyser and Mark Strand. His early poetry was influenced by Marxism, surrealism, and existentialism, as well as religions such as Buddhism and Hinduism. ..."
Wikipedia
New Directions
Return (An Etching for Octavio Paz)
NYBooks: In a Cuban Prison - Jean-Paul Sartre, Michel Foucault, Simone de Beauvoir, Claude Roy, and Phillippe Sollers, et al.
W - The Labyrinth of Solitude, [PDF]
Bill Moyers - A Poet a Day: Octavio Paz (Video)

Peter Adjaye #6

"In VF Live, our favourite collectors take you inside their homes, record shops, and studios, for intimate mixes and performances. Sound artist Peter Adjaye returns for His sixth set, diving into his collection of post-colonial African records. 'This is my return to ever growing research into the post-colonial independence music of Africa,' says Adjaye. 'This set really reaches all four corners and these musicians stand tall in the musical history of the mighty continent: all the way east to west to south — from Mali, Ethiopia, South Africa, Ghana to Burkina Faso.' Watch and listen to the set above, and check out the tracklist below. ..."
The Vinyl Factory (Audio)
The Vinyl Factory: Peter Adjaye (Audio)
W - Peter Adjaye
YouTube: VF Live: Peter Adjaye #6

The Story of Fascism: Rick Steves’ Documentary Helps Us Learn from the Hard Lessons of the 20th Century

"From Rick Steves comes a thought-provoking documentary that revisits the rise of fascism in Europe, reminding us of how charismatic figures like Benito Mussolini and Adolf Hitler came to power by promising to create a better future for their frustrated, economically-depressed countries--a future that recaptured the glory of some mythologized past. Once in power, these fascist leaders replaced democracy with a cult of personality, steadily eroded democratic norms and truth, ratcheted up violence, and found scapegoats to victimize--something facilitated by the spread of conspiracy theories and propaganda through modern media. They would lead their nations into war, and ultimately ruin, but not before creating a playbook for other charismatic autocrats who entice voters with simplistic solutions to complex problems. ..."
Open Culture (Video)
Rick Steves: Fascism in Europe 1:00, The Story of Fascism in Europe 59:19
NYBooks: Ur-Fascism - Umberto Eco (June 22, 1995)

Arsenal: Surrealist Subversion

"Surrealism began, point blank, with life-and-death questions that everyone else ignored or pretended to ignore: questions of everyday life, suicide, madness, nature, poetry, love, language, and absolute revolt. The most audacious dreams of centuries suddenly were dreamed anew and brought to fruition in this new and unexpected 'communism of genius' that plunged its roots deep in the manifold forms of outlawed subjectivity. Here was a dialectical leap of world-historical implications, transforming once and for all the conditions of thought, art, poetry, and life itself. ..."
From a Secret Location
W - Arsenal/Surrealist Subversion
W - Franklin Rosemont
[PDF] Arsenal 1

Tangier Days: the Edes in Morocco, 1936-52

Jim and Helen Ede in Tangier, c. 1937
"We are delighted to share with you our latest series, ‘Tangier Days: the Edes in Morocco, 1936-52’. Drawing on material from the Kettle’s Yard Archive and Swan family archive, the series takes a closer look at the years Jim and Helen Ede – Kettle’s Yard’s creators – spent living in Tangier, Morocco. ... ‘Whitestone’, the Edes’ new house in Tangier, could not have been more different to Hampstead: radical in its modernist design, perched on a high ridge of land with views stretching far across the surrounding landscape. Nevertheless, the Edes continued their habit of surrounding themselves with people that interested them. Their home once again became a social hub for the community of expat writers, artists, socialites and diplomats that had flocked to Tangier – then an ‘International Zone’ – and its promise of cosmopolitan freedom. ..."
Kettles Yard
W - Jim Ede

1942 map of Tangier, showing Sidi Amar and 'the Mountain'

‘Doc At The Radar Station’: How Captain Beefheart Came Back Fighting Fit

"As the 80s rolled around, many iconic artists from the 60s would struggle to find their place in the decade. Captain Beefheart, however, though boasting a 60s discography that re-wrote what was possible for a mere three-minute song, came back revitalized. The punk and new wave scenes of the late 70s and early 80s had embraced his creative freedoms, while Beefheart himself, after seemingly turning his back on boundary-pushing music, unleashed a late-period Magic Band that asserted his credentials as one of rock’s true visionaries. They super-charged themselves for 1980’s Doc At The Radar Station, released in August 1980 as his penultimate album. ..."
udiscover (Audio)
The Quietus: The Best Batch Yet? Captain Beefheart's Doc At The Radar Station Revisited (Video)
YouTube: Doc At The Radar Station 12 videos

2009 October: Captain Beefheart, 2010 December: Captain Beefheart, Art-Rock Visionary, Dead At 69, 2011 October: Interview with Captain Beefheart, 2013 August: This Is The Day (1974-Old Grey Whistle Test), 2014 July: Safe as Milk (1967), 2014 August: Some YoYo Stuff: An observation of the observations of Don Van Vliet by Anton Corbijn (1993), 2015 January: It Comes to You in a Plain Brown Wrapper, 2016 November: Doc at the Radar Station (1980), 2017 October: Works on Paper, 2017 November: How Nona Hendryx Captured the World of Captain Beefheart

Charles Lloyd - 8: Kindred Spirits (Live From the Lobero)

"A staggering statement of will and love, 8: Kindred Spirits (Live at The Lobero) big bangs from thin air with 'Dreamweaver,' a twenty-one minute excursion that doubles down on Charles Lloyd's casually grand schemata that anything and everything goes, that as long as we're all in the music's same head space we can know peace. It's how he's gotten by to where he is in his moment: balancing life's blues and cantors, its whiplash and zeal, within a free-form framework accessible to everyone's ear and, by way of human biology, everyone's head. ..."
All About Jazz (Audio)
NY Times: Charles Lloyd Revels in the Flow on a Stellar Live Album
W - 8: Kindred Spirits (Live From the Lobero)
Discogs (Video)
amazon
YouTube: Dream Weaver (Live), Requiem (Live From the Lobero Theatre), La Llorona (Live)

Joseph Cornell, Our Queequeg

Exhibition view, “Objects by Joseph Cornell,” Copley Galleries, September 28–October 18, 1948.
"I knew Joseph Cornell just a little bit and saw him only a few times. To Julien Levy must go the credit for having discovered him as an artist. I can only take credit for having responded to him with a bang as early as about 1947. As I remember, I met him as he was coming off an elevator and I was leaving the old Hugo Gallery, where I’d been with Iolas laying some groundwork for a gallery I was going to open in Beverly Hills. He was carrying two shopping bags full of boxes and Iolas must have introduced us, as I remember following them back into the gallery. I saw what was in the shopping bags and managed to buy an entire exhibition from Joseph—roughly fifty pieces. I think the deal was consummated at a nearby ice cream parlor. Cornell was gaunt and gray and shabby. ..."
The Paris Review

Announcement and exhibition catalogue for “Objects by Joseph Cornell,” Copley Galleries, 257 North Canon Drive, Beverly Hills, September 28–October 18, 1948.

2007 November: Joseph Cornell, 2011 April: Rose Hobart (1936), 2012 December: Joseph Cornell's Manual of Marvels, 2015 May: Joseph Cornell: Navigating The Imagination, 2016 January: Joseph Cornell: Worlds in a Box (1991), 2009 April:Stan Brakhage, 2011 December: Burial Path/The Process/The Machine of Eden, 2012 August: The Dante Quartet (1987) - Stan Brakhage, 2016 July: Gnir Rednow (1960) - Joseph Cornell / Stan Brakhage, 2018 May: Bookstalls (1930s)

The Sublime World Of Leonard Bernstein’s Broadway Productions

"Next to the great George Gershwin, no other American composer can claim to have worked across as many musical genres, except for Leonard Bernstein. A musical genius who enlightened our lives, Leonard Bernstein (August 25, 1918 – October 14, 1990) seemed equally at ease in classical, theatre, jazz and, in at least one instance (Elia Kazan’s On The Waterfront) film scores; across them all, his work was consistently compelling, singular and sublime. Here’s a look at how one of America’s greatest composers conquered the Broadway stage and beyond. ..."
udiscover (Video/Audio)
Vanity Fair: Leonard Bernstein, Jerome Robbins, and the Road to West Side Story
W - West Side Story
W - Leonard Bernstein, W - Jerome Robbins
Discogs, amazon: Bernstein On Broadway

Left, Jerome Robbins, photographed in his apartment in N.Y.C. by Philippe Halsman, 1959; right, director-choreographer Robbins on the set of West Side Story with Chakiris and Verso.

2017 October: How Bernstein shook up the status quo with ‘On the Waterfront’

The True Cost of Lionel Messi’s Declaration of Independence

"... This is what Messi was giving up on Tuesday when he and his representatives sent Barcelona official confirmation of his intention to leave the club. He is not just ending a relationship with the club that spans two decades, that has seen him transformed from a 13-year-old kid signed on a contract written on the back of a napkin into, arguably, the finest player soccer has ever seen. He is not just breaking a bond between player and team that has come to seem symbiotic. Barcelona is not Barcelona without Messi. But would Messi be Messi without Barcelona? He lifted this team to greatness, this club to unmatched prominence, but the converse was also true for a long time: Barcelona was not just his platform, his stage, it was a character in his story. ..."
NY Times